men guilty forging selling fake royal furniture versailles 1234745018

An antiques expert and a cabinet maker have been found guilty of forging and selling nine imitation 18th-century armchairs that they falsely claimed belonged to French royalty, including Marie Antoinette. Georges "Bill" Pallot, a leading furniture expert, and Bruno Desnoues, a former Versailles restorer, sold the fakes through Paris galleries and Sotheby's to the Château of Versailles and private collectors, including Qatari Prince Tamim ibn Hamad Al Thani and an Hermès family heir. Pallot was sentenced to four years in prison (44 months suspended), fined €200,000, and banned from working as an expert for five years; Desnoues received three years (32 months suspended) and a €100,000 fine. Both must pay €1.6 million in indemnities. The gallery Laurent Kraemer was acquitted, with the court ruling it was also a victim.

design artist housing hell real estate

The article examines the severe affordable housing crisis facing artists in major art capitals like New York, Berlin, London, Los Angeles, Paris, and Hong Kong. It draws parallels between the satirical portrayals of housing struggles in Tama Janowitz's *Slaves of New York* (1986) and Jane DeLynn's *Real Estate* (1988) and the contemporary reality, where median rents have tripled since the 1970s while artists' median earnings remain critically low. The author maps artists' precarious housing situations onto Dante's nine circles of Hell, illustrating the creative but often desperate workarounds artists employ, such as subletting, living in storage units, or having no permanent address.

roman road lize bartelli the hour of the star 2735006

London's Roman Road gallery presents "Lize Bartelli: The Hour of the Star," the artist's third solo exhibition, opening January 23, 2026, at Pipeline Contemporary as part of the Visiting Curators Initiative. The show features 14 new paintings that explore feminine expression, identity, and the tension between becoming and performing the self, drawing inspiration from Clarice Lispector's 1977 novel of the same name. Bartelli's graphic style reduces subjects to elemental forms, with red emerging as a structural color that embodies contradiction.

Our chief art critic’s nine best UK museums — you may be surprised

Laura Freeman, chief art critic for The Times, shares her personal list of nine favorite UK museums and galleries, ranging from London institutions like Sir John Soane’s Museum and the V&A to smaller venues such as Pallant House in Chichester and Kettle’s Yard in Cambridge. She emphasizes character and collection over flashy renovations, noting that her picks are based on decades of visits, family outings, and emotional resonance.

In Warsaw, “The Woman Question” Dismantles Art History’s Greatest Myth

The Museum of Modern Art in Warsaw presents "The Woman Question 1550-2025," a major exhibition curated by Alison Gingeras that dismantles the myth that women have only recently become artists. Featuring 199 works spanning centuries, the show includes pieces by Lubaina Himid, Alina Szapocznikow, Gina Birch, Macena Barton, Betty Tompkins, and Artemisia Gentileschi, among others. The exhibition is organized into nine chapters examining themes such as Baroque women, motherhood, and war, and is accompanied by a catalogue with contributions from museum director Joana Mytkowska and other scholars.

peter zumthor's david geffen galleries open at LACMA as a sweeping glass-and-concrete arc

The Los Angeles County Museum of Art (LACMA) has officially opened the David Geffen Galleries, a massive glass-and-concrete structure designed by Pritzker Prize-winning architect Peter Zumthor. Elevated nine meters above the ground and spanning Wilshire Boulevard, the 275-meter-long building replaces several older structures to house the museum’s permanent collection. The inaugural installation, developed by a team of 45 curators, abandons traditional chronological displays in favor of a geographic framework organized around four major bodies of water: the Pacific, Indian, and Atlantic Oceans and the Mediterranean Sea.

Art Gallery of Ontario gets gift of more than 450 works

The Art Gallery of Ontario (AGO) in Toronto has received a major gift of 474 artworks from the late collectors Carol and Morton Rapp, including prints, photographs, sculptures, and artist books by 203 artists. Highlights include 13 screenprints by Andy Warhol, eight works by Robert Rauschenberg, nine by Jasper Johns, and pieces by Roy Lichtenstein, Barnett Newman, Claes Oldenburg, Lee Bontecou, and David Hockney, as well as contemporary works by Kara Walker, William Kentridge, Yinka Shonibare, and Rachel Whiteread. The Rapps, who began collecting in the 1960s, had a long relationship with the AGO dating back to 1966.

9 artists having major museum moments this year and next

Nine artists are featured in major museum exhibitions this year and next, including John Singer Sargent at the Musée d'Orsay, Alexander Calder at Calder Gardens and the Whitney Museum, Beauford Delaney at the Studio Museum in Harlem, Man Ray at the Metropolitan Museum of Art, and Cecily Brown at the Barnes Foundation. The article highlights key shows such as Sargent: Dazzling Paris, High Wire: Calder's Circus at 100, and When Objects Dream, each presenting significant works and historical context.

Princeton University Art Museum graduates to expansive new home

The Princeton University Art Museum (PUAM) is opening a new 146,000-square-foot facility on October 31, doubling its previous exhibition and education spaces. The original 1880s building, which underwent multiple additions before being demolished in 2021, could only display about 2% of Princeton's 117,000-object collection. Designed by Adjaye Associates with executive architect Cooper Robertson, the new three-story museum features nine interlocking pavilions, 80,000 square feet of exhibition space, classrooms, and a grand hall. Curators have rethought the installation to move away from rigid geographic and chronological categories, instead emphasizing cross-cultural and cross-media pairings, such as placing Andy Warhol's Blue Marilyn (1962) alongside a 14th-century Italian Virgin and Child.

Yayoi Kusama Retrospective Becomes Most Visited Exhibition in Australian History

Yayoi Kusama's retrospective at the National Gallery of Victoria (NGV) in Melbourne became the most visited exhibition in Australian history, drawing 570,537 ticket holders from December 2024 to April 2025. The show broke the museum's previous record set by the 2017 exhibition "Van Gogh and the Seasons," which sold 462,262 tickets. Featuring over 200 artworks spanning nine decades, including 10 infinity rooms and early drawings from age nine, the exhibition attracted a diverse audience that included celebrities like Billie Eilish, Dua Lipa, Troye Sivan, and Finneas.

Yayoi Kusama survey at National Gallery of Victoria becomes best-selling art exhibition in Australian history

The National Gallery of Victoria (NGV) in Melbourne has announced that its Yayoi Kusama survey exhibition, titled "Yayoi Kusama," sold 570,537 tickets, making it the most-visited ticketed art exhibition in Australian history. The show, which ran from 15 December 2024 to 21 April 2025, surpassed the NGV's own record of 462,262 tickets for "Van Gogh and the Seasons" in 2017. Featuring 200 artworks spanning nearly nine decades of the artist's career, including ten infinity rooms, the exhibition was the largest the NGV has ever dedicated to a single living artist. The NGV also acquired two major works from the show: "Dancing Pumpkin" (2020) and "Narcissus Garden" (1966/2024).

All the complexity of Cézanne on display at the legendary Fondation Beyeler in Basel

Tutta la complessità di Cézanne in mostra alla mitica Fondation Beyeler di Basilea

The Fondation Beyeler in Basel has opened a major exhibition dedicated to Paul Cézanne, marking the 120th anniversary of his death. Curated by senior curator Ulf Küster, the show features 80 works—58 paintings and 21 watercolors—drawn from public and private collections across Switzerland, Germany, France, the UK, the Netherlands, Spain, Denmark, and the United States. Highlights include nine versions of Mont Sainte-Victoire, rare comparisons of two watercolor versions of "Boy in a Red Waistcoat," and two versions of "The Card Players" from the Courtauld Gallery and the Musée d'Orsay. The exhibition runs until May 25, 2026, and is accompanied by a catalog published by Hatje Cantz Verlag.

The best and worst of Milan Design Week 2026: the hits and flops of this edition

Il meglio e il peggio della Milano Design Week 2026: i top e i flop di questa edizione

Artribune's design team presents its annual roundup of the best and worst of Milan Design Week 2026, highlighting standout experiences and recurring flaws. The top picks include open apartments like Interno Italiano by Interni Venosta in a home designed by Osvaldo Borsani, L’Appartamento by Artemest at Palazzo Donizetti, and Casaornella by Maria Vittoria Paggini. Also praised are Casa NM3 by Delfino Sisto Legnani, Nicolò Ornaghi, and Francesco Zorzi, two projects by Studiopepe, and the five-floor Convey. Museum programming at Triennale Milano and ADI Design Museum is celebrated, with exhibitions such as The Eames Houses, Continuous Present on Andrea Branzi, Alphabet on Barber Osgerby, and Haruka Misawa's bit by bit.

"There are no minor or feminine arts." Domitilla Dardi explains this in her new book

“Non esistono arti minori o femminili”. Ce lo spiega Domitilla Dardi nel suo nuovo libro

Domitilla Dardi's new book "Cucire Universi" (published by Einaudi) presents a counter-history of design, focusing on techniques traditionally dismissed as "feminine" and "minor"—such as sewing, ceramics, cooking, and knitting. The book argues that these practices have been systematically undervalued by official art histories, yet have contributed significantly to technologically advanced research fields. Dardi uses real historical figures like Emily Dickinson to illustrate how women's creative and scientific talents were channeled into these marginalized domains, and she calls for overcoming the dualistic view that separates art from craft.

What the tenth edition of Art Monte-Carlo fair in the Principality of Monaco will be like

Come sarà la decima edizione fiera Art Monte-Carlo nel Principato di Monaco

Art Monte-Carlo, the boutique art fair in the Principality of Monaco, celebrates its tenth edition from April 29 to May 1, 2026 (preview April 28), under the High Patronage of H.S.H. Prince Albert II. The fair will host 26 international galleries of modern and contemporary art at the Grimaldi Forum, moving to new spring dates and coinciding with the Monaco Art Week (April 27–May 1). Newcomers include Italian gallery Secci, Mitterrand from Paris, A&R Fleury, Cecilia Hillström Gallery, Fabienne Levy, Giovanni Martino Projects, Lee & Bae, Ritsch-Fisch Galerie, and Monegasque galleries Hartford Fine Art – Lampronti Gallery and M.F. Toninelli Art Moderne. Returning exhibitors include Almine Rech, Cortesi, Galleria Continua, Suzanne Tarasieve, Semiose, Van de Weghe, Voena, and Wilde. A curated section features a collective exhibition titled "Earthly Delights," curated by Stefano Rabolli Pansera and inspired by Luis Buñuel, centered on a functioning bar as a conceptual and physical space. The fair also includes a public program and talks with figures such as photographer Juergen Teller, auctioneer Simon de Pury, and collector Batia Ofer, and has moved under the influence of Informa Prestige, the luxury division of events company Informa.

Where To See Art In London In The Evenings

This article from Londonist provides a guide to regular late-night openings at London art galleries, focusing on venues that stay open until at least 7pm on specific weeknights without special events. It lists the ICA (open Tuesday-Sunday until 11pm), South London Gallery (open until 9pm on Wednesdays), Wellcome Collection (open until 8pm on Thursdays), Whitechapel Gallery (open until 9pm on Thursdays with free entry), and the National Portrait Gallery (open late on Fridays). The guide emphasizes quiet, after-hours access for people with nine-to-five jobs who find it hard to visit during standard hours.

Under the Bridge, Beyond the Gloss: DUMBO’s Art Scene Defies Its Gentrified Image

The article reports on the First Thursday Gallery Walk in DUMBO, Brooklyn, a monthly event where galleries, artist studios, and creative spaces stay open late for exhibitions, artist talks, and performances. The author attended the latest iteration, starting with a rooftop cocktail party at the Jay 20 building, which houses nearly 200 artists and programs like the Sharpe-Walentas Studio Program. The walk highlighted over 20 galleries and 170 artist studios, including Smack Mellon and A.I.R. Gallery, as well as public art initiatives like the Dumbo Projection Project.

Ernest Edmonds – interview: ‘The technology didn’t make it easy at the time, but it was clearly right for the future’

Ernest Edmonds, a pioneering computer artist, discusses his six-decade career and his latest exhibition 'Networked' at Gazelli Art House in London. The interview covers his early works from 1968, including 'Nineteen' and 'Communications Game', and his ongoing exploration of human-machine interaction through interactive installations, videos, and algorithmic systems. His latest piece, 'Quantum Tango', continues his interest in networked interactivity. The article also highlights his collaborations with fellow pioneers like Stroud Cornock and his inclusion in the 2015 exhibition 'Primary Codes' in Rio de Janeiro.

Amazonia Açu

Americas Society in New York will present 'Amazonia Açu,' an exhibition opening September 3, 2025, that offers a kaleidoscopic view of Amazonian aesthetic, cultural, and material diversity. Curated by Keyna Eleison and a committee of representatives from all nine Amazonian states—Bolivia, Brazil, Colombia, Ecuador, French Guiana, Guyana, Peru, Suriname, and Venezuela—the show features over 50 works by 34 local artists and collectives, addressing themes such as artistic production, land rights, cultural heritage, and spirituality.

French Parliament Accuses Louvre of Prioritizing ‘Prestige And Influence’ Over Security Prior to Jewel Heist

French MPs Alexis Corbière and Alexandre Portier have released a parliamentary report accusing the Louvre of prioritizing "prestige and influence" over security, leading to a brazen jewel heist on October 19, 2025. Thieves entered the museum in broad daylight and stole nine pieces of jewelry worth an estimated $102 million in under eight minutes. The report, based on over 20 hearings with 100 insiders, reveals that security had been "relegated to the background" despite audits in 2017 and 2019, and that a Security Equipment Master Plan from 2019 was not implemented in time by former director Jean-Luc Martinez. The report also casts doubt on President Emmanuel Macron's nearly $1 billion renovation plan for the Louvre, announced nine months before the heist.

at londons soho revue artists reframe sensuality in a new group show 2739499

Soho Revue in London presents "Behind the Curtains," a group exhibition running from January 14 to February 29, 2026, featuring eight female artists—Lorena Lohr, Lucrezia Abatzoglu, Nettle Grellier, Drea Cofield, Kim Booker, Joline Kwakkenbos, Harriet Gillet, and Abigail McGinley—who reframe feminine sensuality outside the male gaze. The gallery is draped in deep red velvet, creating an intimate, private chamber that echoes Renaissance curtain conventions and the scale of 16th-century portrait miniatures, with each artist working in small formats to slow visual consumption and challenge who controls the frame.

record archeological finds metal detecting british public 1234770277

The British Museum announced that 2024 was a record year for archaeological discoveries made by the public in the UK, with 79,616 finds recorded. Of these, 1,540 were classified as "treasure" under the 1996 Treasure Act, the highest number ever in a single year and the third consecutive record-breaking year. Ninety-four percent of the discoveries were made by metal detectorists. The figures come from the Portable Antiquities Scheme (PAS), a project jointly managed by the British Museum and Amgueddfa Cymru–Museums Wales. Notable finds include a hoard of silver pennies from Harold II's reign, a Roman vehicle fitting with a panther and severed human head, and early medieval gold and silver objects.

christies auction first calculating machine blaise pascal 1234751200

Christie’s will auction a Pascaline, the first calculating machine in history, developed by Blaise Pascal in 1642, at a sale in Paris on November 19. The estimate for the box decorated with ebony sticks is €2 million to €3 million. This particular model, dedicated to survey calculations, is the only one in private hands among nine surviving originals, and it remains fully functional. The auction also includes 15 volumes of Pascal’s writings, including a first copy of *Pensées* (estimate €200,000–€300,000), and works by Descartes, Newton, and others.

national museum of asian art announces first us exhibition of masterpieces from the collection of former samsung chairman lee kun hee 1234749421

The Smithsonian’s National Museum of Asian Art (NMAA) has announced it will host the first US exhibition of masterpieces from the collection of former Samsung Chairman Lee Kun-Hee this fall. Titled 'Korean Treasures', the show will feature over 200 items spanning 1,500 years, including a dozen National Treasures designated by the Korean government, many exhibited in the US for the first time. Co-organized with the Art Institute of Chicago, the National Museum of Korea, and the National Museum of Modern and Contemporary Art in Korea, the exhibition includes ancient Buddhist sculptures, ceramics, paintings, furnishings, and modern works. Highlights include Jeong Seon’s 'Clearing after Rain on Mount Inwang' (1751) and a 1459 woodblock-print book compiled by King Sejo. Nine items from the Leeum Museum of Art will be shown exclusively at the NMAA before the exhibition travels to Chicago and the British Museum.

taipei dangdai cancels 2026 edition art assembly 1234748049

Taipei Dangdai, the art fair in Taiwan, has canceled its 2026 edition as organizers undertake a "strategic re-evaluation" of the fair's model, timing, scale, and format. The fair, which held its sixth edition in May 2025, is part of The Art Assembly, a conglomerate overseeing three regional Asian fairs including Art SG and Tokyo Gendai. The number of participating galleries dropped from over 90 in its 2019 inaugural edition to 54 in 2025, with no mega-galleries participating this year. The announcement follows a similar "strategic pause" by the Art Dealers Association of America (ADAA) for its flagship fair, The Art Show, and comes amid broader challenges for the fair's organizer, Angus Montgomery Arts, which also canceled recent editions of Photofairs in Hong Kong and New York.

senegal ivory coast france repatriation 1405822

Senegal and Ivory Coast have formally requested the repatriation of thousands of artifacts from French museum collections, following a groundbreaking French government report published on November 23 that recommends returning colonial-era objects taken before 1960. Senegalese culture minister Abdou Latif Coulibaly announced plans to file a formal request for up to 10,000 Senegalese objects, while Ivorian authorities have submitted a list of about 100 masterpieces, with director Silvie Memel Kassi noting up to 4,000 Ivorian objects remain in Paris's Quai Branly-Jacques Chirac Museum and New York's Metropolitan Museum of Art.

assyrian king ashurbanipal relief nineveh 2646351

A team of archaeologists from Heidelberg University has uncovered a monumental stone relief in Nineveh, Iraq, depicting King Ashurbanipal flanked by two major Assyrian gods, Ashur and Ishtar, along with demigods. The 2,600-year-old relief, measuring nearly 20 feet across and 10 feet high, was found buried in a pit at the northern palace, a site first excavated in the 19th century by Austen Henry Layard. The discovery is part of the Heidelberg Nineveh Project, launched in 2018 after the liberation of Mosul from the Islamic State.

monumental relief last assyrian ruler unearthed nineveh 1234742504

A team of German archaeologists from Heidelberg University has uncovered a monumental stone relief in the throne room of the North Palace of King Ashurbanipal at Nineveh, near Mosul, Iraq. The slab, measuring 5.5 meters long and 3 meters high and weighing 12 tons, depicts the last great Assyrian ruler alongside the deities Ashur and Ishtar, as well as a mythological fish genius. The discovery was announced by Professor Aaron Schmitt, who noted that no other known Assyrian palace reliefs feature major deities, making this find exceptional. The excavation is part of the Heidelberg Nineveh project, ongoing since 2018.

art artists and mothers nonprofit organization

Since 2024, the nonprofit organization Artists & Mothers has been addressing a critical gap in the art world by offering grants for nine months of childcare to New York-based artists with children under three. The organization was founded by Julia Trotta and Maria De Victoria, with board members including Camille Henrot, Bridget Donahue, Maia Ruth Lee, Sarah Goulet, and Elizabeth Karp-Evans. In a Q&A format, the group discusses their motivations, influences, and hopes for a more equitable art world, highlighting works such as Lea Lublin's 1968 performance "Mon fils" and anticipating Ei Arakawa-Nash's Japanese Pavilion at the Venice Biennale.

art peter hujar paul thek andrew durbin

In 2015, photographer Peter Hujar experienced a mainstream resurgence when his work appeared on the cover of Hanya Yanagihara's novel *A Little Life*, in a campaign for menswear designer Patrik Ervell, and at Christie's, where his 1973 photograph *Candy Darling on Her Deathbed* sold for $50,000. Now, two new publications—*Stay Away From Nothing* and *The Wonderful World That Almost Was*—focus on Hujar's complex relationship with sculptor Paul Thek, who died nine months after Hujar from AIDS complications. Author Andrew Durbin, who wrote *The Wonderful World That Almost Was* and curated the group show "How Beautiful This Living Thing Is" at New York's Ortuzar gallery, discusses their elusive bond, rivalry, and the queer social dynamics that shaped their lives and art.