british museum explains removal palestinian wall texts 1234773551

The British Museum has disputed a Telegraph report claiming it removed the word 'Palestinian' from wall texts under pressure from the pro-Israel group UK Lawyers for Israel (UKLFI). The museum stated that while some text was changed last year, using 'Canaanite descent' for a specific historical period, it continues to use 'Palestinian' as a cultural identifier where appropriate and that the changes predated the UKLFI letter. Museum director Nicholas Cullinan denied the changes were a response to the group's complaint, expressing frustration over the situation.

the first gulf quinquennial in the uae argues for a less is best approach to group shows 1234739146

NYU Abu Dhabi Art Gallery has launched its first Gulf Quinquennial, titled "Between the Tides," featuring around 30 artists from the Gulf Cooperation Council countries. The exhibition presents a coherent selection of videos, installations, paintings, and traditional record-keeping practices, aiming to deepen and complicate the cultural narrative of the Arabian Peninsula by highlighting its diversity, linguistic interactions, and migrant labor.

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Rhea Dillon, a 29-year-old artist and writer, is preparing for three exhibitions opening over the summer: a group show at the Whitney Independent Study Program (ISP), a solo exhibition at Heidelberger Kunstverein, and a booth in the Statements section of Art Basel Switzerland. Her work, which draws on Black and Caribbean intellectual traditions, uses everyday objects and symbols to critique postcolonial diasporic identity, as seen in sculptures like *Caribbean Ossuary* (2022) and *Swollen, Whole, Broken...* (2023). Dillon also discusses her linguistic approach, explored in drawings at Paul Soto Gallery, where she repeats and redefines the shape of a spade to transform a racial slur into new forms.

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A group of officials overseeing major UK cultural institutions, including the British Museum, the Victoria and Albert Museum, and the National Gallery, have signed a public letter defending corporate sponsorship. Published in the Financial Times, the letter calls for an end to "relentless negativity" around private sector partnerships and is backed by ten organizations, including the Science Museum Group. It follows protests over Baillie Gifford's sponsorship of literary festivals due to its ties to fossil fuels and Israel, which led nine festivals to end partnerships in 2023.

British Museum did not remove Palestine from labels due to pressure campaign, museum sources say—as backlash continues

Over 200 cultural figures, including musician Brian Eno and writer Laleh Khalili, have signed an open letter condemning the British Museum for allegedly removing the word "Palestine" from labels in its Ancient Levant gallery. The letter, published in March, accuses the museum of historical revisionism and links the action to pressure from the advocacy group UK Lawyers for Israel, while also criticizing the museum's broader ties to Israel.

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The British Museum has revised labels for ancient Middle Eastern artifacts in its Levant and Egypt galleries, removing the term 'Palestine' from descriptions of ancient civilizations. The institution states the changes are part of an ongoing review, driven by audience feedback and a recognition that the term is no longer historically neutral due to contemporary political sensitivities.

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Artnet News's weekly roundup highlights six free holiday-themed art installations and events across New York City through early January 2019. Featured works include Bovey Lee's paper snowflake installation 'Flower Knot Snowflake' at 10 Hudson Yards, Studio Cadena's yellow vinyl 'Happy' installation at Flatiron Plaza, David Hoey's window displays at Bergdorf Goodman, a For Freedoms Christmas tree at the New York EDITION hotel, LAB at Rockwell Group's 'Luminaries' light show at Brookfield Place, and a Charles Dickens manuscript exhibition at the Morgan Library & Museum.

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A painting by Emily Carr, titled *Fir Trees* (ca. 1935), sold for CA$576,000 ($418,370) at Cowley Abbott’s live auction of Canadian and international art in Toronto on May 28, more than doubling its low estimate. The work is a vivid example of Carr’s signature forest scenes, reflecting her deep connection to the British Columbian landscape and her association with the Group of Seven. The auction also saw strong results for other Group of Seven artists, including Franklin Carmichael’s *Old Orchard* (1940) at CAD$768,000, and for Marcelle Ferron’s untitled 1964 abstract painting at CAD$696,000.

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Writer and curator Laura Raicovich is organizing a weekend-long festival called the "Circus of Life" in St. Louis, Missouri, taking place October 24–26 at the Big Top circus grounds in the Grand Center Arts District. The event is part of Counterpublic, a triennial civic exhibition founded in 2019 by James McAnally, and will feature artists, writers, theater groups, performers, and activists. Raicovich leads a team of four "ringleaders" including Kenneth Bailey, Galen Gritts, Jeanne van Heeswijk, and Nontsikelelo Mutiti, with additional participants such as Chloë Bass, Hilma's Ghost, and Kameelah Janan Rasheed. The program includes performances by Bread and Puppet Theater, conversations with Roxane Gay and Nermeen Shaikh, workshops, a parade, and communal meals, all free and open to the public.

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The Digital Art Mile returns to Basel, Switzerland, from June 16 through 22, 2025, timed to coincide with Art Basel. Organized by Artmeta and staged at the historic Rebgasse, the event features a fair, exhibition, and public program showcasing a wide spectrum of digital and computer-based practices—from 1960s early computer art to humanoid robots and autonomous AI agents. This year's edition includes roughly 11 exhibitors, with solo presentations by Nigerian digital artist Osinachi (at Kate Vass Galerie) and generative artist Tyler Hobbs (via LaCollection), as well as group shows and a conference program exploring themes like the digital art market, AI in generative practices, and institutional engagement with new media. A central exhibition, Paintboxed—part of the Tezos World Tour—examines the legacy of the Paintbox, an early digital painting system.

Nara's vampire-girl portrait sells for US$10m at Sotheby's, leading US$43m Hong Kong Evening Sale

Sotheby's Modern and Contemporary Evening Auction in Hong Kong on 28 September achieved HK$335 million (US$43.1 million), with a 95% sell-through rate across 40 lots. The top lot was Yoshitomo Nara's 2012 painting *Can't Wait 'til the Night Comes*, which sold for HK$79.9 million (US$10.3 million) to a private Asian collector. A group of five works by Roy Lichtenstein from the artist's personal collection also debuted at auction, collectively bringing HK$46.4 million (US$5.9 million).

Manetti Shrem Museum Fall 2025 Exhibitions Explore the Borderlands; Environmental Justice

The Jan Shrem and Maria Manetti Shrem Museum of Art at UC Davis presents two fall 2025 exhibitions: “OJO” Julio César Morales, a midcareer survey exploring the U.S.-Mexico border as a lived human experience through over 50 works in various media, and “Breath(e): Toward Climate and Social Justice,” a group exhibition from the Hammer Museum at UCLA that connects environmental and social injustice. The exhibitions run through Nov. 29, with a free public opening celebration on Sept. 28 featuring artists, curators, art making, and music. Morales’ show marks his California homecoming after a decade in Arizona as a senior curator and museum director, and includes an outdoor neon commission, “tomorrow is for those who can hear it coming” (2025).

55 years. Berggruen Gallery

Berggruen Gallery in San Francisco announces its 55th Anniversary Exhibition, a group show running from June 26 to August 14, 2025. The exhibition features paintings, works on paper, sculpture, film, and archival ephemera from the SFMOMA Library and SFAI archive, showcasing museum-quality works by contemporary and historical artists. Many pieces are on loan from private collections and rarely exhibited publicly. The gallery, founded by John Berggruen in 1970 on Grant Avenue, quickly became a nationally recognized force in shaping the West Coast art scene, bridging New York and international artists with local collectors.

Stockholm’s 10 Contemporary Art Galleries You Should Visit

Rebecca Steel's article for Google News highlights ten contemporary art galleries in Stockholm, Sweden, that are essential for visitors interested in the local and international art scene. Featured spaces include Wetterling Gallery, which has championed Swedish and international artists since 1978; Magasin III Museum & Foundation for Contemporary Art, housed in a 1930s warehouse and known for its ambitious shows and private collection; Fotografiska, a premier photography museum in an Art Nouveau building; and Bonniers Konsthall, named after the Maria Bonnier Dahlin Foundation, which presents themed group and solo shows. The list also includes artist-run initiatives and galleries specializing in photography, all promoting Swedish talent alongside global artists.

What to Look for at Frieze New York 2025

Frieze New York 2025, its 13th edition, opens May 7 at The Shed in Hudson Yards with over 65 international galleries. The fair features solo, group, and themed presentations, including the Focus section curated by Lumi Tan showcasing 12 emerging galleries. Highlights include the Artist Plate Project (a collaboration with Coalition for the Homeless featuring limited-edition plates by Cindy Sherman, Rashid Johnson, and Takashi Murakami), performances by Pilvi Takala, Asad Raza, and Carlos Reyes, and notable presentations by Christine Sun Kim at François Ghebaly and Jennie C. Jones at Alexander Gray Associates. Frieze’s director of Americas, Christine Messineo, shares her top picks.

The 10 Exhibitions to See in May 2025

The article highlights ten exhibitions to see in May 2025, including the Venice Architecture Biennale curated by Carlo Ratti, which explores intelligence in natural, artificial, and collective forms, alongside a parallel show by AMO/OMA at Fondazione Prada. It also covers Gallery Weekend Berlin, featuring Sky Hopinka's new film and photographs at Tanya Leighton, an exhibition by exiled Russian journalists Meduza at Kunstraum Kreuzberg, and a study group on Palestinian agrarian initiatives at Spore Initiative.

New Museum MUZEU to Open in Braga, Portugal with José Teixeira Collection

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The city of Braga, Portugal, is set to welcome a new contemporary art institution, MUZEU—Thought & Contemporary Art dst, scheduled to open on April 25. Founded by José Teixeira, chairman of the engineering firm dstgroup, the museum will house a permanent collection of 1,500 works featuring international heavyweights like Pablo Picasso, Anselm Kiefer, and Nan Goldin alongside prominent Portuguese artists such as Paula Rego and Julião Sarmento.

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High Line Art has announced its 2026 season of public art commissions for New York's elevated park. The program includes a billboard work by Katherine Bernhardt and three major installations by Patricia Ayres, Ximena Garrido-Lecca, and Derek Fordjour, alongside video works for the High Line Channel by Saba Khan and a film grouping by Marianna Simnett, Filip Kostic, and Ana Hušman.

open letter demanding more curatorial independence at ago after non acquisition of nan godin work collects 500 signatures 1234772059

An open letter demanding curatorial independence at the Art Gallery of Ontario (AGO) has gathered over 500 signatures after trustee Judy Schulich reportedly blocked the acquisition of Nan Goldin's moving-image work *Stendhal Syndrome* (2024), calling the Jewish American photographer “antisemitic.” The AGO had planned to acquire the work jointly with the Vancouver Art Gallery and the Walker Art Center, but the vote was 11–9 against acquisition. In response, curator John Zeppetelli resigned, two volunteer committee members stepped down, and Goldin herself criticized the decision as censorship driven by donor influence. The AGO has since announced a restructuring of its modern and contemporary curatorial committee, splitting it into two groups for 20th- and 21st-century art, effective in 2026.

guggenheim bilbao urdaibai expansion scrapped 1234767429

The Guggenheim Bilbao has scrapped plans for a €100 million satellite expansion in Spain's protected Urdaibai biosphere reserve after nearly two decades of legal challenges and local opposition. The museum's board of trustees, including the Basque regional government and the Solomon R. Guggenheim Foundation, voted to halt the project due to insufficient public support and scientific objections. The two-site expansion would have placed cultural facilities in Gernika and Murueta, but environmental groups argued that up to 140,000 annual visitors would damage wetlands crucial for migratory birds.

protests new york new school cuts staffing programs 1234766368

New York's The New School is offering voluntary retirement and severance programs to a large group of faculty and staff as part of a radical restructuring to address a $48 million deficit. The American Association of University Professors (AAUP) reported that 40 percent of full-time faculty, about 169 staffers, received the offers, calling it the largest attempted firing of faculty currently taking place in the nation. The school is also eliminating over thirty programs, primarily in social sciences and humanities, and plans to combine several schools into a two-college structure, including Parsons School of Design. The school faces declining enrollment and has been warned by the Department of Education over campus protests related to the Israel-Hamas conflict.

swedish court acquits climate activists monet painting 1234765895

A Swedish court acquitted six climate activists from the group Återställ Våtmarker (Restore Wetlands) who smeared red paint on the protective glass of Claude Monet's painting *The Artist’s Garden at Giverny* (1900) at the National Museum of Sweden in June 2023. The painting, on loan from the Musée d'Orsay in Paris, was unharmed; the court ruled the activists had no intent to damage the work, noting they used water-soluble paint and targeted a glass-covered piece, though some paint reached the frame.

judge approves purdue pharma settlement 1234761884

A federal bankruptcy judge has approved a new settlement for Purdue Pharma, the pharmaceutical company behind OxyContin, resolving thousands of lawsuits related to its role in the opioid crisis. The deal, which replaces a 2021 settlement rejected by the Supreme Court, requires the Sackler family to contribute up to $7 billion and relinquish ownership of Purdue, while allowing individuals to sue family members directly.

british museum fundraising gala interrupted by protestor 1234757948

The British Museum's inaugural fundraising gala on October 18 was interrupted by a protester from the group Energy Embargo for Palestine. The woman, who gained access to the Great Court by working as a waitress, took the stage next to board chair George Osborne holding a sign reading 'DROP BP NOW.' She criticized the museum for accepting a £50 million sponsorship from BP, an oil and gas company she accused of causing climate collapse and enabling genocide in Gaza. The gala, co-chaired by Isha Ambani of Reliance Industries, raised over $2 million from ticket sales and featured a silent auction, including a pet portrait by Tracey Emin and a private tour of Coco Chanel's Paris apartment.

climate activists deface christopher columbus painting on day marking his arrival to americas 1234756823

Two activists from the climate group Futuro Vegetal were arrested on October 12 after throwing biodegradable red paint on José Garnelo's 1892 painting *First Tribute to Christopher Columbus* at the Naval Museum in Madrid. The protest occurred on Spain's National Day, which commemorates Columbus's arrival in the Americas. The activists unfurled a banner reading “October 12, nothing to celebrate. Ecosocial justice” and were charged with crimes against cultural heritage. Separately, about 20 activists from Marea Palestina staged a sit-in around Picasso's *Guernica* at the Reina Sofía Museum, demanding an end to “the genocide against the Palestinian people,” temporarily closing the gallery.

hauser amp wirths uk profits drop 1234755773

Hauser & Wirth's UK subsidiary reported an 87% decline in pretax profit for 2024, falling to $1.6 million from $12.5 million the previous year, as revenue dropped by more than half to $91.4 million. The gallery attributed the downturn to a sharp fall in secondary-market sales, which can fluctuate significantly based on a few high-value transactions. The UK entity represents only a small portion of the gallery's global business, which the founders said remained aligned with the prior year's successful performance. Separately, the gallery's hospitality arm, Artfarm Group, posted a wider pretax loss of $24 million despite a 16% rise in turnover.

lorna simpson fort greene brooklyn home art studio hits the market 1234747042

Lorna Simpson's former home and studio in Brooklyn's Fort Greene neighborhood, designed by British architect David Adjaye in 2006, has been listed for sale at $6.5 million. The four-story, 22-foot-wide building at 208 Vanderbilt Avenue, dubbed "Pitch Black," features black polypropylene panels on the front and glass walls at the back opening onto over 800 square feet of garden space. Simpson, who created the space after failing to find a suitable existing property, used it as a combined residence and studio with her then-husband, photographer James Casebere, before relocating to a larger commercial space nearby. The property now serves as archival and storage space and is being marketed by the Corcoran Group.

the bear tyler mitchell photographs 1234746538

The fourth season of the FX series *The Bear* features two photographs by Tyler Mitchell in an episode centered on the character Syd. The works shown are *Untitled (Kiki and Stephan Dancing)*, a grid of shots commissioned by *Vogue* featuring actors KiKi Layne and Stephan James, and *Untitled (Group Hula Hoop)*, a 2019 image of children hula hooping in Brooklyn. Mitchell, who rose to fame for photographing Beyoncé, is now represented by Gagosian and has seen his market prices climb above $24,000 at auction.

cara romero photographer hood museum exhibition 1234746099

Cara Romero, an enrolled citizen of the Chemehuevi Indian Tribe, is the subject of her first institutional solo exhibition, "Panûpünüwügai," at Dartmouth's Hood Museum in New Hampshire. The show features her photography that fuses Indigenous ancestral memory with pop culture, depicting Native women as powerful agents reclaiming space against colonial stereotypes. Romero has also been featured in over 10 museum group exhibitions since last fall, including shows at the Hudson River Museum and Cantor Art Center.

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The trial between billionaire collector Ron Perelman and a group of insurers began Monday in New York Supreme Court, nearly seven years after a 2018 fire at his Hamptons estate, the Creeks. Perelman claims the fire damaged five paintings—two by Andy Warhol, two by Ed Ruscha, and one by Cy Twombly—insured for a collective $400 million, arguing the works lost their "oomph" due to smoke, humidity, and relocation during the fire. The insurers, including Lloyd's of London, Chubb, and AIG, contend the works sustained no detectable damage and that Perelman's claim is a "money grab" filed amid serious financial difficulties, including margin calls and the sale of 71 artworks for $963 million between 2020 and 2022.