The Turner Prize 2026 shortlist has been announced, featuring four artists: Simeon Barclay, Kira Freije, Marguerite Humeau, and Tanoa Sasraku. The exhibition will be held at MIMA (Middlesbrough Institute of Modern Art) from September 26, 2026 to March 29, 2027, with the winner revealed on December 10, 2026. The jury includes Sarah Allen, Jo Hill, Suk-Kee Lee, Alona Pardo, and Alex Farquharson as chair.
Nicole Wittenberg, known for her early paintings of amateur porn, has shifted her focus to landscapes and flowers, culminating in four simultaneous exhibitions across two continents. Her first solo museum survey is at the Ogunquit Museum of American Art, while the Center for Maine Contemporary Art shows her largest canvases through September 14. In Paris, her flower paintings are on view at Le Corbusier’s Maison La Roche, and Acquavella will host her New York solo show in October. Phaidon has also published her first monograph, with essays by David Salle, Devon Zimmerman, and Suzanne Hudson.
This article from a Seattle arts publication rounds up May visual art events, including the Seattle Art Book Fair (May 9–10) at Washington Hall featuring over 85 artists and free admission; Timothy White Eagle's exhibition "Once Wild River" (May 9–June 21) at Mini Mart City Park, culminating his EPA artist-in-residency; "Monochrome: Calder and Tara Donovan" (May 13–Jan 17, 2027) at the Seattle Art Museum, where Donovan responds to Alexander Calder's black works; "Rebels + Icons: The Photography of Janette Beckman" opening May 15 at MoPOP, the largest collection of her iconic musician portraits; and Drie Chapek's "Then Is Now" (May 21–June 27).
Ocula's global team of editors has curated a list of the top 10 exhibitions to see worldwide in May, highlighting diverse shows from Rio de Janeiro to New York. Featured exhibitions include Jungjin Lee's photographic works blending Icelandic landscapes and intimate objects on traditional Korean paper, a millennial-themed group show titled "Genuine Premium Fake Economy" examining precarity through artists like Jasmine Gregory and Buck Ellis, Joan Semmel's solo exhibition "Continuities" at Xavier Hufkens and Alexander Gray Associates showcasing her erotic self-portraiture at age 93, and Wynnie Mynerva's Berlin Gallery Weekend show addressing colonial violence and Andean mythology.
A new art space called Arthouse is opening on April 25, 2026, in Marble Falls, Texas. Designed by the architecture firm Lake Flato, the 2,000-square-foot white building will display works from the personal collection of philanthropists Mickey and Jeanne Klein, including pieces by Mary C. Sloane, Kenturah Davis, Faith Ringgold, Ed Ruscha, James Turrell, and Teresita Fernández. The debut exhibition, "Words Matter," curated by Mickey Klein, explores text and narrative and coincides with the town's Paint the Town Art Festival. The building also features a courtyard designed by landscape designer Sada Uchiyama.
The representational and abstract painter Thelma Appel is seeing a resurgence in market and institutional interest, highlighted by the sale of her 2010 work "Worlds." This specific piece, part of her "Journey of the Tarot" series, was a centerpiece of her 50-year career retrospective at the Brattleboro Museum and reflects her unique fusion of Kabbalistic mysticism, landscape, and abstraction.
Massachusetts-based painter John McAllister has been named the winner of the inaugural Dallas Art Prize. The award includes a $20,000 cash prize and the consideration of his work for the permanent collection of the Dallas Museum of Art. McAllister, who is represented by James Fuentes Gallery, is recognized for his vibrant, non-traditional landscapes that utilize a palette of pinks, purples, and yellows to evoke emotional responses rather than literal depictions of nature.
Maureen Gallace is making her South Korean debut with 'April 2026,' an exhibition of new paintings at Gladstone Gallery’s Seoul location. The presentation features the artist’s signature small-scale works, which depict the rural and coastal landscapes of the American Northeast through a minimalist, distilled visual language. These paintings continue Gallace's exploration of the tension between architectural geometry and natural environments, blending direct observation with the hazy quality of memory.
Gladstone Gallery has opened a solo exhibition of American painter Maureen Gallace, marking the gallery's final presentation at its Cheongdam-dong location in Seoul. The show features Gallace’s signature small-scale oil and acrylic paintings, which utilize a wet-on-wet technique to depict rural and coastal landscapes of the American Northeast. These works are characterized by a process of reduction, stripping away specific details and human presence to balance between figuration and abstraction.
CULTURED magazine has published a guide to 13 must-see gallery and museum shows in Miami this week, highlighting exhibitions across the city during Art Basel Miami Beach. Featured shows include Studio Lenca's first solo show in Miami at David Castillo Gallery, Jeffrey Deitch's pop-up exhibition in the Miami Design District, Aneta Grzeszykowska's "DISORDER" at Voloshyn Gallery, a posthumous survey of Richard Hunt at the Institute of Contemporary Art Miami, Woody De Othello's hometown museum solo at Pérez Art Museum Miami, Shayla Marshall's installation at a Walgreens storefront organized by the Bass and Bakehouse Art Complex, and Lawrence Lek's "NOX Pavilion" at the Bass, among others.
The article highlights several notable art exhibitions opening in the Bay Area this fall, including 'Rave into the Future: Art in Motion' at the Asian Art Museum, featuring immersive dance culture works and ceramics by Sahar Khoury and Maryam Youssif; Selva Aparicio's solo show at Gallery Wendi Norris, where she carves rug designs into the floor and uses cicada wings and hair in her installations; Andrew Owen's photography exhibition 'In Light Years' at Small Works, capturing California's landscapes and environmental scars; Caterina Fake's installation 'Bed for Dreaming' at the Jones Institute, an experimental home gallery where guests can sleep in an ancient bed; and the farewell celebration at Altman Siegel Gallery after 16 years of operation.
Pace University Art Gallery presents 'Nuclear Injustice,' a group exhibition featuring works by Kathy Jetñil-Kijiner, Alan Nakagawa, Michael Wang, and Will Wilson. The show explores the lasting consequences of nuclear testing and bombings through photography, sound installation, video poetry, and sculpture, opening November 15, 2025, and running through January 31, 2026. Curated by Sarah Cunningham and Joel Wilson in collaboration with Emily Welty, the exhibition examines radioactive landscapes, Indigenous resistance, and global movements for a nuclear-free future.
A major exhibition of rarely seen works by the late Chinese-Canadian artist Matthew Wong will open at the Palazzo Tiepolo Passi in Venice from 9 May to 1 November 2025, coinciding with the 61st Venice Biennale. The show features 35 works dating from 2015 to 2019, curated by John Cheim of Cheim & Read gallery, and is organized by the Matthew Wong Foundation, founded by the artist's parents Monita Wong and Raymond KP Wong after his death by suicide in 2019. The exhibition catalogue includes a text by Nancy Spector, former chief curator of the Guggenheim Museum.
NEXTpittsburgh's November gallery guide highlights several new exhibitions opening across Pittsburgh. Shows include "Frank Harris: Born to be Wild" at Groove Gallery, featuring music-inspired portraits of icons like Jerry Garcia and David Bowie; "Ground Shift: Four Artists Navigate a Shifting Landscape" at Spinning Plate Gallery, with works by Paul Rosenblatt, Ann Rosenthal, Michel Demetria Tsouris, and Briget Shields addressing environmental threats; "Picture This: A Photo Exhibit Celebrating Intergenerational Connections" and "Peju Alatise: I Will Belong to Only Me" at the August Wilson African American Cultural Center; and "Neither/Nor" by Rum Hansra and Sayak Mitra at Atithi Studios, coinciding with Diwali.
The Smithsonian American Art Museum will debut "Nick Cave: Mammoth," a monumental new commission by artist Nick Cave, in February 2026. This marks Cave's first solo exhibition in Washington, D.C., and represents the museum's largest-ever commission by a single artist. The installation combines sculpture, video, and found objects, drawing on Cave's childhood in Chariton County, Missouri, and exploring themes of family history, landscapes, and craft traditions. The exhibition will be on view from February 13, 2026, through January 3, 2027, and is organized by curator Sarah Newman.
Edward Burtynsky, the renowned Canadian photographer known for his large-scale depictions of industrial landscapes, is the subject of a feature titled "Edward Burtynsky: Taking Place." The article highlights his 40-year career documenting humanity's impact on the planet, from his early influences in St. Catharines, Ontario, to his recent exhibition "BURTYNSKY: Extraction/Abstraction," which premiered at London's Saatchi Gallery in February 2024 before traveling to M9 in Mestre, Italy. It also notes his founding of Toronto Image Works and his ongoing solo and group exhibitions worldwide.
This season's public art in New York City features a diverse array of outdoor exhibitions across parks and streets. Highlights include Thaddeus Mosley's towering bronze sculptures at City Hall Park, Lady Pink's mural "Foundations" at MoMA PS1, Tai Shani's candle-like sculptures on the High Line, Alma Allen's organic forms along Park Avenue, Torkwase Dyson's pavilion at Brooklyn Bridge Park, and the Socrates Annual at Socrates Sculpture Park featuring artists like Natalia Nakazawa and Rowan Renee.
Washington and Lee University's Art Museum and Galleries announced its Fall 2025 programs under the theme "Materiality & Transformation," featuring two concurrent exhibitions: "Taking Place," a solo show of large-format aerial photographs by Canadian artist Edward Burtynsky, and "Recoded Memories," an immersive installation by Zimbabwean artist Moffat Takadiwa that repurposes discarded materials like computer keys and VHS tapes. Burtynsky's exhibition runs from September 3, 2025, to April 18, 2026, at the Reeves Museum of Ceramics, with a keynote lecture on September 11; Takadiwa's installation is on view from October 24, 2025, to May 31, 2026, at the Watson Galleries, with an artist talk on October 23.
This article is a podcast interview with artist Teresita Fernández, who discusses her three-decade career as a landscape artist and sculptor. She explores landscapes not only as visual phenomena but also as cultural spaces, using materials like graphite, iron ore, gold, and pyrite. Fernández reflects on influences including Wilfredo Lam, Eva Hesse, Jack Whitten, Robert Smithson, and Cecilia Vicuña, and shares insights from her studio practice. The podcast is sponsored by Bloomberg Connects, which highlights institutions that have shown her work, such as the Philadelphia Museum of Art, MASS MoCA, and SITE Santa Fe.
The International Center of Photography (ICP) in New York is presenting "Edward Burtynsky: The Great Acceleration," a retrospective of over 70 photographs by Canadian photographer Edward Burtynsky, on view until September 28. Curated by ICP creative director David Campany, the exhibition spans Burtynsky's 40-year career documenting humanity's industrial transformation of natural landscapes, from Ontario mines and Texas oilfields to shipbreaking yards in Bangladesh and e-waste sites in China. The show is organized thematically rather than chronologically, featuring early small-scale works alongside massive recent prints, including a 10-foot-wide image of a copper mine in the Democratic Republic of Congo and a 30-foot mural of a Texas farm printed on adhesive vinyl.
Il Padiglione del Kirghizistan alla Biennale di Venezia getta un ponte tra due culture
Alexey Morosov presents "BELEK" at the Kyrgyzstan Pavilion of the 61st Venice Biennale, a project inspired by the mountainous landscapes, glaciers, and brutalist dams of Kyrgyzstan. Combining video, sculpture, painting, and sound, Morosov explores water as a key resource for the future and a deep cultural memory of Central Asia, linking the region's hydro-engineering transformations with the nomadic heritage of the Kyrgyz people. The project centers on the traditional equestrian game Kok-Börü, which Morosov describes as constitutive of Kyrgyz identity, and features centaur-like figures made from raw earth used in local dwellings.
Se ti presenti in costume da bagno entri gratis alla mostra di Cézanne. Succede in una delle istituzioni più serie della Svizzera
The Fondation Beyeler in Basel, Switzerland, is hosting a major monographic exhibition dedicated to Paul Cézanne, running until May 25, 2026. Curated by Ulf Küster, the show brings together around 80 works focusing on the artist's late career, including portraits, landscapes, variations on Mont Sainte-Victoire, and bather scenes. On May 1, 2026, the museum held a "Bathers Day" promotion inspired by Cézanne's bathers and Maurizio Cattelan's playful approach, offering free entry to visitors who came in swimwear. The event attracted families and individuals, with some even swimming in the foundation's garden pond afterward.
The Solomon R. Guggenheim Museum is hosting "Contours of a World," a retrospective dedicated to Gabriele Münter, a co-founder of the Blue Rider group. The exhibition moves beyond the shadow of her long-time partner Wassily Kandinsky, showcasing her distinct approach to German Expressionism through photography, intimate domestic scenes, and vibrant landscapes. Unlike her contemporaries who leaned toward total abstraction, Münter utilized bold outlines and layered compositions to create a dynamic, phenomenological experience of seeing.
The art world mourns the loss of several influential figures, including photographer Nathan Farb, known for his large-format captures of the Adirondacks and 1960s Manhattan, and Christine Ruiz-Picasso, who was instrumental in establishing the Museo Picasso Málaga. Other notable passing include German interdisciplinary artist Thomas Zipp, prolific art forger William "Billy The Brush" Mumford, and Hassen Soufy, the last living member of the L'École de Tunis movement.
South African artist Cinga Samson makes his New York debut at White Cube with "Ukuphuthelwa," an exhibition of haunting, large-scale oil paintings. The works feature figures with distinctive white pupils engaged in enigmatic rituals within dark, crepuscular landscapes. Drawing from the isiXhosa concept of spiritual alertness during sleeplessness, Samson’s compositions blend the palpable with the unearthly, often depicting scenes that feel choreographed yet remain stubbornly illegible to the Western gaze.
Four major art exhibitions are scheduled to conclude their London runs on Sunday, April 12, 2026. The closing shows include the high-profile 'Turner & Constable: Rivals and Originals' at Tate Britain, the 'Theatre Picasso' centenary celebration at Tate Modern, and the 'New Contemporaries' showcase of emerging talent at the South London Gallery.
Biennale de Venise : un Pavillon US silencieux
The US Pavilion at the 2026 Venice Biennale, featuring artist Alma Allen, opened to sparse crowds despite a 10% overall attendance increase at the Biennale. The pavilion was embroiled in controversy before opening: Allen was selected by the American Arts Conservancy (AAC), a private entity created in 2025 at the initiative of Donald Trump after the dissolution of the federal committee that previously oversaw the pavilion. AAC head Jenni Parido, a former pet food executive, chose the self-taught, little-known artist who had never had a solo museum exhibition. Major funders the Ford and Mellon Foundations withdrew, forcing the AAC to launch a public donation appeal. The exhibition features 25 abstract bronze, stone, and burl-wood sculptures that the artist describes as biomorphic landscapes, but critics find them pleasant yet silent, lacking the promised political or visceral resonance.
The Musée Marmottan Monet in Paris is hosting the first retrospective in France of Giovanni Segantini (1858–1899), a major but little-known figure of Symbolism. The exhibition traces his career through the lens of his geographical ascent into the Alps, from his early success with "Ave Maria à la traversée" (1886–1888) to his final triptych "La Vie, La Nature, La Mort," which he was working on when he died at age 41. Segantini's divisionist technique, which Vassily Kandinsky considered a precursor to abstraction, is highlighted as a means of expressing a dematerialized vision of the world.
Jo Ractliffe au Jeu de Paume : « Je ne suis pas une photographe militante, mais quand on travaille en Afrique du Sud on ne peut échapper aux histoires de violence »
South African photographer Jo Ractliffe discusses her upcoming retrospective at the Jeu de Paume, reflecting on her career path that began during the isolation of the apartheid era. Eschewing traditional photojournalism, Ractliffe developed a singular poetic language focused on landscapes and animals to address the heavy histories of violence, ownership, and displacement in Southern Africa.
Les vernissages cette semaine dans les galeries parisiennes
The Paris gallery scene is experiencing a surge of new activity this week with several high-profile openings across the city's major art districts. Highlights include Rosson Crow’s vibrant, chaotic landscapes at Galerie Nathalie Obadia, the inauguration of Galerie Sator’s new Marais space with sculptures by Kokou Ferdinand Makouvia, and a curated dialogue between historical avant-gardes and contemporary abstraction at Galerie Le Minotaure. Additionally, Gagosian is showcasing late works by Francis Bacon, while Esther Schipper presents the first Paris solo exhibition for Sojourner Truth Parsons.