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Fragility, resilience and humour: Wolfgang Tillmans and Boris Mikhailov to open photography show in war-torn Kharkiv

A major photography exhibition pairing Wolfgang Tillmans and Boris Mikhailov opens today at the Yermilov Centre in Kharkiv, Ukraine, despite ongoing Russian attacks on the city. Titled "Pairs Skating" (April 25–September 28), the show is organized by the non-profit RIBBON International and curated by Maria Isserlis and Tatiana Kochubinska. It features Mikhailov's never-before-shown Crimean seascapes from the 1990s alongside Tillmans's works including "The State We’re In" (2015), with all prints produced specially for the venue, which is a certified bunker allowing public access during the war.

In Medias Res. Sofia Defino Leiby by Gabriela Acha

Berlin-based artist Sofia Defino Leiby is currently transitioning her practice between her Alt-Treptow studio and a residency at Defet House in Nürnberg. Her multidisciplinary approach integrates painting, collage, and performance, drawing heavily from a 'running narrative' of personal notes, found ephemera, and high-end materials like Schmincke paints. The work often features visceral, layered compositions that utilize everything from vintage packaging to Swiss Aura-Soma bottle imagery.

Part root vegetable, part deity: Inside Everything Is Terrible’s new Meow Wolf L.A. installation

Meow Wolf's upcoming Los Angeles location, set to open later this year in a former Cinemark movie theater in West L.A., will feature a 20-foot-tall, 1,000-pound amoeba-like creature named WoWoW, created by the L.A.-based multimedia collective Everything Is Terrible. WoWoW serves as the centerpiece of "the N.E.S.T.," an EIT-designed section of the 26,000-square-foot immersive exhibition space that tells the story of the Noothies, a fictional community of former film workers who discover a god and a hidden truth about reality. The installation pays tribute to maximalist roadside attractions like Wisconsin's House on the Rock and New Mexico's Tinkertown Museum, and is one of 45 installations by local collaborating artists including Gabriela Ruiz and David Altmejd.

David Shrigley is quite literally asking for money for old rope (£1 million, to be precise)

David Shrigley has unveiled a new exhibition titled 'Exhibition of Old Rope' at London's Stephen Friedman Gallery, featuring ten tonnes of discarded rope sourced from seaports, climbing schools, tree surgeons, offshore wind farms, and shorelines across the UK. The rope, roughly 20 miles in length, has been intensively cleaned and piled high in the Mayfair gallery, with a deliberately provocative price tag of £1 million. The show runs until 20 December 2025.

Frieze London diary: a boozy gallery bar, head-turning headlines and talking mice

During Frieze London week, Thaddaeus Ropac gallery hosts Tom Sachs’s "A Good Shelf" exhibition featuring a working coffee and mezcal bar alongside 30 ceramic works inspired by Japanese tea bowls. At the satellite fair Minor Attractions, performance artist Mark McGowan (aka Artist Taxi Driver) displays subverted Daily Mail headlines. Ryan Gander’s solo show at Camden Arts Projects introduces a fourth animatronic mouse that critiques the state of contemporary art. Meanwhile, the Gallery of Everything presents "Ectoplasmix," a show of works depicting ectoplasm, including pieces by František Jaroslav Pecka, Mathew Weir, and Susan Hiller.

The superstars of contemporary art

León Gallery's Magnificent September Auction 2025, taking place on September 13, features a diverse lineup of Philippine modern and contemporary art. Highlights include modernist works by Juvenal Sansó, Cesar Legaspi, Vicente Manansala, José Joya, and Anita Magsaysay-Ho, alongside conceptual pieces by Roberto Chabet. The auction also spotlights living contemporary artists such as Raffy Napay, Geraldine Javier, Demi Padua, and Marc Aran Reyes, with works ranging from textile art and natural-dye pieces to hyperrealistic paintings.

Why the inaugural Art Week Riyadh was a fair in everything but name

The inaugural Art Week Riyadh (AWR), organized by Saudi Arabia's Visual Arts Commission, took place from April 6-13 in the Jax district of Diriyah. Though officially billed as a non-commercial curated exhibition, the event functioned much like an art fair, with 32 galleries displaying available works, price lists visible on stands, and sales conducted throughout the week. The main exhibition, titled "At The Edge," was curated by Vittoria Matarrese with associate curators Basma Harasani and Victoria Gandit Lelandais, featuring galleries from Saudi Arabia and the wider region. Standout presentations included works by Ayesha Sultana, Mohamed Bourouissa, Mohammed Al Resayes, and Miramar Al Nayyar, alongside a moving image section and a satellite program of open studios and gallery shows.

Masha Foya’s Airy Illustrations Embrace the Universality of Emotions

Kyiv-based illustrator Masha Foya has released a new series of dreamlike works that blend human emotion with the natural world. Her illustrations often feature surreal architectural and organic elements, such as foliage tunnels forming into hands or planes flying through bird-shaped apertures, to represent the boundlessness of the human imagination. The collection includes a mix of personal explorations and high-profile commissions for international publications.

Dans les ateliers de la Maison du vitrail, où création et restauration conjuguent au présent cet art du verre et de la couleur

The article visits the Maison du vitrail, a French stained-glass workshop founded in 1973 by Christiane and Philippe Andrieux and now run by their daughter Emmanuelle. Located in a historic courtyard, the studio employs fourteen artisans who cut, paint, and assemble colored glass for both restoration and original creations. The workshop has evolved from a small space in Châtillon to a thriving enterprise that handles everything from church windows and Parisian staircases to trophies, jewelry, and commercial projects for clients like Truffaut and the Casino de Paris.

Giorgia Garzilli “Everything’s coming up roses” at Spazio Libero, Stockholm

Giorgia Garzilli presents her solo exhibition “Everything’s coming up roses” at Spazio Libero in Stockholm. The show features a large painting installed across two arches, depicting an exhausted figure lying on the floor in a moment of aftermath—after giving a speech, playing poker, or closing an important deal.

‘They tore up everything’: the wolf hunters of Kyrgyzstan – in pictures

Photographer Luke Oppenheimer traveled to the remote Kyrgyz village of Ottuk in 2021 for a short assignment on wolves preying on livestock, but ended up staying for four years. His project, titled 'Ottuk' and published by Aliens in Residence, documents the lives of shepherds who hunt wolves to protect their herds in the Tien Shan mountains, capturing their ancient way of life, harsh winters, and the legends that shape their community.

A festival of young European photography

The 16th edition of the Circulation(s) festival has launched at the Centquatre-Paris, showcasing the work of 26 emerging European photographers. Running from March 21 to May 17, 2026, the exhibition highlights contemporary projects that reflect the current intuitions, social commitments, and creative challenges facing the next generation of lens-based artists.

FSU's Museum of Fine Arts presents exhibit examining humanity through things we collect, keep and carry

Florida State University's Museum of Fine Arts (MoFA) will present the exhibition "Like everything alive that we try to hold forever" from January 29 to June 27, 2025. Curated by Elizabeth Diggon, Naomi Potter, and Shauna Thompson of Esker Foundation and produced by Independent Curators International (ICI), the show features seven international artists—including Larry Achiampong & David Blandy, Diane Borsato, Stephanie Dinkins, Bridget Moser, Sondra Perry, and Miya Turnbull—whose work in photography, sculpture, and video examines the complex relationship between humans and non-human objects, touching on themes of identity, colonialism, artificial intelligence, and digital technologies.

The Great Indian Art Mafia

The Indian art market has undergone a dramatic transformation, shifting from a selective market with works priced between Rs 5-25 crore to a high-stakes arena where record-breaking sales are now common. Between 2023 and 2025, multiple works crossed the Rs 50-100 crore threshold, with M.F. Husain's 'Gram Yatra' (1954) achieving the highest price to date at approximately Rs 118 crore, acquired by the Kiran Nadar Museum of Art. The market has expanded to over Rs 3,000 crore, with projections of Rs 10,000 crore by 2030.

Lindsay: Where Art Meets Life. Exhibit features Guffogg, Korean artists

The Lindsay Museum and Gallery recently debuted "Still Point: Everything Moves, One Remains," an international contemporary exhibition curated by JunHwan Chang of Gallery Chang. The show features a cross-cultural dialogue between local California artist Shane Guffogg and four prominent Korean artists: Kim Miné, Kim Hongbin, Anon, and Shin Kiwoun. The works on display range from Guffogg’s layered abstract paintings and Kim Miné’s lenticular "Nobody" series to hand-dyed fabric installations and video art exploring historical currency.

Met Gala 2026: Everything to Know About the Theme, Co-Chairs, Dress Code and More

The 2026 Met Gala will take place on May 4 at the Metropolitan Museum of Art in New York City, with the theme "Costume Art" and a dress code of "Fashion Is Art." The event honors the spring 2026 exhibition of the same name, which inaugurates the Costume Institute's first permanent galleries, the nearly 12,000-square-foot Condé M. Nast Galleries. Co-chairs include Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour. The red carpet livestream will be hosted by Ashley Graham, La La Anthony, Cara Delevingne, and Emma Chamberlain on Vogue's digital platforms.

New Nanaimo Art Gallery show focuses on impacts to developing countries

The Nanaimo Art Gallery is set to debut "An Animated Assembly," a collaborative exhibition by artists Richard Ibghy and Marilou Lemmens that explores the socio-economic consequences of resource extraction. Opening April 11, the show utilizes hand-painted murals, animations, and sculptures to critique the Global North's demand for energy transition materials, such as lithium, and the resulting impact on countries in the Global South. The works employ a satirical, "cartoonish" aesthetic to juxtapose cold, analytical data with the bold, often morally questionable rhetoric of corporate and political leaders.

‘It doesn’t put walls around everything’: behind the plans for Manila’s new contemporary art centre

The Ayala Foundation has announced the development of the Kontempo Center for Contemporary Art in Manila, appointing Reuben Keehan as its inaugural artistic director. Designed by architect Kulapat Yantrasast of WHY Architecture in collaboration with Lor Calma & Partners, the center will be located on the site of a former racetrack in Circuit Makati. The facility will prioritize exhibitions, commissions, and public programming over a permanent collection, featuring three large galleries and extensive green space for public art installations.

Twelve Exhibitions, One Looming Question: Bard Student Curators Take on the Meaning of Now at Hessel Museum

The Hessel Museum at Bard College has launched its annual spring exhibition season, featuring twelve distinct curatorial projects titled "Everything That Happens Will Happen Today." Organized by graduating students from the Center for Curatorial Studies (CCS), the showcase serves as a professional debut for an emerging cohort of curators. The projects range from solo retrospectives of under-recognized artists like Brazilian painter Maria Auxiliadora Silva to explorations of feminist art history through the work of A.I.R. Gallery co-founder Anne Healy.

2026 Future Fair: Everything You Need To Know About the Art Fair Before It Opens Next Month

Future Fair, a contemporary art fair focused on community and emerging talent, will hold its sixth edition at Chelsea Industrial in New York from May 14 to 16, 2026. The fair brings together nearly 70 exhibitors, including brick-and-mortar galleries, artist-run initiatives, and collaborative platforms from nine countries, with nearly half hailing from the New York tri-state area. Highlights include the return of the Pay-It-Forward Fund, which allocates 15% of annual profits as grants to participating galleries and dealers, and a VIP preview day on May 13.

Two Openings Signal Manila’s ‘New Wave of Cultural Activity’

Gajah Gallery, founded in 1996 and already operating in Singapore, Jakarta, and Yogyakarta, opened a new space in Mandaluyong, Manila, in November. Its inaugural exhibition, "Confabulations, A Fantasy of the Real," curated by Joyce Toh, features Filipino artists such as BenCab, Leslie de Chavez, and Kiri Dalena alongside peers from Indonesia, Singapore, and Malaysia, including a bronze sculpture by Marina Cruz produced at the gallery's Yogya Art Lab. Separately, Ames Yavuz, with spaces in London, Singapore, and Sydney, presented a pop-up group show, "Hold Everything Dear," in Makati, displaying over 50 Filipino artists and collectives. Both openings signal a surge in international gallery interest in Manila ahead of the Manila Art Fair in February 2026.

erie art museum wont return abandoned painting daughter late artist

The Erie Art Museum has responded to a lawsuit filed by Georgia Heynes, the 82-year-old daughter of late artist George C. Demiel, who is seeking the return of her father's watercolor painting "House Boats." Demiel submitted the work to an annual juried show at what was then the Art Center of Erie in 1966, but the painting was not accepted and Demiel never reclaimed it before his death in 1967. The museum's December 2025 response argues the painting is "abandoned personal property" and was formally accessioned into its permanent collection in 1983. Heynes discovered the painting hanging in a 2019 exhibition at the museum and requested its return, but the museum has not relinquished it.

scientists recreate egyptian blue pigment

A team of researchers has successfully recreated Egyptian blue, the world's oldest synthetic pigment, which was used by ancient Egyptians from as early as 3100 B.C.E. The study, published in NPJ Heritage Science, was led by John S. McCloy of Washington State University and Edward P. Vicenzi of the Smithsonian Institution's Museum Conservation Institute, in collaboration with the Carnegie Museum of Natural History. The researchers experimented with various minerals, heating them in ovens at around 1,000 degrees Celsius for up to 11 hours, and used modern microscopy and analysis techniques to compare their results with ancient artifacts from the Carnegie Museum's collection.

pompeii discoveries

Archaeologists have uncovered a series of remarkable discoveries at Pompeii, the ancient Roman city buried by Mount Vesuvius in 79 C.E. Recent finds include life-sized statues of a priestess and a man from a tomb, frescoes depicting Dionysian rituals and mythological scenes, an extravagantly decorated 'tiny house' called the House of Phaedra, and evidence of aspirational interior design. These artifacts, unearthed in suburban villas and tombs, range from a bejeweled priestess statue to children's gladiator doodles and ancient fast-food counters, revealing new details about daily life in the Roman Republic.

Major art exhibition by Joe Lycett to come to city

Comedian Joe Lycett will present his first major solo art exhibition, titled EVERYTHING MUST GO, at Birmingham Museum & Art Gallery in July. The mixed-media show explores the theme of "things that are no longer with us," drawing inspiration from the city's collection and featuring subjects like deceased celebrities, discontinued products, extinct animals, and destroyed buildings, all presented in Lycett's signature colorful and humorous style. General admission will be free.

Magazzino Italian Art: a major exhibition on Alighiero Boetti in New York.

Magazzino Italian Art in Cold Spring, New York, will present a major retrospective of Alighiero Boetti titled "Tutto Boetti 1966-1993," running from April 26, 2026 to April 26, 2028. The exhibition features about 30 works drawn from the museum's permanent collection, loans from the artist's heirs, and a private collection, spanning Boetti's career from 1966 to 1993. Highlights include large-scale pieces such as "Mazzo di tubi" (1966), "Da mille a mille" (1975), "Insicuro Noncurante" (1975-76), and the kilim "Alternando da uno a cento e viceversa" (1993). The show is part of Magazzino's ongoing series of monographic exhibitions on Arte Povera artists, following earlier focuses on Piero Gilardi and Michelangelo Pistoletto.

Roksana Pirouzmand’s Dual‑Site Meditation on Loss

Roksana Pirouzmand’s dual-site exhibition in Los Angeles, hosted at OXY ARTS and JOAN, features performance-based sculptures and installations that utilize literal erosion to explore themes of loss and displacement. The works include anatomical clay casts of the artist and her mother, which are subjected to water, vibration, and physical interaction, causing them to crack and deteriorate over the course of the show. At OXY ARTS, a kinetic metal floor involves the viewer directly, as their footsteps cause clay hands to collide and break, illustrating the physical impact of movement and presence.

Met Gala 2026 – Everything to know about fashion's biggest night

The Metropolitan Museum of Art's 2026 Met Gala will take place on May 4, themed "Costume Art" to highlight fashion as a central artistic discipline. Co-chairs include Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour, with a host committee featuring Anthony Vaccarello, Zoë Kravitz, and other celebrities. The event coincides with the opening of the new Condé M. Nast Galleries and the spring exhibition "Costume Art," which pairs historic garments with artworks spanning 5,000 years. The dress code is "fashion is art," and the red carpet will be livestreamed by Vogue.

Step into the Sublime Sculptures of Bobby Anspach at the Newport Art Museum

The Newport Art Museum is hosting "Everything is Change," the first solo museum exhibition of the late sculptor Bobby Anspach. Curated by Taylor Baldwin, Anspach's former MFA professor at RISD, the show features immersive installations from his *Place for Continuous Eye Contact* series, alongside a documentary by Julia Barrett Mitchell and a restorative space called "The Nature of Choice" designed by architect Lauren Rottet. The exhibition spans five rooms across two floors, with trained guides facilitating visitors' experiences of Anspach's kaleidoscopic, perception-altering works.

Joe Lycett to showcase artwork via Birmingham exhibition

Birmingham Museum & Art Gallery will stage the first major solo exhibition of artwork by comedian and artist Joe Lycett, titled 'EVERY THING MUST GO', opening on July 29, 2026. The exhibition will feature dozens of new, mixed-media works exploring themes of nostalgia, grief, and loss through Lycett's signature colorful and humorous style, focusing on subjects like deceased celebrities, extinct animals, and discontinued products.