TODO ES COMÚN
The exhibition 'Todo es común' (Everything is Common) is on view until June 21, 2026, at the Sala Europa in Badajoz, Spain. Curated by Adonay Bermúdez, it brings together works by fifteen international artists to examine the agricultural landscape as a space where practices, memories, and political tensions intersect, moving beyond its purely material condition.
A historic East Village brownstone where artist Mark Rothko lived and worked in the 1930s has been converted into luxury condominiums following a major renovation. The building, which survived a 2022 fire, was purchased in 2023 and transformed into a two-unit property now marketed as the Rothko House, with its triplex penthouse listed for $6.2 million.
A growing number of gallerists are moving away from the traditional 'white cube' gallery model, opting instead for spaces with unconventional architecture and distinct character. These include locations in repurposed industrial buildings, historic structures, and uniquely designed new constructions that actively shape the visitor's experience of the art.
Artist Shahzia Sikander's new animated film, '3 to 12 Nautical Miles,' is being projected onto the digital façade of the M+ museum in Hong Kong. The work uses the historical expansion of territorial waters from 3 to 12 nautical miles as a framework to explore themes of maritime sovereignty, surveillance, and the legacy of colonial trade.
A mysterious new art fair called "The Island" is generating intrigue with plans for a super-secretive inaugural edition in the US Virgin Islands this May. Promotional materials suggest an exclusive event for mega-collectors, featuring special water sports activities and rumors of commissions from artists like Andres Serrano and Jeff Koons, with the unusual claim that all sales will be "redacted after the fact."
Gilles Bloch : « Le Muséum a besoin de 1,1 milliard d’euros »
Gilles Bloch, president of the Muséum national d’histoire naturelle in Paris, has issued an urgent call for €1.1 billion in funding to address the critical state of the institution's infrastructure. Ahead of its 400th anniversary in 2026, a diagnostic report reveals that 74% of the museum's 120 buildings are in poor condition, with several galleries currently closed to the public or suffering from inadequate climate control. The requested funds would cover €500 million in emergency repairs to stabilize decaying structures and a further €600 million for long-term modernization and energy efficiency upgrades.
Italian artist Giuditta Branconi has unveiled her first institutional solo exhibition, titled "Cannon Fodder," at the Collezione Maramotti in Reggio Emilia. The exhibition features a series of new large-scale paintings and a site-specific installation characterized by dense, chaotic compositions where multiple narratives unfold simultaneously. Branconi describes her approach as fostering an "anarchic gaze," intentionally refusing to guide the viewer through her crowded, vibrant visual landscapes.
The St. Louis-based triennial Counterpublic has unveiled its full artist list for the 2026 edition, titled 'Coyote Time.' Running from September 12 to December 12, the exhibition features 47 artists, duos, and collectives, including prominent names like Glenn Ligon, Nicholas Galanin, and Rirkrit Tirivanija. Curated by a diverse team including Stefanie Hessler and Wanda Nanibush, the triennial will utilize site-responsive practices and emergent technologies to explore themes of climate, immigration, and education.
ArtReview's Art Lovers Movie Club has published a comprehensive online archive of all the artists' videos it has screened monthly on its website. The archive lists dozens of films from 2021 through 2026, featuring works by a diverse, international roster of artists including Hikaru Fujii, Mary Helena Clark, Gê Viana, and many others, with specific screening dates for each.
Entertainment executive Hassan Smith has curated a deeply personal art collection in his North Atlanta home that bridges historical mastery with contemporary Black identity. His holdings range from a 17th-century Rembrandt drawing in the kitchen to iconic photography by Gordon Parks and contemporary works by artists like Ferrari Sheppard and Derek Fordjour. The collection is characterized by its integration into daily family life, featuring a Basquiat-inspired aesthetic that begins at the front door.
Iran's cultural heritage sites, including several historic palaces, have sustained severe damage during the recent conflict. The Golestan Palace in Tehran, specifically the Hall of the Marble Throne, and the Chehel Sotoun and Ali Qapu Palaces in Isfahan have suffered extensive destruction to their intricate mirror-mosaic decorations, painted ceilings, and structural elements.
The city of Detroit is experiencing a significant Harry Bertoia revival, centered around the rediscovery and restoration of a massive 26-foot suspended sculpture. Originally commissioned in 1970 for a Michigan mall and long presumed lost or destroyed during building demolitions, the steel-wire and brass work was found languishing in a basement in 2017. Following an extensive restoration process, the monumental piece has been installed in General Motors' new global headquarters at the historic Hudson’s site, a feat that required complex engineering and a five-story opening in the building's facade.
The Leslie-Lohman Museum of Art in SoHo has emerged as a vital hub for New York’s downtown performance scene through its intergenerational exhibition, "Sacred and Profane." Featuring a collaborative residency between poet Pamela Sneed and performance artist Carlos Martiel, the programming centers on themes of Black maternal grief, queer identity, and the exhumation of suppressed histories. Recent performances included Martiel’s "No Resurrection," a ritualistic piece involving his mother and a mound of earth, and Sneed’s readings that address the collective trauma and "urgent care" status of the LGBTQ+ community.
Qui est Prune Delon, cette créatrice de mode de 24 ans sélectionnée pour une résidence à la Villa Médicis ?
Prune Delon, a 24-year-old fashion designer and Institut français de la mode graduate, has been awarded a prestigious one-month research residency at the Villa Medici in Rome. Moving away from traditional ready-to-wear collections, Delon is using the residency to develop a multidisciplinary project that blends textile art with sculptural installation. Her work at the historic site draws inspiration from the villa's mineral architecture and classical sculptures, as well as her formative experiences studying traditional embroidery and natural dyeing techniques in India.
The Republic of Cuba has announced its participation in the 61st Venice Biennale with a solo exhibition by artist Roberto Diago titled "Hombres Libres" (Free Man). Curated by Nelson Ramirez de Arellano Conde and located at Il Giardino Bianco, the installation features a series of sculptural heads crafted from salvaged materials like oxidized metal, wood, and plastic. These works, characterized by prominent surface scars, are designed to confront viewers and provoke a dialogue about the enduring nature of memory and dignity.
The Palais de Tokyo in Paris has unveiled 'Normes Corps' (Body Norms), a major group exhibition that explores the intersection of vulnerability, disability, and physical resistance. The show brings together a diverse array of international artists who challenge traditional societal standards of the 'ideal' body, instead highlighting the strength found in fragility and the collective power of marginalized physicalities.
The Akron Art Museum will present a major exhibition titled 'Kent Monkman: History Is Painted by the Victors,' featuring the renowned Cree artist's work. The show will include his signature paintings, installations, and a new, site-specific piece, focusing on his critical re-examination of colonial narratives in North American art history.
DeviantArt has undergone a significant resurgence, reaching over 108 million users by 2026 following a multi-year modernization effort. The platform has pivoted away from traditional advertising models to a creator-centric ecosystem that prioritizes artist monetization through subscriptions, digital tip jars, and low-fee sales. By removing third-party ads and implementing advanced image protection technology, the site has positioned itself as a secure alternative to mainstream social media for digital creators.
The UK government has announced a £10 million funding boost for London’s Southbank Centre as part of a broader £128 million investment package for 130 cultural venues nationwide. Administered by Arts Council England, the grant is earmarked for urgent infrastructure repairs, including fixing leaking roofs and modernizing rigging systems, coinciding with the center's 75th anniversary. Other major beneficiaries of the Creative Foundations Fund include the Baltic Centre for Contemporary Art and Firstsite gallery.
The Museum of Contemporary Art San Diego (MCASD) has launched "Giants: Art from the Dean Collection of Swizz Beatz and Alicia Keys," a major traveling exhibition showcasing the couple's extensive collection of Black diasporic art. The show features monumental works from 37 artists, including a 164-foot painting by Meleko Mokgosi and an 8,000-pound sculpture by Arthur Jafa that required structural reinforcement of the museum floor. To create a more inclusive atmosphere, the exhibition replaces traditional white gallery walls with bold colors and includes a curated musical playlist by Swizz Beatz.
The Norton Museum of Art is in negotiations to acquire a monumental sculpture by the late Richard Serra to serve as the centerpiece of a new public art park in West Palm Beach. The proposed Norton Cultural Park would transform a two-acre waterfront site into a series of 14 landscaped "garden rooms" featuring world-class artworks. City commissioners have granted preliminary approval for a lease agreement that allows the museum to manage the land, which was formerly a pioneer cemetery.
The Museum of Fine Arts, Houston (MFAH) has reinstalled Ernesto Neto’s monumental site-specific commission, "SunForceOceanLife," in its Cullinan Hall. The immersive installation consists of a massive, hand-woven crochet labyrinth suspended 12 feet in the air, featuring a vibrant color palette that symbolizes the cyclical relationship between the sun, sea, and earth. Visitors are invited to walk through the spiral pathways, which are filled with soft plastic balls designed to challenge their balance and induce a meditative state.
The National Pavilion of Qatar has announced its presentation for the 61st Venice Biennale, titled "untitled 2026 (a gathering of remarkable people)." Commissioned by Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani and co-curated by Tom Eccles and Ruba Katrib, the exhibition features a tent-like structure designed by Rirkrit Tiravanija. The space will host a collaborative program including a film by Sophia Al-Maria, performances by Tarek Atoui, a large-scale sculpture by Alia Farid, and a culinary program by chef Fadi Kattan.
Roksana Pirouzmand’s dual-site exhibition in Los Angeles, hosted at OXY ARTS and JOAN, features performance-based sculptures and installations that utilize literal erosion to explore themes of loss and displacement. The works include anatomical clay casts of the artist and her mother, which are subjected to water, vibration, and physical interaction, causing them to crack and deteriorate over the course of the show. At OXY ARTS, a kinetic metal floor involves the viewer directly, as their footsteps cause clay hands to collide and break, illustrating the physical impact of movement and presence.
The article is a personal reflection on the work and legacy of artist Henrike Naumann, who passed away in 2026. The author, a peer from West Germany, contrasts their own upbringing with Naumann's East German background, detailing how Naumann's practice critically examined the domestic interiors and built environments of post-war Germany to explore the social and political responsibilities embedded within everyday objects and art's role as "stage design" in a fascist-leaning society.
The Association of International Photography Art Dealers (AIPAD) has announced the 45th edition of The Photography Show, scheduled to take place at New York’s Park Avenue Armory from April 22–26, 2026. The fair will feature 77 galleries, ranging from long-standing participants like Edwynn Houk Gallery to first-time exhibitors such as Galerie Sophie Scheidecker and Central Server Works. A significant addition to this year's programming is the debut of "Focal Point," a new sector dedicated exclusively to solo presentations that explore the experimental and evolving nature of lens-based media.
The Silverman Gallery of Bucks County Impressionist Art is hosting a solo exhibition titled “Jean Childs Buzgo: Dreamscapes & Discoveries,” running from April 11 through May 3. The showcase features a diverse collection of the artist's newest paintings, including large-scale florals, local Bucks County landscapes, and works inspired by her travels to Scotland and Ireland. Many of the pieces originated during the pandemic in 2020 and have been recently revisited and resolved using a mix of oil, acrylic, wax crayon, and collage.
Conceptual sculptor B. Koh is holding his first solo exhibition in South Korea at Baik Art, Seoul, titled 'J Sculpture Show.' The exhibition features a comprehensive survey of the Los Angeles-based artist's career, spanning from his early 1990s experiments to new site-specific works created during a recent residency in Seoul. Koh is known for his "gentle trickery," using everyday objects like clocks, plastic chairs, and water bottles to create subtle interventions that disrupt the viewer's perception of time, gravity, and the mundane.
The Department for Culture, Media and Sport has granted Grade II* listed status to "Henry’s Castle," a mysterious limestone structure in the Lake District previously used as a livestock shelter. Following a four-year restoration project involving archaeologists and conservation engineers, experts identified high-status architectural features including a 14th-century oak roof truss, a corbelled chimneystack, and a garderobe. These elements suggest the building was originally a significant residence, such as a hunting lodge or a lookout dwelling, rather than a simple barn.
Social Practice City University of New York (SPCUNY), an artist-led initiative supporting social justice-minded art across the CUNY system, will cease operations in February 2027. Founded in 2021 by artists Chloë Bass and Gregory Sholette with support from the Mellon Foundation, the program distributed over $535,000 in fellowships to 129 faculty and student fellows. The closure is prompted by the departure of both co-directors from their academic positions at Queens College, leaving the independent project without a clear institutional pathway for leadership transition.