East Dallas art exhibition is a celebration of Chicano identity and community

An exhibition titled “Chicano” at Art on Main gallery in East Dallas showcases the work of over 50 North Texas artists, featuring paintings, digital photography, and mixed media that explore Chicano identity, childhood memories, lowrider culture, immigration enforcement, and Indigenous heritage. Co-curated by artists Ariel Esquivel and Junanne Peck, the show includes pieces such as Chelsea Reyes' digital photograph “Movimiento y Orgullo,” Cease Martinez's painting “Cultura,” and Hermila Cuevas' oil on canvas “Chicomecōātl: Giver of Harvest.” The gallery owner Andrea Lamarsaude, who previously collaborated with the curators on the exhibition “Shelter,” notes the community's positive response.

City Galleries Burst with Spring Art (sponsored)

The City of Gaithersburg is presenting spring art exhibitions across four of its galleries, along with the Arts Barn Spring Artisan Market. Shows include "Beyond The Canvas," a three-dimensional exhibition of relief and sculptural works by 27 artisans at the Arts Barn; the Gaithersburg Fine Arts Association’s 40th Annual Membership Juried Exhibition at Kentlands Mansion, juried by artist J. Jordan Bruns; "Big, Bold & Bright" at the Activity Center at Bohrer Park, featuring large-scale abstract works; and an Asian-influenced exhibition by the Harmonious Art Group at the Benjamin Gaither Center celebrating Asian American and Native Hawaiian/Pacific Islander Heritage Month. The Spring Artisan Market on April 25 will offer handcrafted gifts from local makers.

New exhibit shares refugee’s journey to Baton Rouge

A new art exhibit titled "A Refugee's Origin" opens at the Shell Gallery in Baton Rouge, Louisiana, featuring nearly 30 works by artist and rheumatologist K.T. Ho. The show includes paintings, photos, and installations that trace Ho's journey from Vietnam to Louisiana, exploring family history, culture, and the experience of survival and starting over. The free exhibit runs from April 27 through May 29, 2026, with an opening reception on May 1 featuring a lion dance and food, presented in celebration of Asian American and Pacific Islander Heritage Month.

Paradise art gallery showcases mental health, story of the Gaucho

The Paradise Center for the Arts in Faribault has opened a new exhibition featuring the work of artists Rocky Casillas Aguirre and Ivete Vaz, alongside student artwork. Aguirre's series "You Are the Universe" uses colorful characters to explore themes of anxiety, mindfulness, and emotional awareness, while Vaz's paintings depict the cultural heritage and daily life of the Gaucho, the horsemen of the South American Pampas.

Local artist exhibition launch – Northampton, June 27, 2026 MTB Artwork

A local artist known as MTB Artwork is launching a solo exhibition of new acrylic paintings on cardboard on June 27, 2026, at a renovated flat and shop space on Kingsley Park Terrace in Northampton. The artist began painting in 2020 as a therapeutic activity and has since sold over 400 pieces internationally.

Culture Senator under pressure due to Court of Audit report

Kultursenatorin wegen Rechnungshofberichts unter Druck

Berlin's Court of Audit has issued a scathing report accusing Culture Senator Sarah Wedl-Wilson (independent) of serious legal violations in the allocation of €2.6 million in anti-Semitism prevention grants for 2025. The audit found that the selection process was arbitrary, lacked transparent criteria, and violated state budget regulations. Six of the 13 funded projects—receiving €2 million—were deemed ineligible for the specific budget line, and some recipients were newly founded entities that were not properly vetted. The report warns that the grants may need to be repaid.

Why AI Doesn't Steal Our Imagination – with Jenifer Becker

Warum KI uns nicht die Fantasie raubt – mit Jenifer Becker

Author and cultural scholar Jenifer Becker discusses the impact of artificial intelligence on creativity in the Monopol podcast "Fantasiemuskel." She argues that while AI-generated text is often generic, it can liberate us from the romantic myth of the solitary genius by demonstrating that most ideas already exist. Becker leads the "AI Lab Kit" at the Hildesheim Literature Institute, using experimental projects to push language models beyond their algorithmic comfort zones.

State Secretary Dismissed in Dispute Over Funding

Staatssekretär im Streit um Fördermittel entlassen

Berlin's culture administration has dismissed State Secretary Oliver Friederici, who was responsible for distributing funds for projects combating antisemitism. The move follows a prolonged controversy over the allocation of millions of euros in grants, with allegations of unclear criteria and potential political influence from the CDU party.

Through the eyes of artist T.C. Steele: IU’s campus 100 years ago

Indiana University's University Collections at McCalla has opened "Capturing the Campus: T.C. Steele," a collaborative exhibition with the Indiana State Museum and Historic Sites that brings together many paintings by Hoosier artist T.C. Steele for the first time in decades. Steele, who served as IU's first artist in residence from 1922 until his death in 1926, created impressionist works depicting campus scenes, portraits of university presidents and faculty, and landscapes that capture what the campus looked like a century ago. The exhibit, which opened April 17, features paintings sorted by geographic location on campus, alongside a historic map, letters, documentaries, and 3D renderings.

Holding Us Together: Images of Care, Continuity, and Black Life

The exhibition 'Kinship & Community' has opened, drawing from the Texas African American Photography Archive to present a living archive of everyday gestures and images of Black life. The show positions photography as both a witness to and a participant in the formation of community memory, focusing on themes of care and continuity.

Exhibition openings to enjoy in May

Bundaberg Regional Galleries in Queensland, Australia, will launch five new exhibitions in May 2025, with opening events spread across the month. The shows include 'Lost in Palm Springs', a national touring exhibition curated by Dr Greer Honeywill featuring 14 artists and thinkers from America and Australia exploring Palm Springs' landscape and mid-century modern architecture; 'Shifting Perspectives: the Self Reconciliation Project' by local artist Avi Amesbury, which uses ceramics and storytelling to examine settler-colonial family history; 'Post Truth' by Gureng Gureng/Gangalu artist Darren Blackburn, addressing the Australian Government's Close the Gap campaign through led-neon signs; 'The Nature of Silk: The Glad Not Sad Book', a family-friendly exhibition of silk art by children's book author Kim Michelle Toft; and 'Metal in Motion' by Kevin Dekker, a collection of sculptures that transform steel, wood, stone and ceramics into dynamic, fluid forms. Opening events will be held at Bundaberg Regional Art Gallery and Childers Arts Space, with free admission and no RSVP required.

Crealdé celebrates America250 with people, places and ideas

Crealdé School of Art is presenting "American Mosaic: Stories in Color, Clay and Canvas," an exhibition celebrating the nation's 250th birthday. The show features works like Stefan Alexandres' "The Journey," which uses mixed media to explore literal and symbolic references to an immigrant's experience, reflecting the exhibition's focus on people, places, and ideas that shape America.

‘Out of the middle’: Asian Art Museum director sees contemporary Korean art coming into its own

Dr. Lee So-young, the first Korean American director of a major U.S. art museum, discussed the rising global prominence of contemporary Korean art during an interview in Seoul. She was visiting with San Francisco Mayor Daniel Lurie to celebrate the cities' 50th anniversary of sister-city ties and to promote an upcoming retrospective on Korean abstract artist Ha Chong-hyun at the Asian Art Museum in September. Lee, who previously curated at the Metropolitan Museum of Art and Harvard Art Museums, noted that Korean art has shifted from traditional focus to contemporary work, with museums and collectors increasingly engaging with dynamic artists from Korea.

The Death of the Art School

In a faculty meeting at Purchase College in New York, an administrator referred to students as "consumers," prompting the author to reflect on the pervasive corporatization and "administrification" of American higher education. The article argues that this language reflects a broader restructuring of universities as businesses, where students are customers, knowledge is a product, and faculty are service providers. It cites data showing that between 1976 and 2011, non-faculty professional positions grew by 369% while tenure-track faculty grew by only 23%, and at Purchase College, administrator salaries rose over 45% from 2016 to 2024 while assistant professor salaries rose just 14%, with inflation at 31%.

Dallas' African American Museum reopens with iconic Sepia photo exhibit

The African American Museum in Dallas reopens on May 1 after temporary renovations, featuring the exhibition "People Who Make the World Go ‘Round: The Legacy of Sepia Magazine." The show highlights influential Black icons such as Aretha Franklin, Ray Charles, Maya Angelou, Dr. Martin Luther King Jr., and Thurgood Marshall through photographs from the museum's archive of over 40,000 images. Sepia magazine, founded in Fort Worth in 1946, chronicled Black life and culture for nearly four decades, offering a Southern perspective that rivaled national publications like Ebony and Jet.

Art Publisher Owes $102.2 Million in Damages for Late Robert Indiana Works

A Manhattan jury has ordered art publisher Michael McKenzie to pay $102.2 million in damages for creating unauthorized or adulterated versions of works by the late Pop artist Robert Indiana. The lawsuit, brought by Indiana’s former business partner the Morgan Art Foundation, alleged that McKenzie produced Indiana-related junk products that infringed trademark and copyright, including reproductions of Indiana’s iconic “LOVE” design and the artworks *The Ninth American Dream* (2001) and *USA FUN* (1965). The jury found McKenzie liable for exploiting Indiana in the final years of his life, after the artist granted power of attorney to his caretaker, Jamie Thomas.

From Rocky to Rizzo: Monument Expert Paul Farber Talks Statues and Public Spaces

Paul Farber, founder of Monument Lab, discusses his new exhibition "Rising Up: Rocky and the Making of Monuments" at the Philadelphia Museum of Art. The show moves the iconic Rocky statue inside the museum and examines how a fictional boxer's statue became Philadelphia's most famous work of art, exploring broader questions about collective memory and public commemoration. Farber also reflects on the dismantling of the Frank Rizzo statue and how unintentional monuments like the Berlin Wall shape cultural discourse.

A Long-Running Case Centering on Alleged Robert Indiana Forgeries Is Resolved with a $102 M. Settlement

A New York jury has awarded $102.2 million in damages to the Morgan Art Foundation in a long-running copyright and forgery case against art publisher Michael McKenzie. The jury found that McKenzie created unauthorized and altered versions of works by Pop artist Robert Indiana, including multiple iterations of Indiana's iconic LOVE prints and sculptures, as well as works such as *The Ninth American Dream* (2001), *USA FUN* (1965), and a sculpture titled *BRAT*. The lawsuit, which began in 2018 shortly before Indiana's death at age 89, alleged that McKenzie and others sought to isolate the artist and profit from selling forged works. McKenzie's lawyer indicated he may appeal.

Edgar Calel at Kunsthalle Bern

Edgar Calel, a Guatemalan artist born in 1987, is the subject of an exhibition at Kunsthalle Bern. His work draws on the rituals and traditions of his native Guatemala, focusing on the working conditions and environmental impact of export-oriented agricultural industries, particularly palm oil and coffee plantations that dominate the country's economy.

Berliner Kulturverwaltung arbeitet an Reformen

Berlin's cultural administration is pressing ahead with reforms to make funding for projects against antisemitism legally secure, following the resignation of Culture Senator Sarah Wedl-Wilson. Cultural State Secretary Cerstin Richter-Kotowski told the culture committee that a working group established under Wedl-Wilson is now implementing recommendations from the state audit office report, which had found serious legal violations and omissions in the allocation of funds for antisemitism prevention projects. Richter-Kotowski emphasized that the administration continues its normal operations despite the leadership change, and she publicly thanked both Wedl-Wilson and the recently dismissed State Secretary Oliver Friederici for their service.

The Biomorphic Sculptures of Alma Allen in the U.S. Pavilion at the 2026 Venice Art Biennale (Amid Controversy)

Le sculture biomorfiche di Alma Allen nel Padiglione USA alla Biennale d’Arte di Venezia 2026 (tra le polemiche)

Alma Allen, a self-taught American sculptor, has been selected to represent the United States at the 61st Venice Biennale in 2026 with the exhibition "Call Me the Breeze." The pavilion, curated by Jeffrey Uslip, will feature site-specific biomorphic sculptures that explore the concept of "elevation" through a hybrid creative process combining pre-industrial carving and hand-modeling with advanced robotic sculpting. Works will incorporate local American materials such as walnut burl, Cantera green volcanic rock, and Yule marble from Colorado, and the pavilion is tied to America250, the celebration of the 250th anniversary of the U.S. Declaration of Independence.

“Primary Structures,” Turns 60

On April 28, 1966, The New York Times published a review by conservative critic Hilton Kramer of the Jewish Museum's exhibition “Primary Structures,” organized by curator Kynaston McShine. Kramer, disdainful of contemporary art, described the 42 American and British artists as rejecting personal expression and subjective inflection, yet he acknowledged the show as the first comprehensive glimpse of a style that would define the 1960s. The exhibition featured then-little-known artists including Carl Andre, Dan Flavin, Donald Judd, Sol LeWitt, Walter De Maria, Robert Morris, Anne Truitt, John McCracken, Larry Bell, Robert Smithson, Judy Chicago, Philip King, Michael Bolus, and David Annesley, and is now recognized as the ur-survey of Minimalism—a term McShine deliberately avoided.

In Venice, Hernan Bas Paints the Problem With Modern Tourism

American artist Hernan Bas has created a series of 40 paintings critiquing modern tourism, set to open in May at Ca' Pesaro–International Gallery of Modern Art in Venice during the Biennale. Titled "The Visitors," the exhibition depicts young white male American tourists engaging in objectionable behaviors worldwide—from begpacking to visiting disaster sites—painted with Bas's signature attention to clothing details. The works were developed during a residency in Venice, a city emblematic of overtourism, in collaboration with Victoria Miro, Lehmann Maupin, and Perrotin galleries.

Artists Sell More Than $1 M. in Art at Sotheby’s in Support of a Debt-Free Yale MFA Program

A group of artists including Mickalene Thomas, Tammy Nguyen, and Richard Prince are donating works to a Sotheby’s contemporary art day sale next month, with proceeds expected to exceed $1 million. All funds will go toward making Yale University’s MFA art program tuition-free. The sale features works by Yale alumni both historical—Walker Evans, Josef Albers—and contemporary, such as Dominic Chambers and Do Ho Suh, whose $200,000–$300,000 piece is among the lots. The highest-estimated work is a Richard Prince photograph from his “Spiritual America” series, valued at $500,000–$700,000.

Telfair Museums In Savannah Honor Impact On Artists Of Nearby Ossabaw Island

Telfair Museums in Savannah, Georgia, has opened a new exhibition titled "Off the Coast of Paradise: Artists and Ossabaw Island, 1961–Now," exploring the profound impact of the undeveloped barrier island on artists. The show focuses on the Ossabaw Island Project and Genesis, two multidisciplinary residency programs that operated from 1961 to 1982, and features work by 32 artists who were inspired or transformed by their time on the island. The exhibition runs through September 6, 2026, at The Jepson Center for the Arts.

In Paris, step inside Swedish artist Mamma Andersson's broken reality

Swedish artist Mamma Andersson is preparing for a new exhibition, 'Œuvres sur papier', at David Zwirner Paris, showcasing her works on paper including aquatint, etching, lithograph, and woodcut. The article visits her studio in Stockholm, where she discusses her creative process, recurring motifs like chairs, masks, and deer, and her collaborations with writer Karl Ove Knausgaard. The show also features vitrines with reference materials and books alongside original artworks.

Titian's ‘Bacchus and Ariadne’ to get a refresh with bank conservation grant

Bank of America’s annual art conservation program has awarded grants to 18 projects this year, including the restoration of Titian’s *Bacchus and Ariadne* (1520-23) at the National Gallery in London. The painting will be removed from display next month for conservation work that involves placing it on a new fabric support and repairing paint loss. Other funded projects include Rembrandt’s *The Night Watch* at the Rijksmuseum, bronze palms at the Arc de Triomphe in Paris, *Gaki Zōshi* at the Tokyo National Museum, Matisse’s *La Négresse* at the National Gallery of Art in Washington, DC, and works at the Museo de Arte de Lima and the Montreal Museum of Fine Arts.

Towering homage to Bamiyan Buddhas rises over Manhattan’s High Line

A new public sculpture by Vietnamese American artist Tuan Andrew Nguyen has been installed on the High Line Plinth at Hudson Yards in Manhattan. Titled "The Light That Shines Through the Universe" (2026), the 27-foot-tall sandstone monument pays homage to the Buddhas of Bamiyan, the 6th-century colossi destroyed by the Taliban in 2001. The work features carved sandstone forms with two monumental steel hands cast from melted-down artillery shells sourced from Afghanistan, making gestures of fearlessness and compassion. It will remain on view through autumn 2027 and is accompanied by monthly lectures and meditation sessions.

Nelson-Aktins 1975 Chinese art exhibit still resonates in Kansas City today | Opinion

In spring 1975, the Nelson-Atkins Museum of Art in Kansas City hosted the second American stop of "The Exhibition of Archaeological Finds of the People's Republic of China," a landmark traveling show of ancient Chinese artifacts including jade, silk, and bronze sculptures. The author, then a University of Missouri-Kansas City economics student, worked behind the scenes at the museum, describing an unusual interview conducted while gardening and his task of touch-painting gallery walls with a dry brush to cover visitor smudges before opening.

The Many Forms of Marcel Duchamp

The New Yorker's Hilton Als reviews "Marcel Duchamp," a major retrospective at the Museum of Modern Art (MoMA) in New York, running through August 22, 2026. Curated by Matthew Affron, Michelle Kuo, and Ann Temkin, it is the first North American retrospective of Duchamp's work since 1973, organized in collaboration with the Philadelphia Museum of Art. The exhibition spans MoMA's entire sixth floor, showcasing Duchamp's shape-shifting practice—from iconic works like "Nude Descending a Staircase (No. 2)" (1912) and "Bicycle Wheel" (1951) to his readymades and conceptual pieces—emphasizing his rejection of commodification and embrace of intellectual freedom, play, and queer sensibilities.