Simultaneous or Poly-Cinema

The Bauhaus artist László Moholy-Nagy proposes a radical departure from traditional filmmaking in his 1925 text, "Simultaneous or Poly-Cinema." He envisions a cinematic experience that moves beyond the static, rectangular screen, suggesting instead curved, spherical, or multi-planar surfaces that can accommodate multiple simultaneous projections. By utilizing rotating prisms and intersecting film strips, Moholy-Nagy describes a system where different narrative threads—such as the lives of multiple characters—can physically overlap and merge, creating a dynamic architectural arrangement of light and movement.

Shaniqwa Jarvis: Only Love Can Break Your Heart

Artist Shaniqwa Jarvis is set to debut her first UK solo exhibition, "Only Love Can Break Your Heart," at London’s Public Gallery on April 30, 2026. The show features twelve new works that blend photography with silk, mirrored surfaces, aluminum, and collage to explore themes of grief, memory, and renewal. Central to the exhibition are immersive silk installations that create live double exposures and a new film work that weaves together personal archival footage with intimate conversations on motherhood, labor, and identity.

Tell Me About Love…

Yvon Lambert, the legendary French art dealer and collector, reflects on his lifelong relationship with art and literature in an interview for TLmag41: The Art of Collecting. He recounts buying his first painting at age 14, opening his Paris gallery in the 1960s, and later donating a major portion of his collection to the French State, now housed at the Collection Lambert in Avignon. After closing his gallery in 2014, he shifted focus to an artist's bookshop, now run by his daughter Eve Lambert. The conversation, led by Sibylle Grandchamp, explores Lambert's early influences, his father's passion for literature, and the family's shared love for art books.

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Debbie Ma's solo exhibition "The Language of Surface: Paintings by Debbie Ma" is on view at the Bridgehampton Museum on Long Island through December 30, 2025. The show features Ma's geometric abstractions that incorporate marble dust and impasto techniques, creating tactile surfaces that bridge visual abstraction and material investigation. Works such as "Red Between the Lines II" (2025) and "From the Earth" (2025) demonstrate her exploration of line, shape, and color while referencing Modernist movements like Abstract Expressionism and Constructivism.

Who Are the Custom Mannequins in “Costume Art” Based On? We’re So Glad You Asked

The Metropolitan Museum of Art's 2025 Costume Institute exhibition, "Costume Art," features 25 mannequins modeled after nine real people with diverse body types and mobilities. Curator Andrew Bolton collaborated with artist Samar Hejazi, who created mirrored faceless heads for the mannequins, and artist Tanda Francis, who modeled features after historical figures like André Grenard Matswa. The mannequins are distributed across two thematic sections: "Disabled Body," featuring individuals such as writer Sinéad Burke, athlete Aimee Mullins, and models Aariana Rose Philip, Antwan Tolliver, and Sonia Vera, along with imagery of the late drag performer Goddess Bunny; and "Corpulent Body," featuring models Jade O'Belle, Charlie Reynolds, artist Michaela Stark, and singer Yseult. The living subjects underwent 3D photogrammetry scanning to recreate their likenesses.

Stories the Soil Remembers Exhibition by Jyoti Tyagi to Open at Shridharani Gallery in New Delhi

A solo exhibition titled "Stories the Soil Remembers" by Delhi-based artist Jyoti Tyagi will open from 8 May to 14 May 2026 at Shridharani Gallery, Triveni Kala Sangam, New Delhi. Curated by poet and art critic Prayag Shukla, the show features works in charcoal, acrylic, and mixed media on paper and canvas, exploring themes of nature, memory, and ecological sensitivity. Recurring motifs such as trees, birds, and landscapes reflect on the interdependence between humans and nature, while Tyagi's technique of scratching into painted surfaces evokes a sense of time and transformation.

Painting LACMA's David Geffen Galleries with Light, Shadow, and Color

LACMA's new David Geffen Galleries, designed by architect Peter Zumthor, feature custom-tinted concrete walls that break from traditional museum aesthetics. The walls are coated with a transparent, nano-scale mineral glaze developed by Zumthor and Swiss craftsman Marius Fontana, manufactured by German company Keim. The palette—dusky red, vibrant blue, and nuanced black—was inspired by ancient Indigenous American pigments prepared by artist Porfirio Gutiérrez for the museum's exhibition "We Live in Painting: The Nature of Color in Mesoamerican Art." Diana Magaloni, LACMA's Senior Deputy Director for Conservation, Curatorial and Exhibitions, led the conceptualization and application of the glazes, which are designed to enhance the building's interplay of light and shadow without obscuring its raw concrete surfaces.

This illustrator is the best Nova Scotian folk artist you’ve never heard of

The Art Gallery of Nova Scotia (AGNS) has opened "On the Matter of Memory: The Drawings of Harold Cromwell," the first solo exhibition dedicated to the late African Nova Scotian folk artist. Cromwell (1919–2008) created intricate ballpoint-pen drawings on everyday surfaces like cupboard doors and paper plates, chronicling working-class rural life. His works were sold for a few dollars at the Annapolis Farmer’s Market and were largely overlooked during his lifetime, despite his regional popularity. The exhibition runs until September 13, 2026, and aims to elevate his legacy alongside better-known Nova Scotian folk artists like Maud Lewis.

In Venice, Su Xiaobai will fill a historic palazzo with works crafted in natural lacquer

Artist Su Xiaobai will present a major solo exhibition titled "Alchemical Universe" at the Palazzo Soranzo Van Axel as an official Collateral Event of the 61st Venice Biennale. Curated by Stephen Little of LACMA, the show features 35 works spanning two decades, highlighting Su’s transition from oil painting to the mastery of natural lacquer. The exhibition includes his latest series, "Niao Niao," which utilizes mineral and metallic powders to create monochromatic, ethereal surfaces that emphasize material spontaneity over rigid artistic control.

Kate Tova’s New Exhibition at Oceanside Museum of Art Asks What it Really Means to Rest

San Francisco-based artist Kate Tova has launched a solo exhibition titled "The Art of Rest" at the Oceanside Museum of Art. The show features a series of vibrant, large-scale multimedia works that blend traditional oil painting with unconventional materials like sequins and reflective surfaces. Tova’s latest body of work explores the psychological and physical necessity of stillness, challenging the modern culture of constant productivity through her signature "glitch" aesthetic and tactile textures.

Long lost portrait of Scotland’s great poet Robert Burns goes on show for first time

A long-lost portrait of Robert Burns by Henry Raeburn, painted in 1803, has gone on public display for the first time at the National Gallery of Scotland in Edinburgh, just in time for Burns Night on 25 January. The painting resurfaced in a house clearance in Surrey and was auctioned in Wimbledon in March 2025 with a guide price of £300–£500; collector and Burns enthusiast William Zachs purchased it for £68,000 after a tense bidding war, gambling on the Raeburn attribution. Experts including Patricia Allerston and Duncan Thomson have since confirmed the work is authentic, and it is now exhibited alongside Alexander Nasmyth's 1787 portrait of Burns.

A Testimony to Survival and Hope Amid Chaos and Destruction

Vian Sora's first solo museum exhibition in the United States, 'Outerworlds,' is on view at the Santa Barbara Museum of Art (SBMA) through September 7. The exhibition features vibrant, layered abstract paintings that the artist describes as deeply personal, including 'Forest Remains,' a 2023 SBMA acquisition that she considers a self-portrait about migration and assimilation. Sora, born in Baghdad and a survivor of the Iran–Iraq War, Gulf War, and the 2003 invasion, discussed her work in a conversation with SBMA Chief Curator James Glisson, explaining how a 2015 hysterectomy led to a dramatic shift in her style toward bold, colorful compositions. The show will travel to the Speed Art Museum in Louisville and the Asia Society Texas Center after its Santa Barbara run.

Boston artist John Wilson's work now the subject of Museum of Fine Arts exhibit celebrating humanity

The Museum of Fine Arts, Boston, has opened a new exhibition titled "Witnessing Humanity: The Art of John Wilson," featuring 110 works by the late Boston artist. Born in 1922 to immigrants from British Guyana, Wilson spent over six decades creating paintings, prints, drawings, sculptures, and illustrated books that center on portraits of himself, his family, and his friends. The exhibition, co-curated by Edward Saywell, highlights Wilson's lifelong commitment to reclaiming the dignity and humanity of Black Americans in art, a response to the caricatured and dehumanized representations he saw as a student.

Conservation of Tintoretto painting in UK reveals ‘layer of history hiding under the surface’

A two-year conservation project by the National Trust has uncovered significant compositional changes in Jacopo Tintoretto's painting *The Wise and Foolish Virgins* (around 1546), which returns to public display at Upton House in Warwickshire, UK on 28 April. X-ray imaging revealed a hidden stone balcony beneath the final architectural setting, matching a balcony in a related version at the Museum Boijmans Van Beuningen in Rotterdam. Infrared scanning and paint analysis also showed that Tintoretto removed criss-cross elements and a balcony section, replacing them with a servant laying a table, while previous restorers had misinterpreted these pentimenti as part of the intended composition.

Jemima Wyman

Jemima Wyman's retrospective "Deep Surface" surveys three decades of her work exploring DIY aesthetics of concealment, protest iconography, and political solidarity. Born in Sydney and based in Los Angeles since 2004, Wyman is known for collages of masked protesters, activist signage, and street rally residues, as seen in works like *Aggregate Icon (RBW)* (2016) and *Mass Monument (Y & B)* (2018). The exhibition highlights her early inspiration from Fluxus, Minimalism, and Yayoi Kusama, as well as the influence of Brisbane's late-1990s art scenes and postcolonial Indigenous Australian art debates. Wyman, who has Indigenous (Palawa) heritage, uses camouflage and disguise to blur boundaries between visibility and concealment, figure and ground.

In Venice, famous street artist JR completely wraps a historic palazzo with an installation

A Venezia il famoso street artist JR avvolge completamente un palazzo storico con un’installazione

Street artist JR has wrapped the historic Palazzo Ca' da Mosto in Venice—now the Venice Venice Hotel—with a large-scale installation timed to the 61st Venice Biennale. The project, titled "Il Gesto," reinterprets Paolo Veronese's 1563 masterpiece "The Wedding at Cana" as a contemporary fresco featuring 176 people from the Refettorio Paris community kitchen. Inside the palazzo, an immersive installation combines photographic portraits, reflective surfaces, and audio recordings to create a layered narrative. A monumental tapestry woven by Giovanni Bonotto and the Fondazione Bonotto, made from recycled plastic, wool, cotton, and washi paper, extends the work into a durable, contemplative form.

Blank Spaces. Sung Tieu by Sarah Johanna Theurer

Sung Tieu's installations, characterized by austere, bureaucratic surfaces, explore the hidden architectures of power embedded in everyday systems. The article examines her series of works that deconstruct administrative forms used in asylum procedures, reducing them to blank spaces and quantified grids to expose how institutional power operates through seemingly neutral documents. Her exhibition "In Cold Print" at Nottingham Contemporary physically manifests these themes by using steel fences to control viewer movement, drawing direct parallels between minimalist sculpture and the dehumanizing design of border controls.

The Anti-Pop Art of Domenico Gnoli

The article reviews "The Adventure of Domenico Gnoli," a retrospective at Lévy Gorvy Dayan in New York, focusing on the Italian artist's 1967 painting *L'inverno (Couple au lit)* and other works featuring intimate, fabric-rich domestic scenes. Gnoli (1933–1970), born into an art-world family, is often associated with Pop Art, but the author argues his work depicts a private, almost childlike world of memory and longing, contrasting with Pop's mass-produced commodities.

Exhibition | Celeste Rapone, 'Hyperarousal' at Esther Schipper, Esther Schipper Berlin, Germany

Esther Schipper Berlin presents 'Hyperarousal', Celeste Rapone's first exhibition with the gallery, featuring three new paintings that explore the intersection of sensuous stimulation and nervous tension. The works depict female protagonists in narratively dense, ambiguous scenes that allegorize millennial angst, using techniques like alla prima painting and color-based formal constraints. Key pieces include 'While Waiting' (2025), showing a figure with pepper spray and a digital camera, and 'Den' (2026), where intertwined figures follow a self-defense tutorial on an iPad.

Exhibition | Lulama Wolf, 'The Architecture of Memory' at THK Gallery, Cape Town, South Africa

South African artist Lulama Wolf presents 'The Architecture of Memory,' an online-only exhibition hosted by THK Gallery. Wolf utilizes a distinct material language of pigmented sand and acrylic to create tactile surfaces that reference the weathered walls of domestic and sacred spaces. Her work moves beyond simple representation, using geometric abstraction and earth-based materials to explore the intersection of personal history and collective generational memory.

Marcy Bernstein at Ceres Gallery in New York

Ceres Gallery, a pioneering feminist gallery in New York, opens its 43rd season with two exhibitions: "Marcy Bernstein: Evocative Abstractions" and Carlyle Upson's "Submerged," running from September 2 to September 27, 2025. Bernstein's mixed media paintings on recycled surfaces feature bold brushstrokes and layered textures exploring geometry, symbolism, and nature, while Upson's work is also on view. The season includes public programs such as an opening reception, an author talk and book signing with Michael G. Garber, and a closing reception.

ancient rome new orleans tombstone 1234755754

A 2nd-century Roman gravestone inscribed for a sailor named Sextus Congenius Verus was discovered in March 2025 by Daniella Santoro and Aaron Lorenz while doing yard work at their New Orleans home. University of New Orleans archaeologist D. Ryan Gray, working with colleagues at the University of Innsbruck and Tulane University, traced the stone to a missing object from a museum in Civitavecchia, Italy. Researchers believe it was brought to the U.S. as a souvenir by a member of the 34th division of the Fifth Army after the liberation of Rome in 1944. The FBI’s Art Crime Team is now involved in repatriating the headstone to Italy.

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Alison Nguyen, a Vietnamese American artist based in New York’s Chinatown, discusses her multidisciplinary practice spanning video, installation, performance, and sculpture. Her works explore American mythologies, visual culture, and digital labor, drawing from low and high culture. Notable pieces include *History as Hypnosis* (2023), which follows three Vietnamese women through a desert and downtown Los Angeles, and *My Favorite Software Is Being Here* (2021), featuring an AI assistant named Andra8. Nguyen’s upcoming works *Change Order* (2024) and *Aisle 9* are inspired by her family’s Taiwanese hosiery business archives. She is featured in ARTnews’ 2025 “New Talent” issue.

A Bodybuilder’s 3,300-Year-Old Egyptian Stele Heads to TEFAF

A 3,300-year-old Egyptian stele once owned by bodybuilding pioneer Ben Weider is set to be a highlight at TEFAF New York this May. The limestone carving, which depicts Pharaoh Thutmose IV, was gifted to Weider in 1964 and recently surfaced at a Montreal auction before being acquired by the London-based gallery David Aaron. Alongside the stele, the gallery will present a 2,500-year-old greywacke bust of a goddess, which was recently authenticated after being dismissed as a fake due to its pristine condition and 18th-century restorations.

‘It’s a huge, futuristic space with massive skylights’: Ali Zolghadri’s best phone picture

Ali Zolghadri, a Tehran-born fine art photographer, captured a composite image of the central atrium of the Iran Mall in Tehran—the world's largest shopping mall—which was shortlisted in the creative category of the 2026 Sony World Photography Awards. The photograph, taken four months before the US and Israel launched their war on Iran, depicts the mall's futuristic architecture with sweeping curved lines, metallic surfaces, and massive skylights, and includes a lone passerby to emphasize scale. Zolghadri emphasizes that his process involves manual editing in Photoshop without AI, blending three frames and removing unnecessary elements to construct meaning.

art eloise hess young artist

Eloise Hess, a 30-year-old artist based in Los Angeles and a 2024 Yale Painting/Printmaking MFA graduate, has developed a unique image-making process that blurs the line between photography and painting. Her technique involves transferring photographs wet onto absorbent paper, embedding the print in an encaustic surface, and then painting, carving, and manipulating the image to create records of landscapes, shadows, gestures, and time. She discusses her work "Early Morning Tomorrow," a screenprint of photographs taken with her father, and reflects on themes of time, resonance, and capacity.

art chicago mca queer artists

The Museum of Contemporary Art Chicago has organized a summer exhibition titled 'To Share a Garden,' bringing together over 30 artists in a decade-spanning review of queer art and activism. The show draws its theme from Chicago's historic motto 'urbs in horto' (city in a garden) and features works from the 1980s to the present, including pieces by Brendan Fernandes, Nick Cave, Mary Patten, and Doug Ischar. The exhibition acts as a visual archive of queer artistic expression, spanning from the AIDS crisis protests to contemporary movements.

Maxwell Mustardo Sculpts Ancient Ornamentation in Brilliant Glazed Forms

Maxwell Mustardo creates ceramic vessels that blend ancient Greek forms like amphorae, kraters, and kylix with organic, fungal-like surface textures in fluorescent oranges, pinks, and greens. Based in New Jersey, he works as studio manager at the former residence of artist Toshiko Takaezu, and his practice focuses on pushing classical ornamentation—such as gadrooning—back into its natural origins, blurring the line between cultural artifact and living growth.

Artemis II Captures Spectacular Images of ‘Earthset’ from Deep Space

NASA’s Artemis II mission has released a series of stunning high-definition images captured during its 10-day journey around the Moon, marking the first crewed lunar mission in over half a century. Among the most striking visuals is a photograph of an 'Earthset,' showing our home planet descending behind the lunar horizon. The mission is currently underway and is expected to conclude with a splashdown in the Pacific Ocean on April 10.

Galerie Sept Sets Its Sights on a New, Expanded Vision on the Belgian Seaside

Galerie Sept, founded by Florian Araïb in Brussels in 2018, has expanded by opening a second gallery location in the Belgian seaside town of Knokke. The new, larger space features high ceilings and natural light, designed to support more ambitious presentations of its artists' work, and is launching with an exhibition by Juliette Clovis.