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The Venice Biennale’s Polite Fiction of Being ‘Above the Market’ Is Wearing Thin

The 61st Venice Biennale is underway, with art world figures flocking to Venice for the opening. While the Biennale is officially a non-selling curatorial platform, commercial interests are increasingly visible: galleries are funding artists' projects to recoup investments, auction houses like Christie's are hosting private selling exhibitions (including a 'Ghost Pavilion' at the Ca' Dario Palazzo), and fashion houses such as Bottega Veneta and Chanel are sponsoring events. Sotheby's has pulled support for the U.S. Pavilion, which is now crowdfunding, while Frieze is bankrolling the British Pavilion for a second time.

The US Pavilion Wants Your Money

The American Arts Conservancy, a new nonprofit with MAGA-aligned leadership, is fundraising for Alma Allen's 2026 US Pavilion at the Venice Biennale through a "Donate" button on its website, having received no institutional financial support. Meanwhile, a sculpture by Pedro Reyes at the newly unveiled LACMA building has sparked controversy for recalling a 2021 commission rejected by Mexico City after Indigenous and feminist protests, and the experimental LA nonprofit The Box has closed after 19 years.

Museum of Contemporary Art Detroit reopens, with the local community front and centre

The Museum of Contemporary Art Detroit (Mocad) reopened on 25 April after over a year of renovations, unveiling upgrades to its 22,000-square-foot Midtown space—including a new learning space, air conditioning, and a large street-facing window—just in time for its 20th anniversary. The main building has been renamed after co-founder Julia Reyes Taubman. Co-directors Marie Madison-Patton and Jova Lynne have repositioned the institution as a civic space, emphasizing community engagement and local artists, with exhibitions such as Olayami Dabls: Detroit Cosmologies, Martha Mysko's Retail Therapy, and Carole Harris's This Side of the River.

Several Eternities in a Day: Form in the Age of Living Materials

The Hammer Museum in Los Angeles presents "Several Eternities in a Day: Form in the Age of Living Materials," a spring 2026 exhibition running from April 5 to August 23. Curated by Jill Spalding, the show features works by artists including Edgar Calel, Guadalupe Maravilla, Carmen Argote, and others, exploring the concept of "Brownness"—a fluid identity rooted in ancestral memory, animal kinship, and a profound connection to living materials. The exhibition is organized into three acts: large-scale installations, paintings and works on paper, and ceramics, offering a visceral and immersive experience that draws on precolonial traditions across the Americas.

Montclair Art Museum Hires Esteemed Curator Kate Kraczon After Layoffs at Brown University

The Montclair Art Museum in New Jersey has appointed Kate Kraczon as its new chief curator, effective June 15. Kraczon previously served as director of exhibitions and chief curator at the David Winton Bell Gallery at Brown University, where she was laid off in late 2024 amid a wave of cuts. She succeeds Gail Stavitsky, who held the post since 1994. The museum also recently hired Todd Caissie, an enrolled member of the Osage Nation and former director of Canada’s New Brunswick Internment Camp Museum, as its director.

NEXT in the Gallery: Preview Pittsburgh summer with a 'Pity Party,' dog sculptures and so much more art

NEXTpittsburgh's May 2026 gallery preview highlights a packed month of art events leading into the Three Rivers Arts Festival. Key offerings include the 59th Carnegie International at Carnegie Museum of Art, opening May 2 with works by 61 artists from 24 countries and four new commissions at local institutions. Other featured shows include 'Down to Earth: Revealing the Natural World' at James Gallery, Jody Shell's 'Shoebox Memories,' Dominique Swift's 'Uli Awakened,' and a three-artist exhibition at Irma Freeman Center featuring Laura Jean McLaughlin, James Simon, and Robert Qualters.

The Marsden Hartley Legacy Project Launches Online

The Marsden Hartley Legacy Project has officially launched a comprehensive digital catalogue raisonné featuring over 1,600 paintings, drawings, and prints by the American modernist. Developed in association with the Bates College Museum of Art and led by art historian Gail R. Scott, the free online resource includes detailed provenance, exhibition histories, and bibliographies, documenting more than 2,200 exhibitions and 2,100 publications related to the artist.

AI Helps UK Researchers Identify Unknown Subject in Hans Holbein Drawing as Anne Boleyn

Researchers Karen L. Davies and Hassan Ugail used artificial intelligence facial recognition to analyze two Hans Holbein drawings from the Royal Collection Trust. Their study, published in npj Heritage Science, suggests that a portrait previously labeled as Anne Boleyn actually depicts her mother, Elizabeth Howard, while a drawing cataloged as an unidentified woman is the true likeness of Anne Boleyn. The findings challenge long-held identifications based on 18th-century inscriptions and align more closely with contemporary descriptions of Boleyn as slender with dark hair.

Mystery sitter in Holbein portrait could be Anne Boleyn, AI analysis finds

Researchers using AI have analyzed two Renaissance sketches by Hans Holbein from the Royal Collection, known as the Windsor sketch and the Unidentified Woman. The AI model, developed by Professor Hassan Ugail at the University of Bradford, compared the entire Holbein corpus and found that the Unidentified Woman may actually be Anne Boleyn, while the Windsor sketch—long thought to depict Boleyn—may instead show her mother, Elizabeth Howard. The study suggests the works were incorrectly inscribed in the 1700s, leading to centuries of misidentification.

Montclair Art Museum Hires New Chief Curator Kate Kraczon

The Montclair Art Museum in New Jersey has hired Kate Kraczon as its new chief curator, replacing Gail Stavitsky. Kraczon previously served as director of exhibitions and chief curator at the David Winton Bell Gallery at Brown University, where she was terminated last December amid university layoffs. At the Bell, she organized the only US screening of "Prisoners of Love, 2025" by Palestinian artists Basel Abbas and Ruanne Abou-Rahme, and an exhibition of Julien Creuzet's work originally shown at the French Pavilion in the 2024 Venice Biennale. Before Brown, she worked as a curator at the Institute of Contemporary Art (ICA) in Philadelphia, where she organized the 2018 show "Ree Morton: The Plant That Heals May Also Poison."

Recommissioned Rebels

The exhibition "Monuments," co-organized by The Brick and the Museum of Contemporary Art, Los Angeles (MOCA), features ten former Confederate monuments removed from public spaces across the American South. Highlights include Kara Walker's reconfigured "Unmanned Drone" (formerly Charlottesville's Stonewall Jackson monument), Richmond's toppled Jefferson Davis statue, and a graffitied Matthew Fontaine Maury statue. Co-curator Hamza Walker explains the show began after the 2015 Charleston church shooting and gained urgency following George Floyd's murder in 2020, involving complex negotiations with city governments and stewards to secure the politically charged pieces.

And We Shall Go Through Their Hills Without Much Delay

This article documents three journeys into and out of Yunnan, China, spanning from 1874 to 2023. It begins with British interpreter Augustus Raymond Margary's failed colonial expedition to establish a trade route, which ended in his violent death and contributed to unequal treaties opening Southwest China. It then follows a Naxi student named Xueshan in 1937, whose railway journey introduced modern timekeeping to the region, and finally describes the construction of the Burma Road, a critical WWII supply route. The narrative concludes with the artist Cheng Xinhao retracing these routes on foot from Kunming toward Burma over a year and a half, reflecting on history, bodily experience, and the layers of infrastructure that have reshaped the landscape.

Collector Julia Stoschek Closes Down Berlin Exhibition Venue After 10 Years In Favor of International Projects

Julia Stoschek, a leading art collector and ARTnews Top 200 figure, is closing her Berlin exhibition venue after a decade of operation. The 3,000-square-meter space in the former Czech Cultural Center, which opened in 2016, will shut at the end of October 2026, having hosted 22 exhibitions and attracted 450,000 visitors. The Stoschek Foundation will maintain its Düsseldorf venue, while Stoschek shifts focus to international projects, such as the recent Los Angeles exhibition “What a Wonderful World: An Audiovisual Poem,” curated by Udo Kittelmann.

Frame of Reference

Memphis is undergoing a significant transformation of its cultural landscape as the city's major art institutions evolve to meet modern community needs. The Memphis Brooks Museum of Art is preparing for a landmark move to a new riverfront location where it will be renamed the Memphis Art Museum, offering 50 percent more gallery space. This expansion follows decades of growth for the city's "big three" institutions—the Brooks, the Dixon Gallery & Gardens, and the Metal Museum—which have anchored the local scene since the mid-1970s.

Arshile Gorky Exhibition at Armenian Museum of America Extended through September

The Armenian Museum of America in Watertown has extended the exhibition “Arshile Gorky: Redrawing Community and Connections” through September 27 due to overwhelming interest and positive reviews from publications including Boston Art Review and Artscope magazine. Curated by Kim S. Theriault and sponsored by the JHM Charitable Foundation, the show brings together works from private collectors and institutions such as the Whitney Museum of American Art, the Housatonic Museum of Art, and Yale University Art Gallery, and was highlighted as a top pick by the Boston Globe and GBH Arts Editor Jared Bowen.

Landmark Gorky Exhibit Extended at Armenian Museum

The Armenian Museum of America has extended its landmark exhibition "Arshile Gorky: Redrawing Community and Connections" through September 27, 2026, due to overwhelming interest and positive reviews. This is the first exhibition of Arshile Gorky's work in an Armenian museum, featuring paintings and drawings on loan from the Whitney Museum of American Art, the Housatonic Museum of Art, Yale University Art Gallery, private collectors, and other lenders. Curated by Kim S. Theriault and sponsored by the JHM Charitable Foundation, the show opened to coincide with the 100 Years of Arshile Gorky programming in Watertown, Massachusetts.

Arshile Gorky exhibition at AMA extended through September 2026

The Armenian Museum of America (AMA) in Watertown, Massachusetts, has extended its exhibition "Arshile Gorky: Redrawing Community and Connections" through September 27, 2026, due to overwhelming interest and positive reviews from publications such as Boston Art Review and Artscope magazine. Curated by Kim S. Theriault and sponsored by the JHM Charitable Foundation, the show is the first exhibition of Gorky’s work in an Armenian museum, featuring loans from the Whitney Museum of American Art, the Housatonic Museum of Art, Yale University Art Gallery, private collectors, and the Armenian diaspora.

Montclair Art Museum Announces Retirement of Longtime Chief Curator Dr. Gail Stavitsky

The Montclair Art Museum (MAM) has announced that Dr. Gail Stavitsky, its Chief Curator, will retire on July 1, 2026, after a tenure of more than 30 years. Stavitsky joined MAM in 1994 as Curator of Collections and Exhibitions, was promoted to Chief Curator in 1998, and curated over 200 exhibitions, including landmark shows such as "Cézanne and American Modernism" (2009) and "Matisse and American Art" (2017). Her recent exhibitions include solo shows for vanessa german and Tom Nussbaum, and she co-curated "Shifting Terrain: Perspectives on Land in North America." She also oversaw major acquisitions and the care of the museum's collections of George Inness and Morgan Russell.

High school students to showcase 'Revolutionary Art' at Attleboro Arts Museum

Thirteen high schools from Massachusetts and Rhode Island are preparing installation artworks for the Attleboro Arts Museum's annual High Art exhibition, which runs May 12–18, 2026, under the theme 'Revolutionary Art.' Students from schools including Dedham High School, Hope High School in Providence, and Seekonk High School are creating pieces such as 'Americana' and 'Re-revolution,' with guidance from art instructors like Bridget O'Leary, Delsin Jean-Louis, and Elizabeth Machado-Cook.

How super-skinny red carpet trend at Met Gala clashes with own its body-positive Costume Art show

The Met Gala, organized by Vogue and themed around "costume art," was accompanied by an exhibition of the same name at New York's Metropolitan Museum of Art opening May 10, focusing on the dressed body. While the exhibition has been praised for using inclusive mannequins representing diverse body types—including variously abled, fat, thin, and pregnant forms—the red carpet was criticized for its overwhelming thinness and the involvement of honorary chairs Jeff Bezos and Lauren Sánchez Bezos, who reportedly sponsored the event for $10 million, sparking boycott calls. Fashion commentators like Diet Prada noted the Gala was more poorly received than ever, with some celebrities absent.

Students Selected for Autry Museum's Arts Exhibition

Twenty-seven students from South Pasadena High School have been selected to exhibit their work in the Autry Museum of the American West's "Visions of Humanity" student show, marking the largest number of SPHS students ever accepted into the exhibition. The display runs through May 31 at the Autry Museum in Griffith Park, featuring fourteen students in painting and drawing and thirteen in photography, taught by teachers Rouzanna Berberian and Aimee Levie-Hultman.

SPUSD Snapshot | 27 SPHS Artists Juried into Autry Museum Exhibition

Twenty-seven students from South Pasadena High School (SPHS) had their artwork selected for the "Visions of Humanity" student exhibition at the Autry Museum of the American West. The selected works span painting, drawing, and photography and will be on display at the museum from April 18 to May 31, 2026.

New York’s Metropolitan Museum of Art Presents “Musical Bodies” Exhibition

The Metropolitan Museum of Art in New York will open a major exhibition titled "Musical Bodies" on June 7, 2026. The free exhibition will feature over 130 objects, including musical instruments, paintings, sculptures, and drawings, to explore the 4,000-year relationship between musical instruments and the human body. It will be organized into six thematic sections and includes items from ancient Egyptian rattles to a guitar owned by Prince.

‘It takes an entire museum to do it justice’: the Smithsonian celebrates America in 250 objects

The Smithsonian National Museum of American History in Washington DC is marking the 250th anniversary of US independence with a major exhibition titled "In Pursuit of Life, Liberty & Happiness," opening on 14 May. The show displays 250 objects spanning all three floors of the museum, ranging from a Revolutionary War-era gunboat (the Philadelphia) to a Donald Trump "Make America great again" hat. Seventy-six rarely seen objects are concentrated in entry hall cases, while the rest are embedded throughout existing galleries, connected by a "ribbon" design. Director Anthea Hartig frames the exhibition as a commemoration of moments where individuals and communities fought for recognition and identity, pairing each object with an action verb to emphasize democracy as participatory.

Art House Productions Unveils "In The Wind" Public Art Installation

Art House Productions has unveiled "In The Wind," a large-scale public art installation in Lincoln Park, Jersey City, featuring artist-designed flags with original works by Hudson County artists. Curated by Tina Maneca, the exhibition celebrates the organization's 25th anniversary and includes over 80 artists who live, work, or maintain studios in Hudson County. The flags are installed around Edgewood Lake, moving with the wind to create a dynamic, ever-changing exhibition. All flags are priced at $500 and available for purchase. The installation runs from June through November 2026, with an opening reception on June 5, 2026, during ACCESS JC Fridays.

Miller Art Museum Announces Student Award-Winners

The Miller Art Museum in Sturgeon Bay, Wisconsin, announced the award winners of the 52nd-annual Salon of Door County High School Art at a free public reception on April 6. The exhibition features original artwork by 105 students from five local high schools—Gibraltar, Sevastopol, Southern Door, Sturgeon Bay, and Washington Island. Awards of Excellence were given to Abigail DeMeuse, Lilian Saltou, Audrie Schley, Rowan Ploor, and Thomas Pratt, while honorable mentions went to Molly Virlee, Lola Georgenson, Angelina LeCloux Herrera, Ryan Felhofer, and Teagan McGrane. Gianna Roman of Sevastopol won the fourth-annual Jim Rericha Legacy Award, named after a longtime art teacher, which included a $100 cash prize. The museum also announced a Potter’s Panel on May 9 featuring master potters discussing the legacy of Abraham Cohn, and the return of its Art and Treasures fundraiser starting May 30.

‘Lillian Pitt: Art, Memory, Home’ exhibition to open May 21 at The Museum at Warm Springs

A major exhibition titled 'Lillian Pitt: Art, Memory, Home' opens at The Museum at Warm Springs on May 21, featuring the contemporary art of celebrated Pacific Northwest Native artist Lillian Pitt alongside works from her personal collection and other institutions. The show, curated by Angela Anne Smith with contributions from Rebecca Dobkins, explores six themes in Pitt's life and work and includes an opening reception sponsored by The Ford Family Foundation.

Maine College of Art & Design Presents the 2026 MFA Thesis Exhibition

Maine College of Art & Design (MECA&D), in collaboration with the Institute of Contemporary Art (ICA) at MECA&D, presents the 2026 MFA Thesis Exhibition, showcasing the culminating work of nine graduate candidates in the Master of Fine Arts in Studio Art program. The exhibition features artists Abigail G. Cloutier, Harley Ngai Grieco, Molly Knobloch, Stephen Medeiros, Darby Miller, Dylan Ouellette, Caitlin Perrigo, Jonathan Spath, and Isaac L. Stern, working across ceramics, drawings, photography, prints, sculpture, sound, and video installations. The show runs from May 7–16, 2026, at the ICA in Portland, Maine.

What Did Mozart’s Life Look Like?

An exhibition at the Morgan Library & Museum, titled "Wolfgang Amadeus Mozart: Treasures from the Mozarteum Foundation of Salzburg," presents a curated journey through the composer's life and career. The show features well-preserved ephemera, including Mozart's childhood violin, original sketches for the opera "The Magic Flute," and personal letters that reveal his scatological humor, alongside portraits of his patrons.

Studio 34 Announces Open Studio Weekend + Opening of Collective Pulse Art Exhibition in LIC

Studio 34 Gallery in Long Island City, New York, announces its annual Open Studio Weekend on May 16–17, 2026, from 12:00–6:00 PM, alongside the opening reception of a group exhibition titled 'Collective Pulse' on May 16 from 6:30–9:30 PM. The free event invites the public to explore working artist studios, meet the creators, and experience the artistic process, with live music by Sunshine Music. The exhibition, curated by Alice Lipping and Tina Glavan, features 14 Studio 34 artists and 11 guest artists, and runs through June 7, 2026.