The Distance Between Art and Survival in Rojava

The article is a first-person dispatch from Rojava, a Kurdish-majority region in northeastern Syria, where the author meets artists and fighters living and working on the front lines against jihadist groups. It focuses on artist Diyar Hesso, who has exchanged his camera for a rifle, and YPJ fighter Hevi, who articulates the necessity of armed self-defense for women facing a genocidal enemy. Their stories illustrate the impossible choice between artistic creation and survival in a war zone.

Dani Guindo’s Dramatic Aerial Photos Reveal the Ghostly Outline of an Icelandic Glacier

Dani Guindo’s Dramatic Aerial Photos Reveal the Ghostly Outline of an Icelandic Glacier

Spanish artist Dani Guindo has released a striking new aerial photography series titled *Terminus*, which captures the Múlajökull glacier in Iceland. Using a drone, Guindo documented the glacier's intricate rivulets and, more significantly, a ghostly semi-circular outline etched into the rocky landscape below, revealing the glacier's former, much larger footprint.

What Future for Art Centers?

Quel avenir pour les centres d’art ?

The article examines the uncertain future of contemporary art centers in France, a category that encompasses vastly different institutions from major venues like the Palais de Tokyo to smaller regional spaces. These non-collecting institutions, dedicated to exhibiting emerging artists and experimentation, face fragility due to heavy reliance on local government funding and difficulty proving their utility to elected officials. Their core mission is further challenged by more robust regional contemporary art funds (Fracs), which have greater resources for similar goals of exhibiting ultra-contemporary art and cultural democratization.

Saodat Ismailova at Portikus

Portikus in Frankfurt is presenting a solo exhibition by Saodat Ismailova, featuring new and existing works. The show includes video installations, photographs, and other media that explore themes of memory, spirituality, and Central Asian cultural heritage.

“Tohé Commaret: Mala Onda” at ZOLLAMT MMK, Frankfurt

“Tohé Commaret: Mala Onda” at ZOLLAMT MMK, Frankfurt

Chilean artist Tohé Commaret has opened her first institutional solo exhibition in Germany, "Mala Onda," at the ZOLLAMT MMK, a project space of the Museum für Moderne Kunst in Frankfurt. The exhibition features a new body of work, including large-scale paintings and a site-specific installation, that explores themes of memory, cultural displacement, and the lingering psychological effects of political violence.

Saodat Ismailova “When the Water Turns to Wind” at Portikus, Frankfurt

Saodat Ismailova “When the Water Turns to Wind” at Portikus, Frankfurt

Uzbek artist Saodat Ismailova has opened a major solo exhibition, "When the Water Turns to Wind," at Portikus in Frankfurt. The presentation features a new, immersive film installation that weaves together ancestral myths, sonic landscapes, and the ecological history of Central Asia, focusing on the region's disappearing rivers and steppes. The work continues her long-term exploration of memory and cultural preservation.

Echigo-Tsumari MonET Continuous Exhibition Vol. 10: Ryosaku Miyasaka "Ryosaku Miyasaka ART 75 Years Old" @ Echigo-Tsumari Satoyama Museum of Contemporary Art MonET

越後妻有MonET 連続企画展Vol.10 宮坂了作「宮坂了作　ＡＲＴ　７５歳」@ 越後妻有里山現代美術館 MonET

The Echigo-Tsumari Satoyama Museum of Contemporary Art (MonET) has announced a major solo exhibition for artist Ryosaku Miyasaka, titled "Ryosaku Miyasaka: ART 75 Years Old." Curated by renowned art critic Noi Sawaragi, the show features early map paintings, recent "plant character" works where the artist grows and eats edible calligraphy, and new pieces created in the Echigo-Tsumari region. Miyasaka, a former student of Allan Kaprow at CalArts, has spent decades balancing his creative output with life as a rice farmer in Nagano Prefecture.

Dr Kurt A. Gitter, Japanese Art Collector, 89

Dr. Kurt A. Gitter, a pioneering retinal surgeon and world-renowned collector of Japanese art, has passed away at the age of 89 in New Orleans. Born in Vienna and having escaped the Holocaust as an infant, Gitter discovered his passion for Japanese culture while serving as a U.S. Air Force flight surgeon in the 1960s. Over several decades, he and his wife Alice Yelen Gitter amassed one of the most significant private collections of Edo-period paintings and self-taught American art in the Western world.

Naho Kawabe "Flos Filicis: Flower of the Fern" @ WAITINGROOM

川辺ナホ「Flos Filicis：羊歯の花」@ WAITINGROOM

The Tokyo gallery WAITINGROOM is hosting "Flos Filicis: Flower of the Fern," a solo exhibition by Naho Kawabe featuring new installations, photo collages, and drawings. The exhibition centers on the paradoxical concept of the "fern flower" to explore the relationship between fossil fuels, industrial infrastructure, and the myth of progress. Kawabe utilizes materials like charcoal and electrical components alongside research-based lithographs to examine the history of Japanese migrant coal miners in Germany and the broader ecological impact of energy consumption.

The Most Important Thing is That Art Remains Accessible

"Das Wichtigste ist, dass die Kunst zugänglich bleibt"

Gilles Neiens has been appointed as the first-ever artistic director of Art Düsseldorf, marking a strategic shift for the eight-year-old regional art fair. In his new role, Neiens aims to elevate the fair's profile by focusing on high-quality curation, thematic depth, and fostering closer collaborative relationships with participating galleries. This structural change signals a move away from purely organizational management toward a more distinct, content-driven identity.

Kazuhito Kawai & Alexa Kumiko Hatanaka "Tsuitayo: Becoming by Making" @ KOTARO NUKAGA (Roppongi)

川井雄仁&アレクサ・クミコ・ハタナカ「ついたよ：Becoming by Making」@ KOTARO NUKAGA（六本木）

Artists Kazuhito Kawai and Alexa Kumiko Hatanaka are presenting a joint exhibition titled "Tsuitayo: Becoming by Making" at KOTARO NUKAGA in Roppongi, Tokyo. Running from March 14 to April 10, 2026, the show features Kawai’s expressive ceramic sculptures alongside Hatanaka’s textile-based works, including her signature "Noren" and "Tabi" pieces. The exhibition highlights a dialogue between Kawai’s tactile, often grotesque ceramic forms and Hatanaka’s exploration of heritage and craft through traditional Japanese materials.

Young artists demonstrate their art pieces within Painting Week [PHOTOS]

The Azerbaijan Artists' Union recently hosted a children's art exhibition and competition titled "My Favorite Theme" as part of the national Painting Week. Held at the Fine Art Gallery of the Children-Youth Development Palace No. 1 in Baku, the event showcased 51 artworks by 48 young participants across two age categories. Winners were selected by a jury of professional artists, with top honors going to Naomi Ahmadi and Nuray Babayeva for their respective thematic interpretations.

BLEACHxLAM "SOUL ART SHOWCASE" Exhibition Reveals New Artwork Ahead of Nationwide Tour

The hit anime series BLEACH and renowned illustrator LAM have announced a collaborative nationwide exhibition tour titled “BLEACH×LAM -SOUL ART SHOWCASE-.” Launching in late April 2026, the showcase features new, highly stylized artworks by LAM that reinterpret iconic characters from Tite Kubo’s manga, including Ichigo Kurosaki and Grimmjow Jaegerjaquez. The exhibition will travel to galleries in Tokyo, Osaka, and Fukuoka, offering free admission and exclusive merchandise to the public.

Preparations for the Miyako Odori, Kyoto’s spring dance festival – in pictures

Geisha and maiko (apprentices) in Kyoto are rehearsing for the annual Miyako Odori, or 'Capital City Dances.' This spring dance festival, held throughout April at the Gion Kōbu Kaburenjo theatre, features eight scenes depicting Japanese history and literature, accompanied by live shamisen music and performed against cherry blossom backdrops.

Beneath the Great Wave: Hokusai and Hiroshige review – how two Japanese masters reinvented art

The Whitworth gallery in Manchester is presenting a major exhibition comparing the works of Japanese masters Katsushika Hokusai and Utagawa Hiroshige. The show traces the evolution of ukiyo-e prints from their origins as mass-produced, voyeuristic snapshots of Tokyo's pleasure districts to the profound, psychologically complex landscapes that would later revolutionize Western art.

In Japan, Making Wooden Kokeshi Dolls

The article profiles the traditional Japanese craft of making kokeshi dolls, focusing on the artisans in the Tōhoku region who continue this centuries-old practice. It details the specific techniques, types of wood used, and the cultural significance embedded in the dolls' simple, limbless forms.

The Emanent Museum

Artist and writer Farid Rakun, a member of the collective ruangrupa, offers a critical diagnosis of contemporary museums. He argues that institutions in his Indonesian context are either state-run and subject to unstable political direction, or privately owned and driven by colonialist, capital-accumulating mentalities. He laments the intertwining of these models, which prioritizes revenue and growth over genuine cultural service.

MARCELO BRODSKY IN WIESBADEN MEMORY AS AN ACTIVE PRACTICE

The Kunsthaus Wiesbaden is hosting a comprehensive survey of Argentine artist Marcelo Brodsky titled "Memory in Action," running through June 2026. The exhibition showcases Brodsky’s unique practice of intervening in archival photographs to address global human rights abuses, political violence, and the persistence of historical trauma. Key series on display include his seminal work on the Argentine military dictatorship, "Buena Memoria," alongside explorations of 1968 global protests and African liberation movements.

MARCELO BRODSKY IN WIESBADEN MEMORY AS AN ACTIVE PRACTICE

The Kunsthaus Wiesbaden is hosting a comprehensive exhibition of Argentine artist Marcelo Brodsky titled "Memory in Action," running through June 2026. The show features key series such as "1968: The Fire of Ideas" and "Migrants," showcasing Brodsky’s signature technique of intervening in archival photographs with hand-written text and color to document state violence and social resistance.

Friend of X. A Conversation with Raque Ford by Qingyuan Deng

Artist Raque Ford discusses her recent exhibitions, "The Barkeeper’s Friend" at Greene Naftali and "Cry Baby" at Kunstverein Gartenhaus, highlighting her unique approach to language and materiality. Ford utilizes industrial materials like reflective acrylic, Mylar, and thermal printers to transform pop lyrics, overheard speech, and diaristic fragments into physical installations. Her work explores the tension between public performance and private interiority, often using scale to manipulate the viewer's emotional response to text.

There Is a Fountain Even If Pale That Flows Beneath Us All.

Hajra Waheed’s upcoming solo exhibition at Kunstinstituut Melly, titled 'There Is a Fountain Even If Pale That Flows Beneath Us All', explores the intersection of sound, politics, and collective resistance. Curated by Hera Chan as part of the Call & Response series, the show features a multidisciplinary array of new commissions and recent works, including the central multichannel sound installation 'HUM' (2020), which amplifies the voices of political prisoners.

TROPICAL HYPERSTITION A SPACE OF MEMORY AND RESISTANCE AT THE BIENNALE DI VENEZIA 2026

Panama will present its second National Pavilion at the 2026 Venice Biennale, featuring a large-scale installation and performance titled 'Tropical Hyperstition' by the artistic duo Antonio José Guzmán and Iva Jankovic (Mensajeros del Sol). The project, curated by Ana Elizabeth González and Mónica Kupfer, is organized by Panama's Ministry of Culture and several cultural foundations.

[minna|منا]of u at Participant Inc. and SALMA SARRIEDINE

The gallery Participant Inc. in New York presented a dual exhibition titled '[minna|منا]of u' featuring the work of artist Salma Sarriedine. The show ran from February 1 to March 22, 2026, and was curated by Ridikkuluz. The exhibition documentation consists of 25 images, with photos credited to Studio Kukla.

Noriko Okaku Solo Exhibition: "Meaning of Meaningless" @ Kanazawa ArtGummi 17th Anniversary

金沢アートグミ17周年記念個展 尾角典子「むいみのいみ」@ 金沢アートグミ

Artist Noriko Okaku will present a solo exhibition titled "Meaning of Meaningless" at Kanazawa ArtGummi to commemorate the NPO's 17th anniversary. The exhibition marks a return to Okaku's roots in animation, featuring a large-scale installation that integrates her background in collage and digital media.

Laura Langer at Simian

Argentine artist Laura Langer presents a solo exhibition titled "Why am I me?" at Simian in Copenhagen. Running from January 24 through April 12, 2026, the show features a comprehensive installation documented through an extensive series of 145 images captured by photographer Brian Kure.

Lin May Saeed at Kunsthalle Bern

Kunsthalle Bern is hosting a significant solo exhibition of the late artist Lin May Saeed, running from March 6 through May 10, 2026. The presentation features a comprehensive selection of Saeed’s signature styrofoam reliefs and sculptures, documented through extensive installation photography by David Aebi in collaboration with the artist's estate and Jacky Strenz gallery.

"My Art Invites People to Rebel Against the Status Quo"

"Meine Kunst lädt ein, gegen die Zustände zu rebellieren"

The iconic, communist Kangaroo from Marc-Uwe Kling’s popular literary series has transitioned into the world of contemporary art. After accidentally wandering into a gallery opening while under the influence of liquor-filled chocolates, the marsupial decides to launch a career as an artist, viewing the white cube as a new frontier for its anti-capitalist rebellion.

How Expensive Art Auctions Really Are

Wie teuer Kunstauktionen wirklich sind

Art auction houses often promote transparency through public bidding, but the final hammer price is merely the starting point for a complex web of additional costs. Buyers frequently face buyer's premiums, value-added taxes, and resale right royalties (droit de suite) that can inflate the final invoice by up to 50 percent beyond the initial bid.

How Expensive Art Auctions Really Are

Wie teuer Kunstauktionen wirklich sind

Art auction houses often promote price transparency, but the final hammer price is merely the starting point for a complex web of additional costs. Buyers are frequently hit with buyer's premiums, value-added taxes, and resale right royalties (droit de suite) that can inflate the final invoice by as much as 50 percent beyond the initial bid.

Bárbara Wagner & Benjamin de Burca “The Tunnels We Dig” at Schirn Kunsthalle Frankfurt

The artist duo Bárbara Wagner & Benjamin de Burca have opened a new exhibition titled "The Tunnels We Dig" at the Schirn Kunsthalle Frankfurt. The show combines three of their collaborative film and installation works, which are the result of their decade-long practice of working in dialogue with other artists and collectives.