Nazi-looted painting discovered in home of Dutch SS commander's heirs

Art detective Arthur Brand announced the discovery of a Nazi-looted painting, *Portrait of a Young Girl* by Toon Kelder, in the home of the heirs of Hendrik Seyffardt, a notorious Dutch SS commander. The painting was part of the more than 1,100 works plundered from Amsterdam art dealer Jacques Goudstikker by German occupiers. An anonymous heir, who changed his family name, contacted Brand after learning of his ancestry, expressing shame and demanding the painting be returned to the rightful Jewish owners. The current owner, a relative, claims ignorance of its provenance and says the family is discussing restitution.

Venice Biennale denies it helped ‘circumnavigate’ sanctions against Russia with pavilion

The Venice Biennale is facing allegations that it helped Russia circumvent EU sanctions by allowing the Russian pavilion to operate during preview days, when only arts professionals and press are present. Investigative website Open published emails between Biennale officials and Russian pavilion organizers, including requests for visa assistance for artists and staff. The commissioner, Anastasia Karneeva, is the daughter of a Rostec deputy CEO and runs a consultancy with the daughter of Russia's foreign minister. The Biennale denies any wrongdoing, stating it acted in compliance with international law. Russia has been absent from the Biennale since 2022 but retains a permanent pavilion in the Giardini.

Jake Messing’s Hyperrealistic Paintings Celebrate the Abundance of Nature

Jake Messing, a Northern California-based artist, creates hyperrealistic acrylic paintings that depict dense, maximalist clusters of flora and fauna, often combining creatures and plants in surreal arrangements. His works, such as "Coccinellidaes Hideaway 2" and "Bubbles and Blooms," draw on the tradition of Dutch Golden Age still-life painting while incorporating contemporary elements like color gradients and shiny fabrics.

iris van herpen's colossal body of intricate work on view at the brooklyn museum

Iris van Herpen's exhibition "Iris Van Herpen: Sculpting the Senses" opens at the Brooklyn Museum from May 16 to December 6, 2026, featuring over 140 haute couture creations alongside contemporary art, design objects, and natural history specimens. The show, previewed by designboom, is organized around natural themes from water to planetary scale, with the Dutch designer leading a walkthrough that emphasized her inspirations from micro and macro worlds and her process of turning material experiments into wearable sculptures.

Longtime art and studio complex in downtown Wilmington is for sale

Acme Art Studios, a longtime visual arts institution in downtown Wilmington, North Carolina, has been listed for sale at $4.4 million. The one-acre complex at 711 N. Fifth Ave. includes a 12,000-square-foot warehouse with studio and gallery space, plus four vacant lots. Founded in 1991 by a collective of artists in a former carpet warehouse, Acme has become a vital hub for the local arts scene, renting to dozens of artists and hosting countless shows over more than three decades. The property is owned by five artists, including co-founder Pam Toll, who said the decision to sell was unanimous and that the timing is right for a number of reasons.

Street art festival transforms Morocco's capital into open-air gallery

The 11th JIDAR Rabat Street Art Festival has transformed Morocco's capital into an open-air gallery, with artists from Ecuador, South Africa, Peru, Russia, and Morocco painting large-scale murals on buildings. Works include Oscar Medina's bird clutching the sun and moon, Keya Tama's lion with Arabic script, and Mohamed Roshdi's portrait of a woman holding fish. The festival runs until 27 April.

Kanal-Centre Pompidou sans tête

Yves Goldstein, the general director of the Brussels branch of the Centre Pompidou, has announced his departure just before the scheduled opening of Kanal-Centre Pompidou on November 28. Goldstein stated that his mission is nearly complete and that the museum's daily management phase requires a different leader. A call for applications will be launched by the board of directors, with the selection made by the board of the Fondation Kanal based on profiles proposed by a jury led by president Michèle Sioen. The new director will face immediate challenges, including negotiating a new management contract with the Brussels Region for 2029-2033 and securing an increased annual subsidy, currently set at €10 million, which is deemed insufficient.

Brussels, Russia and the Venice Biennale

The jury of the 61st Venice Biennale Art Exhibition has resigned en masse to protest the decision to allow Russian participation for the first time since the 2022 invasion of Ukraine. The jury stated it would refuse to consider artists from countries whose leaders face International Criminal Court warrants, specifically Israel and Russia, citing a commitment to human rights. The Biennale organizers defended the re-admission as consistent with openness and dialogue, while Ukrainian Foreign Minister Andriy Sybiha and EU foreign policy chief Kaja Kallas condemned the move, with the EU threatening to cut funding. The Italian government distanced itself, calling the Biennale autonomous.

Israeli Pavilion Artist Made Legal Threats Before Venice Biennale Jury Resigned

New reports reveal that Israeli Pavilion artist Belu-Simion Fainaru issued legal threats against the Venice Biennale, alleging antisemitism and discrimination after the awards jury decided to exclude Israel and Russia from consideration due to human rights charges. The jury, which included Elvira Dyangani Ose, Zoe Butt, Marta Kuzma, Giovanna Zapperi, and Solange Farkas, initially stated on April 22 it would not consider nations whose leaders are charged with crimes against humanity by the International Criminal Court. Fainaru filed legal warnings with the Biennale, the Italian Ministry of Culture, and the Prime Minister's office. The jury abruptly resigned eight days later, leading the Biennale to scrap the Golden Lion awards and institute "Visitor Lions" decided by public vote. Reports indicate the Biennale's legal department warned jurors could be personally liable for damages, and Italian Culture Minister Alessandro Giuli promised to promote Fainaru's work.

Interview to discover Theo Eshetu, the only Italian artist at the 2026 Venice Biennale

Intervista per scoprire Theo Eshetu, unico artista italiano alla Biennale di Venezia 2026

Theo Eshetu (London, 1958), the only Italian artist invited to the central exhibition "In Minor Keys" of the 2026 Venice Biennale curated by Koyo Kouoh, is profiled in an interview. Born to an Ethiopian father and Dutch mother, Eshetu trained in the Netherlands and London before settling in Rome in the early 1980s. He discusses his cosmopolitan background, his early struggles with belonging, and how he transformed that into artistic strength. The interview covers his career, his memories of the Roman art scene in the 1980s and 1990s, and his current work presented at the Biennale, including the piece "The Return of the Axum Obelisk" (2010).

Venice Biennale Scraps “Golden Lion” Awards as Turmoil Continues

The 61st Venice Biennale has scrapped its traditional Golden Lion awards, replacing them with public-voted “Visitor Lions” after the entire award jury resigned on April 30. The jury had previously announced its intention to exclude countries whose leaders are charged with crimes against humanity by the International Criminal Court, effectively targeting Russia and Israel. The Biennale Foundation, however, stated that all official national pavilions—including Russia and Israel—will be eligible for the new Visitor Lions, citing principles of inclusion and equal treatment. The awards ceremony has been moved from May 9 to November 22, the final day of the Biennale, to allow ticket holders to vote throughout the event.

Scandal in Florence's Skyline? After the Black Cube and the White Cylinder, the Prism That Impales Santa Croce Appears

Scandalo nello skyline di Firenze? Dopo il cubo nero e il cilindro bianco spunta il prisma che impalla Santa Croce

A cylindrical antenna installed by the telecom company Iliad in Florence has sparked controversy after it was reported that, from certain angles, it visually overlaps with iconic landmarks such as Brunelleschi's Dome and Giotto's Campanile. The article traces a pattern of periodic scandals in Florence, including a previous uproar over the so-called "Cubo Nero" (a new building replacing a decaying theater), and notes that the antenna has actually been in place since 2023 without earlier outcry. Local artist Giacomo Costa recently photographed another white prismatic antenna in Via Ghibellina, within the UNESCO zone, that obstructs the view of Santa Croce, fueling further debate.

Catherine Couturier Gallery presents Sander Vos: "Interpolation" opening reception

Catherine Couturier Gallery in Houston is presenting "Interpolation," a solo exhibition featuring the work of Dutch-born, London-based artist Sander Vos. This marks Vos's first solo show in Houston, showcasing photographs that deconstruct portraits and everyday objects through layering and spatial manipulation inspired by Cubism. The exhibition opens with a reception and runs through June 20.

The Biennale Must Remain Open – Also for Russia

Die Biennale muss offen bleiben – auch für Russland

The article argues against calls to exclude Russia from the Venice Biennale, focusing on the controversy surrounding the Russian pavilion's planned exhibition titled "Der Baum ist im Himmel verwurzelt" (The Tree Is Rooted in Heaven). The pavilion is set to feature musicians from Russia, Argentina, Mali, and Mexico, and its theme revolves around the idea that politics is time-bound. The author contends that while the demand to exclude Russia is understandable given the geopolitical context, it is dangerous because once a biennial begins disinviting states, it undermines the very concept of the international exhibition.

Jury of the Venice Biennale Resigns

Jury der Venedig-Biennale tritt zurück

The entire jury of the Venice Biennale, appointed by artistic director Koyo Kouoh, has resigned with immediate effect. In a statement released on Thursday, the jury members—including chair Solange Oliveira Farkas, Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi—cited a prior declaration from April 22 in which they announced they would not award Golden or Silver Lions to artists from countries whose political leadership is currently indicted by the International Criminal Court (ICC) for crimes against humanity. Although no specific countries were named, the move implicitly targets Russia (President Vladimir Putin) and Israel (Prime Minister Benjamin Netanyahu), both subject to ICC arrest warrants. The resignation comes amid escalating tensions over Russia's participation in the Biennale despite EU sanctions, which had already led to a freeze of EU funding and widespread protests.

New gallery celebrating craftmanship and art opens

The historic Hopton Hall Estate has opened a new gallery in Ashbourne, England, called the Hopton Hall Gallery. The gallery, housed in an 18th-century building that previously served as a butcher's, clockmaker's, and draper's shop, is the creation of estate owners Chris and Andi Harvey. Its inaugural exhibition, 'Brushed Light: Atmospheric Watercolours,' features works by local artists, and the gallery will host a rotating program of exhibitions and events through at least May 2027.

Ten Local Galleries Part Of The First Friday Chattanooga Art Crawl

On the First Friday of May 2026, ten local galleries and studios in Chattanooga, Tennessee, will participate in the monthly First Friday Art Crawl, with extended evening hours from 5-8 PM. Participating venues include River Gallery, HART Gallery, In-Town Gallery, ICA @ UTC, BFA Open Studios @ UTC, Wavelength Space, Society of Work Northshore at The Velvet Lounge, ClearStory Arts, Stove Works, and AVA – Association for Visual Arts. Several galleries are hosting opening receptions and artist meet-and-greets, featuring artists such as David Boyd, Jim Felder, Steve Loucks, Rick Sanders, Angie To, and Kathleen Thum.

Dutch Commission Recommends New Guardianship for ‘Orphaned’ Nazi-Looted Art

A Dutch government-appointed committee has proposed transferring guardianship of thousands of unclaimed Nazi-looted artworks from a state agency to a Jewish foundation, preferably housed at the Jewish Museum in Amsterdam. The plan includes funding for exhibitions and explanatory labels to publicly display the so-called "orphaned" art from the Netherlands Art Property Collection.

Morris Museum’s Common Ground: NJ Artists Think Monumental, an Ex

The Morris Museum in Morristown, New Jersey, presents "Common Ground: NJ Artists Think Monumental," the 42nd New Jersey Arts Annual. For the first time in the series' history, the exhibition moves outdoors, activating the museum's 8-acre campus with large-scale sculptures. Nine artists were selected from 530 submissions by a jury led by Johannah Hutchinson, Executive Director of the International Sculpture Center. The exhibition runs from May 28 to August 23, 2026, and includes works by Clifford Blanchard, Sunil Garg, Wendy Gordon, Robert Koch, Robert Lobe, Judith Peck, Jill Scipione, Lee Tal, and Josh Urso.

Venice Biennale previews in chaos, overshadowed by Israeli and Russian participation

The Venice Biennale previews have descended into chaos, with the event overshadowed by controversies surrounding Israeli and Russian participation. Protests and disruptions have marked the lead-up to the prestigious international art exhibition, as demonstrators voice opposition to the inclusion of Israel amid the Gaza conflict and Russia's ongoing war in Ukraine. The situation has created a tense atmosphere, drawing significant media attention and complicating the Biennale's usual celebratory preview period.

How the Venice Biennale imploded over Israel

The 61st Venice Biennale, scheduled to open on May 9, has been thrown into turmoil after its International Jury announced that national pavilions and artists representing countries whose leaders are charged with crimes against humanity by the International Criminal Court will not be eligible for prizes. This excludes Israel, represented by sculptor Belu-Simion Fainaru, and Russia from competing for the Golden Lion. The decision follows an open letter signed by hundreds of artists and curators demanding Israel's exclusion over the war in Gaza, and comes amid ongoing geopolitical tensions, including Russia's absence from previous editions after its invasion of Ukraine. The Biennale's theme, 'In Minor Keys,' curated by the late Koyo Kouoh, aimed to focus on dignity and listening to marginalized voices, but the prize ban has sparked accusations that identity politics are overshadowing artistic merit.

Dutch Panel Designs Plan to Deal With ‘Orphaned’ Nazi-Looted Art

A Dutch advisory panel has recommended the creation of a new independent Jewish foundation to manage a vast collection of artworks looted by the Nazis that remain unclaimed. The collection, known as the NK collection, consists of over 3,000 objects currently held by the Dutch state, but whose original owners or heirs have not been identified.

Iran’s Participation in the Venice Biennale Still Uncertain

Iran’s participation in the 61st Venice Biennale remains uncertain after a public contradiction emerged between the Biennale Foundation and Iran’s Ministry of Culture and Islamic Guidance (MCIG). The Biennale Foundation had announced that Iran would not participate in the 2026 edition, curated by Koyo Kouoh, but Aydin Mahdizadeh Tehrani, director general of visual arts at the MCIG and commissioner of the Iranian Pavilion, stated in an interview with the Iranian Students’ News Agency (ISNA) that Iran never submitted a withdrawal letter. Instead, Iran requested more time and sent a letter on May 10 asking for the pavilion to open even if ineligible for prizes. Mahdizadeh Tehrani cited the US-Israel war with Iran as causing currency fluctuations that nearly tripled projected costs, complicating prior agreements, and noted that Iran had proposed a shorter exhibition period, which the Biennale rejected.

Two Major Architecture Firms Aim to Revolutionize Rome Over the Next 25 Years

Due grandi studi di architettura puntano a rivoluzionare Roma nei prossimi 25 anni

A multidisciplinary team led by Italian architecture and urban planning firm IT'S and Dutch firm OMA has won the international ideas competition "Vision for Rome," promoted by the Fondazione Roma REgeneration. Their project, "Roma Continua," was presented at the Auditorium della Tecnica di Confindustria during the second ROMA REgeneration FORUM. The proposal aims to rethink Rome over the next 25 years through a paradigm shift in urban, social, and cultural planning, envisioning the city as a living ecosystem. It is based on five guiding principles—care, beauty, knowledge, movement, reuse, and grafting—and includes five green corridors anchored to the Tiber River, "Fori dell'innovazione" (innovation forums), and a continuous mobility network. The project also seeks to reduce tourist pressure on the historic center by creating new cultural itineraries and sustainable transport links.

Ministry of Culture inspectors present report on Biennale: Russia pavilion will remain closed

Gli ispettori del Ministero della Cultura in Biennale presentano relazione: il padiglione Russia resterà chiuso

Italian Ministry of Culture inspectors have submitted a report to the Prime Minister's office regarding Russia's participation in the 2026 Venice Art Biennale. The report concludes that Russia did not receive a formal invitation from the Biennale Foundation to participate, nor did it sign the participation agreement—a situation shared by other countries with permanent pavilions. While Russia submitted a project and appointed a commissioner, its pavilion will remain closed to the public due to EU sanctions, though a private vernissage may proceed. The report finds no serious violations that would cancel Russia's participation, but notes critical issues that warranted more caution. The international jury resigned en masse after announcing it would not consider countries whose leaders are accused of crimes against humanity by the International Criminal Court, including Russia and Israel, and after an Israeli artist threatened a discrimination lawsuit.

16th-Century Rome Through the Eyes of a Foreigner: The Exhibition

La Roma del Cinquecento vista con gli occhi di uno straniero. La mostra

Fabio De Chirico has been appointed as the new director of the Istituto Centrale per la Grafica in Rome, with a mission to boost research, strengthen international dialogue, and enhance the institution's collections. His tenure opens with the exhibition "Maarten van Heemskerck e il fascino di Roma: percorsi visivi della Città Eterna," curated by Tatjana Bartsch, Rita Bernini, and Giorgio Marini, running until June 7, 2026. The show features drawings by the 16th-century Dutch artist Maarten van Heemskerck, on loan from the Kupferstichkabinett of the Staatliche Museen zu Berlin, alongside over sixty works from the institute's own holdings—including prints, engravings, and archival photographs—plus loans from the Bibliotheca Hertziana, the Musei Capitolini, and the Istituto Archeologico Germanico di Roma.

The Dutch Pavilion at the Venice Biennale is a political protest (also against the Biennale itself)

Il padiglione dei Paesi Bassi alla Biennale di Venezia è una contestazione politica (anche della Biennale stessa)

The Dutch Pavilion at the 2026 Venice Biennale, titled "The Fortress" by artist Dries Verhoeven and curator Rieke Vos, transforms the modernist Rietveld Pavilion into a fortress-like enclosure. Inside, a rotating group of thirteen international performers will stage a series of performances throughout the Biennale, focusing on themes of geopolitical uncertainty, social disorder, and the search for stability in an unbalanced world. This marks the first time the Netherlands has used the Rietveld Pavilion for a performance-based project.

AKKA Venice Project: Beyond the Exhibition

Lidija Khachatourian, founder of AKKA Project, discusses her gallery's evolution from Dubai to Venice, where it remains the only gallery dedicated to African and diasporic artists. In an interview with ART AFRICA, she explains her shift from a market-driven model toward a research-led, custodial approach that prioritizes long-term relationships and slowness over high-volume programming. The gallery, established in Venice in 2019, operates with a deliberate resistance to market pressures, focusing on care, continuity, and direct material support for its artists.

Interacting with art can slow ageing process, study shows.

A new study by University College London, published in the journal *Innovation in Aging*, finds that engaging with art—both creating and observing it—can slow the biological aging process. The research, published by Oxford University Press on behalf of the Gero, is the first to provide evidence that art engagement offers anti-aging benefits comparable to those of physical activity.

Notre-Dame : les associations attaquent le projet

Two French heritage associations, Sites & Monuments and SOS Paris, have filed legal challenges against the project to replace the stained-glass windows of Notre-Dame de Paris. The groups have submitted requests to an emergency judge and to the administrative court, seeking to suspend the works, which have already begun and threaten to remove the original windows by Viollet-le-Duc within days. The judge will rule on whether there is a serious doubt about the legality of the decision.