A growing number of gallerists are moving away from the traditional 'white cube' gallery model, opting instead for spaces with unconventional architecture and distinct character. These include locations in repurposed industrial buildings, historic structures, and uniquely designed new constructions that actively shape the visitor's experience of the art.
The Atlanta Contemporary is presenting the group exhibition 'Unbound Narratives: Embodied Language,' curated by Karen Comer Lowe. It features works by artists February James, Bethany Collins, Gabi Madrid, and a’driane nieves across film, painting, and mixed media, focusing on how each translates personal and embodied experience into visual and linguistic forms. Key pieces include nieves's monumental painting on grief and rage, Collins's text-based interrogation of racial identity, James's debut stop-motion film exploring stillness, and Madrid's inscribed headboards addressing healing and cultural memory.
Photographer Marina Sersale has released a new monograph titled 'Liminal Space,' published by Gost, which compiles over a decade of monochrome photography. The collection features dramatic black-and-white images captured between 2013 and 2021 across diverse locations including Italy, Japan, Iran, and the United States. Sersale, a former documentary filmmaker, focuses on the interplay of light and shadow to document fleeting, everyday moments—from sunbathers in Positano to commuters in Naples.
Jackson Fine Art in Atlanta is hosting a significant exhibition of Gordon Parks’ color photography, titled "The South in Colour." Curated by photographer Dawoud Bey, the show features over 30 works from Parks’ 1956 "Segregation Story" series, including previously unshown images and a new portfolio from The Gordon Parks Foundation. The collection documents the daily lives of the Thornton, Causey, and Tanner families in Alabama, capturing the quiet dignity of Black Americans living under the oppressive Jim Crow laws of the postwar era.
Jackson Fine Art in Atlanta is hosting "Gordon Parks: The South in Colour," a major exhibition curated by photographer Dawoud Bey. The show features over 30 works from Parks’ seminal 1956 "Segregation Story" series, including several previously unshown images of the Thornton, Causey, and Tanner families in Alabama. The exhibition coincides with the 70th anniversary of the series' original publication in Life magazine and the 20th anniversary of The Gordon Parks Foundation.
Marcel Duchamp’s seminal Dadaist work, "Fountain," famously disappeared shortly after its 1917 debut at the Society of Independent Artists exhibition. To satisfy growing institutional demand and ensure the work's legacy, Duchamp authorized and oversaw the creation of several editions and replicas in the 1950s and 60s, which now reside in major museum collections worldwide.
Pedro Friedeberg, the Mexican surrealist artist and designer, has died at age 90. He was best known for his iconic "Hand Chair," a functional sculpture shaped like a hand that became a symbol of 1960s and '70s pop culture and design, as well as for his intricate, fantastical paintings of impossible architectures.
A new exhibition at MoMu in Antwerp, guest-curated by Geert Bruloot, explores the enduring legacy of the 'Antwerp Six'—a group of visionary designers who graduated from the Royal Academy of Fine Arts in the 1980s. The show features dedicated rooms for members including Walter Van Beirendonck and Dirk Van Saene, showcasing their distinct aesthetics ranging from maximalist rave-wear to surrealist runway recreations. It traces their journey from a self-funded trip to a London trade fair in 1986 to becoming global icons who challenged the dominance of Parisian couture.
Artist Genti Korini will represent Albania at the 61st Venice Biennale with a new moving-image installation titled 'A Place in the Sun.' Curated by Małgorzata Ludwisiak, the project utilizes 'Zaum'—a transrational language from the Russian Futurist movement—to explore themes of performance, puppetry, and animation. The work investigates Albania’s historical position as a 'somewhere place' often defined by external exoticism and orientalist perceptions rather than its own internal voice.
Ben Lerner’s latest novel, Transcription, marks a departure from his previous sprawling autofiction like The Topeka School, opting instead for a spare, three-part structure set during the COVID-19 pandemic. The narrative unfolds through three pivotal conversations involving the protagonist, his aging mentor Thomas, a curator, and Thomas’s son Max. Central to the plot is the protagonist’s failure to record a final interview with Thomas due to a broken phone, forcing a reliance on fallible memory and reconstruction.
Sara Flores will represent Peru at the 61st Venice Biennale in 2026 with an immersive exhibition titled 'From Other Worlds.' The presentation, curated with Issela Ccoyllo and Matteo Norzi, will feature large-scale kené paintings, ethereal sculptures, and a video work in the Arsenale, aiming to create portals to Shipibo-Konibo ancestral knowledge and Indigenous futures.
A new exhibition titled 'Louise Bourgeois: Echoes of the Morning' has opened at the PoMo museum in Trondheim. The show centers on a series of vibrant, visceral gouaches created by Bourgeois in the last four years of her life, presented in dialogue with major sculptural installations like 'Peaux de lapins, chiffons ferrailles à vendre' (2006) and 'Spider Couple' (2003). The exhibition offers an intimate, focused exploration of the artist's late work.
Jill Westwood's 1980s photographic and sculptural work exploring feminine power, kink, and queer identity is being exhibited at NEVEN gallery in London. The exhibition presents archival material that was largely unseen for decades, focusing on themes of dominance, submission, and the female gaze within subcultural scenes.
Maurizio Cattelan ouvre une hotline pour nous absoudre de nos péchés par WhatsApp
Italian provocateur Maurizio Cattelan has launched "The Confessional," an international hotline allowing participants to confess their sins via WhatsApp, SMS, or voice notes from April 2 to April 22, 2026. This participatory performance culminates in a livestream on April 23, where Cattelan will personally grant absolution to selected participants. The project coincides with the release of a limited edition of 666 miniature replicas of his infamous 1999 sculpture, "La Nona Ora," which depicts Pope John Paul II being struck by a meteorite.
An exhibition at the Musée du quai Branly–Jacques Chirac in Paris is showcasing the personal art collection of the late Martinican philosopher and poet Édouard Glissant. The show, titled 'Édouard Glissant: Un monde en relation,' features over 150 works he and his wife, Sylvie Glissant, acquired, including pieces by artists like Wifredo Lam, Roberto Matta, and Hervé Télémaque, offering a tangible map of his intellectual and aesthetic affinities.
The Boulder area is hosting a diverse array of art exhibitions and events across various local institutions and galleries. Highlights include Rodney Carswell’s lithographs at 15th Street Gallery, Jorge Vinent’s eco-conscious works at Ana’s Art Gallery, and the group exhibition "Yes &…" at the Boulder Museum of Contemporary Art. Other notable shows include a historical examination of racism at the Lafayette Swimming Pool and a student showcase from the Boulder Valley School District at the Canyon Gallery.
The Virginia Tech Carilion School of Medicine is launching a dual exhibition featuring "From These Hills" and "Making it in America," opening April 14 in Roanoke. "From These Hills," on loan from the William King Museum of Art and curated by Kathy Foley, showcases contemporary Appalachian art across various media that explore regional identity and memory. Complementing this, photojournalist Heather Rousseau’s "Making it in America" documents the lived experiences of immigrants and refugees in Southwest Virginia, capturing the resilience of Afghan, Ukrainian, and Latino newcomers through five years of visual storytelling.
The Akron Art Museum will present a major exhibition titled 'Kent Monkman: History Is Painted by the Victors,' featuring the renowned Cree artist's work. The show will include his signature paintings, installations, and a new, site-specific piece, focusing on his critical re-examination of colonial narratives in North American art history.
"Als Kanonenfutter behandelt"
Artist Mario Pfeifer has created a new film, "Wutame / Caché," which portrays two men from Cameroon who fought for Russia in the war against Ukraine before deserting. The film is currently featured in the "Tirailleurs" exhibition at Berlin's Haus der Kulturen der Welt (HKW). Pfeifer's work focuses on the men's personal accounts of being deceived, poorly treated, and used as "cannon fodder," employing anonymized voices and altered imagery to protect their identities while allowing their stories to unfold.
Art historian Charlotte Gere has died at the age of 88. A specialist in 19th-century art and design, she was the author of seminal works like 'Victorian Jewellery Design' and played a key role in rediscovering the lost jewels of architect William Burges, turning her research into compelling detective stories.
The New-York Historical Society has launched a major exhibition exploring the 17th-century origins of New York City during its era as the Dutch settlement of New Amsterdam. The show utilizes a diverse array of artifacts, maps, and historical documents to trace the colony's development from a fur-trading outpost to a diverse maritime hub, highlighting the complex interactions between Dutch settlers, Indigenous populations, and enslaved Africans.
The Norton Museum of Art is in negotiations to acquire a monumental sculpture by the late Richard Serra to serve as the centerpiece of a new public art park in West Palm Beach. The proposed Norton Cultural Park would transform a two-acre waterfront site into a series of 14 landscaped "garden rooms" featuring world-class artworks. City commissioners have granted preliminary approval for a lease agreement that allows the museum to manage the land, which was formerly a pioneer cemetery.
Monmouth University senior Thea Merritt has curated the exhibition "Robert Mueller: Man and Machine" at the Ice House Gallery, focusing on the interdisciplinary legacy of the late artist and scientist Robert E. Mueller. Drawing from a massive estate donation of 1,500 objects, Merritt selected works that highlight Mueller’s unique fusion of electronic science, philosophy, and fine arts. The show represents the culmination of Merritt's work cataloging the collection and her research into contemporary curatorial practices.
The University of Colorado Boulder's Department of Art and Art History has announced a series of spring events, including the 'Art History Showcase' featuring scholarship by Tylyn King, Bella Malherbe, and Felicity Wong. The program also highlights the second group of the 2026 MFA Thesis Exhibition featuring Ethan Cherry, Brionna Garcia, and Cal Young, alongside a visiting artist lecture by Rutgers professor Barbara Madsen and a symposium on Black Queer Aesthetics.
The National Art Museum of Belarus in Minsk has opened a special exhibition featuring Marc Chagall’s 1917 masterpiece, "The Walk." On loan from the State Russian Museum in St. Petersburg, the painting is being showcased alongside a VR tour developed by students from the Minsk Hlebau Art College. The exhibition, which runs until July 6, focuses on this singular programmatic work that depicts the artist and his wife, Bella Rosenfeld, in a gravity-defying expression of love.
The Surrey Art Gallery is launching "In the Shadow of the Pavilions: Expo 86 and Contemporary Art," a multidisciplinary exhibition running from April 18 to June 7. Curated by Jordan Strom, the show features archival works and documentation from over 40 artists created between 1984 and 1988. It brings together official commissions from the world’s fair alongside unofficial, parallel art initiatives that emerged during Vancouver’s Centennial celebrations, covering media ranging from kinetic sculpture to performance art.
The Orlando Museum of Art has unveiled the artist lineup for the 2026 Florida Prize in Contemporary Art, scheduled to run from May 30 through August 23. This 12th edition marks the largest in the program's history, featuring 12 artists including Maria Theresa Barbist, Jason Hackenwerth, and the duo We Are Nice’n Easy. The exhibition will culminate in a $20,000 grand prize awarded by juror Jade Powers, alongside a $2,500 People’s Choice Award.
The New Museum in New York has opened a major new extension designed by architects Shohei Shigematsu and Rem Koolhaas of OMA. The expansion is inaugurated with a new exhibition titled "New Humans: Memories of the Future," curated by the museum's artistic director Massimiliano Gioni.
The Institute for Studies on Latin American Art (ISLAA) in New York is presenting "Carlos Cruz-Diez: Color at Stake," an exhibition of twenty-three works by the late Venezuelan artist. Spanning from 1955 to 1988, the show highlights his pioneering investigations into color as a dynamic, participatory experience, featuring key series like Physichromie and Chromointerférence alongside archival materials.
Ashland University is set to host its annual Senior Art and Design Exhibition at the Coburn Gallery, running from April 9 through May 9, 2026. The showcase features the capstone projects of graduating seniors and kicks off with an opening reception where student awards will be officially announced.