Jewellers are creating a new wave of sculptural, nature-themed pieces inspired by the surrealist artist Salvador Dalí. These dreamlike works draw on Dalí's iconic motifs—melting clocks, fantastical creatures, and organic forms—reimagined in precious metals and gemstones by contemporary designers and luxury houses.
Van Cleef & Arpels has capitalized on the growing secondary market for vintage jewelry through its Heritage Collection, launched in 2007. The collection offers around 150 curated 20th-century pieces, authenticated and restored by the maison, allowing clients to buy directly from the jeweler rather than through auction houses like Sotheby's, Christie's, and Artcurial, which sold over €120 million in Van Cleef jewels in 2024.
A diverse array of international photography festivals and exhibitions are scheduled for May 2026. Key events include Bieler Fototage in Switzerland, focusing on vulnerability as a social condition; Photo London, which is relocating to the Olympia and introducing new curated sections; Hard Copy New York at the ICP, exploring photocopied imagery; Fotofestival Lenzburg, an open-air exhibition in Switzerland; and several other events across Europe and the US.
Bvlgari has become the first Exclusive Partner of La Biennale di Venezia, a landmark agreement that extends through 2030. The Roman jeweler will inaugurate its role at the 2026 Venice Biennale with two major initiatives: a newly created Bvlgari Pavilion at the Giardini featuring Canadian artist Lotus L. Kang, and an exhibition at the Biblioteca Nazionale Marciana curated by Fondazione Bvlgari, presenting works by Italian artists Lara Favaretto and Monia Ben Hamouda.
London's Design Museum is opening "NIGO: From Japan with Love," the first UK retrospective dedicated to Japanese designer Nigo, founder of streetwear brand A Bathing Ape (BAPE) and current artistic director of Kenzo. The exhibition, featuring over 700 objects including rare archival garments, a recreation of Nigo's teenage bedroom, and ceramics inside a life-size glass tea house, traces his career from 1980s Tokyo street culture to global fashion influence.
A major retrospective titled "NIGO: From Japan with Love" opens at the Design Museum in London on May 1, 2026, marking the designer's first major exhibition outside Japan. The show features over 700 objects spanning three decades, including around 600 items from NIGO's personal archive, a reconstruction of his teenage bedroom, vintage clothing, early designs, collaborations, hand-thrown ceramics, and a life-size glass tea house created for the exhibition. The display traces his career from Harajuku street culture through founding A Bathing Ape to his current role as artistic director of Kenzo.
The Icelandic Art Center will present "Pocket Universe," a multidisciplinary exhibition by artist, poet, composer, and filmmaker Ásta Fanney Sigurðardóttir, representing Iceland at the 61st Venice Biennale. The exhibition, held at the Icelandic Pavilion's new location at Docks Cantieri Cucchini, explores shifting perspectives through hope, imagination, and belief, blending sound, performance, moving image, sculpture, and installation. It features a moving image work centered on a character called "Creature Zero" searching for the "original rock," and incorporates themes of luck, chance, and transformation through playful, game-like structures.
Max Mara has chosen the Long Museum West Bund in Shanghai as the venue for its Resort 2027 runway show on June 16. The event will coincide with the opening of an exhibition titled “The Max!”, curated by Olivier Saillard, celebrating the brand’s 75th anniversary. The Long Museum is a private art museum founded by collectors Liu Yiqian and Wang Wei, with three locations across China. This marks Max Mara’s second show in Shanghai, following a 2016 presentation at the Shanghai Exhibition Center.
Jemima Wyman's retrospective "Deep Surface" surveys three decades of her work exploring DIY aesthetics of concealment, protest iconography, and political solidarity. Born in Sydney and based in Los Angeles since 2004, Wyman is known for collages of masked protesters, activist signage, and street rally residues, as seen in works like *Aggregate Icon (RBW)* (2016) and *Mass Monument (Y & B)* (2018). The exhibition highlights her early inspiration from Fluxus, Minimalism, and Yayoi Kusama, as well as the influence of Brisbane's late-1990s art scenes and postcolonial Indigenous Australian art debates. Wyman, who has Indigenous (Palawa) heritage, uses camouflage and disguise to blur boundaries between visibility and concealment, figure and ground.
L’industria creativa del Kazakhstan accelera. Spunta una nuova fondazione che sostiene la scena artistica
A new private foundation called TOVA Foundation, based in Geneva, has been established to promote contemporary art from Central Asia, specifically focusing on Kazakhstan's art scene. The foundation debuted at the Venice Biennale with an exhibition titled "Trading Treasures" featuring Kazakh artists Saule Suleimenova and Sayan Baigaliyev at Casa dei Tre Oci. The initiative is backed by Togzhan Wertheimer, a Kazakh-born entrepreneur and philanthropist connected to the fashion industry through her husband David Wertheimer, and includes a board with figures like Tatiana de Pahlen and art consultant Jean-Olivier Despres. The foundation's curator is Vladislav Sludskiy, who previously worked at Ethan Cohen Gallery and co-founded the ARTBAT FEST and Eurasian Cultural Alliance.
Si chiama Casabianca il nuovo spazio per l’arte da visitare a Como
A new art space called Casabianca has opened in Como, Italy, housed in a 1930s building designed by Piero Ponci. The project is spearheaded by hoteliers Paolo and Antonella De Santis, who have transformed the former luxury villa and bank into a domestic-style exhibition venue for their contemporary art collection. The space features works by artists such as Giulio Paolini, Stefano Arienti, Alighiero Boetti, Mario Merz, Marina Abramovic, and Joseph Kosuth, with no labels or didactics to preserve the feel of a private home.
Casa Sanlorenzo, the artistic division of the luxury yacht brand, has opened a new exhibition titled "Waves" in Venice, coinciding with the Venice Biennale. Curated by Sergio Risaliti and Cristiano Seganfreddo, the show spans 1,000 square meters across two floors plus a 600-square-meter garden, featuring works by seven artists: Alexander Calder, Lucio Fontana, Fausto Melotti, Tony Cragg, Marcello Maloberti, Christine Safa, and Friedrich Andreoni. The exhibition explores the concept of the wave as a metaphor for artistic expression, with a focus on sculpture and sound, including Melotti's poetic sculptures, Andreoni's immersive sound installation, and Calder's mobiles.
La Biennale diffonde il regolamento per votare i Leoni dei Visitatori mentre molti artisti e padiglioni rinunciano a concorrere ai premi
The 61st Venice Biennale has opened to the public, introducing a controversial new voting system for the Golden Lions. After the entire jury resigned en masse on April 30, the Biennale decided to let the public decide the winners of the so-called "Leoni dei Visitatori" (Visitors' Lions). Voting is open from May 9 to November 22, 2026, and requires ticket holders to visit both main venues (Giardini and Arsenale) to receive a voting link. One vote per person is allowed for each of two categories: an artist in the main international exhibition "In Minor Keys" curated by Koyo Kouoh, and a national pavilion.
Miltos Manetas, a Greek-born artist, has adopted a life of Franciscan poverty as both a personal practice and an artistic project called "Francesco_2026." His work is featured in the exhibition "Vita minore. San Francesco e la santità dell’arte contemporanea" at Palazzo Collicola in Spoleto, curated by Gianni and Giuseppe Garrera. Manetas has also launched the tenth Internet Pavilion at the Venice Biennale, inviting Saint Francis as the artist, using AI conversations and a monastery in the Venetian lagoon to create an informal community of "Fratelli e Sorelle" who follow a shared rule based on poverty, absence of preparation, and divine providence.
A roundup of art gallery exhibitions in Bangkok for May 2026 highlights four shows: 'The Fourth Decade of the Bualuang Paintings' at The Queen's Gallery, featuring 141 works by 52 Thai artists from the Bualuang painting contests; 'New Beginning' at ART Space by MOCA Four Seasons, a group show with artists from Japan and Thailand exploring renewal; 'Museum of Monsters' at River City Bangkok, a solo exhibition by artist FAHFAHS (Napath Kuntaruck) confronting hidden memories; and 'Beneath the Horizon Line' at Art Jewel Gallery, Siam.
Cary Kwok's exhibition at Sessions Arts Club in London presents four new paintings created with support from Herald St, Cabin Studio, Jonny Gent, and David Southard. The works, rendered in acrylic and ink on paper, explore still lifes, silhouettes, and staged interiors inspired by 1980s visual culture, including interior design, cinematography, fashion editorials, and advertising. Featured pieces include *Eclipse* (2026) and *Anticipation* (2026), with the artist's signature subtly embedded in objects like jewelry and glassware. The show opens May 18 and is viewable by appointment or during dining hours, alongside a related wine label collaboration for the Sessions Arts Club Lost Wines Project.
Caroline Lillian Schopp's new book *In-action: Viennese Actionism and the Passivities of Performance Art* (2025) offers a revisionist history of Viennese Actionism, a movement retroactively named in 1970 by Peter Weibel and Valie Export. Schopp introduces the term "in-action" to describe a politics of artistic action that emphasizes intimacy, hesitation, and vulnerability rather than the violent or liberatory extremes typically associated with the movement. She expands the canon to include women artists such as Anna Brus, Hanel Koeck, and Ingrid Wiener, and reexamines the work of Rudolf Schwarzkogler, whose death was mythologized as a suicide by self-castration but was actually a fall from a window. Through close readings of photographs, Schopp argues that Schwarzkogler's performances were characterized by passivity and "in-sincerity," challenging the dominant narrative of actionism as aggressive or heroic.
Artnet and Artsy have officially merged under private equity firm Beowolff Capital, founded by former Goldman Sachs trader Andrew Wolff. The deal, which took Artnet private, has already led to layoffs at both companies—including at least seven staff members from Artnet News—and the closure of Artnet's Berlin office. Jeffrey Yin, CEO of Artsy, will lead the combined entity. The merger aims to combine Artnet's vast database of 18 million auction results with Artsy's primary market gallery network to create a seamless user experience for discovering, researching, and buying art.
Over the weekend of the Cannes Film Festival, director Ron Howard premiered his documentary *Avedon*, which traces photographer Richard Avedon's rise from a working-class Jewish immigrant background to a defining chronicler of American culture. The film received a second life aboard the Renaissance superyacht with a party hosted by editor Graydon Carter, Ancient chairman and CEO Alexander Klabin, and Burgess chief executive John Beckett. Guests included actors Natasha Lyonne and Rosemarie Dewitt, photographer Jean Pigozzi, model Eddie Mitsou, Avedon's grandchildren Michael, Matthew, and Caroline Avedon, and producers Courtney Kivowitz, Sara Bernstein, Darcie Reisler, Dallas Rexer, Chris St. John, and Justin Wilkes. The after-hours cocktail allowed attendees to relive the film's most impactful scenes while mingling with the producers and the photographer's family.
Italian jewelry maison Vhernier has collaborated with artist Pae White to create a 10-design limited-edition ring collection inspired by White's childhood memories of Sea Ranch, a remote artists' retreat in Sonoma County, California. The collection translates the architecture of crustaceans and abalone into precious materials, using sapphires, diamonds, and rock crystal set in white or rose gold, with only two versions of each design produced.
Photographer Peter Fraser has collaborated with Bottega Veneta on a new series of 27 photographs exploring Venice, capturing both its iconic landmarks—canals, marble floors, Byzantine façades—and its overlooked details like construction cranes, discarded plaster casts, and beached boats. The images are juxtaposed with Bottega Veneta's intrecciato bags from Louise Trotter's first collection, nodding to the fashion house's long history in the Veneto region. In an interview, Fraser discusses his approach to photographing a city burdened by its own legacy, emphasizing the need to distance himself from preconceptions and to shoot based on feeling rather than appearance.
"Scheiße hat die Kraft, Ordnungssysteme zu destabilisieren"
Aline Bouvy, the artist representing Luxembourg at the Venice Biennale, has created a film essay titled "La Merde" that centers on excrement as its main character. Originally conceived as a performance, the work explores themes of bodily circulation, transformation, and the grotesque, using feces to challenge societal taboos and systems of order. Bouvy discusses the film's development with curator Stilbé Schroeder, noting that the Biennale provided the resources and time to realize the project, which will later travel to the Kunstverein in Salzburg.
Du simple bleu au tailleur haute couture, le vêtement de travail étudié au musée Postal
The Musée Postal in Paris has reopened with a new name and identity, launching its first exhibition titled "Sous toutes les coutures" ("Under All Seams"). Curated by Elodie Goëssant and Didier Filoche, the show brings together 420 pieces, artworks, and archival objects to explore the history of workwear in France, from uniforms and protective clothing to high-fashion collaborations. It traces the evolution of work attire from the 18th century to the present, highlighting how women lacked dedicated work clothing until the 1970s and how airlines like Air France pioneered partnerships with luxury houses such as Christian Dior to dress flight attendants as national ambassadors.
From April 4, KIOSK in Ghent presents a new solo exhibition by Hisae Ikenaga titled "Anatomies of Use." The Mexican-Japanese artist brings together sculptures, assemblages, and collages that rework industrial materials and everyday objects into hybrid forms, blending ceramic fragments with a visual language that balances functionality and abstraction.
The international jury of the 61st Venice Biennale announced it would exclude from prize consideration countries whose leaders are charged with crimes against humanity by the International Criminal Court, specifically targeting Russia and Israel. This prompted the Italian culture minister to send inspectors to the Biennale's offices, leading the jury to resign. The Biennale then replaced the Golden Lion with "Visitors' Lions" prizes voted by ticket-holders, immediately making Russia and Israel eligible again. The article traces this crisis to the Biennale's historical structure under Mussolini's 1930 Royal Decree, which established the national pavilion system as a diplomatic concession system designed to serve state power, and notes the recent acceptance of a €50 million donation from Qatar for a new permanent pavilion in the Giardini.
The international jury for the 61st International Art Exhibition of La Biennale di Venezia, titled "In Minor Keys," has issued a statement declaring their intention to exclude from consideration any countries whose leaders are currently charged with crimes against humanity by the International Criminal Court. The jury, chaired by Solange Farkas and including members Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, was selected by artistic director Koyo Kouoh to award the Golden and Silver Lions among the 110 artists in the exhibition.
Carrie Haddad Gallery in Hudson, NY, presents "Between here and home," a group exhibition running from May 22 through July 12, with an opening reception on May 23. The show features works by Fred Cohen, Frank DePietro, Deb Lawrence, Olan Quattro, and ransome, exploring the concept of home as an evolving construct shaped by memory, material, and experience. The exhibition draws on the Welsh idea of hiraeth—a longing for a lost or imagined home—and includes paintings, collages, and mixed media works that reflect each artist's personal engagement with place, interior space, and inherited histories.
The Kimbell Art Museum in Fort Worth, Texas, will host "Treasures of the Pharaohs," an exhibition of 130 ancient Egyptian artifacts including granite statues, gold jewelry, funerary masks, and sarcophagi, opening in March 2027. The show features Queen Ahhotep’s golden sarcophagus and recently unearthed objects from a worker’s community in the Valley of the Kings, on loan from the Luxor Museum and the Egyptian Museum in Cairo. It is currently on view in Rome and will travel to the Fine Arts Museums of San Francisco before arriving in Fort Worth as its second and final North American stop.
Dataland, the world's first museum of AI arts, has partnered with L'Oréal Luxe to create an olfactory art experience for its inaugural exhibition, *Machine Dreams: Rainforest*. Co-founded by Refik Anadol and Efsun Erkılıç, the museum opens on 20 June in downtown Los Angeles. L'Oréal Luxe has developed 12 unique 'olfactive imprints' that will be diffused through smart devices, responding to artworks and visitor presence. The scents, including 'Scent of Rain' and 'Scent of Data', are drawn from Anadol's Large Nature Model, an open-source AI system based on data from 16 rainforests worldwide. The exhibition runs through 31 January 2027.
Since April 23, 2026, the Saint Laurent Rive Droite boutique in Paris has been hosting an exhibition dedicated to Andy Warhol titled “Objets banals”. Curated by Anthony Vaccarello, the show features a selection of Polaroids and 35 mm photographs taken from the 1960s onward, revealing a more intimate and personal dimension of the pop art master. The installation is immersive and minimalist, with photographs interacting with Saint Laurent collections, design pieces, and exclusive objects, blurring the boundaries between commerce, museum, and artistic manifesto. All works on display are available for sale, distinguishing the boutique from a traditional museum.