The Barbican Art Gallery in London is presenting a major retrospective of Colombian artist Beatriz González, marking her first solo show in the UK and her largest-ever exhibition in Europe. The exhibition spans six decades of her work, from the 1960s to the present, showcasing her roles as an artist, curator, art historian, and educator.
Patti Smith erhält Asturien-Preis für Künste
Patti Smith, the 79-year-old American musician and author, has been awarded the Princess of Asturias Award in the Arts category. The Princess of Asturias Foundation in Oviedo, Spain, praised her as the "godmother of punk" who has transcended music to work across poetry, photography, performance art, and video installation, becoming a multidisciplinary and unconventional communicator. Smith first gained fame with her 1975 album "Horses" and remains popular with younger audiences due to her radical sincerity and continued political activism, including criticism of US President Donald Trump. She is the first winner announced this year; the prize includes €50,000 and a replica of a Joan Miró statue, to be presented by King Felipe VI and Crown Princess Leonor in late October.
The Leepa-Rattner Museum of Art in Tarpon Springs, Florida, has launched a dynamic spring 2026 exhibition season featuring four shows that highlight regional artists and student creativity. Exhibitions include "Richard Heipp: Reliquaries & Artifacts" (through July 26), which uses hyper-realistic paintings to explore how museums shape cultural memory; "Dallas Jackson: Unsung Heroes, The Fabric of America" (through June 14), a mixed-media tribute to overlooked community figures; and "David Anderson: Now and Again" (through June 14), presenting eight newly acquired works never before publicly exhibited. The season also includes student-focused programming from kindergarten through middle school.
NEXTpittsburgh's May 2026 gallery preview highlights a packed month of art events leading into the Three Rivers Arts Festival. Key offerings include the 59th Carnegie International at Carnegie Museum of Art, opening May 2 with works by 61 artists from 24 countries and four new commissions at local institutions. Other featured shows include 'Down to Earth: Revealing the Natural World' at James Gallery, Jody Shell's 'Shoebox Memories,' Dominique Swift's 'Uli Awakened,' and a three-artist exhibition at Irma Freeman Center featuring Laura Jean McLaughlin, James Simon, and Robert Qualters.
The Metropolitan Museum of Art in New York City is drawing record crowds in spring 2026 with its latest exhibitions, including newly restored ancient artifacts. The article, written by travel editor Elena Müller, positions The Met as a top cultural destination for American travelers, highlighting its location on Manhattan's Upper East Side, its Beaux-Arts architecture, and its proximity to Central Park. It also covers the museum's founding in 1870, its expansion into a neoclassical landmark on Museum Mile, and its role as a cornerstone of New York's cultural landscape.
The Leeum Museum of Art in Seoul will open the exhibition "Inside Other Spaces" on May 5, featuring 11 installation artists from Asia, Europe, and the Americas. The show reconstructs full-scale environments from 1956 to 1976, including Korean artist Jung Kang-ja's "Incorporeal Exhibition" (1970), which was forcibly dismantled by the Korean government and is being rebuilt for the first time. The exhibition previously appeared at Munich's Haus der Kunst, Rome's Maxxi, and Hong Kong's M+, with each venue expanding its scope.
The Cornell Art Museum will host the opening of "Rodney Demps: The Surrealist of the Highwaymen" on Friday, May 1, 2026. The exhibition highlights the work of Rodney Demps, a contemporary artist whose surrealist style connects to the legacy of the Florida Highwaymen, a group of African American landscape painters active in the mid-20th century.
The American Arts Conservancy, a new nonprofit with MAGA-aligned leadership, is fundraising for Alma Allen's 2026 US Pavilion at the Venice Biennale through a "Donate" button on its website, having received no institutional financial support. Meanwhile, a sculpture by Pedro Reyes at the newly unveiled LACMA building has sparked controversy for recalling a 2021 commission rejected by Mexico City after Indigenous and feminist protests, and the experimental LA nonprofit The Box has closed after 19 years.
Palazzo Attems-Petzenstein in Gorizia hosts the exhibition "Back to Peace? La guerra vista dai grandi fotografi Magnum," which presents the Second World War and its aftermath through two hundred photographs, video installations, and soundscapes by legendary Magnum photographers. The show features iconic works by Robert Capa, Eve Arnold, Henri Cartier-Bresson, David Seymour, Eric Hartmann, René Burri, Thomas Hoepker, George Rodger, Wayne Miller, and Werner Bischof, covering the Normandy landings, the liberation of Bergen-Belsen, the atomic devastation of Hiroshima, and the return of French prisoners. Curated by Andrea Holzherr and Marco Minuz, the exhibition is divided into two sections: one focusing on wartime imagery and the other on the immediate consequences of the conflict, including the suffering of civilians and the fragile hope of reconstruction.
The Whitney Biennial 2026, the 82nd edition of the longest-running survey of American art, opened with a stripped-down, self-referential title and no subtitle, reflecting a moment of national self-questioning. The exhibition features 56 artists, duos, and collectives, with highlights including Agosto Machado's shrine sculptures dedicated to friends lost to AIDS, Emilie Louise Gossiaux's tender works about her guide dog London, and Michelle Lopez's apocalyptic video projection *Pandemonium*. Machado, a longtime downtown New York artist and caregiver, died shortly after the biennial opened, and his ashes are to be mixed with those of Marsha P. Johnson and spread in the Hudson River.
A pack of robot dogs fitted with hyper-realistic silicone heads of tech billionaires and cultural icons—including Elon Musk, Mark Zuckerberg, Jeff Bezos, Pablo Picasso, and Andy Warhol—is now on display at the New National Gallery in Berlin as part of the traveling interactive exhibit "Regular Animals." Created by American artist Beeple (Mike Winkelmann), the cyborg canines wander aimlessly and defecate AI-generated images in the style of the celebrity head they wear. The exhibit previously appeared in Miami and San Francisco.
The Leeum Museum of Art in Seoul has opened "Inside other spaces: Environments by women artists 1956-1976," an exhibition restoring immersive artworks by 11 women artists from Asia, Europe, and South America, including Jung Kang-ja, Judy Chicago, Tsuruko Yamazaki, and Aleksandra Kasuba. The show revives pieces that were often dismantled after their original displays, such as Jung Kang-ja's "Incorporeal Exhibition," which was destroyed in 1970 after being deemed political propaganda under South Korea's authoritarian regime. Curators Andrea Lissoni and Marina Pugliese, who first organized the project at Haus Der Kunst in Munich, worked with researchers to reconstruct the works using archival materials, correspondence, and blueprints.
Leeum Museum of Art in Seoul is presenting "Into Other Spaces: Synesthetic Environments by Women Artists 1956-1976," a major exhibition opening May 5 that reconstructs immersive environmental artworks by 11 women artists from Asia, the Americas, and Europe. The show features full-scale recreations of works that were often dismantled or lost, including Jeong Gangja's "Muchejeon" (1970), which was shut down by authorities after just days. Curators Andrea Lissoni and Marina Pugliese used archival materials, photographs, and direct consultations with artists or their estates to piece together these ephemeral pieces.
Botanica, the Wichita botanical garden, is preparing to open a large-scale outdoor sculpture exhibition titled 'Origami in the Garden' on Saturday, running through September 26. Created by artists Kevin and Jennifer Box of Santa Fe, New Mexico, the show features 18 works inspired by the Japanese art of paper folding, including sculptures of a bison, horses, a pegasus, and rising cranes. The exhibition is included with general admission, and Mother's Day offers free entry for moms. Additionally, Botanica is hosting 'Symphony in the Gardens' on May 15 with the Wichita Symphony Orchestra, themed 'American Landscapes' in honor of the nation's 250th anniversary.
The American Arts Conservancy (AAC), the nonprofit tasked with executing Alma Allen's 2026 US Pavilion at the Venice Biennale, is soliciting online donations from the public after receiving no corporate or foundation funding. Unlike previous pavilions backed by major foundations like Ford and Mellon, AAC's fundraising relies on private citizens, with a minimum $100 donation requested via its website. The State Department provided $375,000 but requires additional funding, and AAC's Executive Director Jenni Parido, a former pet food store owner, declined to name specific donors, though Instagram posts suggest wealthy Trump allies attended benefit events. Perrotin Gallery, which represents Allen, is providing operational support but not funding.
Two New Jersey residents, Erwin Bankowski and his daughter Karolina Bankowska, pleaded guilty to running a counterfeit art scheme that funneled over 200 fake works into the legitimate market between 2020 and 2025. The pair consigned forgeries attributed to artists including Andy Warhol, Pablo Picasso, Banksy, and Luiseño artist Fritz Scholder to galleries and auction houses across the United States, defrauding buyers of at least $2 million. They fabricated ownership histories, forged gallery stamps and certificates of authenticity using antique books and aged paper, and now face up to 20 years in prison plus restitution.
An exhibit at the African Diaspora Art Museum pairs the original sociological work of W.E.B. Du Bois with contemporary photographs of Black Atlantans, reimagining his early 20th-century data visualizations and writings through a modern lens. The show juxtaposes Du Bois's pioneering studies on Black life in America with current imagery, creating a dialogue between past and present.
The European Fine Art Foundation (TEFAF) has awarded its €25,000 Museum Restoration Fund to the Minneapolis Institute of Art (MIA) for the conservation of *The Meeting of Dante and Virgil*, a mid-16th century Italian Renaissance tapestry. This is the first time TEFAF has funded a tapestry restoration since the initiative began in 2012. The wool and silk tapestry, made between 1547 and 1549 by the Florentine workshop of Duke Cosimo I de’ Medici and designed by Francesco Salviati, depicts the opening scene of Dante’s *The Divine Comedy*. It is the only early Medici tapestry held by a public collection outside Italy, standing 17 feet tall and eight feet wide. Due to structural weaknesses and light sensitivity, it has been largely in storage for 70 years. Conservation work by the Midwest Art Conservation Center will include wet cleaning, stabilization, and partial reweaving, along with a new display system. The tapestry is scheduled to return to public view at MIA on July 11.
Arleene Correa Valencia, a DACA recipient and Bay Area artist, presents her debut solo exhibition "CÓDICE •• SOBREVIVIENDO A LA PERSECUCIÓN" at Fridman Gallery in Manhattan, on view through May 2. The show features large-scale acrylic and textile works on amate bark paper, including a 16-foot-long piece depicting border-crossing narratives. Valencia collaborates with her father, mother-in-law, and papermaker Jose Daniel Santos de la Puerta, and incorporates childhood letters that poignantly reflect family separation and undocumented life.
The Sid Richardson Museum in Fort Worth, Texas, will open a new exhibition titled "Russell’s Retreat: Summers at Glacier National Park" on May 2, 2026. The show focuses on Charles M. Russell’s life and work at his summer home, Bull Head Lodge, and features objects borrowed from museums and private collections, many displayed in Fort Worth for the first time. Highlights include the landscape painting "Storm Over Lake McDonald" (1906), birchbark paintings, and a replica of gnome figures Russell made from moss and twigs.
A trio of Midwest photographers—Qingjun Huang, Natalie Jackson, and Matthew Terry—will showcase their latest works at the Quad City Arts Center in Rock Island, Illinois, from May 8 through June 19. The exhibition, titled "Huang, Jackson, & Terry," features Huang, a Peoria-based freelancer born in China with international exhibition credits including Christie’s London and the Benaki Museum; Jackson, a portrait and fine arts photographer from Peoria who serves on the board of the Contemporary Art Center of Peoria; and Terry, a Davenport-based contemporary photographer and Academy of Art University graduate whose work has been shown in galleries across the U.S. and Europe.
The Portland Art Museum is launching a program to bring on a team of Native American co-curators to revitalize its Native American art collection, led by curator Kathleen Ash-Milby. The museum has partnered with multi-disciplinary artist and scholar Phil Cash Cash, a member of the Nez Perce and Cayuse tribes, who will contribute Indigenous perspectives to the collection's evolution. Cash Cash, who holds a PhD in Anthropology and Linguistics and co-founded the Crow's Shadow Institute of the Arts, gave a talk to the museum's Native American Art Council in early 2026, marking a new collaborative phase.
Jule Korneffel's third solo exhibition at Spencer Brownstone Gallery in New York, titled 'In Search of Lost Light,' presents a series of paintings that capture the quiet, liminal moments just before dawn. Using artist-mixed natural pigments, Korneffel shifts from her previous twilight-focused work to explore the anticipation of daylight, with pieces like the titular painting (2025) standing out for its playful, musical composition. The show also includes a mural in the gallery's back patio that blends colors into a grey neutral tone reminiscent of early-morning skies.
This article is a roundup of art exhibitions and cultural events in Cairo, Egypt, spanning multiple venues and dates. It highlights a photographic project titled "New Cairo, Do You Love Me?" by Judi Yassin and Tia Khalil at the American University in Cairo, which documents the disconnect between the promised luxury of New Cairo and its dehumanizing reality using 35mm black-and-white film. Other featured events include painting exhibitions by Osama Nashed and Alaa Hegazi at Dai, Mahmoud Hamdi's "Journey to the Core" at Difaf, the immersive "Beyond Van Gogh" experience at District 5, the permanent collection at Al-Fustat Centre for Ceramic, and the Empower Her Art Forum at the Grand Egyptian Museum.
Colleghi pittori e anche amici. Zandomeneghi e Degas sono in mostra a Rovigo
Palazzo Roverella in Rovigo is hosting the exhibition "Zandomeneghi e Degas. Impressionismo tra Firenze e Parigi," curated by Francesca Dini. The show brings together works by Italian 19th-century painter Federico Zandomeneghi and French Impressionist Edgar Degas, featuring about fifteen paintings and sculptures by Degas alongside works by Zandomeneghi. It explores their friendship, mutual artistic influence, and shared commitment to realism, tracing their connections from Florence's Caffè Michelangiolo to Paris, where their paths fully converged. Themes such as dance and the nude are highlighted, with works like Degas's "Classe de ballet" (1888) and Zandomeneghi's "Visita in camerino" and "Donna che si asciuga" on view.
Tefaf has awarded its Museum Restoration Fund prize to the Minneapolis Institute of Art (MIA) for the restoration of a 500-year-old Medici tapestry, "The Meeting of Dante and Virgil" (circa 1547-49). The €25,000 grant will support cleaning, consolidation, and lining of the 5.3-meter-high work, which has not been displayed in over 60 years due to severe damage including silk weft loss and open slits. The conservation will be carried out by the Midwest Art Conservation Center, and the tapestry is expected to go on public view at MIA this summer.
Frieze New York 2026 will return to The Shed from May 13–17, featuring an expansive program of solo, dual, and curated presentations. The fair brings together 33 New York galleries alongside international exhibitors, with strong solo booths by Virginia Jaramillo (Hales), Akinsanya Kambon (Ortuzar and Marc Selwyn Fine Art), and Kelly Sinnapah Mary (James Cohan). Dual presentations include mor charpentier pairing Anas Albraehe and Nohemí Pérez, and Nara Roesler showing Jonathas de Andrade with Marcelo Silveira. Blue-chip galleries like Hauser & Wirth, White Cube, and Gagosian will present works by major artists including Cindy Sherman, Tracey Emin, and Nan Goldin. The Focus section, curated by Lumi Tan, highlights 11 emerging galleries with solo presentations by Antoni Miralda, Seba Calfuqueo, Reika Takebayashi, and Aki Goto.
Yale University Press has announced its early 2026 art book lineup, featuring exhibition catalogues such as "Raphael: Sublime Poetry" from The Metropolitan Museum of Art, "Gwen John: Strange Beauties" from the Yale Center for British Art, "Edward Steichen and the Garden" from the George Eastman Museum, and "Frederic Church: Global Artist" from Olana NY State Historic Site. New releases also include a biography of Anni Albers by Nicholas Fox Weber, a catalogue titled "Anni Albers: Constructing Textiles" accompanying a European traveling exhibition, and Alyce Mahon's "Dorothea Tanning: A Surrealist Life," named a Best New Art Book of 2026 by Christie's. The press will hold a 50% off annual sale in May.
Robert Longo, the New York-based artist known for monumental charcoal drawings, returns to Japan after thirty years with the solo exhibition 'Angels of the Maelstrom' at Pace Gallery Tokyo, on view until June 17. The show presents recent drawings and sculptures that juxtapose allegorical images of crashing waves, whales, tigers, and peonies with portraits of 20th-century American icons, centered on a large-scale depiction of Japanese baseball star Shohei Ohtani titled *Untitled (American Samurai)*, which Longo frames as a symbol of cultural convergence.
The Fundação Bienal de São Paulo has appointed Brazilian curators Amanda Carneiro and Raphael Fonseca as chief curators for the 2027 Bienal de São Paulo, Latin America's largest and longest-running visual arts event. Carneiro, a curator at the Museu de Arte de São Paulo (MASP) since 2018, also organized the main exhibition at the 2024 Venice Biennale. Fonseca, based in Lisbon, works at Culturgest, serves as curator-at-large for Latin American art at the Denver Art Museum, and is curating the Taiwan Pavilion at the 61st Venice Biennale. The event will take place at the Pavilhão Ciccillo Matarazzo in Ibirapuera Park, with further details expected in coming months.