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‘Overworked’: Çağla Ulusoy in Conversation With ArtReview

ArtReview and Dirimart London are hosting a conversation between artist Çağla Ulusoy and ArtReview editor Fi Churchman about Ulusoy's book 'Overworked', which features 83 selected abstract paintings and accompanying collages. The event takes place on 6 June 2026 at Dirimart's London gallery, coinciding with the group exhibition 'Colour is the Place', which includes Ulusoy's work alongside artists Hashel Al Lamki, Tala Worrell, and Berke Yazıcıoğlu. Ulusoy's practice integrates lived experiences from various cultures into abstract compositions using materials like acrylic, oil paint, sand, and wax.

« La Boule » de Villeroy & Boch : l’art explosif et pop du pique-nique

Villeroy & Boch, the historic German porcelain manufacturer founded in 1748, launched "La Boule" ("Die Kugel") in 1971—a stackable 19-piece porcelain dinner service for four that compacts into a colorful decorative sphere. Designed by Helen von Boch, the eighth-generation family director, the set was part of a pop-design wave and came in original color variants that have since become collectors' items. The article also highlights related designs like the "La Bomba" picnic cutlery set (1968) and melamine set (1972), both held by MoMA, and notes Villeroy & Boch's collaborations with artists such as Keith Haring, Paloma Picasso, and Luigi Colani.

« Les artistes sont des fous, des enfants » : rencontre avec Annette Messager au cœur du bric-à-brac poétique de son atelier

French artist Annette Messager, 82, welcomes Beaux Arts Magazine into her Malakoff studio and home ahead of her exhibition at the Musée de la Chasse et de la Nature in Paris. The studio is a chaotic, poetic bric-à-brac filled with hybrid creatures, stuffed toys, anatomical objects, and textile works, including her iconic piece "Les Piques" (1992–1993). Messager, who won the Golden Lion at the Venice Biennale in 2005, discusses her playful yet serious approach to art, describing artists as "mad, like children" who play constantly, sometimes very seriously. Her upcoming shows include presentations at Centre Pompidou Málaga, Galería Albarrán Bourdais in Madrid, the National Taiwan Museum of Fine Arts, and the Kunsthalle Prague.

JR to cover Paris’s Pont Neuf in homage to Christo and Jeanne-Claude.

French artist JR has begun installing a monumental trompe-l’oeil work titled *La Caverne du Pont Neuf* (2026) on Paris’s Pont Neuf, transforming the city’s oldest bridge into an immersive cave. The project reimagines the bridge as a limestone quarry cave, referencing the stone from which the bridge and many Parisian buildings were constructed. The work pays homage to Christo and Jeanne-Claude’s iconic *The Pont Neuf Wrapped* (1985) and will be visible both day and night throughout the summer.

Bubbles, Algae, and Plastics Go Haute Couture in ‘Iris van Herpen: Sculpting the Senses’

The Brooklyn Museum is opening a new edition of 'Iris van Herpen: Sculpting the Senses,' building on a 2023 retrospective at the Musée des Arts Décoratifs in Paris. The exhibition features over 140 haute couture designs by Dutch fashion designer Iris van Herpen, known for merging high-tech materials like laser-cut Plexiglas with biological elements such as glowing algae and plastic bubbles. It includes recent collections like 'Sympoiesis' and works by artists including Kenny Nguyen, Wim Delvoye, and Tara Donovan, alongside a soundscape by Salvador Breed. The show runs from May 16 to December 6.

Julia Heyward “Miracles in Reverse” at Kunstverein Nürnberg

Kunstverein Nürnberg – Albrecht Dürer Gesellschaft is presenting "Miracles in Reverse," the first institutional solo exhibition in Europe by American artist Julia Heyward (born 1949). Heyward was a central figure in New York's downtown art scene during the 1970s and 1980s, and her work anticipated major developments in art history. The exhibition showcases her distinctive practice developed over five decades.

Artist Alleges Hair Dress in the Met’s ‘Costume Art’ Show Copies Her Design

London-based artist Anouska Samms has accused the Metropolitan Museum of Art's Costume Institute and curator Andrew Bolton of displaying a garment in the spring 2026 exhibition "Costume Art" that she claims is a counterfeit of her collaborative work. Samms says the piece, titled Corpus Nervina 0.0, was inspired by a 2023 hair dress she co-created with fashion designer Yoav Hadari for his label Psycheangelic. Despite a contract giving Samms sole ownership of the hair-based textile's intellectual property, the museum's wall label credits only Hadari and states Samms's textile was not used. Samms's lawyer, Jon Sharples, says the museum initially expressed interest in acquiring the original dress but later shifted to a remake after Hadari reported water damage, then stalled entirely before the exhibition opened.

A Lucas Cranach the Elder Masterpiece Once Hung in Hitler’s Munich Apartment

A Lucas Cranach the Elder painting, *Cupid complaining to Venus* (1526–27), once hung in Adolf Hitler's Munich apartment, according to a report by the Art Newspaper. The work was identified in a 1940s photograph published in a 1978 furniture catalog and later in a 2023 article by art historian Birgit Schwarz, who confirmed Hitler's ownership via a 2006 discovery of an album at the Library of Congress. After World War II, American journalist Patricia Lochridge took the painting from a warehouse in Berchtesgaden and smuggled it to the US. The National Gallery in London acquired it in 1963 from A. Silberman Galleries, which falsely claimed it came from the 1909 auction buyer's heir; it had actually been purchased from Lochridge.

Beware the technology rat trap: Cooper Jacoby’s standout contribution to New York’s Whitney Biennial

Cooper Jacoby's sculptures at the Whitney Biennial explore how AI corporations and other companies turn personal data into financial assets. His five works, displayed in a green-carpeted space he describes as "almost like a rat trap," include the 2026 piece *Estate (July 10, 2022)*—a folding screen with an intercom that uses AI trained on social media posts from deceased creatives to generate vocal outputs. Another series, *Mutual Life*, features eye-like sculptures with clock hands that spin based on the biological age of anonymous individuals in the artist's network. Jacoby's work highlights the lack of regulation around digital life and death, and the opaque nature of AI systems.

V&A Rising Voices review – can decades of stunning global art really be squished into three rooms?

The V&A Museum in London has mounted an exhibition titled "Rising Voices" that attempts to summarize three decades of the Asia Pacific Triennial, a vast survey of contemporary art from Asia, Australia, and the Pacific organized by Queensland Art Gallery. The show crams works from multiple continents, island nations, and Indigenous cultures into just three rooms, featuring bark cloth paintings from Papua New Guinea, Indigenous Australian abstracts, shark sculptures from the Torres Strait, and Tahitian textiles. Many works address colonialism, political oppression, and tyranny, with artists like Elisabet Kauage, Pala Pothupitiye, and Svay Ken using art as resistance. The exhibition includes pieces by Maryam Ayeen, Abbas Shahsavar, Lila Warrimou, Pennyrose Sosa, Aline Amaru, Brenda V Fajardo, and Heri Dono.

Portrait looted by Nazis found in home of Dutch SS leader’s family

An artwork looted by the Nazis from the renowned Goudstikker collection has resurfaced in the home of descendants of Hendrik Seyffardt, a notorious Dutch SS collaborator. The painting, *Portrait of a Young Girl* by Toon Kelder, was discovered by art detective Arthur Brand after a family member contacted him, revealing that the piece had hung for decades in the home of Seyffardt’s granddaughter. Brand traced the painting to a 1940 auction where part of the looted Goudstikker collection was sold, and lawyers for the Goudstikker heirs have confirmed the work was stolen and called for its return.

Archibald prize 2026: Richard Lewer’s portrait of artist Iluwanti Ken wins $100,000

Richard Lewer has won the 2026 Archibald Prize, Australia's most prestigious portraiture award, for his portrait of Pitjantjatjara elder, traditional healer, and senior artist Iluwanti Ken. The $100,000 prize was announced at the Art Gallery of New South Wales, with the judging panel selecting the work unanimously from 59 finalists. Lewer, a six-time Archibald finalist, painted Ken life-size against a yellow ochre background, capturing her quiet authority and role as a working artist. The Wynne Prize for landscape painting was also awarded to Gaypalani Waṉambi for *The Waṉambi tree*.

‘It’s a tiny bit of joy!’ How trinket swapping is making the world a happier place, one china sheep at a time

Trinket exchange boxes, where people swap small items like pins, stickers, and ceramic animals, are rapidly spreading across the UK and US. The phenomenon, which began in Philadelphia in autumn 2024, has grown from 800 to nearly 1,500 installations in two months, according to Portland-based artist Rachael Harms Mahlandt, who tracks them on a world map. In Edinburgh, pet-sitter Sam Stevens runs a popular pink box outside Argonaut Books, inspired by a San Francisco exchange, and has seen her follower count jump overnight as locals trade trinkets for fun.

AMoA hosts exhibit of student artwork, to hold special reception

The Amarillo Museum of Art (AMoA) is hosting the Texas Panhandle Student Art Show, an annual exhibition showcasing student artwork from across the Texas Panhandle. A special reception will be held on May 15, 2026, to honor participating students and award winners. The show features a wide range of media including paintings, drawings, printmaking, computer art, collage, jewelry, ceramics, sculpture, and mixed media. Awards include Best of Show honors, scholarships from West Texas A&M University and Amarillo College, and Georgia O’Keeffe Excellence in Art & Creativity awards sponsored by Education Credit Union.

WTF Is an “A-Corp”?

Hyperallergic's daily newsletter announces that Noah Fischer's comic "Prospect Heights Ghost Story" won a 2026 New York Press Club Award, thanks to collaboration with the Economic Hardship Project (EHRP). The edition also covers anti-Trump guerrilla protest art in Washington, D.C., including an arcade game titled "Operation Epic Furious: Strait to Hell" that satirizes the White House's foreign policy. Other stories include Ridgewood, Queens emerging as a new art hotspot, a feature on Francisco de Zurbarán's religious paintings, and Paddy Johnson's guide to what an "Artist Corporation" (A-Corp) is and whether artists should start one. The newsletter also reports that the Belgian Pavilion at the Venice Biennale closed on May 8 as part of cultural workers' strike for Palestine, and that nearly half of the artists in the international exhibition plus 22 national pavilions withdrew from awards consideration in solidarity with the jury's resignation.

Performa Is Bringing a Star-Studded Variety Show to Broadway

Performa, New York's biennial for performance art, is staging a one-night variety show on Broadway at Manhattan's Town Hall on June 10. The inaugural Performa All-Star Variety Show will feature artists including Barbara Kruger, Julio Torres, Marcel Dzama, Laurie Simmons, and Anne Imhoff, hosted by comedian Casey Jost. The 90-minute, 12-act event draws inspiration from 19th-century vaudeville and Futurist cabarets, offering a public spectacle outside the biennial's usual three-week format.

New Exhibition Explores Victor Vasarely’s Influence on Hungarian Neo-Avant-Garde Art

A major exhibition titled "Vasarely Don't Go Home!" opens at NEO Contemporary Art Space in Budapest, marking the 120th anniversary of Victor Vasarely's birth. Curated by Zsolt Petrányi, the show runs until 19 September and examines Vasarely's influence on Hungarian experimental and neo-avant-garde art of the 1960s and 1970s. Featuring over 60 works, the exhibition is organized around three themes—construction, grid structures, and illusion—and connects to parallel Vasarely shows at the Museum of Fine Arts and the Hungarian National Gallery. The title references a 1969 protest where artist János Major carried a sign reading 'Vasarely go home!' during Vasarely's exhibition at Műcsarnok.

LACMA Director Michael Govan ’85 talks museum architecture, public art, mounds of dirt

Michael Govan, director of the Los Angeles County Museum of Art (LACMA) and a 1985 graduate of Williams College, discussed his career and philosophy in an interview with the Williams Record. Govan reflected on his early work at the Williams College Museum of Art (WCMA), where he helped install pieces in Lawrence Hall after an expansion by architect Charles Moore, and his subsequent collaborations with Frank Gehry on the Guggenheim Museum Bilbao and Zaha Hadid at the Solomon R. Guggenheim Museum. He also highlighted his recent oversight of LACMA's new David Geffen Galleries, a $720 million project that has drawn significant attention.

Art Around Town

This article is a roundup of current and upcoming art exhibitions and events in and around Athens, Georgia, published under the title 'Art Around Town.' It lists shows at numerous venues including ATHICA@CINÉ Gallery, the Georgia Museum of Art, Lyndon House Arts Center, and others, featuring artists such as Greg Benson, Jon Swindler, Beverly Buchanan, and Rachel B. Hayes. Exhibits range from landscape works and Civil War-era illustrations to installations exploring bathrooms, cosmic themes, and discarded objects, with many running through May, June, or later in 2025.

Matisse: The Pursuit of Harmony

Acquavella Galleries in New York presents "Matisse: The Pursuit of Harmony," an exhibition running from April 9 to May 22, 2026, featuring fifty works by Henri Matisse including paintings, sculptures, and works on paper. The show is organized across two floors, with early pieces on the ground floor north gallery, sculptures and early works on the second floor north, later works on the second floor south, and a concluding display of the four bronze castings of Matisse's "Back" series on the ground floor south. Key highlights include the painting *Male Model* (ca. 1900) paired with the bronze *The Serf* (1900–04), and the portrait *Mademoiselle Yvonne Landsberg* (1914), which demonstrate Matisse's transformative approach to traditional genres.

Former Hornets player returns to Charlotte with new art exhi...

Former Charlotte Hornets player Elliot Perry and his wife Kimberly Perry have opened an exhibition of their abstract art collection at the Harvey B. Gantt Center in Charlotte. Titled "Beyond Boundaries: Black Abstraction in the Elliot and Kimberly Perry Art Collection," the show features 40 works by Black artists from the early 1920s to the present, including recent college graduates. The exhibition spans all three of the Gantt Center's galleries and runs through August 30. Elliot Perry, who played for the Hornets in the 1991-92 season, was introduced to art in 1996 by former NBA player Darrell Walker.

‘Anchors of Light’ reframes 30 years of MOCA North Miami

The Museum of Contemporary Art North Miami (MOCA) celebrates its 30th anniversary with a new exhibition, “Anchors of Light,” which opened on April 15. Curated by Miami native Catherine Camargo, founder of Queue Gallery, the show features nearly 50 artists from the museum’s collection, including historical figures like Robert Rauschenberg and Claes Oldenburg, past retrospective subjects such as Maryan S. Maryan and Edouard Duval-Carrie, and local favorites Purvis Young and Pepe Mar. The exhibition includes a video corridor for multiple video works, addressing space constraints, and highlights Camargo’s preference for dark, muted colors and unconventional materials, exemplified by Will Boone’s painting “Widowmaker.”

Exhibition | RonNAGLE, 'Phantom Banter' at Gio Marconi, Milan, Italy

Gió Marconi Gallery in Milan, Italy, is presenting 'Ron Nagle. Phantom Banter,' the first solo exhibition in Italy dedicated to West Coast sculptor Ron Nagle. The show features eleven ceramic sculptures produced between 2024 and 2026, along with recent drawings, highlighting Nagle's refined small-scale works and his process of translating drawings into three-dimensional objects. Nagle, born in 1939 in San Francisco, apprenticed with Peter Voulkos in the 1960s and became a key figure in the California Clay Movement, influenced by artists like Ken Price.

The Museo Casa Natal Picasso rescues Marisol Escobar, the forgotten queen of pop art

The Museo Casa Natal Picasso in Málaga, Spain, has opened the exhibition "Ni Musas Ni Modelos" (Neither Muses Nor Models), which seeks to reclaim the legacy of Marisol Escobar, a Venezuelan-born pop artist who rose to fame in the 1960s but later fell into obscurity. The show features over forty works by Escobar—including her piece "Saco La Lengua" (I Stick Out My Tongue)—alongside works by thirty other artists such as Dorothea Tanning and Helen Frankenthaler, aiming to correct the historical sidelining of female artists.

Gibraltarian artists exhibit in Margate in collaborative exhibition

A collaborative exhibition titled 'Traces of Humanity' has opened in Margate, England, organized by Gibraltar Cultural Services on behalf of the Ministry for Culture, in partnership with the Lloyds Group of London. The show features works by Gibraltarian artists, members of the Lloyds Art Group, and internationally renowned artists, drawing inspiration from the Gorham’s Cave complex, a UNESCO World Heritage Site. The launch was hosted by the Mayor of Margate, Councillor Katie Pope, and attended by local dignitaries and visiting Gibraltarian artists. Curated by Philippa Beale, the exhibition will travel to the Noho Gallery in London's West End from 20th to 29th May before arriving in Gibraltar in June.

Three artists, three questions: Immersed in colors

Three Israeli artists—Vera Kunis, Avraham Kan, and Tal Tenne Czaczkes—are featured in a column exploring their use of color amid the ongoing war with Iran. Kunis, a data engineer and artist, opened her first solo exhibition, "Imagination Algorithm," at the Global Art Gallery in Tel Aviv on March 10, 2026, during the conflict. The interview was conducted remotely due to war conditions, with a siren interrupting the conversation. The artists discuss their inspirations, definitions of art, and what makes their work unique, emphasizing resilience and optimism through color.

Creative Currents: East End Art Exhibits

The article surveys the 2026 summer art season in the Hamptons, highlighting new outdoor sculptures at LongHouse Reserve—including Renée Cox's 'Soul Culture Statue,' Sean Scully's '48,' and William Kentridge's 'Tap'—and a slate of solo exhibitions at venues such as Guild Hall, the Parrish Art Museum, the Arts Center at Duck Creek, and the Peter Marino Art Foundation. Featured artists include Arcmanoro Niles (whose show 'Forgotten Words I Never Got to Say' marks a decade since his Guild Hall residency), Sanford Biggers (presenting 'Drift' at the Parrish), Claire Watson, Brent Richardson, Robert Nava, Betty Parsons, Carla Accardi, and Y.Z. Kami. The Church in Sag Harbor will open 'This Land: Considering the American Landscape,' borrowing works from the Parrish and Dan Flavin's collection.

Pablo Picasso | AR310 Mask (1956) | For Sale

This article presents a Pablo Picasso ceramic mask, AR310 Mask (1956), available for sale through Leona Craig Art in Hong Kong for US$21,000. The work is an edition of 300, made from A.R. white clay with engobes and oxidized paraffin decoration. The provenance describes how Picasso first visited Vallauris in 1946 after a Paris exhibition, was inspired by ceramicist Suzanne Hammier, and later returned with Matisse and Chagall to see his fired pieces, eventually staying for nearly thirty years.

What to See at the 2026 Venice Biennial

The 2026 Venice Biennale, opening May 9 and running through November 22, features a main exhibition titled "In Minor Keys" organized by the late Koyo Kouoh, alongside 99 national pavilions. The event spans the Giardini and Arsenale sites, with concurrent shows across the city, including a group exhibition at the Fondazione Dries Van Noten, Melissa McGill's installation "Marea" at Corte Nova, Illy's artist-designed espresso cups at Giardini Reali, and a solo exhibition of Hernan Bas's paintings at Ca' Pesaro International Gallery of Modern Art.

MMCA exhibition explores 80 years of artistic exchanges between Korea, Japan

The National Museum of Modern and Contemporary Art (MMCA) in Korea, in collaboration with the Yokohama Museum of Art, has organized "Art between Korea and Japan since 1945," an exhibition opening at MMCA's Gwacheon branch. Featuring about 200 works by 43 artists and teams, including Paik Nam-june, Lee Ufan, Lee Bul, Jiro Takamatsu, Takashi Murakami, and Koki Tanaka, the show traces 80 years of artistic exchanges between the two countries. It is structured in five sections, beginning with a tribute to Zainichi Koreans, and highlights key works such as Paik's 1986 satellite project "Bye Bye Kipling." The exhibition runs through September 27.