The historic Variety Arts Theater in downtown Los Angeles is reopening after decades for a six-week exhibition titled "What a Wonderful World: An Audiovisual Poem." The show, running through March 20, presents a non-linear, late-night experience featuring over 120 years of moving images, from early cinema to contemporary video art, allowing visitors to wander freely from 5 p.m. to midnight.
The Trinidad Express Newspapers published an article titled 'Art for the animals’ sake,' which appears to cover an art-related event or initiative benefiting animals. The specific details of the event, such as the artists involved, location, or date, are not provided in the given text, but the title suggests a charitable or awareness-raising focus combining visual art with animal welfare.
The Hunterdon Art Museum in Clinton, New Jersey, presents "Pulp: The Fluid and the Concrete," a group exhibition featuring 26 artists who explore the artistic potential of handmade paper. Curated by Gail Deery and Cynthia Nourse Thompson, the show transforms the museum's second floor into a celebration of paper as a versatile, sculptural medium, with works ranging from Joan Hall's marine-inspired "Red Tide Returning" to Michelle Samour's intricate paper installations and Marc Rosenquist's pulp sculptures.
A private collection of signed prints by Bob Dylan will be auctioned at Halls Fine Art in Shrewsbury on July 9, 2025, with a total valuation of £50,000. The collection includes hand-finished works named after locations and dates from Dylan's musical career, with the standout piece 'Side Tracks' estimated at £20,000 to £25,000. Other notable prints include 'Train Tracks in Green', 'Sunflowers', and 'Cityscape', alongside a signed Fender Stratocaster guitar and works by The Connor Brothers and L.S. Lowry.
Maine College of Art & Design (MECA&D), in collaboration with the Institute of Contemporary Art (ICA) at MECA&D, presents the 2026 MFA Thesis Exhibition, showcasing the culminating work of nine graduate candidates in the Master of Fine Arts in Studio Art program. The exhibition features artists Abigail G. Cloutier, Harley Ngai Grieco, Molly Knobloch, Stephen Medeiros, Darby Miller, Dylan Ouellette, Caitlin Perrigo, Jonathan Spath, and Isaac L. Stern, working across ceramics, drawings, photography, prints, sculpture, sound, and video installations. The show runs from May 7–16, 2026, at the ICA in Portland, Maine.
An exhibition at the Morgan Library & Museum, titled "Wolfgang Amadeus Mozart: Treasures from the Mozarteum Foundation of Salzburg," presents a curated journey through the composer's life and career. The show features well-preserved ephemera, including Mozart's childhood violin, original sketches for the opera "The Magic Flute," and personal letters that reveal his scatological humor, alongside portraits of his patrons.
New York City’s Fifth Avenue was transformed into a vibrant public gallery on April 5, 2026, for the annual Easter Parade and Bonnet Festival. Participants gathered outside St. Patrick’s Cathedral to showcase elaborate, hand-crafted headpieces ranging from Eduardo Escobar’s rotating 'Trip to the Moon' hat to Shayna Strype’s hot-air balloon ensemble. The event featured a diverse array of creators, including climate-conscious artist Cristian Pietrapiana and mixed-media sculptor Gail Trunick, who utilized the street as a stage for avant-garde millinery and performance art.
Maria May, an established artist from Ballaghaderreen, has opened her debut solo exhibition, 'Sruthanna Comhcheangailte – The Fluidity of Interconnection,' at the Ballinglen Art Gallery in Ireland. The exhibition, which runs until 15 March 2026, features abstract interpretations of the Major Arcana Tarot cards through mixed media, stitching, poetry, and collage, exploring themes of belonging, reconnection, and healing.
Ten artists have accused Arusha Gallery, which operates in Edinburgh and London, of failing to pay them nearly half a million pounds for sold works, with some waiting months or years for payment. Artist Charlotte Keates claims she is owed approximately £430,000 from sales dating back to 2023, while gallery owner Bella Arusha Collins King disputes the amount and asserts the gallery is entitled to a 50% cut from a collaboration Keates entered with Hermès. The gallery acknowledges missing payments, citing a downturn in the art market and the unexpected death of co-owner Guy Rowland Maxwell Bargery in January.
The Front, an artist-run cooperative gallery in Montpelier, Vermont, operates on an equal-ownership model with 23 member artists. Founded by Glen Coburn Hutcheson after a pop-up studio gallery evolved into a collective space, the gallery is cooperatively managed, with members sharing rent and responsibilities while hosting solo and bi-monthly group shows, critiques, and community events.
Peninsula School of Art (PenArt) is hosting a free open house at the Ingwersen Studio and Gallery in Sister Bay, Wisconsin, on October 11, 2025, to honor the late James Ingwersen and his wife Phyllis, who donated the 40-acre property to PenArt earlier this year. The event will include tours of the historic buildings and opportunities to meet staff and board members. Separately, PenArt has announced the return of its Family Art Days program for the fall season, featuring hands-on projects inspired by artists Jodi Rose Gonzales and Abigail Hedley, and has appointed four new members to its Board of Directors: Rebecca Carlton, Marsella Fults, Mynn Lanphier, and Monique McClean.
Devyani Saltzman has abruptly left her position as Director of Arts and Participation at the Barbican Centre in London. Her departure, which comes just weeks after the arrival of a new CEO and shortly after she unveiled a five-year creative vision for the institution, marks another sudden leadership change at the major UK arts center.
The Joel and Lila Harnett Museum of Art at the University of Richmond has opened its spring season with three new exhibitions centered on themes of lineage, place, and blackness. The shows include a newly commissioned, full-gallery installation by sculptor Abigail DeVille, an exhibition titled 'Black Work: Absence/Absorption' exploring the material and perceptual qualities of blackness, and 'Politics of Place,' a film-focused exhibition examining geography's influence on identity and power.
The Binghamton University Art Museum (BUAM) has opened its fall semester exhibition, “In the American Grain: Exploring America through Art, 1919-1946,” curated by art history professor Tom McDonough. The show spans the interwar period through World War II, featuring works from BUAM’s collection—many donated by local collectors Gil and Deborah Williams—alongside loans from the BU libraries, the Roberson Museum and Science Center, and the Art Bridges Collection. Originally conceived with Chelsea Gibson of the Binghamton Codes! Program, the exhibition grew from a pandemic-era digital project and includes thematic categories such as Americans Abroad, City Life, Picturing Black Lives, and War Time, with works by artists like Jane Peterson, Chiura Obata, James Lesesne Wells, and Helen Torr.
Umbrella Studio Contemporary Arts in North Queensland will present three new exhibitions next month, led by Meriam artist Gail Mabo's 'Wer Wer (Boundaries)'. Developed during a residency with master printmaker Dian Darmansjah, the exhibition reinterprets boundary maps drawn by Mabo's father, land rights pioneer Eddie Koiki Mabo, through four unique drypoint etching and collagraph prints. Also opening are 'Neural Architecture' by Geoffrey Schmidt, exploring memory and consciousness through oil, string and rocks on aluminium panels, and 'Scattered' by Barbara Pierce, a site-responsive installation made from found materials addressing global displacement and survival.
A new art gallery, The Fred Levine Gallery, is opening in Bruton, Somerset, with an inaugural group exhibition titled "Landscapes of Time and Memory." The gallery, founded in 2019 by Frederick McDonald and Zsanett Der Levine, has operated nomadically in recent years, including in London, and has now chosen Bruton as a permanent location, describing it as "a special destination for contemporary art." The exhibition features eight international and UK-based artists: Rebecca Partridge, Fernando Casasempere, Silke Weißbach, Raffael Bader, Fred Sorrell, Elena Njoabuzia Onwochei Garcia, Abigail Booth, and Peter Matthews, whose works explore the relationship between landscape, history, memory, and time.
Studio 34 Gallery in Long Island City, New York, announces its annual Open Studio Weekend on May 16–17, 2026, from 12:00–6:00 PM, alongside the opening reception of a group exhibition titled 'Collective Pulse' on May 16 from 6:30–9:30 PM. The free event invites the public to explore working artist studios, meet the creators, and experience the artistic process, with live music by Sunshine Music. The exhibition, curated by Alice Lipping and Tina Glavan, features 14 Studio 34 artists and 11 guest artists, and runs through June 7, 2026.
Raven’s Heart Gallery in Kanab, Utah, will host its Summer Show on June 13, 2026, from 1–4 PM at 57 W. Center St. The free, interactive event features live art-making demonstrations by a roster of Southern Utah artists, including Gail Alger (acrylic animal painting), Angela Woods (oil painting), Rebekka Anderson (color reduction linocut printmaking), Ken Ragsdale (basket illusion technique on wood), David Lane (astrophotography), James Mosdell (lapidary work with Grand Canyon Opal), Ellie Mae Clough (mixed media on encaustic wax), and Gary Kalpakoff (wild mustang photography and metal sculpture). The signature artwork is Gail Alger's 'Raven in Flowers,' and large-scale oil paintings from Cyrus Mejía's 'The Vicktory Dog' and 'Mill Dogs Revenge' collections will also be on view. The gallery, home to more than 30 regional artists, will transform into a working studio with easels, paints, cameras, lapidary equipment, and printmaking presses.
The Leslie Powell Gallery in Lawton, Oklahoma, will open two art exhibitions in May 2026. "Beauteous Maximus" features paintings by New Zealand-born Polynesian artist Tania Landers, whose work explores memory, identity, and generational storytelling through vibrant colors and collage. "Between the Front Door and the Kitchen Sink" showcases artwork by Texas artist Abigail Rainey, focusing on themes of home, inheritance, and the sacred within the mundane. Both exhibitions open with a reception on May 16 and run through June 26.
Owensboro Community and Technical College (OCTC) is presenting a student art exhibition titled “Pathway Through Humanity” at the Dayman Art Gallery through May 14. The show features works by graduating Associate in Fine Arts – Visual Art degree candidates Wyatt Woods, Selena Lopes, and Kris Grenier, spanning drawing, painting, fiber art, and mixed media. A free closing reception is scheduled for May 14 from 11 a.m. to 1 p.m.
The Southwick Cultural Council is hosting its 25th Annual Fine Art Exhibition Show and Sale at Town Hall on April 26-27. The event features over 40 artisans, with works in oils, acrylics, watercolors, wood carvings, sculpture, photography, and mixed media, most of which are for sale. A jury process selects participants, and the event includes live music and a display by the Southwick Historical Society.
The Massachusetts Design Art Technology Institute (DATMA) is launching "The Same Sea," an exhibition featuring six artists from the South Coast region who participated in the inaugural Hotel Papel artist residency on Faial Island in the Azores. Opening April 30 in New Bedford, the show presents a diverse range of media—including painting, ceramics, film, and photography—created during a 10-day immersive experience earlier this year.
Six artists from the SouthCoast region of Massachusetts recently completed the inaugural Hotel Papel residency on the island of Faial in the Azores. The residency, designed to celebrate the sister city relationship between Greater New Bedford and the Azores, allowed the participants to explore local culture, traditions, and landscapes. Their resulting works, spanning ceramics, photography, film, writing, and painting, will be showcased in a group exhibition titled "The Same Sea" at the Massachusetts Design Art and Technology Institute (DATMA).
An exhibition titled 'Armor,' curated by Brianna Osborne, has opened at Creative Haverhill’s downtown gallery in Haverhill, Massachusetts. The show features fifteen artists and students from across New England, including participants from Waltham High School’s ceramics program, who explore the concept of armor in its physical, emotional, inherited, and self-made forms. The gallery will host special hours during Haverhill’s inaugural Hill-o-Ween event on October 31 and an artist reception on November 1.
The 2025 Mansfield Youth Art Exhibition concluded its month-long run at the Mansfield Information Centre Gallery, showcasing works by seven local artists aged 14 to 20. The exhibition launched on September 5 with an opening attended by 40 guests, featuring live music by Alana Beattie. Two awards were presented: the Amplify Artist Award to Abigail Wettenhall for her multi-medium display, and the 'Framing the Future' People's Choice Award to Molly Purcell for her oil and acrylic painting Obsidian, which won over 200 public votes.
The Center for Creativity in Redwood City, California, is launching a new fall series called Art+Sound on Broadway, held on three Sunday afternoons in September and October 2025. The series combines live concerts by local musicians, a juried visual arts exhibition titled "Art of the Community: Redwood City 2025," and hands-on art-making activities led by local artists. Performers include Alex and Maya Valdivia, Melissa Modifer, Andy Z, The Corner Laughers, Ol' Blue Genes, and Redwood Souls, while artists such as Elizabeth Gomez, Gadget, and Corinne Feldman lead community workshops. The series is funded by a grant from the Redwood City Arts Commission and takes place on a pedestrian-only block of Broadway outside the historic Hotel Sequoia, where the Center for Creativity is temporarily housed until 2027.
McPherson College’s Friendship Hall gallery is hosting a new exhibition featuring artwork from local artists in McPherson County, Kansas. The show, which resulted from an open call issued last spring, includes a diverse range of works by 23 artists from the community. A closing reception is scheduled for Sunday, September 28, from 2 to 4 p.m., and the exhibition will also be on view during the college’s Homecoming events on September 26–27.
Sawtell Art Gallery's 37th Annual Show opened on June 28 with a celebratory party attended by exhibitors and community members. The exhibition featured nine prize categories, each with a $500 award, plus a $100 Youth category, sponsored by local businesses and organizations. Winners included Jordanna Hinton, Jayden Whitton, Bronwyn Fife, Helen Goldsmith, Andrea Hitchcock, Willie Berkof-Ober, Nico Reynolds, Shellie Kelly, Sharon Sykes, Lachlan Wainwright, Max Greenaway, and Stella Dodd. The People's Choice Award is pending announcement at the exhibition's close.
Boston University School of Visual Arts is presenting the 2025 Undergraduate Thesis Exhibitions from April 29 through May 10 across multiple galleries on campus, including the 808 Gallery, 808 Corridor Gallery, and Commonwealth Gallery. The exhibitions feature works by 66 graduating seniors from BFA programs in Painting, Sculpture, and Graphic Design, as well as BA in Art students, with a separate BA Capstone Exhibition running from May 5 to 16 in Gallery 5. A public reception is scheduled for May 2, and all shows are free and open to the public.
Two Fort Worth artists, Abigail Faye Jackson and Jacob Lovett, have joined forces for a new exhibition titled "West of Real" at Bowie House in Fort Worth, opening April 27. Jackson's works focus on charrería, the national sport of Mexico, using 23-karat gold leaf backgrounds to create a surreal, timeless atmosphere. Lovett's paintings depict cowboys on horseback riding into blank white canvases, using window-like compositions to invite introspection and blur the line between reality and imagination.