GaHee Park: The Exhaustion of Distance

GaHee Park's solo exhibition "Half-Looking, Half-Seen" is on view at Perrotin New York from April 24 to May 30, 2026. The show presents paintings that destabilize perception, using light and shadow to fragment figures and objects, with works like "Seafood Heaven," "Wetland at Dusk," and "Creeping Shadow" exploring themes of visibility, identity, and temporal collapse. The exhibition marks a trajectory toward Park's institutional debut at Yerba Buena Center for the Arts.

"She's Like the Wind"

The article reviews "She's Like the Wind," an annual all-female group exhibition at Deep Space gallery in Jersey City, featuring works by artists Delilah Ray Miske, Leigh Cunningham, and SarahGrace. Miske's painting "Lemon Lime Toe of God" shows only a woman's leg and foot, while Cunningham's oil paintings present figures as blurred forms seen through a translucent curtain, and SarahGrace's textile works depict headless female nudes with suggestive titles like "Provoke" and "Dominate." The show marks a departure from the gallery's typically family-friendly, sex-averse programming.

'Soulages-Hartung : Affinités électives' at Perrotin, Paris Marais, France on 25 Apr–30 May 2026

Perrotin in Paris Marais is presenting 'Soulages-Hartung: Affinités électives,' an exhibition exploring the friendship and artistic dialogue between Pierre Soulages (1919–2022) and Hans Hartung (1904–1989). The show features a never-before-screened filmed interview from the Fondation Hartung-Bergman, along with archival documents and rarely seen studio tools. It highlights their shared concerns as postwar abstract painters, their mutual support and gift exchanges—such as Soulages's walnut stain piece given to Hartung in 1948—and their contrasting approaches, with Hartung's explosive gestures versus Soulages's measured structures. The exhibition also reveals their lesser-known use of blue in the 1980s.

Exhibition | GaHee PARK, 'Half-Looking, Half-Seen' at Perrotin, New York, United States

Perrotin New York presents 'Half-Looking, Half-Seen', a special exhibition of new paintings by GaHee Park, featuring still lifes and portraits set within seascapes and landscapes that explore psychological dynamics of perception and coexistence. The show precedes Park's first institutional solo exhibition in the United States, opening in August 2026 at the Yerba Buena Center for the Arts in San Francisco. Works such as 'Seafood Heaven', 'Wetland at Dusk', and 'Creeping Shadow' depict ambiguous scenes where figures, animals, and natural elements blur boundaries between perceiving and being perceived, with influences including Joan Jonas's performance art.

À Berlin, le Musée de Pergame rouvrira partiellement en 2027

Berlin's Pergamon Museum, closed since October 2023, will partially reopen in June 2027, with only the north wing and central section accessible. The renovation and expansion project, launched in 2012, has faced repeated delays and its budget has ballooned to €1.5 billion. The partial reopening coincides with the bicentenary of Berlin's Museum Island and will bring back the Pergamon Altar, unseen for over a decade, along with redesigned permanent exhibitions for the Museum of Islamic Art and the Museum of the Ancient Near East. However, major attractions like the Ishtar Gate and the Market Gate of Miletus will remain closed until the 2030s, with full museum completion now estimated between 2037 and 2043.

Two Sales at Bonhams in Paris

Deux ventes chez Bonhams à Paris

Bonhams has launched its annual "Classic Week" in Paris, featuring two distinct yet complementary auctions. The sales showcase a diverse range of works, most notably a previously unknown drawing of Marie Serre, the mother of the celebrated painter Hyacinthe Rigaud. This rare portrait adds a new dimension to the iconography of Serre, who was famously depicted by both her son and the sculptor Antoine Coysevox.

Abbas Akhavan Transforms the Canada Pavilion Into a Greenhouse, Daring Viewers to Leave Behind Their Preconceptions

Artist Abbas Akhavan has transformed the Canada Pavilion at the Venice Biennale into a functioning greenhouse for his exhibition "Entre chien et loup." The pavilion now houses a 6,000-gallon pool containing giant Victoria water lilies, with modifications including grow lights, water misters, a new ventilation system, and structural reinforcements to support the 25-ton water tank. The installation evokes Victorian-era Wardian cases and London's Crystal Palace, but Akhavan emphasizes that his interest in the lilies began intuitively, not as a commentary on colonialism or empire. The project, developed with curator Kim Nguyen, involved collaboration with Kew Gardens and the Orto Botanico di Padova to cultivate the plants, and the outcome remains uncertain as the lilies may thrive or wither over the exhibition's six-month run.

Meet the Writer Who Sees Every Single Show at the Venice Biennale

Jaeyong Park, a Seoul-based writer, translator, and interpreter, has attended every edition of the Venice Biennale since 2022—including both art and architecture cycles—and seen every single show, from the central exhibition and national pavilions to collateral and unofficial events. He documents his journeys in regular dispatches and has compiled a free bilingual guide to the biennial. Park organizes his trips with a group of fellow art workers, splitting accommodation costs and sharing reviews over dinner to ensure full coverage.

‘It takes an entire museum to do it justice’: the Smithsonian celebrates America in 250 objects

The Smithsonian National Museum of American History in Washington DC is marking the 250th anniversary of US independence with a major exhibition titled "In Pursuit of Life, Liberty & Happiness," opening on 14 May. The show displays 250 objects spanning all three floors of the museum, ranging from a Revolutionary War-era gunboat (the Philadelphia) to a Donald Trump "Make America great again" hat. Seventy-six rarely seen objects are concentrated in entry hall cases, while the rest are embedded throughout existing galleries, connected by a "ribbon" design. Director Anthea Hartig frames the exhibition as a commemoration of moments where individuals and communities fought for recognition and identity, pairing each object with an action verb to emphasize democracy as participatory.

Venice Biennale jury ‘will not award artists from countries facing war crimes charges’

The jury of the Venice Biennale has announced it will not award prizes to artists from countries whose leaders face charges of crimes against humanity by the International Criminal Court, a decision widely seen as targeting Russia and Israel. The five-member jury, appointed by the late curator Koyo Kouoh, stated its commitment to human rights and will exclude artists from nations whose governments are under ICC investigation when selecting winners of the Golden and Silver Lion awards for the 2026 edition, which opens on 9 May. The move follows controversy over Russia’s participation in the biennale, with the European Commission threatening to suspend a €2m grant due to Russia’s involvement, and Italy’s far-right government opposing the decision.

Long Live the King?

Sam Jacob's essay in ArtReview uses the upcoming Baz Luhrmann film 'EPIC: Elvis Presley in Concert' (2026) as a springboard to explore the cultural and technical implications of digital restoration. The film, a spinoff from Luhrmann's 2022 Elvis biopic, draws on 59 hours of previously unseen footage from Elvis Presley's 1970 and 1972 Las Vegas performances, recovered from Warner's Kansas salt-mine archive. Using Peter Jackson's Park Road Post technology—including Machine Assisted Learning (MAL) for demixing audio and video—the damaged, fragmented material has been digitally scanned, reconstructed, and enhanced to 4k resolution with 12-channel sound, presented in IMAX cinemas.

Studio SALES presents Concetto Pozzati. 50 years later exhibition in Rome

Studio SALES in Rome presents "Concetto Pozzati. 50 years later," an exhibition revisiting the artist's 1976 retrospective at the Palazzo delle Esposizioni. Organized in collaboration with the Archivio Concetto Pozzati, the show focuses on Pozzati's experimental work from the 1970s, featuring four large canvases from the original exhibition alongside works on paper displayed using plexiglass. The pieces, some unseen since 1976, explore mixed techniques like spray painting and screen-printing, highlighting a period when Pozzati moved away from his signature style.

Rare, World-Class Masterworks from Picasso to Dalí Meet Contemporary Artists in Front Royal at Ichiuji Fine Arts Gallery

The Melissa Ichiuji Studio Gallery in Front Royal, Virginia, opened a new exhibition titled 'Slow Image: Material Intelligence Across Generations' on April 25th. The show features original prints by major 20th-century artists including Picasso, Miró, Matisse, Dalí, Chagall, Calder, and Giacometti, displayed alongside contemporary artists working in clay, steel, textiles, collage, drawing, and paint. Gallery proprietor and artist Melissa Ichiuji conceived the exhibition over two years, aiming to create a museum-level experience in an intimate setting for the local community.

Monet Paintings Hidden for 100 Years Resurface at an Auction in Paris

Two paintings by Claude Monet, hidden from public view for over a century, have resurfaced and been sold at Sotheby’s Paris. The works—*Les Îles de Port-Villez* (1883) and *Vétheuil, effet du matin* (1901)—represent distinct phases of Monet’s career, with the latter setting a record for a Monet sold at auction in France, fetching more than $12 million.

The Picasso of India: Amrita Sher-Gil exhibit opens in Drents Museum

The Drents Museum in Assen, Netherlands, has opened a major exhibition of works by Amrita Sher-Gil (1913-1941), the Hungarian-Indian painter often called the Picasso of India. Titled “Europe is Picasso’s, India is Mine,” the show features nearly 50 paintings and drawings on loan from the National Gallery of Modern Art in New Delhi, marking the first-ever Sher-Gil exhibition in the Netherlands and the first in Europe in nearly two decades. Originally scheduled for March, the opening was delayed due to geopolitical tensions linked to the war in Iran, which postponed the transport of the artworks. The museum worked for six years to secure the loan, and 23 Dutch museums stepped in to create an alternative exhibition during the delay.

Syracuse-born artist Peter McGough hand-painted Anne Hathaway’s Met Gala dress

Syracuse-born artist Peter McGough hand-painted a custom Michael Kors gown worn by Anne Hathaway to the 2026 Met Gala. The dress, a strapless black Mikado silk ball gown with a plunging neckline and high-leg slit, features intricate Grecian patterns inspired by the Met's urns and statues, including a goddess with a dove on the back. McGough, a former classmate of Michael Kors at the Fashion Institute of Technology, painted directly on the silk and wool gown over a week using three layers of fabric paint. The design aligns with the gala's 'Fashion Is Art' dress code and references John Keats' poem 'Ode on a Grecian Urn,' also tying into Hathaway's upcoming film 'The Odyssey.'

Unsung modernist artist's work back in Christchurch after 45 years

A major exhibition of works by pioneering New Zealand modernist painter Edith Collier has opened at Christchurch Art Gallery Te Puna o Waiwhetū, marking the first time in 45 years that Christchurch audiences can see a wide range of her work. The show, titled 'Edith Collier: Early New Zealand Modernist,' features over 60 pieces including studies, sketches, watercolours, prints, and archival material, drawn from the permanent collection of Te Whare o Rehua Sarjeant Gallery in Whanganui. Collier, born in 1885, developed a bold post-impressionist style during a nine-year stay in London alongside artist Frances Hodgkins, but faced harsh criticism upon returning to conservative New Zealand, leading her father to destroy some of her paintings.

How super-skinny red carpet trend at Met Gala clashes with own its body-positive Costume Art show

The Met Gala, organized by Vogue and themed around "costume art," was accompanied by an exhibition of the same name at New York's Metropolitan Museum of Art opening May 10, focusing on the dressed body. While the exhibition has been praised for using inclusive mannequins representing diverse body types—including variously abled, fat, thin, and pregnant forms—the red carpet was criticized for its overwhelming thinness and the involvement of honorary chairs Jeff Bezos and Lauren Sánchez Bezos, who reportedly sponsored the event for $10 million, sparking boycott calls. Fashion commentators like Diet Prada noted the Gala was more poorly received than ever, with some celebrities absent.

National Museum of Asian Art Presents Paintings From India’s Himalayan Kingdoms in New Exhibition

The Smithsonian’s National Museum of Asian Art in Washington, DC, has announced a new exhibition titled “Of the Hills: Pahari Paintings from India’s Himalayan Kingdoms,” running from April 18 to July 26, 2026. The show features 48 paintings and colored drawings, including canonical masterpieces and never-before-seen works, drawn largely from the museum’s 2017–2018 acquisitions of the Ralph Benkaim and Catherine Glynn Benkaim collection. The exhibition explores three key periods from 1620 to 1830, highlighting the collaborative creativity of artists in the small Hindu kingdoms of the Himalayan region.

‘Art of Manga’ NYC exhibit to bring works of One Piece, Bleach, InuYasha and more

The first large-scale exhibition in America dedicated to manga as an art form, 'Art of Manga,' will debut on the East Coast at the Brooklyn Museum on October 3. Featuring over 600 original drawings from legendary creators such as Junji Itō, Eiichiro Oda (One Piece), Hirohiko Araki (JoJo's Bizarre Adventure), Rumiko Takahashi (InuYasha), and Tite Kubo (Bleach), the show traces manga's evolution from foundational artists like Chiba Tetsuya and Akatsuka Fujio to contemporary voices. The exhibition also highlights themes including coming of age, LGBTQ+ rights, and environmentalism, and originally opened at the Fine Arts Museums of San Francisco.

National Gallery Singapore's 'Passion Is Volcanic' exhibition: 5 works to see

National Gallery Singapore has opened its first R18 exhibition, 'Passion Is Volcanic: Desire In South-east Asian Art', featuring around 60% of works from the national collection, many shown for the first time, alongside regional loans. The show includes a 14th-15th century tantric Buddhist sculpture of kissing buddhas, a pastel painting by pioneering gay Singaporean artist Tan Peng, Liu Kang's 1953 painting 'Scene In Bali', and long-exposure photography by Lavender Chang originally commissioned for a Viagra campaign. Co-curators Adele Tan and Kathleen Ditzig contextualize the exhibition with pre-modern works to demonstrate that artists' interest in the body, desire, and sex is enduring in Asia.

Stockholms Auktionsverk Presents: The Modern Art Sale and The Contemporary Art Sale

Stockholms Auktionsverk is holding two live auctions, The Modern Art Sale and The Contemporary Art Sale, on May 20 and 21, 2026, at Nybrogatan 32 in Stockholm. The sales feature a curated selection of Swedish and international artists from the early 20th century to the present day, including works by Andy Warhol, Jasper Johns, Tony Cragg, Lena Cronqvist, and a newly discovered painting by Gösta Adrian-Nilsson. The Modern Art Sale highlights modernist masterpieces by Otte Sköld, Sigrid Hjertén, and Ragnar Sandberg, while The Contemporary Art Sale pays tribute to Ola Billgren and includes works by David LaChapelle, Cindy Sherman, and Britta Marakatt-Labba.

Jemima Wyman

Jemima Wyman's retrospective "Deep Surface" surveys three decades of her work exploring DIY aesthetics of concealment, protest iconography, and political solidarity. Born in Sydney and based in Los Angeles since 2004, Wyman is known for collages of masked protesters, activist signage, and street rally residues, as seen in works like *Aggregate Icon (RBW)* (2016) and *Mass Monument (Y & B)* (2018). The exhibition highlights her early inspiration from Fluxus, Minimalism, and Yayoi Kusama, as well as the influence of Brisbane's late-1990s art scenes and postcolonial Indigenous Australian art debates. Wyman, who has Indigenous (Palawa) heritage, uses camouflage and disguise to blur boundaries between visibility and concealment, figure and ground.

Venice Biennale jury quits amid row over participation of Russia

The entire jury of the Venice Biennale resigned just days before the 61st international art exhibition's opening on May 9, following a dispute over the decision to allow Russia to participate. The five-member panel, led by Solange Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, had previously stated it would not award prizes to artists from countries whose leaders face charges of crimes against humanity, a move seen as targeting Russia and Israel. The Biennale responded by postponing the award ceremony to November 22 and announcing it would give two awards, including one that could go to any national participation, citing its founding principles of openness and rejection of censorship.

Un big della fotografia del Novecento è in mostra a Venezia: tanti scatti inediti

A major exhibition dedicated to 20th-century photography master Horst P. Horst has opened at Le Stanze della Fotografia on San Giorgio Maggiore Island in Venice. Titled "La Geometria della Grazia" (The Geometry of Grace), it is the largest and most significant show ever devoted to the photographer, featuring over 400 works—about half of which are exhibited for the first time. The display pairs original vintage prints with archival materials such as period magazines, preparatory drawings, sketches, letters from Coco Chanel and Salvador Dalí, and slide projections. The exhibition is organized into eight sections exploring Horst's constant search for balance and proportion, moving beyond his famous fashion photography for Vogue to highlight the classical and modernist influences in his work.

Un ciclo di mostre è allestito sotto terra in un ipogeo del quartiere Pigneto a Roma

A family of entrepreneurs acquired an ancient bar in Rome's Pigneto neighborhood in 2020, inheriting a Roman-era hypogeum dating back to the 1st century BC. Originally a pozzolana quarry, later a wine cellar and WWII air-raid shelter, the space beneath the historic bar Necci dal 1924 reopened to the public on March 12 as an exhibition venue. It now hosts "Sottoforma," a cycle of three exhibitions curated by Donatella Giordano and Agatha Jaubourg that explore the theme of the invisible through contemporary art. The first exhibition features works by Eva Marisaldi, Enrico Serotti, and Luca Vitone, running until March 31, followed by shows with Iginio De Luca and Liliana Moro in April, and José Angelino and Elena Bellantoni in May 2026.

In Pistoia, an exhibition dedicated to the great architect and designer Ettore Sottsass

A Pistoia c’è una mostra dedicata al grande architetto e designer Ettore Sottsass

The Fondazione Pistoia Musei has inaugurated a major retrospective titled "Io sono un architetto. Ettore Sottsass" at Palazzo Buontalenti in Pistoia. Curated by Enrico Morteo, the exhibition focuses on a specific thirty-year period from 1945 to 1975, exploring the visionary designer's prolific output before the formation of the Memphis Group. The show features an extensive collection of drawings, paintings, textiles, and iconic design objects, many of which are previously unseen works sourced from the CSAC at the University of Parma.

Two exhibitions; one shared dialogue: Weyburn Art Gallery

The Weyburn Art Gallery in Saskatchewan is presenting a dual exhibition running through the end of June, featuring two complementary shows. The first, 'Omentum: A look into the Indigenous Experience of the 21st Century- Exhibition Series, 2019' by Nehiyawak-Métis artist John Brady McDonald, comprises ten paintings that address themes such as Missing and Murdered Indigenous Women, cultural appropriation, residential school legacies, and the murder of Colten Boushie. Each painting was personally named by an influential Indigenous figure, including Isaac Murdoch, Rosanna Deerchild, and Dr. Evan Adams. The second exhibition draws from the City of Weyburn’s Permanent Collection, showcasing works by Indigenous artists Michael Lonechild, Ken Lonechild, and Mike Keepness, which explore identity, place, and memory.

TOXIC’s ‘ALWAYS EVER SINCE 83’ brings four decades of uncompromising practice to Woodbury House

Torrick Ablack, known as TOXIC, will present a major solo exhibition titled 'ALWAYS EVER SINCE 83' at Woodbury House in London from 14th May to 26th June 2026. The show features new paintings alongside rarely seen early works dating back to 1983, marking what the gallery calls a long-overdue recognition of TOXIC's career. TOXIC emerged from the downtown New York scene of the early 1980s alongside figures like Jean-Michel Basquiat, Keith Haring, and Rammellzee, and participated in the landmark Post-Graffiti exhibition at Sidney Janis Gallery in 1983. The exhibition positions 1983 as a psychological and artistic turning point, tracing over four decades of his uncompromising practice.

Art Gallery Shows in Bangkok to Check Out in May

A roundup of art gallery exhibitions in Bangkok for May 2026 highlights four shows: 'The Fourth Decade of the Bualuang Paintings' at The Queen's Gallery, featuring 141 works by 52 Thai artists from the Bualuang painting contests; 'New Beginning' at ART Space by MOCA Four Seasons, a group show with artists from Japan and Thailand exploring renewal; 'Museum of Monsters' at River City Bangkok, a solo exhibition by artist FAHFAHS (Napath Kuntaruck) confronting hidden memories; and 'Beneath the Horizon Line' at Art Jewel Gallery, Siam.