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Natasha Tontey to Unveil Major New Immersive Installation Exploring Indigenous Resistance During Venice Biennale

Artist Natasha Tontey will unveil a major immersive installation titled "The Phantom Combatants and the Metabolism of Disobedient Organs" during the Venice Biennale at the Ateneo Veneto di Scienze, Lettere ed Arti. Jointly commissioned by Berlin’s LAS Art Foundation and Helsinki’s Amos Rex, the work combines video, sound, light, and sculpture to reimagine the story of Len Karamoy, a combatant in the CIA-supported Permesta movement that fought the Indonesian government from 1957 to 1961 in North Sulawesi. Tontey, a Minahasan Indigenous artist, uses LiDAR, quantum ghost imaging, and other technologies to explore Indigenous identity, ecology, and the blurring of history and myth.

São Paulo Biennial Names Two Rising Brazilian Curators for 2027 Show

The Bienal de São Paulo has appointed Amanda Carneiro and Raphael Fonseca as chief curators for its 37th edition, opening in fall 2027. Both are Brazilian curators: Carneiro is a curator at MASP and previously assisted Adriano Pedrosa on the Venice Biennale's main exhibition; Fonseca, based in Lisbon, also curates the Taiwan Pavilion in Venice and works at Culturgest and the Denver Art Museum. The selection follows the success of Cameroonian curator Bonaventure Soh Bejeng Ndikung's 2023 edition.

Fair Warning Bets Big on a Banksy That Could Realize $18 Million

Fair Warning, the members-only online sales platform founded by former Christie's rainmaker Loïc Gouzer, is staging a rare live auction on May 20 at Tiffany & Co.'s flagship store in New York. The centerpiece is Banksy's *Girl and Balloon on Found Landscape* (2012), a work from the artist's 'Crude Oils' series that has never been publicly exhibited. Consigned by a private collector, the painting carries an ambitious estimate of $13 million–$18 million, one of the highest ever for a Banksy. Gouzer argues that Banksy is among the most consequential artists of our time, comparing his trajectory to Jean-Michel Basquiat, and sees this sale as a landmark moment for the artist's market.

Star-Studded Doc on Auction Icon Simon de Pury Heads to Cannes

A new feature-length documentary titled "The Hammer" will premiere at this spring's Cannes Film Market, chronicling the five-decade career of Swiss auctioneer and art advisor Simon de Pury. Produced by Simon Wallon, who previously made a documentary on casting director Bonnie Timmermann, the film features cameos from artists Marina Abramović, Jeff Koons, Ai Weiwei, and Chloe Wise, and includes executive producer Catherine Quantschnigg. Filming took place in New York, Tokyo, London, Cannes, Miami, and Monaco between July 2023 and February 2025.

Sotheby’s Posts $433 Million Haul, as Trophy Lots Continue to Carry the Market

Sotheby's May 2025 evening auctions in New York generated $433.1 million, a 132.7% increase over the same sales last spring, despite offering fewer lots. The evening featured an 11-lot sale from the collection of the late banker-turned-dealer Robert Mnuchin, which alone brought in $166.3 million, led by Mark Rothko's "Brown and Blacks in Reds" (1957) selling for $85.8 million. The main contemporary art auction, including "The Now" sale, totaled $266.8 million, with over 80% of lots guaranteed. Four works went unsold and one was withdrawn, yielding a 91% sell-through rate.

Performa Is Bringing a Star-Studded Variety Show to Broadway

Performa, New York's biennial for performance art, is staging a one-night variety show on Broadway at Manhattan's Town Hall on June 10. The inaugural Performa All-Star Variety Show will feature artists including Barbara Kruger, Julio Torres, Marcel Dzama, Laurie Simmons, and Anne Imhoff, hosted by comedian Casey Jost. The 90-minute, 12-act event draws inspiration from 19th-century vaudeville and Futurist cabarets, offering a public spectacle outside the biennial's usual three-week format.

Best in Show: 6 Standouts at the 2026 Venice Biennale

Artnet News writers highlight six standout exhibitions at the 2026 Venice Biennale, which opens to the public on May 9. Among the picks are Ei Arakawa-Nash's interactive installation "Grass Babies, Moon Babies" at the Japan Pavilion, featuring baby dolls and diaper-changing stations; Florentina Holzinger's provocative performance "Seaworld Venice" at the Austria Pavilion, involving nude performers, jet skis, and recycled wastewater; and Dayanita Singh's photographic exhibition "Archivio" at the State Archives of Venice, presenting intimate black-and-white images arranged as freestanding columns.

Was Jeffrey Epstein’s Copy of a Modernist Painting Available for Sale on eBay?

An eBay seller listed a giclée print of Kees van Dongen's painting "Femme Fatale" (ca. 1905), claiming it once hung above Jeffrey Epstein's desk in his Upper East Side townhouse. The listing, titled "Documented by Federal Prosecutors," sought $50,000 and reached $25,000 in bidding before eBay removed it for violating its policies. The print had previously sold at Millea Bros. Auctioneers for $275. The New York Post first reported the listing, which referenced federal documentation of Epstein's art collection.

For Carly Glovinski, Art and Gardening Grow Side by Side

Maine artist Carly Glovinski has opened "Into the Garden," her third solo exhibition with New York's Morgan Lehman Gallery. The show explores gardening as a parallel practice to art-making, inspired by her residency at Surf Point in southern Maine, where she discovered the overgrown grounds of Wild Knoll, the former home of author May Sarton. Glovinski planted a community garden there, the Wild Knoll Foundation Garden, and the experience led her to return to painting after a two-decade hiatus, creating acrylic works that express the experience of gardening rather than traditional landscapes.

A New Landmark Survey Aims to Bring Transparency to Museum Collecting Practices

The Penn Cultural Heritage Center (PennCHC) at the University of Pennsylvania's Penn Museum will launch the National Survey of Museum Collecting Practices on May 20, running through August 20. This first-of-its-kind survey, part of the Museums: Missions and Acquisitions Project (M2A Project), will collect data on acquisitions, deaccessions, loans, provenance research, and policies from U.S. nonprofit museums and libraries. Results will be published in 2027, with only generalized insights to maintain anonymity.

Georg Baselitz, German Neo-Expressionist Painter, Dies at 88

Georg Baselitz, the German Neo-Expressionist painter known for his provocative, upside-down figurative works, has died at age 88. Along with contemporaries like Anselm Kiefer, Baselitz led a frontal assault on the dominant Minimalist and Conceptualist art movements of the 1970s, reviving expressive, gestural painting in postwar Germany.

Hong Kong Artists Bring Quiet Reflection to Venice

The 61st Venice Biennale, themed “In Minor Keys” by late curator Koyo Kouoh, emphasizes quiet reflection over spectacle. A collateral exhibition titled “Fermata: Hong Kong in Venice,” curated by the Hong Kong Museum of Art (HKMoA), runs through November 22, 2026, and features two Hong Kong-born artists: Kingsley Ng and Angel Hui. Ng’s installation *Laundry Nocturne* (2026) uses projections and sound to connect the shared laundry-drying traditions of Venice and Hong Kong, while Hui’s *I Would Like to Open a Window for You* (2026) incorporates wrought-iron window frames crafted with local metalsmiths. Both artists explore everyday experiences, memory, and quiet emotions, aligning with the Biennale’s call for a slower, more reflective engagement with art.

British Museum Unveils Elaborate Display for Bayeux Tapestry

The British Museum has revealed its plans for displaying the nearly 1,000-year-old Bayeux Tapestry when it arrives on loan from France later this year. For the first time in recent history, the 230-foot-long embroidered narrative of the Norman Conquest will be laid flat in a bespoke case, allowing visitors to view all 58 scenes in a single unbroken display. The exhibition, supported by a £5 million pledge from WorldQuant CEO Igor Tulchinsky, will also feature loans including the Junius II manuscript from Oxford's Bodleian Libraries and silver coins from the Chew Valley Hoard. Tickets for the ten-month show, opening September 10, cost £25–£33.

Venice Biennale Jury Resigns in the Wake of Controversial Prize Ban

The jury for the 2026 Venice Biennale has resigned just days before the public opening on May 9, after announcing on April 22 that it would not consider artists from countries accused of crimes against humanity for the Golden and Silver Lion prizes. The jury, consisting of Solange Oliveira Farks (president), Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, cited its earlier statement of intention in its resignation, which directly impacted the participation of Russia and Israel—both subject to International Criminal Court warrants. In response, the Biennale postponed the awards ceremony from May 9 to November 22 and replaced the traditional jury with a public vote for best participant and best national participation, framing the move as upholding openness and rejecting censorship.

The Newest Docent at This Historic Italian Palace Is a Robot

Palazzo Madama in Turin, Italy, has introduced a four-foot-tall robot named R1 as a docent for its Baroque collection. The robot, developed by the Italian Institute of Technology (IIT) under Project Convince with €4 million in EU funding, guides visitors through the former royal apartments, narrating the history of the House of Savoy and detailing paintings, tapestries, and furniture. R1 can interact with visitors via LED eyes, answer questions, and autonomously navigate the museum's first floor, though it cannot climb stairs. It has been learning on the job since 2025, completing 30 tours in December 2025, and uses corrective software to relocalize itself if lost.

Who Won New York’s $2.1 Billion Auction Week?

New York City's spring auction week generated approximately $2.1 billion in sales across Christie's, Sotheby's, and Phillips, more than doubling the $1 billion total from May 2024. Christie's led with a $1.3 billion haul, driven by the $630.8 million S.I. Newhouse collection and record prices for works by Jackson Pollock ($181.2 million) and Constantin Brancusi ($107.6 million). Sotheby's netted around $737 million, including a Rothko from the Robert Mnuchin collection, while Phillips rebounded with $115.2 million in a white-glove sale, its strongest New York spring result since 2022.

Basquiat’s Former Dealer on the Making of an Art World Icon

Bruno Bischofberger, who served as Jean-Michel Basquiat's exclusive worldwide dealer from 1982 until the artist's death in 1988, reflects on Basquiat's life and legacy in an excerpt from the forthcoming book *Basquiat: The World of Jean-Michel*, published by Assouline. Bischofberger contrasts Basquiat's raw, politically charged approach with Andy Warhol's detached, commercial style, and recounts personal memories of Basquiat's visits to Switzerland, where he absorbed everything from visual art to folk art and design.

Political Fallout Rocks Venice Biennale Prize System

Dozens of artists participating in the 2026 Venice Biennale have withdrawn from consideration for the newly created Visitor Lion awards, replacing the traditional Gold and Silver Lion prizes. A total of 57 artists from the main exhibition and 22 national pavilions signed a statement published on e-flux on May 9, acting in solidarity with the five-person prize jury that resigned on April 30 over the continued participation of Russia and Israel. The jury had objected to awarding prizes to artists from countries whose leaders face International Criminal Court charges, including Russian president Vladimir Putin and Israeli prime minister Benjamin Netanyahu. In response, the Biennale organizers postponed the awards ceremony to November 22 and introduced visitor voting, a move they described as consistent with openness and dialogue. Meanwhile, the Russian Pavilion, which returned after lending its space to Bolivia in 2024, faced protests, closure after previews, and a €2 million funding pull by the European Union for the 2028 Biennale.

An Unprecedented 24-Hour Strike Could Upend the Venice Biennale

An unprecedented 24-hour strike is set to interrupt the Venice Biennale's opening week on Friday, May 8, in protest of Israel's participation in the global art event. The action, organized by the activist group Art Not Genocide Alliance (ANGA), follows a letter signed by over 230 Biennale participants demanding Israel's exclusion. The strike has exposed divisions among participants, with some artists and pavilion teams weighing solidarity against the rare opportunity to platform their own political messages. The Slovenian pavilion, represented by Nika Grabar of the Nonument Group, has committed to the strike, while others like Ecuador's Tawna Collective remain undecided, balancing protest with their mission to highlight ecological crises in the Amazon.

Arch Hades Turns a Venetian Palazzo Into an Emotional Landscape

British artist Arch Hades has transformed the Scoletta Battioro e Tiraoro di Venezia, a historic palazzo on Venice's Grand Canal, into an immersive solo exhibition titled “Arch Hades: Return | Ritorno,” timed to the 61st Venice Biennale. The show features site-specific paintings, sculptures, and a soundscape, anchored by the monumental 22-panel painting *Return* (2025), which draws on Greco-Roman sculpture, Symbolism, Surrealism, and Romanticism, and echoes Gustav Klimt's lost “Faculty Paintings.” New works from Hades's “Confessions” series and the mirrored chrome piece *Sphinx* (2026) further explore themes of memory, connection, and existentialism.

First Impressions of a Venice Biennale Torn Apart by the Present

The 61st Venice Biennale, titled "In Minor Keys," opens amid turmoil: its curator Koyo Kouoh died of cancer during planning, and the festival jury resigned after a controversial statement about excluding Israel and Russia from prizes, replaced by a Eurovision-style people's choice award. The main exhibition, completed by a team of five collaborators using Kouoh's plans, features over 110 artists and collectives, with highlights including works by Big Chief Demond Melanchon, Tammy Nguyen, Guadalupe Maravilla, Ayrson Heráclito, and a section focused on Michael Armitage's Nairobi Contemporary Art Institute.

A Pavilion of Ruins: Germany Reconsiders Its Past in Venice

The German Pavilion at the 61st Venice Biennale features a dual presentation exploring the country's layered political history. Artist Sung Tieu has cloaked the pavilion's fascist-era facade with a mosaic reconstruction of a GDR housing estate for Vietnamese contract workers, where she lived as a child. Inside, the late Henrike Naumann's immersive installation 'The Home Front' uses furniture and design to stage a confrontation between East and West German domestic and political ideologies. Naumann died in February 2025 at age 41, but her fully realized concept was completed collaboratively by her partner and curator Kathleen Reinhardt.

The Price Points Powering the Art Market

The article, part of the Artnet Intelligence Report: Year Ahead 2026, analyzes art market performance by price bracket in 2025. The $1 million-to-$10 million range was the strongest segment, with sales totaling $3.5 billion—a 20.8% increase from 2024. Sales above $10 million rose 36.1% to $2.3 billion, boosted by high-priced masterpieces at New York's November auctions. The $100,000-to-$1 million bracket saw $3.2 billion in sales, up 6%. Meanwhile, works under $10,000 and in the $10,000-to-$100,000 range grew less than 1%, indicating cautious buyer behavior.

Treasures From Matthew Perry’s Estate Head to Auction for a Good Cause

Heritage Auctions will sell a trove of artifacts from Matthew Perry's estate starting June 5, including scripts and memorabilia from the sitcom *Friends*, artworks by Banksy and Mel Bochner, and personal items like a 3D portrait of his invented superhero "Mattman." Proceeds benefit the Matthew Perry Foundation, a nonprofit focused on ending addiction stigma and expanding access to evidence-based care, founded after the actor's death in 2023.

Lucas Museum Aims to Tell the History of Storytelling via 1,200 Objects

The Lucas Museum of Narrative Art in Los Angeles has announced details of its inaugural exhibitions, set to open on September 22, 2026. Founded by filmmaker George Lucas and his wife Mellody Hobson, the museum will feature over 1,200 objects across 30 galleries, tracing the history of visual storytelling from ancient sculptures to Renaissance paintings, photography, comics, and manga. The collection draws from Lucas's personal trove of more than 40,000 works of illustrator art, including pieces by N.C. Wyeth, Norman Rockwell, Frank Frazetta, Beatrix Potter, and Jack Kirby, as well as large-scale murals and photography by artists like Judy Baca and Dorothea Lange. The museum, designed by Ma Yansong of MAD Architects, also includes archives of Lucas's film sets, props, and costumes.

Klimt, Modigliani, and Freud Lead $200M Lewis Collection at Sotheby’s London

Sotheby’s London will auction a collection of 50 masterpieces from billionaire Joe Lewis and his daughter Vivienne in June 2025, expected to exceed $200 million. Highlights include Gustav Klimt’s 1902 portrait of Gertha Felsőványi (estimate £20–30 million), Lucian Freud’s never-auctioned *Woman in a Grey Sweater* (1988), and Amedeo Modigliani’s *Homme à la Pipe* (1918), making its auction debut after 45 years unseen. The sale follows a successful March auction of School of London works from the same collection, which brought $47.7 million.

Venice Bound? Here’s All the News You Need to Know About This Year’s Biennale

The 61st Venice Biennale is embroiled in geopolitical controversy over Russia's return to the event in 2026, which has sparked widespread backlash. Nearly 10,000 artists and cultural leaders signed an open letter opposing Russia's participation, and the European Union withdrew €2 million in funding for the 2028 edition. Leaked emails reveal Biennale officials worked with Russian pavilion commissioner Anastasia Karneeva to circumvent EU sanctions, while Italy's culture minister Alessandro Giuli plans to boycott the opening week. Meanwhile, activists continue to push for Israel's removal from the Biennale, though Israel will be accommodated in the Arsenale this year.

Duo Who Sold Fake Warhol, Banksy Plead Guilty in $2M Fraud

A father and daughter from New Jersey, Erwin Bankowski and Karoline Bankowska, pleaded guilty in federal court on April 28 to running a counterfeit art scheme that sold fake works attributed to Andy Warhol, Banksy, Pablo Picasso, Richard Mayhew, and others. Between 2020 and 2025, they placed over 200 counterfeit pieces, many made by an artist in Poland, into galleries and auction houses across the U.S., defrauding buyers of at least $2 million. They fabricated provenance, forged gallery stamps and certificates of authenticity, and misrepresented Native American heritage works, violating the Indian Arts and Crafts Act. They face up to 20 years in prison, restitution of at least $1.9 million, and deportation after serving their sentences.

Online Auctions Continue to Draw in First-Time Art Buyers as Sales Grow

Online-only sales of fine art at Christie’s, Sotheby’s, Phillips, Bonhams, and Artnet Auctions reached $423.9 million in 2025, an 8 percent increase from 2024. The number of lots sold remained steady at 29,623, but the average price per work rose 8.6 percent to $14,309. Sales were 270 percent higher than in 2019, before the pandemic accelerated the shift to digital auctions. Christie’s reported that 63 percent of new buyers in 2025 made their first purchase online.

Inside the Inaugural Edition of Art Cologne Palma Mallorca

The inaugural edition of Art Cologne Palma Mallorca took place from April 9–12, 2026, attracting 88 galleries from 20 countries and over 10,000 visitors to the Mediterranean island. The fair, held at the Palau de Congressos Convention Centre, reported strong sales and sold-out weekend days, with Artistic Director Daniel Hug praising the high level of engagement and positive response from both exhibitors and attendees. A second edition has already been scheduled for April 1–4, 2027.