An Unlikely Friendship Between Artist and Forger

The article reviews Steven Soderbergh's 2026 film "The Christophers," which follows an unlikely friendship between two painters in London: Julian Sklar (Ian McKellen), an older artist facing cancellation, and Lori Butler (Michaela Coel), a young painter who restores and forges artworks. The film explores themes of attention, artistic legacy, and the purpose of art, contrasting with darker narratives like "Tár" by offering a comedic yet profound take on these issues.

Is This What “Made in America” Looks Like?

Christopher Payne's exhibition "Made in America: The Industrial Photography of Christopher Payne" at the Cooper Hewitt, Smithsonian Design Museum showcases 72 large-format photographs documenting active American factories and manufacturing processes. The trained architect turned photographer spent a decade visiting dozens of production sites across the United States, from the New York Times printing plant in Queens to the Bollman Hat Company in Pennsylvania, capturing workers' craftsmanship and the intricate steps involved in making everything from Peeps candies to jet engines. The exhibition is organized into three sections—traditional handcraft, large-scale production, and cutting-edge technologies—and coincides with the Smithsonian's celebration of the nation's 250th anniversary.

Vincenzo Trione's new book aims to redefine the concept of the avant-garde (reviews by his students)

Il nuovo libro di Vincenzo Trione vuole ridefinire il concetto di avanguardia (le recensioni dei suoi allievi)

On March 9, 2026, at IULM University in Milan, Vincenzo Trione presented his new book *Rifare il mondo. Le età dell’avanguardia* (Einaudi, 2025). The event was part of the cultural program *Leonardo alla IULM*, which also featured pages from the Codex Atlanticus on loan from the Biblioteca Ambrosiana. Trione, a professor at IULM, discussed the book with four of his students: Anna Luigia De Simone, Vincenzo Di Rosa, Anna Calise, and Alessia Scaparra Seneca. The talk, titled "Nessuna parola caratterizza l’arte contemporanea più di avanguardia," explored the concept of the avant-garde, its historical legacy, and its contemporary reactivation through movements, manifestos, collectives, and cultural phenomena.

Überraschende Begegnungen

The ninth edition of the "Various Others" festival in Munich brings together institutions, off-spaces, and galleries for a city-wide series of exhibitions in May. Highlights include Walter Storms Galerie presenting Anselm Reyle's first Munich solo show with Istanbul's Dirimart; Kraupa-Tuskany Zeidler collaborating with Rome's T293 to show Simon Denny's tech-critical works; Max Goelitz pairing Lukas Heerich and Rindon Johnson with Eva Hesse in dialogue with Hauser & Wirth; Lohaus Sominsky and Paris's Mennour featuring Ilit Azoulay and Alicja Kwade; and Rüdiger Schöttle hosting Milena Muzquiz and Elif Saydam. A new parcours exhibition, "Vectors," inspired by Jan Hoet's "Chambres d'Amis," places contemporary art in tech company offices across Munich.

La Biennale de Venise s’ouvre dans un climat houleux

The 61st Venice Biennale opened amid intense controversy after its president, Pietrangelo Buttafuoco, announced the return of the Russian pavilion, which had been absent since the start of the Ukraine war. The European Commission suspended its €2 million subsidy for the 2028 edition, and the entire Biennale jury resigned on April 30. Buttafuoco later declared the Russian pavilion would remain closed, but protests erupted during the pre-opening days (May 6–8), drawing 28,000 professionals. Pussy Riot members, Femen activists, and the Free Nations League staged demonstrations, while the Israeli pavilion remained open despite a letter signed by nearly 200 artists calling for its exclusion.

Au Louvre, l’ambitieuse restauration du cycle de Marie de Médicis

The Louvre Museum in Paris is undertaking an ambitious restoration of Peter Paul Rubens's monumental cycle of 24 paintings depicting the life of Marie de Médicis. The project, which will take four years and cost €4 million funded by the Société des Amis du Louvre, begins this autumn with the paintings being restored in situ in the Médicis Gallery. The gallery will close in May to prepare the space as a restoration workshop, where two teams of 10–15 restorers will work simultaneously on cleaning, relining, and filling gaps. The last major restoration of the cycle dates to the 1950s, and recent diagnostics revealed yellowed varnish, discordant repaints, and flaking paint layers that risk irreversible loss.

Sheila Hicks en 2 minutes

Sheila Hicks, the American textile artist born in 1934, is profiled in a concise overview of her career. The article traces her journey from studying under Josef Albers at Yale and learning weaving from Andean artisans in Chile, to establishing her studio in Mexico and later Paris. It highlights her monumental commissions for hotels, embassies, and public spaces, as well as her intimate "Minimes" works. Key milestones include her 2014 piece "Pillar of Inquiry/Supple Column" at the Whitney Biennial, her 2017 installation at the Venice Biennale, and a major retrospective at the Centre Pompidou in 2018.

The invisible worlds of Hilma af Klint, pioneer of abstraction, finally revealed at the Grand Palais

Les mondes invisibles d’Hilma af Klint, pionnière de l’abstraction, enfin révélés au Grand Palais

The article reveals the long-overlooked story of Hilma af Klint (1862–1944), the Swedish artist who created abstract paintings years before Kandinsky, Mondrian, and Malevich, yet kept her work secret until 20 years after her death. Her monumental output—1,600 abstract paintings and 124 notebooks—was first publicly shown in 1986 at the Los Angeles exhibition 'The Spiritual in Art, Abstract Painting, 1890–1985'. A 2019 retrospective at the Guggenheim Museum in New York drew 600,000 visitors, a museum record. Now, the Grand Palais in Paris presents the first-ever French exhibition of her work, focusing on her 'Paintings for the Temple' cycle (1906–1915), a series of 193 works that synthesize her spiritual quest.

Museum Night, Photomobiles… 10 outing ideas for the month of May

Nuit des musées, Photomobiles… 10 idées de sorties à faire au mois de mai

Beaux Arts Magazine presents a curated list of ten cultural outings across France for May 2026, highlighting events such as the Nouveau Printemps festival in Toulouse directed by Rossy de Palma, the Interstice festival in Caen focusing on emerging art and technology, the L'art est dans le pré festival in Troyes featuring contemporary art in rural villages, an immersive installation at the Musée d'Orsay tied to the Renoir exhibition, and the Cœurs-Volants kite festival in Essonne where architecture students create flying artworks. Other suggestions include outdoor art trails, heritage site sports programs, and literary festivals in Épinal and Seine-Maritime.

Venice Biennale 2026: What are the major trends that will mark the 99 national pavilions?

Biennale de Venise 2026 : quelles sont les grandes tendances qui vont marquer les 99 pavillons nationaux ?

The article previews the 2026 Venice Biennale, highlighting key trends across its 99 national pavilions. Major themes include the hybridization of theater, dance, and performance, particularly in pavilions from Austria, Luxembourg, Belgium, and Lithuania, where artists like Florentina Holzinger, Aline Bouvy, Miet Warlop, and Eglė Budvytytė use radical, body-centric works. Geopolitical engagement is also central, with the Ukrainian pavilion featuring Zhanna Kadyrova's work on resistance and the British pavilion exploring themes of exile and migration. Other notable pavilions include Spain's focus on imagery, a sound installation for the Vatican, a polyphonic piece for Romania, and a film on sign language song for Poland.

Ces 5 créatrices « inoubliables » à découvrir absolument à Gand

The Museum of Fine Arts (MSK) in Ghent is hosting the exhibition "Inoubliables" (Unforgettables), on view until May 31, which highlights the work of women artists from the 17th and 18th centuries in the former Netherlands region. The show features about 40 female creators active between 1600 and 1750, including painters like Michaelina Wautier, Judith Leyster, and Rachel Ruysch, working in genres from portraiture and still life to engraving, lacemaking, and paper cutting. The exhibition aims to restore these women to their rightful place in art history.

JR to cover Paris’s Pont Neuf in homage to Christo and Jeanne-Claude.

French artist JR has begun installing a monumental trompe-l’oeil work titled *La Caverne du Pont Neuf* (2026) on Paris’s Pont Neuf, transforming the city’s oldest bridge into an immersive cave. The project reimagines the bridge as a limestone quarry cave, referencing the stone from which the bridge and many Parisian buildings were constructed. The work pays homage to Christo and Jeanne-Claude’s iconic *The Pont Neuf Wrapped* (1985) and will be visible both day and night throughout the summer.

Fiona Pardington’s portraits of the lost birds of Aotearoa New Zealand – in pictures

Fiona Pardington has created a new series of human-scale photographic portraits of native New Zealand birds, many of which are extinct or endangered, using taxidermy specimens from regional museums. The series, titled "Taharaki Skyside," will be exhibited at the Aotearoa New Zealand pavilion at the 2026 Venice Biennale. Pardington, who has Māori and Scottish ancestry, incorporates the birds' eyes with superimposed historical landscapes to evoke their lost habitats and spiritual significance as intermediaries between human and divine worlds in Māori culture.

Judge Orders Prado to Hold Disputed Velázquez Painting in Divorce Case

A Spanish judge has ordered the Museo del Prado in Madrid to take custody of a painting attributed to Diego Velázquez, which is at the center of a divorce dispute between steel magnate José María Aristrain and his ex-wife Gema Navarro. The work, a portrait of Philip IV linked to Velázquez’s early years in Madrid, was removed from Aristrain’s residence on March 17 and transferred to the Prado’s storage after Navarro filed a complaint alleging it had been wrongly withheld from her. The Ministry of Culture, acting with court and prosecutorial support, designated the museum as custodian until ownership is resolved. The painting had previously surfaced at auction, failing to sell in 2007 amid attribution doubts, before being acquired by Navarro in 2015 for €878,000.

Barbados's slavery museum and memorial faces major delays

Barbados's Heritage District at the Newton Enslaved Burial Ground, a major project including a memorial, national museum, archives, and cultural complex, is facing significant construction delays more than four years after its 2021 announcement. The site, one of the largest known burial grounds of enslaved Africans in the Western Hemisphere, is being developed under the Road (Reclaiming Our Atlantic Destiny) Programme led by Prime Minister Mia Amor Mottley. While a temporary pavilion for the National Performing Arts Centre opened in August 2025, the overall completion—initially slated for 2024—has been pushed back due to expanded archival digitization, supply-chain disruptions, and a fire at the Barbados Archives Department in June 2024. The memorial, designed by Adjaye Associates, is conceived as a landscape intervention using teak sourced from Ghana.

Riyadh Art Extends Its Citywide Permanent Collection

Riyadh Art, a public art initiative led by the Royal Commission for Riyadh City, is expanding its Permanent Collection with 115 new installations planned through 2026 and beyond, adding to the 75 works already installed across the Saudi capital. The collection includes works by international artists such as Alexander Calder, Anish Kapoor, Jeff Koons, Giuseppe Penone, and Ugo Rondinone, alongside Saudi practitioners like Zaman Jassim and Mohammed Al Saleem, with recent additions including Calder's 'Janey Waney' and Nobuo Sekine's 'Phase of Nothingness'.

The Sprawling New David Geffen Galleries At LACMA Open To The Public On Sunday, May 3

The David Geffen Galleries at the Los Angeles County Museum of Art (LACMA) will open to the public on Sunday, May 3, after 20 years of development. Designed by architect Peter Zumthor, the 900-foot-long horizontal glass and concrete structure overlooks the La Brea Tar Pits and stretches over Wilshire Boulevard. The main floor, elevated 30 feet above street level, offers 110,000 square feet of gallery space for LACMA’s permanent collection. The inaugural exhibition is inspired by four major bodies of water—the Pacific, Indian, and Atlantic oceans, and the Mediterranean Sea—and features works by artists including Todd Gray, Do Ho Suh, Lauren Halsey, Tavares Strachan, Jeff Koons, and Diego Rivera. The building also includes open plazas, an outdoor public space, and an Erewhon Cafe, with a larger restaurant and wine bar planned for fall 2026.

Artist Valie Export, Who Saw Right Through the Male Gaze, Dies at 85

Austrian artist Valie Export, a pioneering feminist performance and media artist, died on May 14, three days before her 86th birthday. Her death was confirmed by Thaddaeus Ropac Gallery. Export, born Waltraud Lehner in 1940, rejected traditional domestic roles and adopted her iconic all-uppercase name from a cigarette brand. She created guerrilla-style performances and films that directly confronted the male gaze and patriarchal society, often using her own body as a medium. Key works include “Genital Panic” (1968), in which she walked through a Munich cinema in crotchless pants, and “Tapp und Tastkino (Tap and Touch Cinema)” (1968), where she invited strangers to touch her bare breasts through a stage strapped to her chest.

Art Busan Is Building a More Sustainable Art Market

Art Busan, celebrating its 15th anniversary, will be held from May 21 to 24, 2026, at BEXCO in Busan, South Korea, bringing together over 110 galleries from 18 countries. The fair introduces two new integrated segments: DEFINE, which expands the fair to include collectible design, furniture, and craft, and LIGHTHAUS, which transforms gallery booths into curated spatial experiences to encourage deeper engagement. These initiatives aim to move beyond purely transactional sales and speculative momentum.

Georg Baselitz ist tot

German artist Georg Baselitz has died at the age of 88. According to Galerie Thaddeus Ropac, he passed away peacefully on Thursday. Born Hans-Georg Bruno Kern in 1938 in Deutschbaselitz, Saxony, Baselitz fled East Germany in 1957 after political repression and academic conflicts. His first solo exhibition in West Berlin in 1963 was shut down due to scandal, and works were confiscated. He became internationally known in the late 1960s for his radical upside-down painting, a signature inversion that destabilized pictorial logic. He also created an extensive sculptural body of work. Key career milestones include representing Germany at the Venice Biennale in 1980 alongside Anselm Kiefer, multiple Documenta appearances, the Praemium Imperiale in 2004, and election to the Académie des Beaux-Arts in Paris in 2019. Major late-career exhibitions included "Nackte Meister" at the Kunsthistorisches Museum in Vienna in 2023.

You can spray that again! New York drenched in colour – in pictures

The Guardian published a photo essay featuring Harry Gruyaert's vibrant street photography of New York City, spanning over 50 years. The Belgian Magnum photographer captures the city's energy through bold color and candid moments—children playing in fire hydrants, yellow cabs, neon-lit diners, and diverse neighborhoods. The images are accompanied by text from French filmmaker Cédric Klapisch, who provides fictional vignettes that blur reality and imagination.

At the Venice Biennale I saw anger at Russia and Israel – and its leadership pretending everything was fine | Charlotte Higgins

At the 2024 Venice Biennale, the Russian pavilion returned with festive performances and prosecco deliveries, drawing sharp criticism from observers who saw it as a propaganda effort to distract from Russia's war in Ukraine. Meanwhile, Ukraine's Kramatorsk was bombed, and protests erupted, including a Pussy Riot intervention. Biennale president Pietrangelo Buttafuoco defended Russia's and Israel's participation, rejecting preemptive bans despite open letters and appeals. European Commission investigated potential sanctions breaches, and culture ministers from Ukraine, Poland, Estonia, and Baltic states boycotted or condemned the biennale's stance, accusing it of yielding to the aggressor.

Banksy’s Venice mural has been restored and will now tour city

A Banksy mural titled "Migrant Child," originally sprayed onto a 17th-century palazzo in Venice in 2019, has been restored and will tour the city's canals this weekend. The work, which depicts a child holding a flare and wearing a life vest, was removed from the Palazzo San Pantalon after six years of neglect and environmental damage had caused about a third of it to deteriorate. The restoration was funded by Banca Ifis, which purchased the palazzo in 2024 and commissioned Zaha Hadid Architects for the building's renovation. The conservation was supervised by Federico Borgogni, who previously oversaw the removal of another Banksy work in Bristol.

‘We put our heads above the parapet’: Lubaina Himid on winning her 40-year battle to storm the Venice Biennale

Lubaina Himid, the 71-year-old British artist, is representing Britain at the Venice Biennale with a solo exhibition in the British Pavilion. Known for her decades-long career addressing Black identity and colonial history through paintings, textiles, and cut-out figures, Himid installed her work early and even got married in the lead-up to the biennale. She follows fellow Black British artists John Akomfrah and Sonia Boyce in recent years, completing a trio of artists from the same generation to take over the pavilion.

What Every Collector Should Know About Buying Performance Art

Artsy Editorial explores the complexities of collecting performance art, explaining that ownership typically involves acquiring documentation, scores, or rights to reactivate a performance rather than the live event itself. The article outlines how artists, dealers, and collectors navigate transactions for this ephemeral medium, addressing the challenges of preservation, display, and market value.

A Poetic and Material Institutional Critique: Gala Porras-Kim at kurimanzutto and the Venice Biennale

UNA CRÍTICA INSTITUCIONAL POÉTICA Y MATERIAL: GALA PORRAS-KIM EN KURIMANZUTTO Y LA BIENAL DE VENECIA

Colombian artist Gala Porras-Kim presents her first solo exhibition at kurimanzutto gallery in Mexico City, titled "Espacios del futuro replican los del pasado" (2026), alongside her participation in the 2026 Venice Biennale. The show critically examines how museum conservation protocols transform objects by detaching them from their original material, ritual, and spiritual contexts. Central to the exhibition is "The Motion of an Alluvial Record" (2024), a greenhouse that recreates the humidity and temperature of Yucatecan mangroves, allowing clay and sediment to shift continuously, resisting the linear, stratified time of Western archives and evoking cyclical Maya cosmologies. Another series, "Uprooted" (2026), reproduces fragments of looted Teotihuacan murals from Techinantitla, now held by the Metropolitan Museum of Art and the Ethnological Museum of Berlin, reinstalling them near the floor to restore their original architectural scale and orientation.

Evelyn Taocheng Wang ”Sweet Landscape” at MUSEION, Bolzano

Museion in Bolzano, Italy, presents the first institutional solo exhibition in Italy by Evelyn Taocheng Wang, a Rotterdam-based artist born in 1981 in Chengdu. The exhibition, titled "Sweet Landscape," showcases her work across painting, writing, installation, performance, and fashion, featuring a visual language that blends poetry, subtle humor, and critical depth while intertwining art historical traditions and fragments.

Art Dubai 2026 first look: What to expect at the 20th fair

Art Dubai returns to Madinat Jumeirah for its 20th edition, running from Friday to Sunday with a free preview day on Thursday. The fair features a more concentrated layout than previous years, with gallery booths, institutional exhibitions, public art, poetry readings, DJ sets, performances, and multimedia installations gathered in the main conference area. Notable participants include co-founder John Martin, who returns as a gallerist nearly 20 years after helping launch the event, and Emirati artist Rami Farook, whose sand-built booth presents works reflecting on Dubai and the Gulf. Gallery One from Ramallah draws attention with Palestinian artist Amjad Ghannam's reinterpretations of Pablo Picasso, inspired by his experience as a former political prisoner.

15 Must-See Events Enriching the Venice Biennale 2026 Experience.

The article presents a curated guide to 15 must-see events accompanying the 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, running from May to November 2026. It highlights key exhibitions beyond the main pavilions, including "Screen Melancholy: Li Yi-Fan" at Palazzo delle Prigioni, "Darkness Visible: The Long Shadow of Dictatorship" at Spazio Punch, "Elegy" by Gabrielle Goliath at Chiesa di Sant'Antonin, and "As Above, So Below" at Ex Church Santi Cosma e Damiano, among others. These events span museums, foundations, and historic palazzi, featuring performances, talks, and curatorial interventions that extend the Biennale's reach across Venice.

Art for Our Age of Chaos

The article reviews two major New York exhibitions opening in 2026: the Whitney Biennial at the Whitney Museum of American Art, featuring over fifty artists, and "New Humans: Memories of the Future" at the newly expanded New Museum, with over a hundred artists. Both shows are described as enormous and defiant, responding to a distracted public and financial pressures. The reviewer notes that both exhibitions juxtapose large-scale immersive works with tiny, intimate pieces, and finds the Whitney Biennial lacking urgency, while preferring the New Museum's historical narrative about technology and modernity.