High Desert Test Sites (HDTS), a long-running, itinerant art event in the California desert, is approaching its 25th anniversary. Founded by artist Andrea Zittel, it has evolved from a series of experimental artist projects into a vital, decentralized community network that fosters collaboration and dialogue between artists and local residents.
Artist Ida Ekblad has converted a 1960s Brutalist villa in Oslo into a dynamic, non-commercial studio and project space named 'Villa Ekblad.' The space serves as her primary studio but is also designed to host spontaneous collaborations, workshops, and experimental projects with other artists, functioning as a creative laboratory removed from market pressures.
Charlotte Perriand, the pioneering French designer and architect, has died at age 96. Her career spanned most of the 20th century, during which she collaborated with giants like Le Corbusier and Pierre Jeanneret, creating iconic modernist furniture and championing a vision of functional, democratic design.
The Leslie-Lohman Museum of Art in SoHo has emerged as a vital hub for New York’s downtown performance scene through its intergenerational exhibition, "Sacred and Profane." Featuring a collaborative residency between poet Pamela Sneed and performance artist Carlos Martiel, the programming centers on themes of Black maternal grief, queer identity, and the exhumation of suppressed histories. Recent performances included Martiel’s "No Resurrection," a ritualistic piece involving his mother and a mound of earth, and Sneed’s readings that address the collective trauma and "urgent care" status of the LGBTQ+ community.
Brazilian artist Sacha Ingber presents 'Two,' a solo exhibition at Uffner & Liu in New York, featuring works in pigmented resin, ceramics, and functional objects that explore themes of pairing, connection, and codependence. The show includes paired notebooks, ceramic figures sharing handles, and a backgammon board designed for two players, all emphasizing the relational space between objects and bodies.
Was macht Liebe politisch, Wynnie Mynerva?
Peruvian artist Wynnie Mynerva discusses her exhibition "Volveré y seré millones" at the Société gallery in Berlin, timed to coincide with Gallery Weekend. The artist explores Andean cosmologies, specifically the concept of 'Ayni' or collective reciprocity, as a counter-narrative to Western, capitalist structures of romantic love and individualism. Her work draws from her personal experience as a migrant in Europe and her observations of Berlin’s queer scene, questioning how care and survival function within modern political frameworks.
A historic section of the original Eiffel Tower staircase is set to be auctioned by Artcurial in Paris on May 21. The nearly nine-foot-tall segment consists of 14 spiral steps that once connected the monument's second and third levels before being dismantled in 1983 to make way for elevators. Estimated to fetch between $140,000 and $175,000, the piece has been held in a private collection for over forty years.
A French national audit report, the Cour des Comptes, has revealed severe security deficiencies at the Louvre Museum, finding that only 39% of its rooms had cameras as of 2024 and that a security upgrade begun in 2015 only resulted in a tender at the end of last year, with completion not expected until 2032. The report was released shortly after a theft of crown jewels from the museum, and it criticizes the Louvre for prioritizing acquisitions and post-pandemic projects over essential security investments. Louvre director Laurence des Cars acknowledged the museum's "very inadequate" and "outdated" security systems during a Senate hearing, though she stated alarms functioned during the heist. Four suspects are in custody for the October 19 robbery.
Paris prosecutors have revealed that the theft of French crown jewels from the Louvre Museum was carried out by petty criminals, not organized crime professionals. Four individuals—three men and one woman—have been charged, with two of the men having multiple prior theft convictions. The heist occurred on October 19, when robbers used a cherry picker and angle grinder to steal nine pieces of jewelry worth an estimated $102 million from the Apollo Gallery. One crown belonging to Empress Eugénie was later recovered outside the museum, but eight artifacts remain missing.
The UC Davis Library has unveiled new student-acquired artwork in its study rooms, aiming to transform traditionally drab academic spaces into vibrant environments through a student art competition. Additionally, the TANA community art center in Woodland is hosting the opening reception for the Sacramento Poderosas Mural Project, featuring a mural by Ruby Chacon and Isabel Martinez that honors the legacy of the Royal Chicano Air Force (RCAF) and Xicana/o/x activism.
The second Lahore Biennale took place in early 2020 across Lahore, Pakistan, with installations at historic sites such as the Badshahi Mosque, Lahore Fort, Tollinton Market, and Bradlaugh Hall. Artists like Barbara Walker and the Pak Khawateen Painting Club presented works addressing colonial erasure, sexuality in an Islamic Republic, and water scarcity. Skira has published the "Lahore Biennale 02 Reader," edited by Sheikha Hoor al Qasimi and Iftikhar Dadi, which compiles essays and reflections from the biennial's academic forum, including contributions from the Ajam Media Collective and anthropologist Seema Golestaneh on Sufism and state power in Iran and Pakistan.
Katharina Grosse's exhibition 'I Set Out, I Walked Fast' at White Cube London presents a continuous environment where painting extends beyond the canvas into space. The show features new works, archival material, and a large in-situ installation that combines mounds of earth, a partially submerged canvas, and a bronze-cast sculpture into a single painted field. Grosse uses an industrial spray gun to apply acrylic pigments, creating works that blur boundaries between surface, site, and viewer. The exhibition avoids chronological order, instead connecting pieces from different periods to form a spatial network where individual works function as nodes.
The article examines the inherent limitations of traditional photography in documenting installation art, arguing that static images fail to convey the experiential qualities of scale, sequence, and audience interaction central to the medium. It uses Olafur Eliasson's iconic 'The Weather Project' as a prime example of a work whose atmospheric and social dimensions are lost in photographic reproduction.
The Lowe Art Museum at the University of Miami has unveiled a diverse April program featuring two major exhibitions focused on Afro-Cuban art and identity. "El Pasado Mío / My Own Past" showcases nearly two centuries of Afrodescendant contributions to Cuban art, highlighting 45 artists including a significant group of historically overlooked women, while "Afrocubanismo" draws from the Ramón and Nercys Cernuda Collection to explore the 1930s movement that fused European modernism with Afro-Cuban culture.
The High Museum of Art in Atlanta is hosting a major retrospective titled “Isamu Noguchi: ‘I am not a designer,’” featuring nearly 200 works by the Japanese-American artist. The exhibition highlights Noguchi’s philosophy that art should exist in everyday spaces, showcasing everything from his iconic midcentury furniture and floor lamps to his functional playground designs. Simultaneously, the city is preparing for 'illumine 2026,' an outdoor light-based art exhibition at the Historic Oakland Cemetery that further explores the integration of art into public life.
The High Museum of Art in Atlanta has launched a major retrospective titled “Isamu Noguchi: ‘I am not a designer,’” featuring nearly 200 objects that span the artist's prolific career. The exhibition showcases Noguchi’s diverse output, including his iconic Akari paper lanterns, furniture for Herman Miller, the Radio Nurse baby monitor, and his extensive stage set collaborations with choreographers like Martha Graham and Ruth Page.
Two of Keith Haring’s rare art cars, a 1963 Buick Special and a 1983 Land Rover Series III, are going on public display in New York City for a limited 10-day engagement. The exhibition, titled "Keith Haring: In the Street," serves as the inaugural show for Free Parking, a new gallery space located in a West Village carriage house. The presentation includes original 3D works and photographs, complemented by a series of talks featuring figures from the 1980s downtown scene like Muna Tseng and Carlo McCormick.
Opera Gallery has officially opened its first Texas location in Houston’s River Oaks District, debuting with a high-caliber exhibition featuring original works by masters such as Pablo Picasso, Marc Chagall, and Yayoi Kusama. The space functions as a hybrid between a commercial gallery and a museum, offering the public free access to museum-quality pieces that are typically held in private collections or behind glass.
The Harvard Art Museums have launched "Celtic Art Across the Ages," the first major exhibition of its kind in the United States. Spanning over 2,500 years, the show features nearly 300 objects including ceremonial pony caps, banqueting vessels, and jewelry crafted from amber and jet. The exhibition is organized into four thematic sections—Archaeology, Art, Encounters, and Reception—highlighting the functional nature of these highly decorative objects and their roles in trade and daily life from the first millennium BCE to the present.
Artist Tomás Saraceno has begun construction on "El Santuario del Agua" (The Water Sanctuary), a monumental art complex in the Salinas Grandes salt flats of northern Argentina. Developed in collaboration with 11 Indigenous communities and the Red Atacama coalition, the project consists of five semicircular salt structures inspired by Andean cosmology. Scheduled to open in October, the site will function as a community-owned space where visitors can engage with the landscape through elevated viewing platforms while supporting a sustainable tourism model.
Amoako Boafo's third solo exhibition with Roberts Projects, titled 'I Bring Home with Me,' opens January 17 in Los Angeles. The show recreates the artist's Accra, Ghana studio within the gallery through an architectural collaboration with designer Glenn DeRoche, featuring vibrant wallpaper, grid windows, and light-filled passages. Boafo presents new portraits using his signature fingertip painting technique, integrated into the studio structure and a folding wooden sculpture inspired by the Adinkra symbol nkyinkyim.
The Art Newspaper has published its annual 'Year in Review' for 2025, a roundup of the most significant stories, trends, and developments in the international art world over the past twelve months. The article serves as a comprehensive digest covering major exhibitions, market shifts, institutional changes, and key figures that shaped the visual arts landscape in 2025.
Gotham, the world's first cannabis concept store, has unveiled 'The Smoking Section,' its first commissioned art exhibition at Gotham Gallery in Chelsea, New York. Running from November 6, 2025, to January 5, 2026, the show features over 45 artists and designers—including Ridykeulous (Nicole Eisenman and A.L. Steiner), Daniel Gordon, Mika Tajima, Deborah Czeresko, and Peter Shire—who each created original ashtrays that range from functional to conceptual. Curated by Rachel Berks, Gotham's VP of Product Development & Partnerships, the exhibition explores the ashtray as both a ritual object and cultural symbol, linking cannabis culture to contemporary art.
Artist Peter Doig and his partner, gallerist Parinaz Mogadassi, have purchased McGlynn's, a beloved London pub in King's Cross that closed after its landlord Gerry died in 2023. They submitted a planning application to restore the Grade II listed building, preserving its original character while ensuring it remains a functioning pub. Doig, who lived near the pub in the 1980s, bought the building opposite to open a gallery, with a Merry Alpern show opening October 13 organized by Tramps.
The Art Institute of Chicago presents 'On Loss and Absence: Textiles of Mourning and Survival,' an exhibition running from September 6, 2025, to March 15, 2026. Featuring over 100 objects from antiquity to the present, the show draws primarily from the museum's own collection and is organized into four thematic sections: Death and Mourning, Transition of Realms, Care and Repair, and Resistance and Survival. Works include funeral hangings, burial cloths, mourning samplers, Indonesian ship cloths, a Taoist priest's robe, and contemporary pieces by artists such as Nick Cave, Carina Yepez, the Noqanchis collective, and Diné weaver Barbara Teller Ornelas. The exhibition is curated by four artist-educators from the School of the Art Institute of Chicago's Fiber and Material Studies department: Isaac Facio, Nneka Kai, L Vinebaum, and Anne Wilson, with senior museum advisor Melinda Watt.
Krannert Art Museum in Champaign-Urbana, Illinois, reopened after an 18-month closure for repairs and upgrades with a celebratory evening event. The crowd included students, retirees, new faculty, and local dignitaries such as Champaign Mayor Deborah Frank Feinen and Urbana Mayor DeShawn Williams. Speeches emphasized the museum's role as a community anchor, and performances by Peruvian Quechua hip-hop artist Liberato Kani and dancer Yana Paqcha energized the space. Attendees explored newly reinstalled collections, including works by Thomas Gainsborough and Nicola Victor Ziroli, as well as exhibitions like "Fragmented Histories: Andean Art Before 1600" and "Ronny Quevedo: a l l s t a r s."
On Saturday, June 28, the Lower East Side gallery Olympia will host CAKE, a one-night exhibition and feast featuring desserts donated by dozens of New York-based artists, including Hannah Beerman, Mie Yim, Wells Chandler, Robin F. Williams, Hein Koh, and Melissa Joseph. The event functions as a fundraiser for the gallery and a participatory performance art piece, with tickets priced at $45. The gallery's founder and director, Ali Rossi, conceived the show as a community-centric alternative to typical summer group exhibitions, and all desserts will be photographed before consumption to preserve documentation.
The Museum of Contemporary Art Detroit (MOCAD) will present "Olayami Dabls: Detroit Cosmologies," the first comprehensive museum retrospective for Detroit artist Olayami Dabls, running from April 25 to July 12, 2026. Dabls, who began his career as a curator at the Afro-American Museum in Detroit (now the Charles H. Wright Museum of African American History), traces his artistic journey to a transformative moment in the 1970s when he opened a box of African masks that his colleagues feared to handle. This experience led him to investigate how Hollywood and popular culture had demonized African material culture, associating it with horror movies and voodoo, and inspired decades of work as an artist, storyteller, cultural historian, and civic champion.
The Belarus Free Theatre (BFT), an underground performance group currently in exile, has announced its first major visual art exhibition titled "Official. Unofficial. Belarus." as a collateral event for the 61st Venice Biennale. Staged at the historic La Chiesa di San Giovanni Evangelista, the show features site-specific works by exiled artists including Sergey Grinevich, Vladimir Tsesler, and Nicolai Khalezin. The installations range from paintings functioning as altar panels to a massive sphere of banned books and a crucifix made of CCTV cameras, all designed to critique the surveillance and censorship of the Lukashenko regime.
Quali souvenir si portavano a casa dal Grand Tour? A Milano una mostra per scoprirlo
The Museo Poldi Pezzoli in Milan has announced a major exhibition for 2026 dedicated to the Grand Tour, the historic educational journey undertaken by European aristocrats through Italy. Moving beyond traditional landscape paintings, the show explores the material culture of 18th and 19th-century travel, featuring maps, notebooks, luxury jewelry, and fans that served as high-end souvenirs. A centerpiece of the exhibition is Giovanni Paolo Panini’s masterpiece 'Roma Antica,' which will be presented alongside a cinematic reinterpretation by director Ferzan Özpetek.