Catherine Couturier Gallery in Houston is presenting "Interpolation," the first solo exhibition in the city for Dutch-born, London-based artist Sander Vos, running from May 16 to June 20, 2026. The show features photographs that deconstruct portraits and everyday objects through layering and spatial manipulation, drawing on Cubist influences and blending digital and analog processes.
The exhibition "Monuments" opens on 23 October in Los Angeles, co-curated by Hamza Walker, Bennett Simpson, and artist Kara Walker, and staged at both the Museum of Contemporary Art, Los Angeles (MOCA) and the Brick. It features nearly 20 decommissioned Confederate statues—including the melted-down Robert E. Lee monument from Charlottesville—displayed alongside contemporary works by artists such as Leonardo Drew, Martin Puryear, Nona Faustine, Kahlil Robert Irving, Bethany Collins, and Walter Price. The show was inspired by the 2017 Unite the Right rally and the subsequent removal of dozens of monuments across the US.
The Museum of the City of New York (MCNY) is launching a new research project to re-examine a 17th-century shipwreck discovered during a 1916 subway dig in Lower Manhattan. The wreck, long believed to be the Dutch ship *Tyger*—one of the earliest European vessels to anchor in New York Harbor—was excavated by subway foreman James A. Kelly and later donated to MCNY in the 1940s. In partnership with the Cultural Heritage Agency of the Netherlands (RCE), the museum will apply advanced scientific techniques, including dendrochronology and wood species analysis, to the ship's timbers to confirm their origins and better understand the vessel's history.
The New York Historical will present 'Old Masters, New Amsterdam' from May 1 to August 30, 2026, a first-of-its-kind exhibition using 17th-century Dutch paintings by Rembrandt van Rijn, Frans Hals, Jan Steen, and their contemporaries to envision life in the Dutch settlement that became New York. Featuring over 60 paintings, including works from the Leiden Collection and loans from institutions such as the Museum of Fine Arts Boston, National Gallery of Art, and Virginia Museum of Fine Arts, the exhibition marks the 400th anniversary of New Amsterdam's founding and the U.S. 250th anniversary.
The 27th edition of Art Rotterdam took place at the Rotterdam Ahoy, featuring over 150 galleries with a heavy emphasis on the Dutch art scene. This year’s fair was marked by a strategic integration with the photography fair Unseen and coincided with major local developments, including the relocation of the Nederlands Fotomuseum to its new 'Santos' home and the opening of the Fenix Museum of Migration. Notable presentations included Sakir Khader’s poignant photography of Palestinian resistance at No Man's Art Gallery and Shimon Kamada’s atmospheric oil paintings at Diez Gallery.
The European Fine Art Fair (Tefaf) continues to be held in the relatively remote Dutch city of Maastricht, despite logistical challenges like transport strikes and limited hotel options. The fair's organizers and the city actively resist recurring suggestions to relocate to a more accessible hub like Brussels, citing a commitment to the location and undisclosed financial support from local authorities.
The Netherlands will return a 3,500-year-old Pharaonic bust to Egypt, as announced by Dutch Prime Minister Dick Schoof to Egyptian President Abdel Fattah al-Sisi during the opening ceremony of the Grand Egyptian Museum (GEM) in Giza. The sculpture, depicting a high-ranking official from the reign of Pharaoh Thutmose III, was spotted for sale at an art fair in 2022 and later seized by Dutch authorities after an anonymous tip revealed it had been looted from Egypt. The art fair trader voluntarily renounced the piece, and the bust will be handed over to Egypt's ambassador to the Netherlands by year's end.
A 19th-century condom printed with a bawdy scene depicting a nun and three clergymen is on display at the Rijksmuseum in Amsterdam as part of the exhibition “Safe Sex?” The Catholic foundation Civitas Christiana staged a two-day protest outside the museum and launched a petition with over 1,000 signatures demanding the object's removal, calling it a grotesque insult to God, the Catholic Church, and the Dutch nation. Right-wing publications like De Dagelijkse Standaard have supported the protest, drawing comparisons to restrictions on depictions of Mohammed.
Die Wiederentdeckung der Alten Meisterinnen
The Museum of Fine Arts Ghent (MSK) has launched a major exhibition titled "Unforgettable: Women Artists from Amsterdam to Antwerp, 1600–1750," showcasing over 40 female Baroque artists who were once highly successful but later faded into obscurity. The show highlights figures like Michaelina Wautier, who defied gender norms by painting large-scale history scenes and male nudes, and Rachel Ruysch, whose floral still lifes commanded prices rivaling those of Rembrandt. These women were not merely exceptions but active participants in the art market, running workshops and securing royal patronage across the Low Countries.
New York City’s museum landscape is entering a major spring season characterized by high-profile retrospectives, institutional reopenings, and the 82nd Whitney Biennial. Key highlights include a massive Raphael survey at the Metropolitan Museum of Art featuring over 200 works, the reopening of the expanded New Museum with a tech-focused exhibition on the future of humanity, and a major survey of sculptor Carol Bove at the Guggenheim. The season also features thematic shows exploring American folk art, Dutch Golden Age masterpieces, and the relationship between Frida Kahlo and Diego Rivera.
The Pinchuk Art Centre in Kyiv has transformed its Venice Biennale presentation from a glamorous celebration of young artists into a somber exhibition responding to the Russian invasion of Ukraine. This year's show, titled "Still Joy — From Ukraine into the World" (9 May-1 August) at the Palazzo Contarini-Polignac, features works by international artists like Tacita Dean and Julian Charriere alongside Ukrainian artists, as well as testimonials from soldiers collected by former marine Hlib Stryzhko. The exhibition explores how joy can persist amid trauma, with installations including pink scrolls bearing survivors' quotes, light box photographs of bombed interiors with rescued pot plants, and a sculpture of bells with displaced women's fingerprints.
This article explores the enduring fascination with Johannes Vermeer's "Girl with a Pearl Earring" (1665–67), examining the mystery of the unknown subject and the painting's history. It debunks popular theories about the sitter's identity, clarifying that the work is a "tronie"—a formal study of facial features, not a portrait—and traces Vermeer's life, his limited output of 34 known paintings, and his posthumous obscurity for 200 years before rediscovery in the mid-19th century.
The Dutch municipality of Maashorst accidentally threw out a valuable Andy Warhol silk-screen print of former Queen Beatrix, along with nearly 50 other artworks, during a town hall renovation. An independent investigation commissioned by the municipality, first reported by the New York Times, was inconclusive, and officials acknowledged the error in a letter to the council, stating that recovery of the missing works is unlikely. The Warhol print, from the Reigning Queens series (1985), is valued between $40,000 and $50,000.
Several national pavilions at the 2026 Venice Biennale shut down during the final preview day in a strike organized by the Art Not Genocide Alliance (Anga) protesting Israel's inclusion due to its war in Gaza. Pavilions from Belgium, the Netherlands, Austria, Japan, Macedonia, and Korea closed entirely, while others like Britain, Spain, France, Egypt, Finland, and Luxembourg partially closed or reopened later. Artists in the main exhibition added Palestinian flags and posters reading "Palestine is the future of the world." The Israeli pavilion was closed for a private event, and earlier in the week Pussy Riot staged a protest at the Russian pavilion.
Southwest Florida museums are hosting 31 exhibitions in December, including three new openings and two closings. Highlights include "Art Deco: The Golden Age of Illustration" at Sarasota Art Museum, featuring 100 rare posters from the Crouse Collection celebrating the Art Deco centennial; "Selina Roman: Abstract Corpulence," a photo-based installation exploring body politics and femininity; and Molly Hatch's site-specific ceramic installation "Amalgam" (2023-24), commissioned for the museum's "Inside Out" program. Other venues from Sarasota to Naples continue ongoing shows from their permanent collections and traveling exhibitions.
Southwest Florida museums are hosting a busy month of exhibitions in November, with four new shows opening, two closing, and 23 continuing. At the Sarasota Art Museum, highlights include "Art Deco: The Golden Age of Illustration," featuring 100 rare posters from the Crouse Collection by master graphic designers of the 1920s and 1930s, alongside sculptural works and Art Deco furniture. Also on view is "Selina Roman: Abstract Corpulence," a photography and abstraction series exploring beauty and body politics, and "Molly Hatch: Amalgam," a site-specific installation of over 450 hand-painted earthenware plates commissioned through the museum's Inside Out Program. The Museum of Whimsy is also set to reopen during this period.
Anglo-Dutch painter Nick Goss has opened a new exhibition at Josh Lilley Gallery, featuring eleven paintings inspired by Eel Pie Island, a private marshy area on the Thames in Twickenham with a bohemian past—including 1960s rock concerts by The Rolling Stones, The Who, and Pink Floyd, a hippie commune, and a 1972 fire. In an interview with Paul Carey-Kent, Goss discusses how he blends fact and fiction, combining sources from hotel corridors, Pompeii, and the Sergeant Pepper album cover to create ambiguous, layered works that evoke half-remembered histories.
A new exhibition titled "Chain of Flowers" opens at Norwich Castle on May 16, featuring works by Cambridge-based artist Miranda Boulton. The exhibition draws inspiration from pioneering 19th-century women artists Emily Stannard and Eloise Stannard, members of the Norwich School of Artists. Boulton retraced Emily Stannard's 1820s journey to the Netherlands to study Jan Van Huysum's paintings at the Rijksmuseum, creating a series of oil paintings that contrast the Dutch Golden Age's detailed style with thick impasto and spray paint.
Duane Reed Gallery in St. Louis is hosting a new exhibition of trompe l’oeil stoneware sculptures and tiles by artist Dirk Staschke. Staschke, a sculptor and ceramicist, draws inspiration from Dutch Vanitas still-life painting, blending traditional techniques with contemporary textures and forced perspective. His works merge painting and sculpture, featuring adapted still lives on ceramic vessels and three-dimensional framed tableaus. Staschke holds an MFA from Alfred University and a BFA from the University of Montevallo, and his work has been exhibited at the Smithsonian Museum, Icheon Museum, Crocker Museum, and Portland Art Museum.
Fifty-two artists and curators, along with sixteen National Participants of the 61st Venice Art Biennale, have withdrawn from the newly introduced 'Lions of the Visitors' (People's Prizes) competition. The boycott follows the resignation of the jury appointed by artistic director Koyo Kouoh, who died in 2025, and is a protest against the inclusion of Russia and Israel in the prize—countries initially excluded by the international jury. The controversy escalated after Italian Minister of Culture Alessandro Giuli publicly opposed the Biennale president Pietrangelo Buttafuoco's decision to allow Russia's participation, drawing in the European Commission and even Ursula von der Leyen, who warned of potential sanctions violations. The signatories include artists and curators from France, Belgium, Luxembourg, Turkey, Switzerland, Spain, the Netherlands, and several other nations.
Wereldmuseum Amsterdam is presenting "Rogue Agents of History," the first solo exhibition in the Netherlands by Palestinian artist Larissa Sansour. Running from April 24 to September 27, 2026, the show features three films—including the premiere of "A Sunken Tale of Losses Delayed" commissioned by the museum—alongside Sansour's artworks, personal heirlooms, film props, and historical objects. Curated by Nat Muller, the exhibition explores themes of identity, memory, belonging, and loss through a science-fiction lens, drawing on the Palestinian context and blurring boundaries between fact and fiction.
From May to August 2026, the Ueno Royal Museum in Tokyo will host a major exhibition of Vincent van Gogh's early works, drawn entirely from the collection of the Kröller-Müller Museum in the Netherlands. The show traces van Gogh's development from his early Dutch period through his time in Paris and culminates in his Arles period, featuring the celebrated painting *Night Café Terrace (Place du Forum)*. This is the first chapter of a two-part exhibition series, with the second scheduled for 2027–2028.
Compton Verney in Warwickshire is hosting the exhibition 'Bruegel to Rembrandt: Drawing Life, Sketching Wonder,' featuring 50 old master drawings from the Royal Museums of Fine Arts of Belgium. This marks the first time these works, including pieces by Pieter Bruegel the Elder, Rembrandt, and Rubens, have been shown in the UK, offering a rare glimpse into 16th and 17th-century artistic practice through intimate sketches of everyday life.
The National Gallery in London, established in 1824, continues to evolve as the primary repository for Great Britain’s national collection of European paintings. Originally founded with the purchase of 38 works from John Julius Angerstein, the museum now houses over 2,600 masterpieces, including significant Italian Renaissance, Dutch, and French Impressionist works. Recent developments include a 2025 announcement that the institution will expand its remit to collect 20th-century art, supported by a new wing planned for the 2030s.
The Mauritshuis museum in The Hague has announced it will lend Johannes Vermeer's "Girl with a Pearl Earring" (around 1665) to the Nakanoshima Museum of Art in Osaka, Japan, this summer. The rare loan is made possible because the Mauritshuis will close from August 24 to September 20 for building alterations. The painting last traveled internationally in 2012-14 for a world tour, and its only recent trip was a short loan to the Rijksmuseum in 2023 for a Vermeer survey exhibition. The exhibition in Osaka will be organized by the Asahi Shimbun, a major Japanese media organization that also sponsored the earlier tour, and will help fund the Mauritshuis's renovations and a new education center.
New research by curator Alexandra van Dongen of Rotterdam’s Boijmans Van Beuningen Museum reveals that a rare Indo-Portuguese jewellery casket depicted in two Johannes Vermeer paintings—Mistress and Maid and A Lady Writing (both 1664-67)—is a real, surviving object. Van Dongen tracked down the sole known example in the Távora Sequeira Pinto collection in Porto, with help from Amsterdam dealer Dickie Zebregs. Her findings, published in the book De tastbare wereld van Johannes Vermeer, suggest the casket likely belonged to Vermeer’s patron Maria de Knuijt, a wealthy Dutch East India Company shareholder who may have asked the artist to include it in her paintings.
Billionaire entrepreneur Thomas S. Kaplan and his wife Daphne Recanati Kaplan are selling Rembrandt's drawing *Young Lion Resting* (circa 1638-42) from their Leiden Collection, one of the world's largest private holdings of 17th-century Dutch art. Sotheby's announced on November 3 that the work will be auctioned during its Old Masters sales in New York on February 4, 2026, with a pre-sale estimate of $15 million to $20 million. Proceeds from the sale will benefit Panthera, a wild-cat conservation organization co-founded by Kaplan and philanthropist Jonathan Ayers, marking the 20th anniversary of the organization's founding.
The National Museum of Women in the Arts in Washington, D.C., has opened a new exhibition titled "Women Artists from Antwerp to Amsterdam, 1600-1750," which showcases works by largely forgotten female masters of the Dutch Golden Age, including Judith Leyster, Maria van Oosterwijck, Clara Peeters, and Rachel Ruysch. The show features over a dozen artists and highlights paintings rich in symbolism, such as van Oosterwijck's "Vanitas Still Life" and Leyster's "The Concert," while also addressing how many of these women were celebrated in their own time but later misattributed or omitted from art history.
The second edition of Manar Abu Dhabi, a public art initiative focused on light-based works, will launch on 1 November 2025, featuring 23 installations across four locations including Jubail Island and Al Ain. High-profile street artist KAWS will present a large-scale work showing his signature COMPANION figure reclining while lifting a lit moon. Other participating artists include Emirati sculptor Shaikha Al Mazrou, Dutch duo DRIFT, Maitha Hamdan, Ammar Al Attar, and Hamburg-based Christian Brinkmann, who will debut an interactive audio-visual piece called Floral Resonance.
The Rijksmuseum's 2023 Vermeer exhibition, widely considered the most successful show of the century, drew 650,000 visitors and assembled 28 of the artist's 37 known paintings. A new book, *Closer to Vermeer: New Research on the Painter and his Art*, reveals behind-the-scenes details: the initial plan for a broader thematic show was abandoned in favor of a focused Vermeer-only presentation; nine paintings could not be borrowed, including *The Concert* (stolen in 1990) and *The Astronomer* (on loan to Louvre Abu Dhabi); the Herzog Anton Ulrich Museum refused to lend *Girl with a Wine Glass*, even rejecting an offer of buses for schoolchildren. The book also discloses that the Dutch king and queen visited multiple times during regular hours, that a quarter of visitors felt context was missing, and that over 3,500 complaints were filed about photography. The most expensive resold ticket on eBay reached $2,724.