The Interview: Thelma Golden

Thelma Golden, director and chief curator of the Studio Museum in Harlem, is interviewed ahead of the museum's reopening in a new Adjaye Associates-designed building following a $300 million capital campaign. Golden reflects on her career, including curating the politically charged 1993 Whitney Biennial and the landmark exhibition "Black Male: Representations of Masculinity in Contemporary American Art" (1994–95), as well as her influential 2001 show "Freestyle," which introduced the concept of "post-Black" art. The article also highlights the museum's first exhibition in the new building, focusing on artist Tom Lloyd, whose work was featured in the museum's inaugural show in 1968.

New York’s Studio Museum—known for championing Black artists—reopens in $300m new home

The Studio Museum in Harlem will reopen on November 15 after a seven-year closure, unveiling a new $300 million, 82,000-square-foot building designed by Adjaye Associates and Cooper Robertson. The first purpose-built space in the museum's 57-year history, located at its original footprint on West 125th Street, features a dramatic dark-grey precast-concrete facade and includes a $50 million endowment. The reopening comes after architect David Adjaye stepped away from the project in 2023 following sexual assault allegations, which he denies. The inaugural exhibition will highlight works by Tom Lloyd, the first artist shown when the museum opened in 1968.

The rooms where the magic happened: National Gallery of Ireland exhibition explores Picasso’s studios

The National Gallery of Ireland is opening an exhibition titled "Picasso: From the Studio" that shifts focus from the artist's famous subjects—such as weeping women and bullfighting—to the physical spaces where he created his work. Curated by Janet McLean and Joanne Snrech, the show draws heavily from the Musée Picasso in Paris and includes over 100 works, ranging from early pieces made from scraps to late paintings like *Musician* (1972). The exhibition recreates the atmosphere of key studios through paintings, film, and photographs, including iconic images by Dora Maar of Picasso painting *Guernica* (1937). The gallery owns only one Picasso painting, *Still Life with a Mandolin* (1924), which is included.

13 Art Exhibitions You Don’t Want To Miss This Fall

This fall, galleries and museums across the United States are presenting a series of exhibitions centered on Black life, ranging from historic pioneers to contemporary voices. Highlights include Athi-Patra Ruga's immersive installation 'Lord, I gotta keep on (movin')' at the Leslie-Lohman Museum of Art, which imagines a queer Black nation called Azania; 'Edmonia Lewis: Indelible Impressions' at Stanford's Cantor Arts Center, showcasing the 19th-century sculptor's Neoclassical works; and 'Data Consciousness: Reframing Blackness in Contemporary Print' in New York, inspired by W. E. B. Du Bois's data visualizations. Other notable shows include 'A Taste of Beauty' at the Crocker Art Museum, featuring carved African spoons, and the reopening of the Studio Museum in Harlem, alongside the global energy of Art Basel Miami Beach.

Century-old art studio in need of urgent repairs

The Charleston Trust has launched a £250,000 fundraising campaign called Studio 100 to urgently repair a century-old studio at Charleston in Firle, East Sussex. The studio, originally built in a chicken shed in 1925 by artists Vanessa Bell, Duncan Grant, and Roger Fry, was intended as a temporary space but has become a globally significant site. The total project cost is about £470,000, with support already secured from Arts Council England. Repairs will focus on the roof, windows, doors, and fragile painted surfaces, along with installing climate control systems, scheduled from November 2026 to April 2027.

Picasso: From the Studio

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Jewish collector's heirs revive Nazi loot claim to Van Gogh Sunflowers painting

Heirs of Jewish banker and collector Paul von Mendelssohn-Bartholdy are appealing a lower court's dismissal of their lawsuit against Japanese insurer Sompo Holdings over Vincent van Gogh's painting *Sunflowers* (1888-89), valued at $250 million. The plaintiffs—Julius H. Schoeps, Britt-Marie Enhoerning, and Florence von Kesselstatt, representing over 30 beneficiaries—claim the work was sold under Nazi pressure in 1934. Sompo bought the painting in 1987 for a record $25 million at Christie's London. The case was heard by a three-judge panel of the US Court of Appeals for the Seventh Circuit on 17 September 2025, under the 2016 Holocaust Expropriated Art Recovery (HEAR) Act.

Uptown and downtown, re-imagined museums in New York prepare to reopen

Two of New York City's most influential contemporary art institutions, the Studio Museum in Harlem and the New Museum on the Bowery, are set to reopen this autumn after major architectural transformations. The Studio Museum will unveil its first purpose-built facility, an 82,000 sq. ft seven-story building on West 125th Street designed by Adjaye Associates with Cooper Robertson, featuring expanded exhibition space, artist studios, and a "reverse stoop" for public programming. The New Museum will debut a seven-story expansion to its flagship building at 235 Bowery, doubling its exhibition space and reinforcing its role as a hub for experimental art.

Curator’s Corner: What Goes into Making an Exhibition?

Janet McLean, curator of Modern Art at the National Gallery of Ireland, discusses the process of curating the upcoming exhibition "Picasso: From the Studio," the first major Picasso show in Ireland since a student-led exhibition in 1969. That earlier exhibition, held by Trinity students in a library storage room, attracted 42,000 visitors and featured 97 works by Picasso. McLean explains that curation is about creating connections and a "conversation" between pieces, balancing narrative with practical constraints like light levels, copyright, and lender approvals. The new exhibition, with a sole lender—the Musée National Picasso-Paris—traces Picasso's life in France from 1913 to 1973, showcasing his evolution as an artist.

On the Market: Artist Lorna Simpson's Studio, Custom-Designed by David Adjaye in Brooklyn, New York

Lorna Simpson's custom-designed Brooklyn studio, created by architect David Adjaye in 2006, has been listed for sale at $6.5 million. The 3,300-square-foot, four-story property at 208 Vanderbilt Avenue in Fort Greene features a double-height great room, three bedrooms, a rear garden, and was originally built as a live/work space for the artist and her then-husband James Casebere. The listing is handled by Leslie Marshall and Nick Hovsepian of the Corcoran Group. Simpson, whose survey exhibition "Lorna Simpson: Source Notes" is currently on view at the Metropolitan Museum of Art, has moved her primary practice to a larger nearby space, using the Vanderbilt Avenue property for archives and events.

Catch These Glamourous Summer Exhibitions at SCAD Lacoste

SCAD Lacoste, the Savannah College of Art and Design's campus in Provence, France, is hosting three summer exhibitions: 'Christian Dior: Jardins Rêvés', the first Dior exhibition in southern France, featuring over 30 haute couture silhouettes and 60 accessories by Dior and his successors; 'DRIFT: Unfold', a permanent interactive installation by the Dutch artist duo DRIFT that transforms visitors' heartbeats into audiovisual displays; and 'Studio Bee: 100% Made by SCAD', showcasing work by recent SCAD fashion graduates. The Dior show runs until September 28, while the Studio Bee exhibition continues until November 2.

Pablo Picasso: Private Creative Realms Revealed in Dublin Exhibition

The National Gallery of Ireland presents 'Picasso: From the Studio', an exhibition opening 11 October 2025 that explores Pablo Picasso's private creative spaces across his career. Featuring sixty works, including paintings, sculptures, and ceramics, the show reconstructs the artist's studios from Montmartre's Le Bateau-Lavoir to the Mougins farmhouse, using archival photographs as ghostly backdrops. Key pieces like 'Violin and Bottle on a Table' (1915) and 'Tête de femme' (1931-32) reveal how specific environments—a cramped Parisian garret, a sun-drenched villa in Avignon, a Normandy stable—shaped his stylistic reinventions from Analytic Cubism to postwar ceramics.

“She’s a Real 20th Century Figure”: Thelma Golden on the ICA’s Mavis Pusey Retrospective

The Institute of Contemporary Art Philadelphia, in collaboration with the Studio Museum in Harlem, has opened "Mavis Pusey: Mobile Images," a retrospective of the Jamaican-born abstract artist Mavis Pusey (1928–2019). The exhibition spans two floors of Pusey's paintings and archival materials, showcasing her geometric abstractions that translate urban construction and gentrification into fractured planes and rhythmic blocks of color. The show was sparked by Studio Museum director Thelma Golden's discovery of Pusey's work in an online auction catalog a decade ago, leading to a collaboration with curator Hallie Ringle.

In ‘A Natural History of the Studio,’ Many William Kentridges Add Up to One

William Kentridge's latest exhibition, 'A Natural History of the Studio,' at Hauser & Wirth in New York presents over 70 drawings from his nine-part film series 'Self-Portrait as a Coffee-Pot,' alongside new sculptures. The works, created during the pandemic, explore self-portraiture through charcoal, pastel, and collage, often featuring doppelgängers that argue and disagree, reflecting the artist's engagement with theater and the materiality of his forms.

Whiteley showcase reveals struggles with addiction and pursuit of beauty

A touring exhibition from the Brett Whiteley studio in New South Wales, titled *Inside The Studio*, has arrived at the Shepparton Art Museum in Victoria—its final stop and only Victorian venue. The show features drawings, ceramics, sketchbooks, photographs, Whiteley's iconic Sydney Harbour painting, and his 1976 Archibald Prize-winning self-portrait. Wendy Whiteley, the artist's former wife and an artist herself, shares memories of their turbulent marriage, including his struggles with addiction and his intense dedication to his craft. She has also repurchased several of her favorite sketches of her in the bathtub, which had been auctioned off over the years.

A natural history of the studio

William Kentridge presents his first exhibition with Hauser & Wirth in New York, titled "A natural history of the studio." The show features his acclaimed episodic film series "Self-portrait as a coffee-pot" (completed in 2024) alongside over seventy works on paper and sculptures. Spanning two floors at 542 West 22nd Street and extending to the gallery's 18th Street location, the exhibition includes charcoal drawings used in the film's animation, Paper procession sculptures, and the animated video "Fugitive words" (2024). The installation, designed by longtime collaborator Sabine Theunissen, evokes Kentridge's Johannesburg studio environment.

Which galleries are returning to Frieze London and Frieze Masters 2025—and which are not?

Frieze London and Frieze Masters have announced their 2025 exhibitor lists, with nearly 290 galleries set to participate in Regent's Park from October 15 to 19. Frieze London's 22nd edition will feature over 160 exhibitors, including blue-chip names like Gagosian, Pace, Goodman, and Sprüth Magers, alongside London staples The Approach and Corvi-Mora. Notable absentees from last year include Tanja Wagner, Magician Space, and Lia Rumma, while newcomers such as Carbon 12, Anat Ebgi, and Simões de Assis join the main section. The Focus section for emerging galleries debuts eight first-time participants, and a curated section organized by Jareh Das will highlight artists from Brazil, Africa, and their diasporas. Across the park, Frieze Masters, under new director Emanuela Tarizzo, will host around 120 galleries, with first-timers including Champ Lacombe and Vito Schnabel Gallery, and the Studio section curated by Sheena Wagstaff.

The New Yorker and Goldman Sachs Fete Artist Barkley L. Hendricks at The Frick Madison

The New Yorker and Goldman Sachs Private Wealth Management co-hosted an intimate evening at the Frick Madison to celebrate the historic exhibition "Barkley L. Hendricks: Portraits at the Frick," the museum's first solo show by an artist of color. The event featured a conversation about Hendricks's legacy between Thelma Golden, director of The Studio Museum in Harlem; Aimee Ng, curator at The Frick Collection; and Antwaun Sargent, consulting curator at the Frick. Guests viewed fourteen of Hendricks's early portraits, which combine a bold realism with Old Master influences to center Black representation.

miami bakehouse art complex celebrates 40 years

The Bakehouse Art Complex in Miami’s Wynwood district is celebrating its 40th anniversary and the 100th anniversary of its Art Deco building, which originally opened as a bakery in 1926. Founded in 1985 by a group of artists who purchased the abandoned industrial bakery for $10, the nonprofit has provided studio space to over 1,500 local artists. The celebration kicked off with an exhibition titled “Bakehouse at Forty: Past, Present, Future,” attended by more than 1,000 guests, and included a gala fundraiser with affordable ticket prices. The organization is now planning to build 60 units of affordable artist housing as part of a revitalized campus.

art witt fetter young artist

Cultured magazine profiles 31-year-old artist Witt Fetter as part of its 2025 Young Artists list. Based in New York and originally from Los Angeles, Fetter is known for paintings that reimagine surreal American scenes—such as the White House Situation Room, a Titanic-shaped inflatable slide, and a false missile alert sign—bathed in a distinctive violet-blue haze. Her work has been featured at Fierman and Derosia galleries, and she describes her practice as motivated by grief, desire, and faith, often exploring the tension between personal mythology and broader cultural contexts. The profile includes her reflections on a self-portrait titled *Diana, 2022*, inspired by a photograph of Princess Diana, and her tribute to her grandfather, who taught her to paint and whose technique of using a violet undercoat she continues.

Dans les ateliers de la Maison du vitrail, où création et restauration conjuguent au présent cet art du verre et de la couleur

The article visits the Maison du vitrail, a French stained-glass workshop founded in 1973 by Christiane and Philippe Andrieux and now run by their daughter Emmanuelle. Located in a historic courtyard, the studio employs fourteen artisans who cut, paint, and assemble colored glass for both restoration and original creations. The workshop has evolved from a small space in Châtillon to a thriving enterprise that handles everything from church windows and Parisian staircases to trophies, jewelry, and commercial projects for clients like Truffaut and the Casino de Paris.

Theater in Paris: Studio Hébertot brings to life the companions of Pablo Picasso, from Fernande Olivier to Françoise Gilot

Théâtre à Paris : le Studio Hébertot fait revivre les compagnes de Pablo Picasso, de Fernande Olivier à Françoise Gilot

A theatrical production titled 'Les Amours de Pablo' is being staged at the Studio Hébertot in Paris until the end of May 2026. The play, created by the Compagnie Bille en Tête, focuses on the intimate and tumultuous relationships of Pablo Picasso, but primarily aims to give voice and substance to seven of his romantic partners, portraying them as complex individuals and artists in their own right.

‘I’m not trying to make him handsome’: Polly Samson on photographing husband David Gilmour – in pictures

Polly Samson, acclaimed author and wife of Pink Floyd guitarist David Gilmour, presents her first solo photography exhibition at Leica Gallery London, featuring intimate images taken over two decades of Gilmour on tour and in the studio. The show, titled 'Polly Samson – Between This Breath and Then,' runs until 7 May 2026 and coincides with the release of her book 'David Gilmour: Luck and Strange – Studio/Live,' published by Thames & Hudson. Samson's photographs capture candid moments of Gilmour, their family, and the creative process behind albums including 'Luck and Strange.'

Two New Exhibits at Penn’s Institute of Contemporary Art

The Institute of Contemporary Art (ICA) at the University of Pennsylvania has opened two new exhibitions. "Mavis Pusey: Mobile Images" (through December 7, 2025) is the first major museum survey dedicated to Jamaican-born geometric abstractionist Mavis Pusey (1928-2019), featuring over 60 works from her 50-year career, including her "Broken Construction" series. Co-organized with the Studio Museum in Harlem and curated by Hallie Ringle and Kiki Teshome, the show includes archival materials. The second exhibition, "Entryways: Xenobia Bailey" (through August 9, 2026), continues ICA's collaboration with textile studio Maharam, featuring a window installation by Philadelphia-based fiber artist Xenobia Bailey, curated by Denise Ryner.

AT THE ART GALLERIES

The article announces a series of May art exhibitions across multiple galleries in Key West, Florida. The Studios of Key West opens four solo shows: Tim Marshall Curtis's "Giants Among Us" featuring towering sculptures, Carole Faye's "Reverence/Irrelevance" with works made from scavenged materials, Andree B. Carter's "Roots of a City" textile paintings, and Wayne Garcia's "Once There Was a Railroad" hand-carved reliefs. Other venues include the Key West Collective featuring Steve Bikis and Brad Gruss, Harrison Gallery showcasing Santa Fe artist Melinda K. Hall, Gallery on Greene honoring Peter Vey, and Shade and Shutter Gallery highlighting Mark Klammer's pottery.

parties ifpda christies annual benefit

The IFPDA Foundation held its annual benefit at Christie's, celebrating printmaking with an evening of conversation and the second annual Studio Visit initiative. The event featured a discussion between artist Ana Benaroya and Leslie-Lohman Museum Associate Director Judy Giera on printmaking and queer contributions to the medium, with attendees including artists, curators, and collectors. The Studio Visit sale, offering access to artists' studios, runs through October 24.

Architecture as Microcosm: Interview with Architects Barclay & Crousse Coming to an Exhibition in Milan

Architettura come microcosmo. Intervista agli architetti Barclay & Crousse che arrivano in mostra a Milano

Architects Sandra Barclay and Jean Pierre Crousse, founders of Barclay & Crousse Architecture, are the subject of a feature interview and exhibition in Milan. The studio, established in Paris in 1994 and now based in Peru, is known for projects that deeply engage with the Peruvian landscape, particularly the coastal desert between the Pacific Ocean and the Andes. Their notable works include the Lugar de la Memoria (Lima, 2015), the Museo de Paracas (2016), and the Franco-Peruvian School in Lima (2025), which recently won the Grand International Prize at the X Bienal Internacional de Arquitectura de Santa Cruz (Bolivia) in 2026. The article traces their education across Peru, France, and Italy, and their return to Peru in 2006, where they continue to run a French branch called Atelier Nord Sud.

Art in DUMBO opens artist studios to public in Brooklyn

Art in DUMBO has announced that DUMBO Open Studios will take place on April 26th and 27th, 2025, featuring 155 artists who will open their studios to the public across the Brooklyn waterfront. The weekend kicks off with the Sharpe-Walentas Open Studios reception on April 25th, offering a look at 17 artists in the annual residency program. Participants include artists from five residency programs: BRIClab Contemporary Art, Sharpe-Walentas Studio Program, Smack Mellon Artist Studio Program, New York Studio School, and Triangle NYC. The article also details the history of the Sharpe-Walentas Studio Program, which began in 1991 with support from the Marie Walsh Sharpe Foundation and later the Walentas Family Foundation.

At the Venice Biennale, the Armenian Pavilion Transforms into an Artist's Workshop: Works Are Born in Front of the Public

Alla Biennale di Venezia il Padiglione dell’Armenia si trasforma in bottega d’artista: le opere nascono di fronte al pubblico

The Armenian Pavilion at the 2026 Venice Biennale will transform into a functioning artist's studio, where sculptor Zadik Zadikian will create works in real time before the public. Titled "The Studio," the project is curated by gallerist Tony Shafrazi and curator Tina Chakarian, and will operate daily from May 6 to November 22 at the Tesa 41 of the Arsenale. Zadikian, born in Yerevan in 1948 and now based in the US, will work with traditional Armenian plaster techniques alongside his son Aram and studio assistants, emphasizing the process of making over the finished object.

Rare 'Ponyo' Work From Studio Ghibli Donated To Academy Museum

Studio Ghibli has donated over 120 rare production artifacts to the Academy Museum of Motion Pictures, marking the first time the legendary animation studio has gifted such materials to an external institution. The donation includes original Japanese release posters, artboards, and key animation drawings from the 2008 film 'Ponyo,' which were revealed to be hand-drawn by Hayao Miyazaki himself. These items are currently featured in the museum's new interactive exhibition, 'Studio Ghibli’s Ponyo.'