The Museo de Arte Latinoamericano de Buenos Aires (Malba) has opened a major retrospective of Colombian artist Olga de Amaral, titled 'Olga de Amaral: Textile Body,' to celebrate the museum's 25th anniversary. The exhibition, running until May 11, features over fifty works from six decades, including key series like Entrelazados and Brumas, drawn from collections across the Americas.
Native Chicagoan architect and artist Mark Acciari reflects on the architectural identity of Chicago from the distance of Mexico City. Using the iconic imagery of a Chicago-style hot dog as a metaphor for the city's construction, he explores how the city's legacy is often reduced to the 'skeleton frame' of early modernism by critics, while ignoring its more playful, symbolic, and postmodernist undercurrents.
La telenovela continua. Il Ministro Giuli diserterà l’inaugurazione della Biennale di Venezia
Alessandro Giuli, Italy's Minister of Culture, has announced he will boycott the pre-opening and inauguration ceremony of the 61st Venice Biennale on May 9, 2026, escalating a political and cultural crisis. The dispute began when Biennale president Pietrangelo Buttafuoco allowed the Russian pavilion to reopen, absent since 2022 due to the Ukraine invasion, citing artistic freedom. Giuli demanded the removal of ministry representative Tamara Gregoretti from the Biennale board for failing to oppose the decision. Tensions flared during the Italy Pavilion press conference, where journalists were confined to a separate streaming room and questions were restricted. The European Commission condemned the Russian pavilion's reopening, cutting €2 million in funding and issuing a 30-day ultimatum, while 22 European countries signed a letter pressuring the institution. The Biennale's international jury, led by Solange Oliveira Farkas, then excluded Russia and Israel from award consideration, citing ethical guidelines against countries whose leaders face International Criminal Court charges for crimes against humanity.
Protezione e costrizione sono due facce della stessa medaglia. Una mostra a Roma lo dimostra
The gallery Monti8 in Rome is hosting a group exhibition titled "The Bell Jar," co-curated by Massimiliano Maglione. Inspired by Sylvia Plath’s 1963 novel, the show features seven international artists—Camilla Alberti, Ruby Chen, Mounir Eddib, Stephen Buscemi, Naomi Hawksley, Steffen Kern, and Amber Wynne-Jones. The exhibition explores the dual nature of the glass bell jar as both a protective shield for precious objects and a suffocating barrier that isolates the subject from the world.
The article examines the aesthetic dimensions of the MAGA movement, comparing and contrasting it with historical fascist regimes, particularly Nazi Germany. It argues that while both movements share a theatrical, media-savvy approach to politics and a resentment of cultural elites, MAGA lacks the disciplined, sophisticated aesthetic program and the cadre of high-profile artists and designers that characterized Nazi cultural production.
Artist Bharti Kher has returned to painting after a long period focused primarily on sculpture, with a new exhibition titled “The Sun Splitting Stones” opening at Perrotin Paris. The show features monumental, vividly colored oil paintings alongside sculptures, exploring themes of animism, the female body, and the harmony of nature and energy. Kher describes her painting process as introspective and fluid, moving between canvases to create works that feel both intimate and expressive.
A new public art gallery called "art house" has opened in downtown Calgary, occupying a temporary exhibition space previously used by the Glenbow Museum in the Edison office building. The gallery is a collaboration between Aspen Properties and the Alberta Arts Foundation (AFA), featuring the foundation's extensive collection of 9,600 artworks by over 1,700 Alberta artists. It opened on September 10 and is currently open Tuesday to Friday from 12 to 4 pm. The space was originally created as a museum-grade gallery during the Glenbow's renovation, and after the Glenbow vacated to prepare for its reopening as the JR Shaw Centre for Arts & Culture in late 2026, the Alberta Foundation for the Arts stepped in to keep the gallery active.
Sun Woo, a Korean-born artist who moved to Canada as a child, is featured in the Korean Artists Today project, which selects emerging Korean artists with global potential. Her work explores displacement, cultural hybridity, and the body's navigation of unfamiliar territories, blending digital and analogue techniques. Her paintings, sculptures, and installations often merge bodily elements with mechanical devices, referencing female exploitation and labor, as seen in her 2024 painting *Weaver's Room*.
The Musée de l'Image d'Épinal is presenting a comprehensive exhibition on Belgian artist Frans Masereel (1889–1972), widely credited as the inventor of the graphic novel in 1918 with his wordless narratives composed of black-and-white woodcuts. The show, curated by Samuel Dégardin, brings together loans from major institutions and a private collection to reveal the full breadth of Masereel's practice, which spanned drawing, animation, painting, theater, ceramics, tapestry, and satirical press illustration. It highlights his pacifist activism during World War I, his collaborations with writers such as Stefan Zweig and Romain Rolland, and his humanist vision of a unified Europe.
Three prominent Peruvian galleries—Galería Enlace, Forum, and Livia Benavides—are presenting curated selections of artists at the Pinta Lima 2026 art fair. Their proposals blend emerging and established artists from Peru and abroad, working across painting, sculpture, installation, and new media, to foster a dialogue between local traditions and global contemporary practices.
caravaggio class clothes street style elizabeth currie
An excerpt from Elizabeth Currie's upcoming book "Street Style: Art and Dress in the Time of Caravaggio" analyzes the significance of clothing in Caravaggio's painting *The Cardsharps*. The author dissects the garments of the three figures—a finely dressed youth, a possibly liveried servant, and a disheveled card sharp—to reveal how their attire provides clues to their social status, professions, and the complex, often deceptive relationships between them.
The article reveals the origin of the infamous 'pig couch' that has appeared in hoax Craigslist ads across the U.S. for years. It is actually a chair titled *Hillhock* (2010), created by fiber artist Pavia Burroughs for her senior thesis at Philadelphia's University of the Arts. The piece, inspired by an illustration from Kit Williams' puzzle book *Masquerade*, is hand-stitched in pink velvet and satin with carved walnut hooves. Since 2015, Burroughs' photo has been used in fake listings, often as part of scams. Twitter user Abigail Rowe first investigated the phenomenon in 2018, uncovering the hoax after responding to a fraudulent ad.
British photographer Polly Penrose documented her changing body over seven years in a nude self-portrait series titled "A Body of Work." The project involved physically demanding poses taken on self-timer, leaving her bruised and aching, as she hammered her body into various spaces. Penrose described the process as a punishing, repetitious fight to fit into each setting, with the resulting images capturing both visible physical transformations and concealed emotional changes.
San Francisco's Vaillancourt Fountain, a Brutalist concrete structure at Embarcadero Plaza since 1971, caught fire on Wednesday morning as workers used blow torches to disassemble it. The fire ignited rubber tubing and debris inside the sculpture's cantilevered arms, producing smoke that forced the temporary evacuation of nearby paddle board courts. The fountain is being removed to make way for a $32.5 million redevelopment of the plaza and playground into a five-acre park.
M+, Hong Kong's premier art museum, has signed a multi-year strategic partnership with Paris's Centre Pompidou. The agreement, signed on May 15, 2026, by Centre Pompidou President Laurent Le Bon and M+ Museum Director Suhanya Raffel, covers joint curatorial research, exhibition development and sharing, co-commissions and artwork displays, and collection exchange. A major co-curated exhibition will be presented at both venues, with a series of jointly developed exhibitions staged at M+ from 2027 onwards, featuring works from both institutions' collections.
Alfa Art Gallery in New Brunswick, New Jersey, presents "Reflections of the Living World," its Winter 2026 Photography Exhibition running from January 20 to March 21, 2026. The free exhibition features thirteen artists—including Alan Chimacoff, Arik Gorban, Barry Rosenthal, and Jeremy Dennis—whose works explore perception, memory, and storytelling through contemporary photography. The show is available both in-person and virtually, with opening receptions on January 30 and February 6.
Five 18th-century gold snuffboxes recovered after a violent daylight robbery in Paris are set to go on public display at the Victoria and Albert Museum. The objects were stolen in November 2024 from the Musée Cognacq-Jay during a high-profile heist that targeted pieces from the Rosalinde & Arthur Gilbert Collection, the Louvre, and the UK Royal Collection. Following an extensive police investigation and delicate restoration work by Parisian goldsmiths to repair damage sustained during the theft, the items will headline the opening of the V&A’s newly revamped Gilbert Galleries.
The article reports on several major arts and literary prize winners announced in November 2025. Swedish photographer Martina Holmberg won the £15,000 Taylor Wessing Photo Portrait Prize for her portrait 'Mel,' with other prizes awarded to Luan Davide Gray, Byron Mohammad Hamzah, and Hollie Fernando. Australian author Helen Garner won the Baillie Gifford Prize for Non-Fiction for 'How to End a Story.' The Forward Poetry Prizes named joint winners Vidyan Ravinthiran and Karen Solie for best collection, while Bogdan Ablozhnyy received the Camden Art Centre Emerging Artist Award. Historian Sunil Amrith won the British Academy Book Prize for 'The Burning Earth,' and the Women's Prize for Playwriting announced its longlist.
Yale Library is presenting 'Unfolding Events: Exploring Past and Present in Artists’ Books,' an exhibition at the Beinecke Rare Book and Manuscript Library through March 1. Curated by Jessica Pigza and Bill Landis, the show draws from the Robert B. Haas Family Arts Library and Beinecke collections, featuring works that explore marginalized communities and personal responses to contemporary life. Highlights include Clarissa Sligh's accordion-style book 'What’s Happening With Momma?' (1988) and Tia Blassingame's '’Pause' (2024), which addresses Black women's experiences with menopause.
A book produced by Bowdoin College faculty, highlighting artistic portrayals of ecological change on Maine's Monhegan Island, has won the 2025 Historic New England Book Prize as one of two Honor Books. The interdisciplinary project was co-created by Frank Goodyear, codirector of the Bowdoin College Museum of Art, plant scientist Barry Logan, and Jennifer Pye, director of the Monhegan Museum of Art & History, where the accompanying exhibition ran through September 30, 2025. The book and exhibition merge art, science, and history to explore ecological events on the island—such as pastureland formation and abandonment, forest recovery, and land conservation—through visual art and historical artifacts.
The Centre Pompidou has signed a five-year partnership with Brazil to open its first South American outpost near the Iguaçu falls, a UNESCO World Heritage site, in the city of Foz do Iguaçu. Scheduled to launch in November 2027, the 10,000 sq. m. museum will be designed by Paraguayan architect Solano Benitez, with a construction budget of R$200 million ($36 million). The venue will host exhibitions, live performances, festivals, film screenings, lectures, and artist residencies focused on the cultures of Brazil, Argentina, and Paraguay.
Kleine Formate, große Spannungen
The Paper Positions art fair in Berlin is celebrating its tenth anniversary, held in the vast Tempelhof Airport hangar with around 70 galleries. The fair focuses exclusively on works on paper, showcasing artists like Kubra Khademi, whose series "Women in simple situations" features nude female bodies as acts of resistance and political visibility. Other highlights include Annegret Soltau's pierced paper works, Una Ursprung's layered collages, Dirk Krecker's typewriter compositions, and Tina Heuter's tissue-paper sculptures, alongside photography by Stefanie Moshammer and vibrant works by Madita Kloss.
Iran will not participate in the 61st Venice Biennale, which opens for previews this week, the Biennale Foundation announced on May 4. The decision comes two months after the United States and Israel launched strikes across Iran, and amid renewed tensions along the Strait of Hormuz. The Iranian pavilion was to be commissioned by Aydin Mehdizadeh Tehrani, director general of the visual arts office in the Iranian Ministry of Culture. Iran has had inconsistent attendance at the Biennale since 1958, with a long absence between the 1960s and 2003, but has participated semi-consistently over the last two decades, most recently in 2024.
Provincia Cosmica. Intervista a Giuseppe Stampone, l’artista che ha scelto il Gran Sasso come casa
Italian contemporary artist Giuseppe Stampone, born in Cluses in 1974, has returned to his native Abruzzo after years living in New York, Rome, and Brussels. Following the loss of his parents, he established his studio in the province of Teramo, where he is restoring a farmhouse under the Gran Sasso mountain to house the Archivio Giuseppe Stampone-Maria Crispal and an artist residency called Abruzzo Mon Amour. Stampone won the PAC2021 prize for his project "La natura delle cose," which explores his bond with the region and will create an archive dedicated to the flora and fauna of the Monti della Laga, Parco Nazionale d’Abruzzo, and Gran Sasso areas.
Nella sua mostra a Venezia, Hanna Rochereau vuole archiviare l’archivio
Hanna Rochereau (Paris, 1995) presents her first solo exhibition in Italy, titled "Data Divas," at Mare Karina gallery in Venice. The show explores archival systems through a dialogue between painting and sculpture: canvases depict orderly shelves and filing cabinets filled with impenetrable boxes, while sculptural elements—tailor's mannequins, scattered papers, open drawers—introduce disorder. Rochereau uses a restrained palette of white and wood tones, referencing early 20th-century cubist and metaphysical art, particularly Morandi. The exhibition runs until July 18, 2026.
Salvare la street art delle bombe: una storia vera dall’Ucraina
A documentary titled "Arte vs Guerra – Banksy e C215 a Borodyanka, Ucraina" will air on Sky Arte on April 26, recounting how street artists Banksy and C215 created murals in Borodyanka, Ukraine, shortly after the Russian invasion began in February 2022. The works include Banksy's "La Ginnasta" and "Davide e Golia," as well as C215's portraits of war victims like Dmytro Kotsiubaylo. The film also follows three Italian restorers—Paola Ciaccia, Alessandro Cini, and Maria Colonna—who risked their safety to preserve these murals from war damage and landmines.
A new book titled *Jewish Country Houses*, edited by Juliet Carey and Abigail Green, explores the history of approximately 1,000 country estates built or remodeled by wealthy Jewish families across Great Britain and Continental Europe from the French Revolution until World War II. These houses, such as Waddesdon Manor and Château de Champs-sur-Marne, served as symbols of social arrival and assimilation, blending eclectic architectural styles with art collections from European auction houses. The volume, published by Profile and Brandeis University Press in association with the National Trust, features contributions from an international team of historians and curators, with photographs by Hélène Binet, and includes case studies of a dozen houses now open to the public.
Detroit will host its first contemporary art fair, Season, from 25-28 September at Michigan Central, the city's renovated former train station. The fair debuts with 11 galleries and a special exhibition featuring ten local artists, evolving from Detroit Art Week, which was launched in 2018 by curator and entrepreneur Amani Olu. Olu, a collector himself, reimagined the festival as Season to fill a gap in the local cultural landscape, offering affordable booth costs of $2,500 and an online viewing room. Participating galleries include four from Michigan, four from New York City, and one each from Buffalo, Pittsburgh, and Toronto, alongside talks, studio visits, and large-scale installations.
Un portrait de Gauguin pour Budapest
The Szépművészeti Múzeum (Museum of Fine Arts) in Budapest has acquired a portrait by Paul Gauguin. The painting was part of the collection of André and Françoise Kostolany, which was recently dispersed at auction by De Baecque & Associés in Versailles. The sale saw strong results, particularly for Hungarian paintings from the late 19th and early 20th centuries, with works by József Rippl-Rónai fetching high prices.
Brazil's 2026 Venice Biennale pavilion, curated by Diane Lima, presents a radical, sensorial exhibition titled 'Comigo ninguém pode' featuring artists Adriana Varejão and Rosana Paulino. The show transforms the modernist pavilion into an active participant, where historical and new works by the two artists create friction and resonance, exploring themes of colonial violence, the Black female body as archive, and spiritual resistance.