Fairfield University Art Museum Presents Famous & Family: Through the Lens of Trude Fleischmann, May 2 – July 26

Fairfield University Art Museum will present "Famous & Family: Through the Lens of Trude Fleischmann" from May 2 to July 26, 2025, marking the first solo museum exhibition of the Austrian-born photographer's work in the United States. The show features over 100 photographs spanning Fleischmann's career, including her early studio work in 1920s and 1930s Vienna capturing cultural figures, and her later portraits of luminaries such as Eleanor Roosevelt, Marian Anderson, and Albert Einstein after she emigrated to New York in 1940. The exhibition includes never-before-exhibited works from family collections and a documentary film, and is curated by museum executive director Carey Weber alongside Fleischmann's cousin Barbara Loss.

The Austrian Pavilion at the Biennale brings performances and installations around the Venice Lagoon

Il Padiglione Austria in Biennale porta performance e installazioni in giro per la Laguna di Venezia

Austrian artist and choreographer Florentina Holzinger (Vienna, 1986) will represent Austria at the 61st International Art Exhibition of the Venice Biennale with a project titled "SeaWorld Venice." Curated by Nora-Swantje Almes, the interdisciplinary initiative combines a permanent installation at the Austrian Pavilion with a series of site-specific performances and actions spread across Venice and its lagoon. The project explores the body, water, and the tensions between nature and technology, drawing on mythological and classical imagery populated by aquatic creatures. It includes "Études," performative formats developed by Holzinger since 2020, which activate urban spaces through participatory and immersive experiences, engaging both spectators and citizens.

NEVERCREW Explores Our Tenuous Relationship with Nature in Huge Murals

The artist duo NEVERCREW, composed of Christian Rebecchi and Pablo Togni, has unveiled a series of large-scale murals across Europe that confront the deteriorating relationship between humanity and the natural world. Their recent works, including the mural "Souvenir" in Vienna and "Switch" in Wuppertal, utilize surrealist imagery—such as polar bears merged with plastic toy components or whales encased in architectural structures—to illustrate how nature is increasingly viewed as an artificial, distant object rather than an integrated system.

Ndidi Dike “Rare Earth Rare Justice” at Secession, Vienna

Ndidi Dike, a British-Nigerian sculptor and multi-disciplinary artist, presents her first major solo exhibition at an Austrian institution, titled "Rare Earth Rare Justice," at Secession in Vienna. The show features works across mixed media, painting, sculpture, collage, photography, video, and installation, addressing social, political, and economic conditions of the modern world.

object museum oldest egyptian drilling tool found 1234772829

A small copper-alloy object, excavated nearly a century ago from a predynastic cemetery at Badari in Upper Egypt, has been re-identified as the world's oldest known Egyptian bow drill. Dating to the late 4th millennium BCE, the tool pushes back the earliest evidence for this technology in Egypt by about 2,000 years, revealing that Egyptian craftspeople mastered efficient rotary drilling much earlier than previously thought.

Frieze New Writers Pick Vienna’s Must-See Exhibitions

Andrew Durbin reviews national pavilions at a major art event, contrasting a vacuous US presentation with incisive and moving installations from Britain and Germany. The piece is part of Frieze's 'Critic's Guides' series, offering a pointed critique of the US pavilion's lack of meaning against the strength of its European counterparts.

Turkish artist Nilbar Gures brings defiance to 61st Venice Biennale

Turkish artist Nilbar Güneş will represent Türkiye at the 61st Venice Biennale (May 9–November 22, 2026) with her exhibition "A Kiss on the Eyes" in the Arsenale's Türkiye Pavilion. Güneş, born in Istanbul in 1977 and educated at Marmara University, the Academy of Fine Arts Vienna, and the University of Applied Arts, works across photography, film, painting, performance, and mixed media. Her practice draws on personal biography to address societal issues, and she has shown internationally at venues including Osmos in New York and Vortic Art in London.

Dangling sculpture—‘evacuated’ from Russian-Ukrainian frontline—will be focus of Ukraine's pavilion at Venice Biennale

Ukraine's pavilion at the 2024 Venice Biennale will feature artist Zhanna Kadyrova's concrete sculpture *Origami Deer*, which was evacuated from Pokrovsk in the Donetsk region as Russian forces advanced in 2024. The pavilion, titled *Security Guarantees*, references the 1994 Budapest Memorandum and will include archival materials and a video installation documenting the sculpture's journey across Europe. The work will be suspended from a crane on a truck along the Venice lagoon, symbolizing forced displacement and the fragility of international promises.

The Vienna Climate Biennale Contrasts Chaos with Hope

The Vienna Climate Biennale, an art festival addressing ecological, social, and political crises, has opened with a focus on sparking dialogue and encouraging audiences to envision a better future. The event contrasts themes of chaos with hope, using contemporary art to engage visitors in critical conversations about climate change and societal transformation.

Filipa Ramos takes on 2027 Lofoten Festival

Filipa Ramos has been appointed curator of the 19th edition of the Lofoten International Art Festival, set to take place across the Norwegian arctic archipelago in June 2027. Ramos, a curator and writer who teaches at the Institute Art Gender Nature of the Academy of Art and Design FHNW in Basel, is known for ecologically-focused research that reimagines human-animal-environment relationships. She authored *The Artist as Ecologist* (2025) and is currently organizing the LOOP Festival in Barcelona and the symposia series *The Shape of a Circle in the Mind of a Fish*, created with Lucia Pietroiusti.

The Rothschilds and Sèvres Porcelain: A Collector's Passion at the Heart of an Exhibition in Paris

Les Rothschild et la porcelaine de Sèvres : une passion de collectionneurs au cœur d’une exposition à Paris

An exhibition at the Galerie des Gobelins du Mobilier national in Paris explores the Rothschild family's centuries-long passion for Sèvres porcelain. Titled "Sèvres, une passion Rothschild. De la Villa Ephrussi à Paris," it traces how the banking dynasty collected, traded, and bequeathed these delicate objects from the Ancien Régime, with a centerpiece table setting featuring pieces lent by family members from Vienna, England, and beyond. The show also highlights Béatrice Ephrussi de Rothschild, who amassed thousands of pieces and left them to the Villa Ephrussi de Rothschild, and includes a section on the Nazi looting of Rothschild collections in 1940, during which 22 Sèvres pieces were acquired by the Musée de Sèvres.

Tomas Joshua Leth at Croy Nielsen

Tomas Joshua Leth opened a solo exhibition titled 'Bismillah, slip skønheden fri' at the Croy Nielsen gallery in Vienna. The show ran from February 11 to April 4, 2026, and was documented with 32 installation images.

This art exhibition wants to leave you ‘a bit happier’

Architect and artist François Valentiny, together with his wife Edith Burggraff, has opened a joint exhibition titled "L'art en partage" at the Valentiny Foundation in Remerschen, Luxembourg. Running until 10 May, the show features paintings and sculptures by the couple and is accompanied by concerts, workshops, and community events. Valentiny, known for designing landmarks like KPMG Luxembourg's headquarters and the Bijou building, studied architecture in Vienna and splits his time between Luxembourg and Austria.

Auctions of the week: ancient paintings, Modern art and the Orient

The global art market is entering a high-intensity period between March 5 and 11, 2026, with a dense schedule of auctions spanning Italy, London, Vienna, and Geneva. Major international houses including Christie’s, Sotheby’s, Phillips, and Bonhams are hosting marquee 20th and 21st-century art sales in London, while Italian houses like Finarte, Pandolfini, and Bertolami focus on Old Master paintings, design, and private estates. Notable single-owner collections, such as the Roger and Josette Vanthournout Collection and the estate of Antonio Crivellaro, are among the week's highlights.

Andrew Christopher Green at Can

The exhibition "Nachsommer" by artist Andrew Christopher Green is currently on view at Can in Vienna. Running from March 6 through April 16, 2026, the presentation features a series of new works, including untitled pieces from 2026, and is documented through a selection of images and video available via the Contemporary Art Library.

Nicole-Antonia Spagnola at FELIX GAUDLITZ

Nicole-Antonia Spagnola at FELIX GAUDLITZ

Artist Nicole-Antonia Spagnola has opened a solo exhibition titled "The first person" at the FELIX GAUDLITZ gallery in Vienna. The show, which runs from February 11 to March 21, 2026, presents a new body of work documented through eighteen installation photographs.

Marianna Simnett “Circus” at Secession, Vienna

Marianna Simnett has opened a new multimedia exhibition titled "Circus" at the Secession in Vienna. The show features a combination of light, sound, and sculptural works that delve into her Yugoslav heritage, weaving together personal family history with folklore.

Julien Bismouth “Exonumia” at Layr, Vienna

Artist Julien Bismouth presents his solo exhibition "Exonumia" at Layr gallery in Vienna. The show features new works that explore the transformation of meaning and the imposition of successive interpretations on the fabric of life, as suggested by the accompanying quote from philosopher Simone Weil.

Embodying Code: Artist Alida Sun and the physical craft of code art

Berlin-based artist Alida Sun has reached a milestone of 2,500 consecutive days of creating digital art, using a custom-built system that translates physical movement into light and sound. Her recent exhibition, "RITES" at Method Delhi, bridges the gap between digital code and physical craft by transforming her generative algorithms into hand-woven tapestries. This collaboration with women artisans from the Swami Sivananda Memorial Institute of Fine Arts & Crafts (SSMI) highlights the historical and technical links between textile weaving and computer programming.