Hickey Machine, a Portland-based creative collective, has launched its first-ever art exhibition celebrating Club Kid culture. The show features works by multiple artists that capture the vibrant, rebellious spirit of the underground club scene, known for its flamboyant fashion and DIY ethos.
Hyperallergic has published its guide to the 2026 Venice Biennale, detailing what to see and do at this year's edition. The guide covers the three main categories of the Biennale—the Giardini with 29 permanent national pavilions, the Arsenale with temporary rented spaces, and collateral events across the city. Key developments include the return of Russia to its permanent Giardini pavilion and Israel's participation with a new contractual stipulation preventing its artist from closing the pavilion, after Ruth Patir's protest in 2024. South Africa withdrew following the cancellation of Gabrielle Goliath's video installation 'Elegy,' which mourns victims of Israel's genocide in Gaza and will now be shown at a historic church. The United States will be represented by Alma Allen after Barbara Chase-Riboud stepped down, and Qatar is set to become the first country in decades to build a new pavilion in the Giardini.
Thiago de Paula Souza, a Brazilian-born curator and educator, has been appointed curator of the Eighth Athens Biennale, scheduled for spring 2026. De Paula Souza, based in São Paulo and a member of the artistic committee of NESR Art Foundation in Angola, is recognized for focusing on artistic practices involving transmutation through eroticism, gender nonconformity, and intimacy. He previously cocurated the 2025 Bienal de São Paulo, the 2024 Panorama da Arte Brasileira at MAM São Paulo, and the survey “Some May Work as Symbols: Art Made in Brazil, 1950s–70s” at Raven Row, London, and served on the curatorial team of the 2018 Berlin Biennale.
Biennale-Jury will Länder mit IStGH-Vorwürfen nicht berücksichtigen
The jury of the Venice Art Biennale has announced that it will not consider countries whose heads of state or government face allegations of crimes against humanity from the International Criminal Court (ICC) when awarding prizes this year. The jury, led by Brazilian art historian Solange Farkas, cited its commitment to defending human rights. While no specific countries were named, the ICC currently has arrest warrants against Russian President Vladimir Putin for alleged war crimes in Ukraine and Israeli Prime Minister Benjamin Netanyahu for alleged war crimes in Gaza. The Biennale leadership stated the jury acted in full autonomy and independence.
The Bailey Art Gallery in Hobe Sound, Florida, will open a new exhibition on April 24 featuring works by local painter Dan Mackin and photographer M.E. Gruber. Mackin’s highly stylized paintings—created with airbrush and traditional techniques—depict idyllic coastal scenes on canvas, navigation maps, surfboards, and a guitar, and include collaborations with Brian Wilson of The Beach Boys. Gruber’s mid-century Kodachrome transparencies, drawn from an archive of over 5,000 images, document the emerging surf culture of Palm Beach County and the Treasure Coast. The exhibition will display 50 full-frame prints from this collection.
Selon une IA, Greco serait en réalité l’unique auteur du « Baptême du Christ » de Tolède, longtemps considéré comme une œuvre d’atelier
A new study published in Science Advances uses an AI tool called Patch to analyze the monumental painting "Le Baptême du Christ" (1608–1614) by El Greco, long believed to be a workshop piece completed by his son Jorge Manuel Theotocópuli. By mapping the 3D microtopography of the brushstrokes and comparing them with El Greco's authenticated "Christ on the Cross" at the Cleveland Museum of Art, the AI found consistent painterly gestures across the entire work, suggesting the master himself painted it despite tremors from neurological disorders in his old age.
The Marfa Untitled Studio Tour (MarfaMUST) has announced an arts weekend on May 29-30, featuring a tour of local artist studios, the return of the Martha Invitational at Rule Gallery, and a pop-up group exhibition titled "Homecoming" at New Star Marfa. The Martha Invitational, a spoof of the larger Marfa Invitational, will showcase works by co-founders Martha Hughes, Leslie Wilkes, and Diana Simard, along with Bettina Landgrebe. The weekend also includes tintype portraits by Carolyn Macartney and other Marfa artists.
Dataland, the world's first museum dedicated to AI arts, will open on June 20 in downtown Los Angeles. Co-founded by new media artists Refik Anadol and Efsun Erkılıç, the 35,000-square-foot museum anchors the $1-billion Frank Gehry-designed Grand LA complex. Its inaugural exhibition, "Machine Dreams: Rainforest," created by Refik Anadol Studio, uses vast data sets from partners including the Smithsonian and London's Natural History Museum to immerse visitors in a machine-generated sensory experience of the Amazon rainforest. The museum features five immersive galleries, a 30-foot ceiling, and is powered by an open-access AI model called the Large Nature Model, which runs on Google Cloud servers using 87% carbon-free energy.
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The article reviews the exhibition "MONUMENTS" at the Geffen Contemporary at MOCA and the Brick in Los Angeles, which addresses the legacy of Confederate monuments through contemporary art. It highlights Cauleen Smith's installation "The Warden" (2025), which features a live-feed of the decommissioned Confederate sculpture "Vindicatrix" (also known as "Miss Confederacy") by Edward V. Valentine, originally atop the Jefferson Davis Memorial in Richmond, Virginia. The exhibition is curated by Hamza Walker, Kara Walker, and Bennett Simpson.
Syrian artist Sara Shamma will present a large-scale immersive installation titled 'The Tower Tomb of Palmyra' at the 61st edition of La Biennale di Venezia in 2026. This marks Syria's first participation in the Biennale since the fall of the Assad regime and the appointment of President Ahmed Hussein al-Sharaa. Shamma's project, inspired by the ancient funerary towers of Palmyra destroyed during the Syrian Civil War, aims to restore the heritage site to life through a multisensory journey combining architecture, painting, and other elements. It will be the first solo presentation by a single Syrian artist at the Biennale, departing from previous group exhibitions with European collaborators.
Sculptor Alma Allen has spoken out for the first time about the backlash he faced after accepting the commission to represent the United States at the Venice Biennale. In a rare interview on the podcast *Time Sensitive*, recorded at his home in Tepotzlán, Mexico, Allen described the response as “a little stressful” but said he never hesitated when curator Jeffrey Uslip invited him last fall. His selection sparked controversy because the State Department’s requirement that proposals “reflect and promote American values” while not promoting DEI initiatives led higher-profile artists like William Eggleston and Barbara Chase-Riboud to refuse. Allen’s former galleries, Mendes Wood and Olney Gleason, dropped him after he accepted, though he has since joined Perrotin. He also hinted that his exhibition, “Call Me the Breeze,” will include work about conflict and surveillance.
Refik Anadol Studio will open DATALAND, the world's first Museum of AI Arts, on June 20, 2026, at The Grand LA in downtown Los Angeles. The 2,320-square-meter institution will feature five galleries, including the Infinity Room, and launch with the inaugural exhibition "Machine Dreams: Rainforest," running through January 31, 2027. The museum integrates AI systems into its architecture, powered by the studio's Large Nature Model trained on ecological data from the Smithsonian and Cornell Lab of Ornithology.
The Los Angeles County Museum of Art (LACMA) has opened its new central building, the David Geffen Galleries, to the public. Designed by Swiss architect Peter Zumthor at a cost of $724 million, the 347,600-square-foot structure reorients the museum with a single, flowing second-story floor plan, eschewing a traditional main entrance or atrium to encourage wandering and serendipitous encounters with art. The galleries are named for major oceans and are designed to blend cultures and artworks from different eras.
Artist Zenia Olesnyckyj is presenting her exhibition "Impressions of Alaska" at the Gallery at the Summit Free Public Library from May 1 to June 30, 2026. The show features twenty mixed-media works inspired by the Alaskan landscape and the art of the Tlingit people, aiming to capture the grandeur and intimacy of the region through texture and color.
The international architectural competition for the Louvre Museum's $778 million 'New Renaissance' renovation project is set to relaunch in mid-May, according to a report in Le Figaro. The jury will convene on May 13 to assess proposals from five shortlisted firms, ending a period of uncertainty and delays caused by staff unrest, leadership upheaval following a major jewel theft, and the French municipal elections. The project, championed by President Emmanuel Macron, aims to modernize the museum and reduce overcrowding.
A new exhibition titled 'In Between' opens in Plymouth, featuring work from artists of East Asian backgrounds. The show, curated by Oliver Li, includes photography, illustration, and image-based works from artists Bo Fan, Sean Yang, Yifei Xiang, Yulong Li, and the duo Zoe Cui and Nandal Seo, as well as Scarlett Yang's 'Her Feast' series. It explores themes of intimacy, gender, and navigating multiple cultural identities. The exhibition runs from April 24 to May 3 at a gallery space on 37 Looe Street, with an opening night event and an artist-led workshop scheduled.
A Milano il Rinascimento italiano incontra l’intelligenza artificiale: intervista a Refik Anadol
Refik Anadol's immersive AI artwork, 'Renaissance Dreams,' is on extended daily view at Milan's MEET Digital Culture Center during Design Week. The piece uses artificial intelligence to process a dataset of Italian Renaissance visual and written works from 1300-1600, generating ever-changing audiovisual environments for visitors.
Le Centre Pompidou s’exporte en Corée du Sud
The Centre Pompidou has opened a new satellite institution, the Centre Pompidou Hanwha, in Seoul, South Korea. The 11,000-square-meter venue, located in the 63 Tower and designed by the Wilmotte et Associés agency, is a partnership with the Hanwha Foundation of Culture and coincides with the 140th anniversary of Franco-Korean diplomatic relations. The opening was highlighted by a recent site visit from French President Emmanuel Macron and Centre Pompidou president Laurent Le Bon.
Photographer Paula Hornickel captured a moment between an elderly care home resident named Waltraud and a social robot named Emma in Albershausen, Germany. The robot, designed for companionship in settings with staff shortages, engages residents in conversation, tells jokes, and discusses topics like favorite flowers, simulating social interaction.
"Es hat niemals eine unpolitische Venedig-Biennale gegeben"
The Venice Biennale is embroiled in political controversy, with the US Pavilion's selection process criticized for bypassing traditional curatorial expertise in favor of a politically connected outsider. Simultaneously, a collective of artists and academics is protesting Russia's return to the Biennale, arguing it uses art as a political instrument to normalize its actions amid the war in Ukraine. An analysis in ArtReview contends the Biennale has never been apolitical, serving as a stage for geopolitical power plays since its inception.
The International Jury for the Biennale Arte 2026 has been announced, with Solange Oliveira Farkas serving as president. The jury includes curators Zoe Butt and Elvira Dyangani Ose, each bringing extensive experience in contemporary art from the Global South, biennial curation, and institutional leadership. Farkas is the founder of Associação Cultural Videobrasil, Butt founded the in-tangible institute, and Dyangani Ose is artistic director of the 2nd Public Art Abu Dhabi Biennial and former director of MACBA Barcelona.
Robert Koch Gallery, a founding member of AIPAD, will present a group exhibition at The Photography Show 2026, held at the Park Avenue Armory in New York City from April 22–26. The gallery's booth B6 will feature the premiere of key early Edward Burtynsky images in a larger 48 × 60–72 inch format, previously unavailable at that scale, along with recent mine tailing images shown for the first time. Also on view will be photographs from Matt Black's American Geography and New World Atlas series, works by Mimi Plumb, whose retrospective is currently at the High Museum of Art, and pieces by historic photographers including Henri Cartier-Bresson, Robert Frank, Helen Levitt, and Man Ray.
Tang Contemporary Art in Hong Kong is presenting the exhibition 'Come Closer,' featuring works by artists Arik Levy and Zoé Ouvrier from May 15 to July 5, 2026. The show explores themes of intimacy, vulnerability, and the relational space between viewer and artwork, inviting audiences to engage deeply with pieces that address memory, the body, and identity.
The Sandy Cleary Art Gallery in Nashua, New Hampshire, is currently hosting an exhibition of student artwork from the Nashua School District, featuring three-dimensional pieces for the first time. The show, which runs through the end of July, includes works from middle and high school students, with new display cases acquired specifically for 3D art like jewelry, paper mache, and ceramics.
New research using artificial intelligence has challenged the long-held belief that El Greco's altarpiece *The Baptism of Christ* was largely painted by his son and workshop assistants. A machine-learning model called Patch, developed by researchers at Western Reserve University, analyzed the painting's microscopic surface texture and found underlying connections suggesting El Greco himself painted the majority of the work, with only a small region at the bottom attributed to other hands.
Bottega Veneta's creative director Louise Trotter has launched 'Bottega Veneta for the Arts,' a new collaborative series aimed at connecting the fashion house with the art world. The inaugural project features British photographer Peter Fraser, who documented Trotter's debut collection in Italy's Veneto region, the brand's birthplace. This follows previous art collaborations with photographer Duane Michals and painter Poppy Jones.
Curator, collector, and entrepreneur Lukas Amacher, in partnership with developer David Simon, has launched CONTXT, an A.I.-powered chatbot platform designed for art exhibitions. The software allows visitors to ask questions about artworks via a chat interface, with answers sourced directly from an institution's curated materials like catalog essays and curator notes, rather than generic internet searches. The platform is currently being tested in a public preview with bitforms gallery.
Le Palais des Papes d’Avignon renonce à l’exposition de Macha Makeïeff
The Palais des Papes in Avignon has cancelled its planned summer exhibition, 'Les Choses divines – Inventaire fantaisiste,' conceived by French director, scenographer, and visual artist Macha Makeïeff. The cancellation, officially attributed to a combination of administrative, technical, and budgetary constraints, may also be linked to the recent municipal election that saw Olivier Galzi succeed Cécile Helle as mayor.
Un campeggio gratuito per studenti alla Design Week. Lo allestisce IED all’Ex Macello di Milano
IED (Istituto Europeo di Design) and the Fondazione Francesco Morelli have set up a free urban campsite, The Glitch Camp, at the Ex Macello in Milan to host 300 international design students during Milan Design Week. The camp, created in partnership with IKEA, provides accommodation, communal spaces, workshops, and social events, aiming to make the prestigious event more accessible.
Artist Marina Xenofontos will represent Cyprus at the 61st Venice Biennale in 2026. Her exhibition, centered on an animatronic sparrow titled 'Passer' and incorporating folk songs recorded by her grandmother and great-aunts, explores themes of memory, endurance, and the quiet persistence of culture.