beijing china gallery weekend art season recap 1234744646

Beijing concluded its inaugural "Beijing Art Season" from May 22 to June 1, comprising the long-running Gallery Weekend Beijing and two local art fairs, Beijing Dangdai and Art021 Beijing. The event took place shortly after a diplomatic breakthrough in U.S.–China tariff tensions, but amid China's economic slowdown, the atmosphere was subdued: the Visiting Sector for international galleries and the large-scale group show were scrapped, and satellite events were fewer. Despite this, collectors, curators, and institutional directors from Germany, the UK, Korea, and Japan attended, with some noting China's strategic importance due to its deep collector base. French billionaire Laurent Dassault reported better market sentiment in Beijing than in Europe, while Berlin galleries PSM and Galerie Thomas Schulte made their first appearances at Beijing Dangdai, collaborating with Hua International for a "Berlin Section." The fair grew from 32 galleries in 2018 to 87 this year, reflecting local collectors' appetite for international and experimental contemporary art.

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The trial between billionaire collector Ron Perelman and a group of insurers began Monday in New York Supreme Court, nearly seven years after a 2018 fire at his Hamptons estate, the Creeks. Perelman claims the fire damaged five paintings—two by Andy Warhol, two by Ed Ruscha, and one by Cy Twombly—insured for a collective $400 million, arguing the works lost their "oomph" due to smoke, humidity, and relocation during the fire. The insurers, including Lloyd's of London, Chubb, and AIG, contend the works sustained no detectable damage and that Perelman's claim is a "money grab" filed amid serious financial difficulties, including margin calls and the sale of 71 artworks for $963 million between 2020 and 2022.

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MoMA PS1 has opened its marquee spring exhibition, “The Gatherers,” a group show featuring 14 artists from around the world who explore the psychic and material burdens of climate change, globalization, and neoliberalism. Curated by Ruba Katrib, the exhibition includes works in sculpture, video, assemblage, and installation, spanning regions from the Democratic Republic of Congo to Lithuania, and is on view through October 6. Katrib, PS1’s chief curator and director of curatorial affairs, emphasizes that the show lets the artworks speak for themselves through form and material rather than delivering a direct lecture.

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A street in Washington, D.C., where the acclaimed 20th-century painter Alma Thomas lived and worked for over seven decades was renamed "Alma Thomas Way" on Monday. The new signs now mark the block between 15th and Church streets and 15th and Q streets, near the red brick home at 1530 15th Street, NW, where Thomas maintained a studio in her kitchen. The renaming follows a bill introduced by D.C. council member Christina Henderson in May 2024, approved unanimously by the council, and signed into law by Mayor Muriel Bowser in October. A ceremony with about 30 attendees, including Thomas's grand nephew Charles Thomas Lewis and Susan Talley of the Friends of Alma Thomas group, commemorated the event.

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The American Civil Liberties Union of Texas (ACLU of Texas) has named Houston-based painter Vincent Valdez and Austin-based author KB Brookins as the recipients of its artists-in-residence program for 2025–26. Each artist will receive $30,000 to fund individual projects and will collaborate with the ACLU of Texas and community leaders to advocate for civil rights. Valdez plans to paint portraits of local community leaders and create poster packets combining Know Your Rights information with archival research for statewide distribution. Brookins will address pretrial detention in Texas jails through original compositions, workshops, and public presentations, focusing on mass incarceration issues in Harris County. The pair were selected from roughly 200 applicants following a statewide open call, succeeding artist Kill Joy, who led an immigrants' rights tour with large puppets.

Minnie Pwerle, Emily Pwerle, Molly Pwerle, Galya Pwerle at Château Shatto

Château Shatto gallery in Los Angeles is presenting a group exhibition featuring works by Minnie Pwerle, Emily Pwerle, Molly Pwerle, and Galya Pwerle, four Indigenous Australian artists from the Anmatyerre community. The show highlights their distinctive painting styles, which often draw on ancestral stories and bold abstract patterns, continuing the legacy of Aboriginal art in a contemporary gallery context.

A Trove of Vivian Maier’s Photographs Could Rewrite Her Market

A collection of 206 sold-out estate prints by photographer Vivian Maier is being offered as a single lot in Artnet's Important Photographs auction, with an estimate of $1–1.5 million. The trove, which includes gelatin silver and archival pigment prints from the 1950s to 1980s, represents a rare opportunity to acquire a comprehensive group of her work that is no longer available through primary market galleries.

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The Los Angeles art scene faced a moment of introspection during Frieze Week as logistical hurdles and rumors of New York gallery departures sparked debates about the city's long-term viability. Despite whispers of downsizing from major transplants and the 'quiet quitting' of spaces like Tanya Bonakdar and Sean Kelly, the week was defined by high-energy alternative events. Highlights included a massive group show curated by Barry McGee and Jeffrey Deitch in a defunct 99 Cent Only Store and the 'Away From Desk' micro-fair, which showcased the city's resilient underground and Chinatown-adjacent gallery circuit.

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Two Louvre employees and several tour guides have been arrested in connection with a decade-long, large-scale ticket fraud scheme targeting Chinese tour groups. French prosecutors allege the operation involved counterfeit tickets and overbooking, costing the museum an estimated €10 million in lost revenue, with proceeds allegedly invested in real estate in France and Dubai.

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Jeffrey Epstein commissioned a large-scale reproduction of Cornelis Cornelisz van Haarlem's 1591 painting 'The Massacre of the Innocents' for the entrance of his New Mexico ranch. The $1,999 copy, depicting Roman soldiers killing infants, was ordered in 2010 from the reproduction company Ocean's Bridge Group and was requested to be shipped by his assistant in 2011.

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Annie Armstrong bids farewell to Artnet Pro's Wet Paint column after 198 editions, reflecting on her four-and-a-half-year tenure as the art world's gossip columnist. She recounts her first assignment at the 2021 Felix Art Fair in Los Angeles, where she nervously approached a group of art-world insiders, and describes the highs and lows of covering galas, parties, and scandals from Frieze Seoul to the Henry Street gallery scene.

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Hauser & Wirth and Société are collaborating on a large-scale group exhibition titled "States of Being" during Berlin Art Week 2025. The show, running from September 11 to November 1, will feature over 30 artists across two floors of Hauser & Wirth's Berlin space, including Alina Szapocznikow, Rashid Johnson, Lee Lozano, Louise Bourgeois, Lu Yang, Mika Rottenberg, Tina Braegger, Darren Bader, Phyllida Barlow, and Petra Cortright. The initiative stems from a friendship between Hauser & Wirth president Marc Payot and Société CEO Daniel Wichelhaus, and marks Hauser & Wirth's first project in Berlin, though the gallery has no plans to open a permanent outpost there.

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A long-forgotten fresco by the early Renaissance master Fra Angelico, believed to be his earliest known work, has been restored in the chapter house of San Domenico in Fiesole, Tuscany. The painting, a Crucifixion dating to around 1420, was hidden under whitewash for centuries and rediscovered by Bottega Belacqua, a group of Renaissance art enthusiasts. Funding from Friends of Florence enabled conservators Alessandra Popple and Cristiana Conti to revive the work, just in time for a landmark exhibition in Florence.

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A legal and public battle has erupted in Norway over Kunsthall Stavanger's decision to sell Barbara Hepworth's sculpture *Figure for Landscape* (1960) at Christie's London, with an estimate of £1-2 million. The sale is intended to fund the institution's operating and exhibition budget, as the Kunsthall faces potential closure without the proceeds. Local group Stavanger Byselskap filed a lawsuit to block the sale, which was settled in the Kunsthall's favor, but over 260 community members have signed a petition against the deaccession. The Hepworth estate has also condemned the sale as unethical, noting the work was sold to the institution at a reduced price due to Hepworth's wish to have her work in a Norwegian public collection.

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The feminist activist group FEMEN staged a topless protest at Paris's Musée d'Orsay on Saturday, September 12, 2020, after the museum barred a woman named Jeanne from entering the galleries unless she covered up her low-cut dress. About 20 activists gathered in the sculpture gallery, removed their shirts, and painted slogans such as "obscenity is in your eyes" and "this is not obscene" on their torsos, standing alongside classical nude statues. They chanted in protest and later moved outside the museum. The museum issued an apology to Jeanne but did not address accusations of sexism or discrimination.

From monumental glass sculptures to a lagoon in the sky: what to see beyond the Venice Biennale pavilions

The article highlights several must-see exhibitions and installations beyond the main Venice Biennale pavilions. Patrizia Sandretto Re Rebaudengo's redevelopment of the island of San Giacomo opens on 7 May, transforming abandoned Napoleonic-era powder magazines into exhibition spaces with a solo show by British artist Matt Copson and a group show from her collection. American artist Melissa McGill presents 'Marea', a street-spanning installation of 100 paintings created with local residents and students, addressing climate change and rising sea levels. Dale Chihuly returns to Venice with 'Chihuly: Venice 2026', featuring monumental glass installations along the Grand Canal, including 'Gold Tower' (2025). Wallace Chan unveils titanium sculptures at the Chapel of Santa Maria della Pietà, with a parallel exhibition at the Long Museum in Shanghai.

'The museum is not a space for the elite': Portuguese building firm’s new museum puts workers first

A new museum called Muzeu—Thought and Contemporary Art DST has opened in Braga, northern Portugal, housed in a former courthouse and built by the DST Group, a Portuguese industrial conglomerate. The inaugural exhibition, titled "Let Us Be Realistic, Let Us Demand the Impossible," features over 100 works by 96 artists including Alex Katz, Francesco Clemente, Franz West, and Nan Goldin. The museum prioritizes workers, opening first exclusively for company employees on 24 April, then to the public on Freedom Day (25 April), with free admission for the first week and closure on International Workers' Day (1 May).

Venice Showcases an Array of Global Art Stars During the Biennale

During the 2024 Venice Biennale, museums and foundations across the city are presenting solo and group exhibitions featuring major international art figures, including Marina Abramović, Lorna Simpson, Arthur Jafa, Richard Prince, and a tribute to Peggy Guggenheim. These shows run concurrently with the main Biennale exhibition, drawing visitors to venues such as the Peggy Guggenheim Collection and other historic palazzos.

In a Historic Kyoto Neighborhood, a New Hotel Channels the Past

A new hotel, the Ace Hotel Kyoto, has opened in the historic Umekoji neighborhood, housed within a renovated 1920s brick building that was once the Kyoto Central Telephone Office. The project, a collaboration between Ace Hotel Group and Japanese developer NTT Urban Development, blends the original structure's industrial character with contemporary design by Kengo Kuma and Commune Design, featuring guest rooms, restaurants, and a gallery space.

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Zona Maco, one of Latin America's premier art fairs, will return to Mexico City from February 4–8, 2026, at Centro Banamex. The fair will feature 241 exhibitors across nine sections, including a new section called Forma, which blends contemporary art and design, and a revised Diseño Emergente section for emerging designers. Notable participants include Pace Gallery, Galleria Continua, Kurimanzutto, and OMR, with curated sections led by Aimé Iglesias Lukin and Manuela Moscoso. Founder Zélika García highlighted the fair's growth and its commitment to showcasing blue-chip galleries alongside emerging and mid-career talent.

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The Vatican will return several dozen cultural objects, including an Inuit kayak, to Indigenous communities in Canada. The objects are housed in the Vatican Museum's Anima Mundi ethnographic collection and have been subject to scrutiny from Indigenous advocates who argue that cultural heritage stolen during colonial periods should be repatriated. The return follows Pope Francis's 2022 "penitential pilgrimage" to Canada, where Indigenous leaders requested the return of war clubs, masks, and wampum belts. The Vatican plans to use a "church-to-church" model, handing the objects to the Canadian Conference of Catholic Bishops, with the understanding that Indigenous communities will be the ultimate custodians. An announcement is expected in the coming weeks, with the objects potentially arriving in Canada by the end of 2025.

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A new documentary titled *Secret Mall Apartment*, directed by Jeremy Workman and produced by Jesse Eisenberg, tells the true story of eight artists who secretly built and lived in a hidden apartment inside the Providence Place mall in Providence, Rhode Island, for four years in the late 1990s and early 2000s. Led by Michael Townsend, the group—including Adriana Valdez Young, Andrew Oesch, Jay Zehngebot, Colin Bliss, James Mercer, Greta Scheing, and Emily Ustach—transformed a forgotten dead zone of the corporate complex into a living space and art collective headquarters, calling the project "Malllife." The film features never-before-identified participants and footage of their discovery by mall authorities.

London Dealer Stephen Friedman Owes $10.6 M. to Dozens of Creditors, Including Artists Deborah Roberts and Kehinde Wiley

London-based gallery Stephen Friedman has accumulated debts of approximately $10.6 million, according to official documents filed with Companies House. Creditors include Coutts & Co. bank (£3.2 million), Pentland Group Ltd. (£1.4 million), the UK tax authority, the Pollen Estate, art logistics company Crozier, and several prominent artists—Alexander Diop (£341,905), Deborah Roberts (£289,232), and Kehinde Wiley (£163,849). The gallery closed its New York space in November 2024 after just two years, then abruptly shut its London location and entered insolvency proceedings in February 2025, shortly after pulling out of Art Basel Qatar. A restructuring proposal by FRP Advisory was approved on 22 April.

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Alserkal Avenue in Dubai is expanding its traditional Art Week into a five-week "Art Month" running from April 18 to May 18. This strategic extension includes 16 gallery exhibitions, over 100 public events, and a new commercially focused group show featuring 12 UAE-based galleries. The initiative aims to provide a more sustainable platform for the local art ecosystem, especially as the Art Dubai fair has been rescheduled to mid-May and adapted in response to regional instability.

Obama Presidential Center Announces Final Cohort of Commissions Ahead of June Opening, Including María Magdalena Campos-Pons, Jeffrey Gibson, Lorna Simpson

The Obama Presidential Center in Chicago has unveiled its final cohort of artist commissions ahead of its scheduled opening in June. This group includes high-profile contemporary artists such as Njideka Akunyili Crosby, Jeffrey Gibson, and Lorna Simpson, who will contribute site-specific works ranging from a multi-layered portrait of the Obamas to a 34-foot stainless steel sculpture by Martin Puryear honoring the late John Lewis. These eight artists join a previously announced roster, bringing the total number of new commissions for the 19.3-acre South Side campus to 30.

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Parker Gallery in Los Angeles mounted its final exhibition, “Bowls, Boxes, Plates & Vessels,” at its longtime home in the Los Feliz neighborhood from February 1 to October 19, 2025. The show featured an intergenerational group of artists—including Magdalena Suarez Frimkess, Nancy Shaver, Ruby Neri, Shio Kusaka, Zachary Leener, and Daisy Sheff—who had previously exhibited at the gallery, invited back to explore the theme of the container as form. Works in ceramic ranged from small hand-held bowls to large-scale sculptures, displayed within the domestic space of founder Sam Parker’s home, adding intimacy and resonance.

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Artist Lita Albuquerque staged a 25-minute performance titled "The Sea Is Within Me" in the Buffalo Bayou Park Cistern, a 1926 underground reservoir in Houston, during the inaugural edition of Untitled Art, Houston. The piece featured Albuquerque's daughter and dancer Jasmine Albuquerque, vocalist Carmina Escobar, and double bassist Laura Dykes, guiding small groups through a meditation and a dramatic call-and-response between the vocalist and dancer, exploring themes of joy, despair, and symbiosis.

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Anne Imhof, the German artist known for her sprawling performances and winner of the 2017 Venice Biennale Golden Lion, has created her first brand collaboration with Nike. She designed two rival jerseys for Nike's revived Total 90 line, inspired by the warring 'houses' from her Park Avenue Armory project *Doom: House of Hope*: a black-and-blue short-sleeve jersey for the Tigers and a red long-sleeve jersey with a wolf's head for the Wolves. The designs, realized with Zak Group, feature the Doom crest and 'Imhof 25' on the back, and were launched with a live performance by Berlin musicians Lia Lia and ATK44 during Berlin Art Week. The jerseys will be available from September 16 at Voo Berlin and Dover Street Market in London.

ACA Galleries Presents 100 Years of Black Art

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ACA Galleries in New York is hosting "Continuum: Over 100 Years of Black Art," an expansive group exhibition running through March 7, 2026. The show features a diverse array of media—including painting, sculpture, textiles, and collage—by more than a dozen pioneering Black artists. Spanning from the 19th century to the present day, the exhibition highlights key figures such as still-life painter Charles Ethan Porter, collagist Romare Bearden, and contemporary textile artist Helen McBride Richter.

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A surge of gallery exhibitions in New York this January focuses on deceased artists and estates, including shows for Marcia Marcus at Olney Gleason, Hung Liu at Ryan Lee, and Lynn Geesaman at Yancey Richardson. This trend reflects a broader shift toward historical reappraisals, with young dealers increasingly taking on artist estates and museums doubling their share of solo shows for dead artists from 18% in 2019 to nearly 50% in 2025.