Art Basel has announced the thirty-three winners of its 2026 Art Basel Awards, recognizing individuals and institutions across nine categories. The winners include prominent artists like Arthur Jafa, Julie Mehretu, and Barbara Kruger, as well as institutions such as The Brick in Los Angeles and the Diriyah Biennale Foundation. A new jury member, Prof. Dr. Bonaventure Soh Bejeng Ndikung, was also added for this edition.
The Museum Rietberg in Zurich is transferring ownership of 11 Benin Bronzes to the Republic of Nigeria. The transfer includes a significant commemorative bronze head from around 1850 and an 18th-century ivory tusk, both looted during the British raid on Benin City in 1897, which will be physically returned to Nigeria this summer.
A guide to nine must-see art exhibitions in Miami highlights current and upcoming shows across the city. Featured exhibits include Random International's interactive light installation "Alone Together" at Superblue Miami, the Freedom Tower's centennial exhibitions "Libertad" and "We Carry Our Homes With Us" at the Museum of Art and Design, the first solo show of twin photographers Elliot & Erick Jiménez at Pérez Art Museum Miami, and Weerdo's graffiti exhibit "Signs of the Times" at the Museum of Graffiti. Also listed are the Smithsonian's "EYEJAMMIE" photo collection at The Art of Hip Hop and a Leonardo da Vinci exhibition at Frost Science.
Philadelphia's spring exhibition season features nine must-see shows across the city, including Kelly Kozma's solo exhibition 'Watch Me Backflip' at Paradigm Gallery + Studio, which presents a massive 22-foot installation of 35,000 hand-stitched circles made from repurposed materials. Other highlights include 'Soft/Cover' at The Fabric Workshop and Museum, exploring fabric and screenprinting in relation to the human body; 'Preserving Assyria' at the Penn Museum, focusing on Iraqi archaeologists reclaiming cultural heritage after ISIS destruction; and 'The Battle of the Bathers' at the Barnes Foundation, examining a media kerfuffle involving two Paul Cézanne paintings.
The Arlington Museum of Art has opened "More Than a Match," a large-scale exhibition exploring the history of soccer through World Cup memorabilia, historic jerseys, maps, and contemporary art. The show features items on loan from the National Soccer Hall of Fame, the University of Texas at Arlington's Special Collections, and the National Football Museum in Manchester, England. Highlights include a replica of the 2006 FIFA World Cup Trophy, a jersey worn by Pelé, and artworks by Andy Warhol, Kehinde Wiley, and Darío Escobar, as well as a mural by Dallas-based artist Colton Canava depicting Lionel Messi, Jude Bellingham, and Virgil van Dijk as saint-like figures. The exhibition runs through August 2, 2026, and is located near AT&T Stadium, which will host nine World Cup matches.
The Box, Plymouth’s flagship museum and art gallery, has announced a record-breaking performance for 2025, surpassing its annual visitor target by 18%. Since opening in 2020, the institution reached a milestone of 1.1 million total visitors, driven largely by the massive success of the 'Beryl Cook: Pride and Joy' exhibition. The show attracted 52,000 visitors in just its first nine weeks, with nearly half of those attendees traveling from outside the local region.
Marlene Dumas has become the first contemporary woman artist to join the Louvre's permanent collection. Nine site-specific paintings by the South African-born artist were unveiled at the Paris museum last Thursday, now on permanent display in the Porte des Lions atrium. The series, titled Liaisons, depicts faces that draw on the "horrors" of the world today, as described by the artist. Dumas collaborated with Donatien Grau, the Louvre's head of contemporary programmes, and was selected by director Laurence des Cars, who called her the "obvious choice" for the commission.
WhatsApp co-founder Jan Koum has filed a lawsuit against interior designer Remi Tessier, alleging that Tessier inflated prices and misrepresented the quality and origin of luxury goods purchased on his behalf, including several artworks. Koum hired Tessier for nine projects, including residences in the US and Europe and two superyachts. The suit claims Tessier received kickbacks on art purchases, including a $7.8 million Picasso painting, and a judge has granted discovery orders against three galleries—Acquavella Galleries, Nahmad Contemporary, and Perrotin New York—to produce records and testimony. Koum intends to use the evidence to file a criminal complaint against Tessier in France.
Three downtown galleries in New York are currently exhibiting works centered on kittens, puppies, and puppetry, offering an escape from geopolitical conflict and domestic strife. At Chapter NY in Tribeca, Joseph Jones presents a solo show of photorealist pet portraits, including 'White cat with gemstones, 2026,' which dares viewers to engage with the often-dismissed genre of pet portraiture. Further east, Tibor de Nagy gallery hosts 'The Nagy Marionette Company: A 75th Anniversary Exhibition,' celebrating the gallery's origins in puppetry with archival documents and contemporary puppet-inspired art by nearly 20 artists, including Sarah McEneaney and Tabboo!.
Amanda Precourt, a 52-year-old philanthropist and real estate developer, has transformed a former fortune cookie factory in Denver's Baker neighborhood into a combined private residence and public art space called Cookie Factory. Over the past nine years, she has amassed a contemporary art collection at a rapid pace, designing her 8,000-square-foot home around specific works—such as Anselm Kiefer's monumental painting *Engel der Geschichte* (2017) and Jeffrey Gibson's beaded punching bag *Know Your Magic, Baby* (2016). The lower 5,700 square feet of the building serves as a free, self-funded public gallery, where Precourt, her partner Andrew Jensdotter, and artistic director Jérôme Sans invite artists to create site-specific works inspired by Colorado. The space opened last May with an exhibition by Sam Falls, and a second show featuring Gary Simmons runs through May 9.
Paris prosecutors have revealed that the theft of French crown jewels from the Louvre Museum was carried out by petty criminals, not organized crime professionals. Four individuals—three men and one woman—have been charged, with two of the men having multiple prior theft convictions. The heist occurred on October 19, when robbers used a cherry picker and angle grinder to steal nine pieces of jewelry worth an estimated $102 million from the Apollo Gallery. One crown belonging to Empress Eugénie was later recovered outside the museum, but eight artifacts remain missing.
Olivier Gabet, director of decorative arts at the Louvre Museum, has publicly opposed suggestions to replace the French crown jewels with copies or move them to less accessible storage after a theft on October 19. Thieves broke into the Apollo Gallery, stealing nine objects including Empress Eugénie’s crown, which was dropped and damaged during the escape. Two suspects were arrested on October 24. Gabet told Le Monde that the crown was deformed and flattened as thieves extracted it through slits cut in the glass case, but it has been recovered and is deemed restorable by experts, with only a few small diamonds and one gold eagle missing.
On Wednesday, Laurence des Cars, president and director of the Louvre Museum, testified before the French Senate about the theft of nine pieces of France's crown jewels from the Apollo Gallery. The heist occurred on Sunday when robbers used a cherry picker and angle grinder to steal jewelry worth an estimated $102 million in under eight minutes. Des Cars revealed that security cameras were outdated and inadequate, with only one camera covering the breached balcony, and that she offered her resignation afterward, which the French Minister of Culture refused. The museum had previously faced criticism over security, including a staff walkout in June over staffing and safety concerns, and an official report had flagged outdated systems and lack of CCTV.
American artist Lisa Sanditz presents a suite of nine new works in her solo exhibition “Big Boy” at Huxley-Parlour in London, on view through May 31, 2025. The show, her third with the gallery, explores power dynamics within families and across generations through formal devices such as exaggerated scale, vibrant color, and playful imagery. Key works like "Big Boy/Big Gulp" (2025) and "Big Cat" (2025) use a hierarchy of scale rooted in medieval and ancient art traditions to reflect emotional and psychological tensions, while also commenting on broader societal and political shifts in America amid climate change.
Bavarian photographer Markus Brunetti, working with collaborator Betty Schöner, has spent over two decades traveling across Europe in a converted firetruck photo lab to capture monumental composite photographs of basilicas, cathedrals, and other ecclesiastical landmarks. Their process involves taking thousands of meter-by-meter shots of each structure over several years, then meticulously layering and arranging them into high-resolution images that correct perspective to create a striking one-point view. Brunetti's current solo exhibition, "Facades IV" at Yossi Milo gallery in New York City, features recent works including "Roma, Basilica di San Pietro" (2007-2026), which required seven visits over nineteen years to complete.
The Campbell River Art Gallery (CRAG) is presenting a new group exhibition titled "Sacred in All Forms: Artists Reclaim the Divine Feminine Across Bodies, Lands, and Worlds," curated by Jenelle Pasiechnik. The show features four contemporary artists—Sandeep Johal, Xiaojing Yan, Kourtney Jackson, and Aaron McIntosh—whose works in textiles, video, sculpture, installation, and mixed media explore the sacred in everyday life, the body, relationships, and nature. The exhibition runs from May 7 to August 8, 2026, with an opening reception on May 9. Public programs including artist talks, workshops, and community conversations will accompany the show.
The entire jury of the 61st Venice Biennale, presided by Brazilian curator Solange Farkas and comprising four other curators, resigned just nine days before the exhibition's scheduled opening on 9 May 2026. The jury had announced it would not award prizes to countries whose leaders are charged with crimes against humanity by the International Criminal Court, a move widely understood to target Israel and Russia. In response, the Biennale's organisers cancelled the prize-giving ceremony and will instead award Golden Lions via a popular vote among ticketholders. The row escalated further when the Israeli representative, sculptor Belu-Simion Fainaru, accused the jury of discrimination and threatened legal action, prompting intervention from Italy's culture ministry.
The Lowe Art Museum at the University of Miami is presenting two simultaneous exhibitions that together form the most comprehensive survey of Afro-Cuban art ever assembled. "El Pasado Mio/My Own Past," organized by Harvard's Afro-Latin American Research Institute, features over 81 works by 44 Cuban artists of African descent spanning two centuries, including nine paintings by Wifredo Lam and works by eleven female artists shown together for the first time. The companion exhibition, "Afrocubanismo: Highlights from the Ramón and Nercys Cernuda Collection," examines the cultural movement of the 1930s when artists began centering Cuba's African roots despite widespread societal suppression. The shows run through September 12 with free general admission.
The Clark Art Institute in Williamstown, Massachusetts, presents "Giorgio Griffa: Paths in the Forest," the first solo museum exhibition in the United States dedicated to the Italian artist Giorgio Griffa (born 1936). On view from June 13 to October 12 at the Lunder Center at Stone Hill, the exhibition features works spanning nearly six decades, including highlights such as "Sessanta frammenti" (1980), "Rosa" (1968), and "Narciso" (1986). Griffa is known for his use of diluted acrylics on unstretched, unprimed canvases, and his practice emphasizes the intelligence of materials and an ecological ethic. The exhibition is curated by Robert Wiesenberger, John and Barbara Vogelstein Senior Curator of Contemporary Art at the Brooklyn Museum and former curator of contemporary projects at the Clark.
The Arts Club of Chicago, founded in 1916, continues to balance its historic legacy with contemporary relevance under executive director and chief curator Janine Mileaf. The club, which gave Pablo Picasso his first solo institutional exhibition in the U.S. in 1923 and hosted figures like Gertrude Stein and John Cage, now operates as both a public space and a private membership club. Mileaf’s programming emphasizes Dada and surrealist roots while showcasing experimental, site-specific works, including a recent installation by Korean artist Haegue Yang. The club maintains a close relationship with Chicago’s arts community, aiming to expose audiences to challenging and surprising art.
The Center for Creative Photography (CCP) at the University of Arizona has announced the acquisition of nine significant photography archives, including the legacies of Laura Aguilar, Jack Dykinga, Jody Forster, Frank Gohlke, Mark Klett, Nathan Lyons, Stephen Marc, Patrick Nagatani, and Susan Wood. This marks one of the largest expansions of CCP's holdings in recent years, adding to its renowned collection that already includes archives of Ansel Adams, W. Eugene Smith, and others. The archives contain not only prints but also correspondence, notebooks, and teaching materials, and will be processed over the next several years for researcher access.
The Met Gala 2026 will take place on the first Monday in May, with the theme "Costume Art" and a dress code of "Fashion is Art." The accompanying exhibition at the Metropolitan Museum of Art explores depictions of the dressed body throughout time, pairing garments with artworks from the museum's collection. Beyoncé, Nicole Kidman, Venus Williams, and Anna Wintour are named co-hosts, while Jeff Bezos and Lauren Sánchez Bezos serve as honorary chairs. The event will debut the newly named Condé M. Nast Galleries, a permanent 12,000-square-foot space in the museum's Great Hall, allowing the exhibition to run for nine months from May 10, 2026 to January 10, 2027.
A pack of robot dogs fitted with hyper-realistic silicone heads of tech billionaires and cultural icons—including Elon Musk, Mark Zuckerberg, Jeff Bezos, Pablo Picasso, and Andy Warhol—is now on display at the New National Gallery in Berlin as part of the traveling interactive exhibit "Regular Animals." Created by American artist Beeple (Mike Winkelmann), the cyborg canines wander aimlessly and defecate AI-generated images in the style of the celebrity head they wear. The exhibit previously appeared in Miami and San Francisco.
The article previews nine major art and fashion exhibitions scheduled for 2026 across Europe and the United States. Highlights include the V&A's first UK survey of Elsa Schiaparelli, tracing her radical approach to couture; ICA Miami's immersive Dolce&Gabbana showcase celebrating Italian craftsmanship; the Met's comprehensive Raphael exhibition featuring over 170 works; the Musée d'Orsay's exploration of Renoir's joyful modernity; and Palais Galliera's look at 18th-century fashion's lasting influence.
Artist Tammie Dupuis presents her installation "Continuality" at the Linfield Art Gallery, a show that centers on the sacred feminine and Indigenous spirituality. The exhibition features a large-scale lodge titled "Broken Made Whole," constructed from red-and-white quilted fabric to represent U.S. reservations, alongside circular paintings that utilize non-Eurocentric perspectives to explore the relationship between women and the lunar cycle.
Art Basel has announced the 33 medalists for its 2026 Awards, a global initiative recognizing excellence across the contemporary art ecosystem. The awards span nine categories, including Emerging, Established, and Icon artists, as well as curators, patrons, and institutions. Notable honorees include Barbara Kruger, Howardena Pindell, and Jenny Holzer in the Icon category, alongside established figures like Arthur Jafa and Julie Mehretu. The selection process, led by a jury of nine international experts, emphasizes a cross-disciplinary and geographically diverse group with a strong representation from the Global South.
Marina Abramović has unveiled her latest immersive exhibition, "Seven Deaths," at Cisternerne in Copenhagen, a subterranean former reservoir. The installation features seven films where Abramović reimagines the tragic ends of famous operatic heroines—such as Tosca and Madame Butterfly—originally made famous by Maria Callas. Accompanied by actor Willem Dafoe, Abramović uses these cinematic vignettes to explore themes of heartbreak, endurance, and the cultural fascination with the "tragic feminine."
The University of Richmond Museums has launched a new season with three exhibitions at the Harnett Museum of Art. The centerpiece is 'Politics of Place,' a rotating film program curated by professor Jeremy Drummond, featuring works by nine contemporary filmmakers and two collectives exploring identity and power through geography. Other shows include a newly commissioned installation by sculptor Abigail DeVille examining Black mental health care, and 'Black Work: Absence/Absorption,' a group exhibition investigating the material and conceptual nature of the color black.
The article reports on the ten most expensive auction lots of 2025, led by Gustav Klimt's 'Bildnis Elisabeth Lederer (Portrait of Elisabeth Lederer)' (1914), which sold for $236.36 million at Sotheby's, making it the second-most-expensive artwork ever sold at auction. The top end of the market rebounded after a quieter 2024, with the 100 most expensive lots totaling $2.13 billion, up from $1.8 billion the previous year. Nine of the top ten lots were sold during the marquee New York sales in November, where Sotheby's, Christie's, and Phillips together generated over $2 billion and set 16 artist auction records. The list includes multiple Klimt works from the collection of American philanthropist Leonard A. Lauder, as well as a Vincent van Gogh still life that sold for $62.71 million.
ArtsATL editors selected nine standout stories from Atlanta's 2025 visual arts scene, highlighting the Beltline's transformation into one of America's largest outdoor art projects, Kim Chong Hak's exuberant American debut at the High Museum, and exhibitions such as 'Innervisions' at Clark Atlanta University Art Museum and Jessica Blinkhorn's 'Two Decades of Atrophy' at End Project Space. The roundup also covers Sergio Suárez's solo show at MOCA GA, reflecting the city's diverse and innovative artistic output.