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NSCAD University (Nova Scotia College of Art and Design) in Halifax has reported a dramatic surge in applications and acceptances from US-based students for fall 2025, driven by tightening US immigration policies under the Trump administration. Undergraduate applications from the US spiked 220%, acceptances rose 186%, and student responses increased 66%, with interest coming from 23 different states. NSCAD president Jana Macalik noted that student feedback cited concerns over trans rights, disability, same-sex marriage, and women's freedoms as motivating factors. Similar trends are being seen at other Canadian institutions like the University of Toronto, University of British Columbia, and Alberta University of the Arts.

Dartmouth Students Renew Calls to Remove Leon Black’s Name From Arts Center

Students at Dartmouth College have intensified their campaign to remove billionaire collector Leon Black’s name from the school’s visual arts center. The renewed push follows the release of Department of Justice files detailing Black’s extensive financial ties to the late sex offender Jeffrey Epstein, including $170 million in payments for tax and estate advice. While Black has denied all allegations of misconduct and his legal team maintains he was unaware of Epstein’s criminal activities, student leaders are citing the college's recent decision to strip César Chávez’s name from a fellowship as a precedent for moral accountability.

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The National Museum of Saudi Arabia in Riyadh has launched "Bedayat: Beginnings of Saudi Art Movement," a landmark survey exhibition documenting the evolution of the country’s art scene from the 1960s through the 1980s. Curated by Qaswra Hafez and commissioned by the Visual Arts Commission, the show features a vast array of paintings, sculptures, and never-before-seen archival materials. The exhibition is organized into three sections that explore the foundations of the movement, the influence of modernization on daily life, and the specific contributions of four modernist pioneers: Mohammed Al-Saleem, Safeya Binzagr, Mounirah Mosly, and Abdulhalim Radwi.

Epstein Emails and the Art Market

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A massive release of over three million documents by the U.S. Department of Justice has exposed the deep ties between the late financier Jeffrey Epstein and prominent figures in the global art world. The files reveal how Epstein utilized sophisticated financial structures to manage and enhance the value of blue-chip art collections, most notably for billionaire Leon Black. The fallout from these disclosures has already led to high-profile resignations, including Jack Lang from the Arab World Institute and David A. Ross from the School of Visual Arts, while others like collector Steve Tisch face renewed scrutiny.

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The College of Visual Arts and Design Galleries at the University of North Texas abruptly canceled the solo exhibition "Ni de Aquí, Ni de Allá (Not From Here, Not From There)" by artist Victor "Marka27" Quiñonez after it had been fully installed. The show, which includes works from his "I.C.E. Scream" series critically rebranding Immigration and Customs Enforcement as "Inhumane and Cruelty Enforcement," was removed without explanation, and gallery staff ceased communication with the artist.

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Artnet News reports on how the recent art market downturn has severely impacted working artists, particularly those reliant on mid-tier galleries. Following a three-year contraction driven by higher interest rates and reduced spending, many galleries have closed or cut costs, leading to fewer exhibitions, delayed payments, and precarious incomes for artists. Some have been dropped by their galleries, while others have taken on second jobs or shifted toward corporate-sponsored public commissions. The article includes data showing low median earnings for artists in the U.S., Germany, and the U.K., and quotes gallerist Facundo Argañaraz on the stigma artists face when pivoting careers.

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Artist Gretta Louw reflects on her year-long residency with the e-David robotic painting lab at the University of Konstanz, part of the Embodied Agents of Contemporary Visual Arts (EACVA) research group. She describes how the public conversation around AI and robotics in art is inflated and imprecise, noting that terms like "AI painting" are often misapplied to digital outputs rather than physical, materially executed works. Louw details the limitations of robotic painting, including the inability of robots to perform basic tasks like stretching canvases or mixing paints, and argues that much of what is presented as robotic painting is actually pre-programmed performance art.

Kid Cudi’s Debut Solo Art Exhibition Is Underway – But Is His Work Any “Good”?

Musician Kid Cudi, working under the artist alias Scotty Ramon, has launched his debut solo art exhibition titled 'Echos of the Past' at the Ruttkowski;68 gallery in Paris. The show features a collection of paintings characterized by a cartoonish aesthetic, bold colors, and themes ranging from inner turmoil to meditative peace, accompanied by a 16-minute documentary detailing his creative process.

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The Andy Warhol Foundation for the Visual Arts is launching a new grant program to support U.S.-based visual arts nonprofits with budgets under $200,000, offering awards between $20,000 and $30,000. The program will begin accepting applications for its Spring 2026 grant cycle, with a deadline of March 1. This marks a significant expansion of the foundation's previous focus, which had been on organizations with budgets of $300,000 or more.

Dartmouth Students Renew Efforts to Rename Leon Black–Funded Arts Center

Dartmouth College students have reignited a campaign to rename the Black Family Visual Arts Center, a campus facility funded by billionaire investor Leon Black. The movement, led by freshman Oscar Rempe-Hiam and supported by student government, criticizes the administration's lack of urgency in distancing the institution from Black, whose long-standing ties to Jeffrey Epstein and personal allegations of sexual misconduct have sparked years of controversy.

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In this year-end roundup episode of The Art Angle, co-hosts Kate Brown and Ben Davis, joined by Artnet Pro editor and art critic Andrew Russeth, review the defining trends, themes, and stories of 2025. They cover the art market's slump and subsequent rebound in New York's fall auctions and Art Basel Miami Beach, the political impact of Trump 2.0 on arts funding and museum governance, the question of a 'post-woke' art world, the return of digital art, and the ongoing power of red chip art. The episode also highlights the multi-front crisis facing institutions due to changing public expectations, rising costs, and political shifts, alongside lighter, unusual stories from the art world.

Musician Jack White will debut his artwork at Damien Hirst’s gallery this May.

Musician Jack White will debut his first major solo art exhibition, "The Problem of Color," at Damien Hirst’s Newport Street Gallery in London this May. The exhibition will feature over 40 works, including paintings, sculpture, and furniture, primarily in a monochromatic palette, exploring themes of constraint and creativity. This marks a significant public foray into the visual arts for the former White Stripes frontman, who has long engaged with art and design through his music projects and Third Man Records.

New CARE Gallery Launches in New Jersey with Inaugural Exhibition “Gift of Grace” by Cedric Michael Cox

CARE Gallery, a new visual arts initiative by the Care Center of New Jersey (CCNJ), is set to open in Rockaway Township this spring. The gallery will debut on May 2, 2026, with an inaugural solo exhibition titled “Gift of Grace: The Art of Cedric Michael Cox,” featuring over 20 large-scale works that blend surrealism, abstraction, and rhythmic geometry.

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The Art Dealers Association of America (ADAA) has announced a new art fair, the ADAA Fair, set to take place at the Park Avenue Armory from November 12–16, 2026. This follows the cancellation of the 2025 edition of its long-running Art Show, prompted by the end of a partnership with the charity Henry Street Settlement, which had hosted the fair's VIP opening as a fundraiser. The ADAA plans to refocus on supporting visual arts and museums, with the ADAA Foundation continuing to provide grants to U.S. institutions.

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Hélio Menezes has been dismissed as director of the Museu Afro Brasil in São Paulo after less than two years in the role. He announced his departure on Instagram, describing the museum's internal decision-making as informal, personalistic, and lacking transparency, and criticized a leadership disconnected from Black representation and the visual arts world. Two board members, Wellinton Souza and artist Rosana Paulino, also resigned. The museum cited budgetary disagreements and accused Menezes of personal attacks against its board chair.

Andreas Angelidakis: Escape Room

The Greek Ministry of Culture has selected artist Andreas Angelidakis to represent Greece at the 61st Venice Biennale in 2026. Angelidakis will present an installation titled "Escape Room" at the Greek Pavilion, curated by George Bekirakis with MOMUS as National Commissioner. The project reimagines Plato's allegory of the cave as an immersive environment addressing post-truth, nationalism, and digital illusions, while also confronting the troubled history of the Pavilion itself, including its 1934 inauguration amid the rise of fascism.

Saudi Arabia looks to its Modern art history as the art world eyes up the Gulf

Saudi Arabia is actively showcasing its Modern art history through major exhibitions and sales. The 'Beginnings of Saudi Art Movement' at the National Museum in Riyadh features over 250 works by 73 artists from the 1960s-1980s, highlighting pioneering figures like Mounirah Mosly and Safeya Binzagr. Simultaneously, the Desert X AlUla exhibition is displaying monumental, long-unseen sculptures by Modernist artist Mohammed AlSaleem.

Masters, women, and young voices: Egypt visual art scene in 2025 - Visual Art - Arts & Culture

Egypt's visual arts scene in 2025 saw significant growth, marked by the opening of new galleries and a surge in diversity of artistic approaches, aesthetics, and techniques, according to Ehab Ellaban, director of the Arts Complex in Zamalek, and artist Samir Abdelghany. The year featured major exhibitions honoring both established masters and emerging talents, including Mohamed Abla's participation in the 4th–7th Generation exhibition at Al Masar Gallery and his solo show In the Glow of the City, Ahmed Shiha's Egyptian Spirit at Picasso East Gallery, Salah Bisar's Glee at Ubuntu Art Gallery, and retrospectives for Esmat Dawestashy, Salah Abdel Kerim, Chafik Charobim, and Inji Efflatoun. Katherine Bakhoum's Between Sea and Sky at Safarkhan Gallery also highlighted the enduring relevance of Egyptian-French artists.

Notable 9 in art + design in 2025: Compelling exhibitions, curatorial feats and public art highlights

ArtsATL editors selected nine standout stories from Atlanta's 2025 visual arts scene, highlighting the Beltline's transformation into one of America's largest outdoor art projects, Kim Chong Hak's exuberant American debut at the High Museum, and exhibitions such as 'Innervisions' at Clark Atlanta University Art Museum and Jessica Blinkhorn's 'Two Decades of Atrophy' at End Project Space. The roundup also covers Sergio Suárez's solo show at MOCA GA, reflecting the city's diverse and innovative artistic output.

'ARTnews' Names 'Confessions of Fire' by Isaiah Davis '25 One of New York's Best Art Exhibitions of 2025

Isaiah Davis '25, a visual arts alumnus of Columbia School of the Arts, opened his third solo exhibition, 'Confessions of Fire,' at King's Leap gallery in Chinatown this fall. The exhibition, which runs through December 20, 2025, features steel sculptures and enamel paintings on metal that explore Black masculinity through the motifs of leather culture and steel, inspired by rapper Cam'ron's debut album. ARTnews named it one of New York's best exhibitions of 2025, with senior editor Alex Greenberger praising the sculpture 'Slave (2025)' as the most surprising work of the year. The New York Times critic Travis Diehl and Frieze critic George Egerton-Warburton also gave it positive reviews.

Best new awards & arts prize winners: November 2025

The article reports on several major arts and literary prize winners announced in November 2025. Swedish photographer Martina Holmberg won the £15,000 Taylor Wessing Photo Portrait Prize for her portrait 'Mel,' with other prizes awarded to Luan Davide Gray, Byron Mohammad Hamzah, and Hollie Fernando. Australian author Helen Garner won the Baillie Gifford Prize for Non-Fiction for 'How to End a Story.' The Forward Poetry Prizes named joint winners Vidyan Ravinthiran and Karen Solie for best collection, while Bogdan Ablozhnyy received the Camden Art Centre Emerging Artist Award. Historian Sunil Amrith won the British Academy Book Prize for 'The Burning Earth,' and the Women's Prize for Playwriting announced its longlist.

Autumn Arts: Visual Art

Seattle's galleries and museums are launching a fall season of exhibitions addressing politics, identity, and the environment, alongside works celebrating beauty. Highlights include Karey Kessler's map-inspired show 'the Where' at Shift Gallery, Ethan Murrow and Mary Finlayson exhibitions at Winston Wächter Fine Art, Anila Quayyum Agha's immersive light installation 'Geometry of Light' at the Seattle Asian Art Museum, and a politically charged neon show 'Call It What It Is' at The Factory. The city-wide Art + Culture Week returns for its second edition, featuring free events across 12 neighborhoods.

Museum Exhibitions On View in East Texas, South Texas & the Valley this Fall

Several museums and art centers across East Texas, South Texas, and the Rio Grande Valley have announced their fall 2025 exhibition schedules. Highlights include the Tyler Museum of Art’s "Alas…" by Alicia Eggert, a floral sculpture that wilts over three weeks, and "Assembled: A Look at Contemporary Collage" featuring Texas artists. The Art Museum of South Texas in Corpus Christi will present three shows: Jason DeMarte’s surrealist photography in "Arcadian Enclosures," the Texas A&M University-Corpus Christi faculty biennial "Quarter Turn," and "Breadth of Latino/a Voices" from its permanent collection. The Rockport Center for the Arts opens Jessica Ninci’s "A Field Guide" and Moira Garcia’s "Nepantla: In-Between." The Beeville Art Museum hosts Caprice Pierucci’s "Threads Through Time," and the Five Points Museum of Contemporary Art in Victoria will survey work by Fort Bend County artists.

Hunterdon Art Museum presents Annual Members Show

The Hunterdon Art Museum in Clinton, New Jersey, will host its Annual Members Show from September 21, 2025, to January 11, 2026, featuring 35 artists working in ceramics, sculpture, glass, wood, fiber, printmaking, painting, photography, and collage. The exhibition was juried by Donna Gustafson, a freelance curator and critic with a PhD in Art History, who selected works from 84 artists and nearly 400 slides, noting themes of nature, identity, community, and politics. An opening reception is scheduled for September 21.

Exhibition represents lifetime of work by acclaimed artist

Carol LaChiusa, a 95-year-old artist from Grosse Pointe Farms, is the subject of a new exhibition titled "Carol LaChiusa: A Journey in Art" at the Grosse Pointe Congregational Church Arts Ministry Gallery. The show features approximately 28 works spanning her career from age 15 to just months ago, including her 1947 painting "Down by the Tracks," which earned her a scholarship to the Cleveland School of Art. A public reception with the artist will be held on August 7, featuring jazz by the Matthew Daher Trio, and the exhibition runs through September 7.

Never Before Seen Art From King Charles’s Royal Tours Debuts at Buckingham Palace

A new exhibition titled "The King's Tour Artists" has opened in the Buckingham Palace Ballroom, showcasing over 70 works from King Charles III's private collection. The artworks, created by 43 different artists during 70 royal tours to 95 countries and regions since 1985, are displayed together for the first time. The exhibition was viewed by the King and Queen during a reception marking 40 years of the King's initiative to bring artists on official tours. Highlights include a 1985 watercolor from Italy and 2007 portraits of Charles and Camilla by James Hart Dyke from a visit to the Gulf States. The show runs from July 10 to September 10, 2025, as part of the Palace's summer opening.

July-August Exhibit at Sertoma Arts Center

Sertoma Arts Center in Raleigh, North Carolina, presents a group exhibition running from June 29 to August 27, 2025, featuring three distinct shows across its galleries. The Hall Gallery hosts "STRUCTURE & LIGHT: Architectural Paintings by Kenneth Eugene Peters," the Raleigh Room displays "Transcendent Expressions" by Cheryl McCardle, and the Lobby showcases works by Alexandra Zuckerman along with students of Steve Karloski and Tim Cherry. A public reception is scheduled for August 23, 2025.

Class Notes

Boston University's College of Fine Arts (CFA) published its 2025 alumni class notes, featuring updates from graduates spanning the 1950s to the 1980s. Notable entries include Mark Mobius (’58) releasing a book on wealth, Cynthia Close (’67,’69) completing a memoir about her time in an artists' commune, and Jane O’Hara (’78) exhibiting a 51-painting series on animal rights at the New Bedford Art Museum. Other alumni activities range from radio documentaries and theatrical performances to gallery shows, poetry albums, and consulting work.

"Bertille Bak: Voices from the Earth" exhibition at the Vincenzo Vela Museum

From 26 April 2026 to 10 January 2027, the Vincenzo Vela Museum in Ligornetto, Switzerland, presents "Bertille Bak: Voices from the Earth," the first major solo exhibition in Switzerland of French artist Bertille Bak. The show brings together works from the past fifteen years that combine cinema, visual arts, and field research, focusing on marginalized communities and themes of labor, identity, and resistance. Bak, born in Arras in 1983, creates video installations and narrative devices through long immersions in communities, with her work held in collections such as the Centre Pompidou and the Collection François Pinault.

MIT List Visual Arts Center celebrates 40 years

MIT's List Visual Arts Center celebrated its 40th anniversary on April 10, 2026, with performances, receptions, and the opening of a new exhibition titled "Performing Conditions," which explores work, debt, and labor. Housed in the Wiesner Building designed by I. M. Pei, the museum manages public art across MIT's campus, including works by Olafur Eliasson and Sanford Biggers, and runs a Student Lending Art Program that loans about 700 works annually. An anonymous donor has launched a $1 million matching challenge grant for conservation of the public art collection.