The article shares excerpts from Akira Kurosawa's memoir detailing the production of his 1950 film 'Rashomon.' It focuses on the director's meticulous location scouting in Kyoto and Nara, his struggle with studio executives who found the project difficult, and the evolving, grandiose mental image he developed for the film's central gate, based on his research into historical architecture and city plans.
片山真理：tree of life @ Yutaka Kikutake Gallery（六本木）
Mari Katayama presents her latest solo exhibition, "tree of life," at Yutaka Kikutake Gallery in Roppongi, Tokyo. The exhibition, running from March 19 to May 16, 2026, features a new series of photographic works created in 2025 that continue her exploration of the body, prosthesis, and self-representation through meticulously staged compositions.
« 36 Clics du mont Fuji » : le photographe Julien Rocheblave réinvente les mythiques estampes d’Hokusai
French photographer Julien Rocheblave has completed a contemporary photographic reimagining of Katsushika Hokusai’s iconic print series, "Thirty-six Views of Mount Fuji." By locating the exact geographical vantage points used by the ukiyo-e master in the 1830s, Rocheblave captures the sacred mountain through a modern lens, juxtaposing Hokusai's original compositions with the realities of 21st-century Japan. The project, titled "36 Clics du mont Fuji," has been compiled into a book and will be showcased at the Rencontres d’Arles via Fisheye Gallery.
Following the recent electoral defeat of Viktor Orbán’s Fidesz-KDNP coalition by the opposition party Tisza, the Hungarian art world faces a monumental task of institutional restoration. For 16 years, the regime’s 'System of National Cooperation' (NER) systematically co-opted cultural institutions, installing loyalists in leadership roles at major venues like the Kunsthalle and Ludwig Museum to promote an ethno-nationalist agenda. This period was marked by the exodus of independent curators, the occupation of museums by activists, and a fractured ecosystem where state funding was tied to political compliance.
Palestinian artist Basma al-Sharif faced a coordinated smear campaign and threats after being invited to screen her film "Morgenkreis" at the Kunstakademie Düsseldorf. The controversy erupted not over the film's content, but over her social media posts referencing Palestinian resistance and historical injustices, leading to demands from public officials and advocacy groups to cancel the event.
The Kölnischer Kunstverein in Cologne is hosting a solo exhibition by German artist Monika Baer titled "Defection." Running from February 27 through May 3, 2026, the presentation features new and recent works supported by Greene Naftali and Trautwein Herleth. The exhibition continues Baer’s long-standing exploration of the boundaries of painting, utilizing her signature blend of technical precision and surrealist-inflected imagery.
Glasgow International has revealed the complete programme for its 11th edition, scheduled for 5-21 June 2026. The biennial, now under the direction of Helen Nisbet, will feature new works by artists including Kate Cooper, Tanoa Sasraku, and Luke Fowler, and will explore themes of memory, kinship, and cultural resonance. The festival also includes the 'Gatherings' event series and a new 'Special Projects' initiative highlighting community-embedded organizations in Glasgow.
Die Minimalistin, die keine sein wollte
The Kunstsammlung NRW in Düsseldorf is hosting a major retrospective of American artist Anne Truitt, marking the first comprehensive survey of her work in Europe. The exhibition at K20 features approximately 120 works, including her signature hand-painted wooden columns, drawings, and the late "Pith" series, tracing her unique trajectory from the early 1960s until her death in 2004.
Kunsthalle Mainz vor dem Aus?
The Kunsthalle Mainz is facing potential closure by the end of the year following the withdrawal of funding by the Mainzer Stadtwerke. The crisis is compounded by the departure of director Stefanie Böttcher, who is moving to the Kunsthalle Kiel, and the fact that her position has not been advertised for replacement. Despite its international reputation and successful recent exhibitions, such as the current Britta Marakatt-Labba retrospective, the institution lacks a secured financial future and a leadership succession plan.
Was darf die Kunst?
German Minister of State for Culture Wolfram Weimer has sparked a heated debate over artistic freedom after excluding three bookstores from the German Bookstore Prize due to undisclosed intelligence reports. The controversy has escalated into a broader confrontation with cultural institutions, highlighted by the Berlin Volksbühne's public criticism and Weimer's subsequent refusal to participate in a scheduled panel discussion. This incident follows a string of high-profile disputes regarding political expression in the arts, particularly concerning the Berlinale and documenta fifteen.
Geschichten in Kupfer und Vinyl
The UCCA Center for Contemporary Art in Beijing is hosting "Hundreds and Thousands," the first institutional retrospective of the late American conceptual artist Rutherford Chang. The exhibition showcases Chang’s career-long obsession with collecting and cataloging mass-produced objects, most notably featuring his collection of over 3,700 first-pressings of the Beatles’ "White Album." Other significant works include a 31-kilogram copper cube created from 10,000 pre-1982 pennies and a digital archive of over 2,000 of the artist's own Game Boy Tetris sessions.
99 Variationen eines Vulkans
Julian Charrière has released a new artist's book titled "After the Smoke Cradle," documenting a series of 99 lithographs originally exhibited at the Verein für Originalgraphik in Zurich. The project features 33 variations of three different volcanoes, created using a unique process where the artist transformed collected lava, ash, obsidian, and sulfur into printing pigments. This material-focused approach ensures that the physical essence of the volcanic sites is literally embedded into the photographic imagery.
Kunsthalle Friart Fribourg presents "Passages," a group exhibition exploring the fluid boundaries of matter and form. The show investigates the existential transition points where materials coalesce into recognizable shapes and, conversely, where those forms begin to dissolve or mutate. By focusing on the inherent instability of physical objects, the curated selection of works challenges traditional perceptions of permanence in contemporary art.
Art Basel has unveiled the 33 medalists for its 2026 global honors program, recognizing a diverse group of artists, curators, and institutions. The selection highlights a strong Southeast Asian presence, including architect Kulapat Yantrasast and filmmaker Apichatpong Weerasethakul, alongside international figures like Laurie Anderson and Julie Mehretu. These awards celebrate practitioners across categories such as Emerging Artist, Established Artist, and Cross-Disciplinary Creator, with winners to be celebrated at the upcoming Basel fair in June.
The Shiga Museum of Art is hosting "Paradise Dungeon," a comprehensive exhibition of Sasaoka Yuriko’s video and sculptural works. The show traces the artist's career from her 2011 response to the Tōhoku earthquake to her latest large-scale installations, characterized by a "grotesque" aesthetic involving marionettes with digitally superimposed human faces. Her work utilizes mediated artifice—including fairground-style soundtracks, repurposed toys, and violent puppetry—to explore themes of consumption, sacrifice, and the dehumanizing nature of digital observation.
Berlin-based artist Matthias Esch presents a survey of his painterly practice in the solo exhibition 'Slice Through Reality' at Kutlesa in Goldau, Switzerland. The show features works from several years that explore the tension between rigid visual systems and deliberate disruptions, utilizing patterns and schematic forms that are systematically 'sliced' or broken open.
The "Yokai Immersive Experience Exhibition Tokyo" has opened at Warehouse Terrada, utilizing projection mapping and 3D technology to bring over 300 supernatural creatures from Japanese folklore to life. The exhibition features digital recreations of historical emaki scrolls and ukiyo-e prints by masters such as Utagawa Kuniyoshi and Katsushika Hokusai, alongside contemporary works from the Yokai Art Museum in Shodoshima.
Artist Otobong Nkanga has unveiled a major new installation titled 'I Dreamt of You in Colours' at the Kunsthalle Basel. The immersive, site-specific work explores themes of memory, landscape, and the extraction of natural resources through a complex tapestry of textiles, drawings, and sculptural elements.
Kulturinstitutionen warnen vor AfD-Plänen zur Kulturpolitik
Nearly 30 cultural institutions in Saxony-Anhalt, including the Bauhaus Dessau Foundation and the Saxony-Anhalt Museum Association, have issued a joint warning against the AfD party's new government program. The political platform proposes a "patriotic cultural policy" that would prioritize funding for art contributing to "German identity" while criticizing the state's focus on modernism and the Bauhaus as a "sign of identity disorder." The institutions argue these plans threaten artistic freedom, pluralism, and the democratic culture of remembrance regarding Germany's Nazi past.
"Das Humboldt Forum wird schon beschossen"
The architectural firm J. Mayer H. and partners Jürgen Mayer H. and Hans Schneider have won the eighth 'Kunst-am-Bau' competition for Berlin’s Humboldt Forum. Their winning installation, titled "Südpfeil" (South Arrow), features a 3.6-meter-long abstract arrow embedded high in the building's facade. The work references the 19th-century discovery of 'Pfeilstörche'—migratory storks that returned to Europe with African arrows in their bodies—which provided the first scientific proof of global migration routes.
Artist Su Xiaobai will present a major solo exhibition titled "Alchemical Universe" at the Palazzo Soranzo Van Axel as an official Collateral Event of the 61st Venice Biennale. Curated by Stephen Little of LACMA, the show features 35 works spanning two decades, highlighting Su’s transition from oil painting to the mastery of natural lacquer. The exhibition includes his latest series, "Niao Niao," which utilizes mineral and metallic powders to create monochromatic, ethereal surfaces that emphasize material spontaneity over rigid artistic control.
Hong Kong’s art auction market opened 2025 with significant momentum, characterized by a shift toward high-quality, museum-grade works and selective collecting. Major auction houses like Christie's, Bonhams, and Phillips reported strong results for blue-chip artists, highlighted by the sale of Pablo Picasso’s "Buste de Femme" for HK$196.75 million. While the market has become more deliberate, the demand for rare, impeccably sourced pieces by both Western masters and Asian contemporary icons remains robust.
French street artist Kaldea has unveiled a major solo exhibition titled "Identity" at Espace Cinko in Paris’s 2nd arrondissement. Hosted by Galerie Roussard, the immersive show transforms a 200-square-meter former printing press into a reconstructed Japanese landscape complete with sakura blossoms and paper lanterns. The exhibition features approximately forty works across five thematic narratives, ranging from porcelain animal figures to reimagined manga icons like Godzilla and Pikachu, blending Art Deco, futuristic, and Asian influences.
Industrieträume der DDR
The exhibition "Robotron – Arbeiterklasse und Intelligenz" has opened at the Hartware Medienkunstverein (HMKV) in Dortmund, following its initial run in Leipzig. Centered on the history of the GDR’s largest computer manufacturer, the show features 20 artistic positions including photography, film, and sculpture, alongside a significant five-meter oil sketch by Socialist Realist painter Werner Tübke. The presentation bridges East and West German industrial histories by juxtaposing state-commissioned propaganda with progressive, unofficial works by artists like Ruth Wolf-Rehfeldt and A.R. Penck.
Pure i cataloghi delle mostre possono diventare manga. Il caso Yuko Mohri
The Pirelli HangarBicocca has released a unique exhibition catalogue for Japanese artist Yuko Mohri following her solo show, 'Entanglements,' in Milan. The publication distinguishes itself by including a 24-page manga titled 'Yuko and the Unnamed' by artist Ran Kurumi, tucked into the book's jacket. This graphic insert serves as a biographical narrative, tracing Mohri’s journey from her formative years in Tokyo’s Akihabara electronics district to her recent representation of Japan at the 2024 Venice Biennale.
Whitestone Gallery Seoul is hosting "A Swimming Soul," a group exhibition featuring emerging artists Lee Juyoung, Kisho Kakutani, and Yudai Takeuchi. Running from April 18 to May 24, 2026, the show utilizes the metaphor of a swimming fish to explore themes of youth, uncertainty, and the drifting nature of modern existence. Each artist presents a unique visual language to address the ambiguity of reality, from Lee’s blurred urban reflections and Kakutani’s obstructive "noise" layers to Takeuchi’s exploration of the liminal space between consciousness and sleep.
Stained glass artists Kurt and Lorraine Wendling have officially opened The Gallery on Gambier in downtown Mount Vernon, Ohio. The new creative hub serves as the permanent home for their business, Wendling Glass Creations, while also showcasing the work of approximately 20 other artists specializing in mediums ranging from photography to oil painting. The space is designed as a multi-functional venue, incorporating a retail gallery, a custom framing center, and a dedicated classroom for art instruction.
Qualia Contemporary Art in Palo Alto is currently hosting two concurrent exhibitions, "Emergence" and "Tidal Traces," featuring the work of Yulia Pinkusevich, Cathy Lu, and Stella Zhang. The shows explore the four classical elements—fire, earth, air, and water—through a diverse range of media including large-scale ceramic incense sculptures, paintings incorporating charcoal and ash, and mixed-media works inspired by oceanic tides.
Prince Saheed Adelakun has returned to Mydrim Gallery in Lagos for a solo exhibition titled "KókóẸwà" (Essence of Beauty), featuring 45 new works. The exhibition is divided into two distinct series: "Dúdúyẹmí," which celebrates the natural richness of dark skin and traditional adornments, and "Ojú Tó ń Sọ̀rọ̀," a collection of portraits focusing on the expressive power of the human gaze. Utilizing a unique and labor-intensive rope medium, Adelakun explores themes of femininity, resilience, and cultural identity.
A remarkably complete 154-million-year-old theropod fossil, nicknamed Juliasaurus, has made its public debut at the Hollytrees Museum in Colchester, U.K. Discovered in Wyoming’s Morrison Formation in 2020 and sold by the David Aaron gallery to a private collector, the 20-foot-long specimen is currently part of the “Discover: Museum Wonders” exhibition. While initially thought to be an Allosaurus or Marshosaurus, unique anatomical features in its skull and pelvis suggest it may represent an entirely new species.