french art galleries struggle amid wavering art market survey reveals 1234747374

A survey by market researcher Iddem, conducted among the Professional Committee of Art Galleries (CPGA), reveals that 85% of French gallery owners are pessimistic about the art sector's economic outlook in 2025. Turnover among French galleries dropped 6% in 2024, while the global art market fell 12% per the UBS Art Basel 2025 report. Philippe Charpentier, new CPGA president, told Le Monde the market has regressed to 2010 levels, with one-fifth of dealers reporting sales declines of over 20%. France also struggles to attract young collectors, unlike Asian markets where buyers average in their thirties, according to CPGA vice president Magda Danysz.

italy cuts art vat to 5 percent 1234745954

Italy has announced a reduction in its VAT on art sales from 22 percent to 5 percent, the lowest rate in the European Union. The move, approved in a cabinet meeting and set to take effect within days, follows sustained pressure from Italian galleries, artists, auction houses, and art market players. The new rate must be approved by parliament within 60 days to become permanent. The change aligns with an EU directive allowing member states to lower taxes on art sales to at least 5 percent, and comes after the government initially resisted calls for reform.

art sam mckinniss jeffrey deitch show

Artist Sam McKinniss, known for his internet-sourced celebrity portraits exploring fandom and parasocial relationships, is opening a new exhibition titled “Law and Order” at Jeffrey Deitch gallery in New York on September 6. The show shifts focus to figures of crime and justice, including “Hot Felon” Jeremy Meeks, Luigi Mangione, art dealer Mary Boone (as portrayed by Parker Posey in the 1996 film *Basquiat*), and a painting of Alcatraz, the former prison that President Donald Trump has proposed reopening. McKinniss describes the work as tracing the parameters of a top-down worldview in an era of new tyrannies. In an interview with CULTURED, he discusses his studio routine, creative influences like Martha Argerich, and the informal group chat that first sees his works-in-progress.

art collecting on a budget guide

The article reports that the ultra-contemporary art market has cooled, with high-end sales plummeting while works priced at $5,000 or less have grown. Art economist Clare McAndrew, author of the Art Basel & UBS Art Market Report 2025, notes that collectors are now buying art they genuinely like rather than for investment. The piece offers a practical guide for collecting on a $10,000 budget, featuring advice from gallerists, advisors, and collectors on finding affordable works.

art zoya cherkassky shelter island

Artist Zoya Cherkassky, born in Kyiv and a longtime resident of Israel, has relocated to Shelter Island after fleeing to Berlin following the October 7, 2023 attacks. She discovered the island during a stay with her gallerists from Fort Gansevoort and now has a permanent studio there. Cherkassky, known for politically charged works, recently created a series of colored pencil drawings responding to the Hamas attacks, which were exhibited at the Jewish Museum in New York as "October 7th, 2023." Her latest Shelter Island paintings mark a dramatic shift toward tranquil landscapes and sunsets.

summer group shows julien nguyen kyoko idetsu reviews

The article reviews two summer group shows in New York. At 56 Henry, "Small Format Painting," curated by painter Josh Smith and actor/former gallerist Leo Fitzpatrick, features 34 artists working on identical 10x8 inch canvases, including blue-chip names like Nate Lowman and emerging talents. At Matthew Marks Gallery, Julien Nguyen presents a solo show of compact oil-on-copper paintings, inspired by Rembrandt's techniques and featuring his muse Nikos.

artist sarah meyohas architect ben dobbin dalmore

Artist Sarah Meyohas and architect Ben Dobbin, lead of Foster + Partners' San Francisco office, discuss their creative processes in a conversation published by Cultured. Meyohas, known for her conceptual work exploring technology across film, cryptocurrency, and holograms, recently installed a serpentine wall at Desert X and served as an executive producer on the Oscar-winning film *The Brutalist*. Dobbin, whose portfolio includes Apple Park and Vivaldi Towers, collaborated with The Dalmore distillery on the third Luminary series masterpiece, creating a sculptural display for two rare 52-year-aged whisky bottles, one auctioned at Sotheby's. The pair compare notes on designing spaces that shape human experience, from Meyohas's Bell Labs-inspired film *Cloud of Petals* to Dobbin's intimate restaurants in Tuscany.

woven danielle barr los angeles

Woven and CULTURED hosted their second annual luncheon at Alba in Los Angeles, celebrating visionary women in design. The event brought together gallerists Megan Mulrooney and Anat Ebgi, interior designers Jane Hallworth and Sarah Weichel, and other creative professionals for a relaxed gathering that included fresh flowers, copies of the CULT100 issue, and a vintage car display. Attendees included jewelry designer Kim Dunham, gallerist Rosa Park, lighting designer Analuisa Corrigan, and others, with photography by Madison McGaw/BFA.

Editor’s Letter: Still, Listening

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opens in May 2026, shifting focus from Eurocentric narratives to quieter, relational, and improvisational voices from the Global South. ArtAsiaPacific's May/June issue honors Kouoh's vision with features on artists including Gala Porras-Kim (a 2025 MacArthur Fellow), Khaled Sabsabi (representing Australia), and others like Liang Yuanwei, Yuko Mohri, Mona Hatoum, Tadanori Yokoo, Gayane Umerova, Li Yi-Fan, Hyeree Ro, and Ei Arakawa-Nash, with contributions from a curatorial team that carried Kouoh's work forward after her death in 2025.

jet le parti on founding sibyl a new model of art intelligence and hub for collecting 2750663

Self-taught artist Jet Le Parti has launched Sibyl, a Los Angeles-based cultural platform and research-led advisory that operates outside the traditional gallery system. Drawing on his background in neuroscience and philosophy, Le Parti developed Sibyl as an extension of his independent practice and previous ventures like Base 36 and Relaispunkt. The platform functions as a private collection and advisory service, leveraging direct relationships with collectors to bypass traditional intermediaries and formalize a network built on artistic trust.

africa art market shift 2745718

The 1-54 Contemporary African Art Fair in Marrakech saw a significant contraction in 2026, with participation dropping by over 25 percent to just 22 galleries. This decline coincides with the recent arrival of Art Basel in Doha, which is intensifying competition for galleries and collectors' attention across the MENASA region, forcing dealers to make strategic choices about which fairs to support.

artists market 2721213

Artnet News reports on how the recent art market downturn has severely impacted working artists, particularly those reliant on mid-tier galleries. Following a three-year contraction driven by higher interest rates and reduced spending, many galleries have closed or cut costs, leading to fewer exhibitions, delayed payments, and precarious incomes for artists. Some have been dropped by their galleries, while others have taken on second jobs or shifted toward corporate-sponsored public commissions. The article includes data showing low median earnings for artists in the U.S., Germany, and the U.K., and quotes gallerist Facundo Argañaraz on the stigma artists face when pivoting careers.

scope art show 2719652

Scope Art Show is positioning itself as a site of encounters and experiences rather than purely sales driven during Miami Art Week 2025, with the theme 'Be Here Now.' The fair features a program of musical performances, wellness events, new technology, and hospitality, alongside installations and gallery presentations that invite visitors to focus on the present moment. Highlights include Connor Tingley's 'Nun Series' with Ori Gallery, MCSK's human-A.I. collaborative installation 'Replicatio: States of Collapse' at Pirovino, Desmond Beach's exploration of Black American experience at Richard Beavers Gallery, Yohannes Yamassee's ceremonial installation 'One Turtle Island' curated by Virginia Shore and Leah Kolb, and the returning Blue Floor Project showcasing 20 artists from Fuze Caribbean Art Fair.

huxley parlour lisa sanditz 2641318

American artist Lisa Sanditz presents a suite of nine new works in her solo exhibition “Big Boy” at Huxley-Parlour in London, on view through May 31, 2025. The show, her third with the gallery, explores power dynamics within families and across generations through formal devices such as exaggerated scale, vibrant color, and playful imagery. Key works like "Big Boy/Big Gulp" (2025) and "Big Cat" (2025) use a hierarchy of scale rooted in medieval and ancient art traditions to reflect emotional and psychological tensions, while also commenting on broader societal and political shifts in America amid climate change.

Melik Ohanian at Galerie Chantal Crousel

Melik Ohanian’s solo exhibition, titled "ALTERATION, For a long time in Time," is currently on view at Galerie Chantal Crousel in Paris. The show features a series of new works that continue the artist's career-long investigation into the dimensions of time, space, and the shifting nature of perception. Through a minimalist and conceptual lens, Ohanian utilizes the gallery space to document temporal transitions and the physical manifestation of duration.

Harper’s Bangkok Gallery Opens its Doors, Bringing Western Artists to Thailand

Harper's Bangkok, a new outpost of the New York-based gallery group founded by Harper Levine, opened in late March 2026 on the ground floor of the Siam Pathumwan House building. Its debut exhibition, 'Lost and Found', is a solo show by American artist Joel Mesler featuring 18 new vibrantly colored works, marking his first presentation in Southeast Asia. The gallery is the first major Western commercial gallery to establish a permanent space in Bangkok, joining a rapidly maturing local art ecosystem.

Frame of Reference

Memphis is undergoing a significant transformation of its cultural landscape as the city's major art institutions evolve to meet modern community needs. The Memphis Brooks Museum of Art is preparing for a landmark move to a new riverfront location where it will be renamed the Memphis Art Museum, offering 50 percent more gallery space. This expansion follows decades of growth for the city's "big three" institutions—the Brooks, the Dixon Gallery & Gardens, and the Metal Museum—which have anchored the local scene since the mid-1970s.

Gagosian's Rare Gallery Failures Reveal Art World's Challenges

Larry Gagosian, often considered the most powerful art dealer in the world, has publicly reflected on rare professional setbacks, including a failed 2016 gallery opening in San Francisco and a misunderstood location in Geneva. These admissions coincide with a strategic shift for his empire, marked by the opening of a new street-level gallery at 980 Madison Avenue in New York. The move signals a departure from the exclusive, upper-floor models of the past toward a more accessible physical presence.

[Interview] Scenes of Memory and Modern Life: Sun Yitian x Samsung Art Store

Chinese artist Sun Yitian has partnered with the Samsung Art Store to feature her large-scale painting "Ken" (2023) as part of the Art Basel Hong Kong 2026 digital collection. The work, which depicts Barbie’s male counterpart at a massive three-meter scale, explores themes of mass production, the male gaze, and the hollow nature of modern plastic icons. The collaboration marks a bridge between Sun's physical painterly practice and the digital accessibility of contemporary art on domestic screens.

Between light and language: The art of Lars Elling

Acclaimed Norwegian artist and writer Lars Elling is set to debut his first South African exhibition, "Dreams of Reason," at the Everard Read Gallery in Franschhoek on April 11, 2026. The collection features works created during his annual five-month residencies at the De Rust farm in Elgin, home of Paul Clüver Family Wines. The exhibition marks a significant shift in Elling’s palette, moving from the muted greys of Norway to the vibrant ochres and blues of the Western Cape, while exploring the liminal psychological space between sleep and wakefulness.

NGA Nights & Alexandria Art Scene: Celebrating Spring and an Artist’s Legacy

The National Gallery of Art in Washington, D.C. hosted its popular 'NGA Nights' series, featuring a 'Garden Party' theme that blended paper flower crafting with after-hours gallery access. The upcoming April event, 'United We Create,' shifts focus to the West Building to highlight five centuries of American creativity as part of the 'Celebrating American Art' exhibition and the broader America250 celebrations.

India Art Fair strengthens its role as launchpad for South Asian talent

The 17th edition of the India Art Fair (IAF) in New Delhi is set to be its largest yet, featuring 87 galleries and positioning itself as a crucial launchpad for South Asian artists. The fair highlights the region's growing prominence, evidenced by its role in developing artists now featured in major exhibitions like India's national pavilion at the Venice Biennale.

San Juan’s Artists Are Shaping Puerto Rico’s Cultural Future One Space at a Time

Larissa De Jesús Negrón and other Puerto Rican artists are driving a cultural renaissance in San Juan, with grassroots galleries, collectives, and adaptive institutions redefining how art is produced and shared. This surge follows Hurricane Maria and the pandemic, bolstered by global attention from figures like Bad Bunny and exhibitions such as the 2023 Whitney show "no existe un mundo poshuracán." Art dealer Walter Otero notes that the scene has strengthened through local residencies, fellowships, and Puerto Rican curators in U.S. institutions, while spaces like EMBAJADA, founded by Christopher Rivera and Manuela Paz, reject the white-cube model to engage broader local audiences.

More US artists forced to pay for their own shows as museum and culture budgets shrink

The article reports that U.S. artists like Lucia Hierro are increasingly forced to pay for their own museum exhibitions and public commissions as institutional budgets shrink. Hierro’s ambitious installation centered on a 7.5-foot monobloc chair required $35,000–$40,000 for fabrication alone, far exceeding what the commissioning institution could provide. The project moved forward only after support from her gallerist and a new fund from Miami-based nonprofit Fountainhead Arts, which received 96 applications requesting $1.8 million—14 times its available $125,000 in grants. The article highlights that even artists selected for the Venice Biennale face such funding gaps.

Art Toronto gives Latin American artists pride of place with new curated section

Art Toronto, Canada’s largest art fair, returns for its 26th edition (23–26 October) at the Metro Toronto Convention Centre with over 100 galleries. It debuts Arte Sur, a new curated section focused on Latin American art, organized by Mexico City-based curator and gallerist Karen Huber. The section features 11 galleries from across the Americas, including first-time participants from New York, Mexico City, Argentina, and Chile, showcasing more than 30 artists primarily from Mexico, Costa Rica, Argentina, Chile, and Peru.

Solidarity and shared optimism take centre stage at 1-54 fair in London

The 1-54 Contemporary African Art Fair in London, held at Somerset House until 19 October, showcases a wide range of African and diaspora artists. Galleries from Nigeria, Kenya, Zambia, and beyond present works that highlight both historical and contemporary practices, with notable sales and institutional interest already reported. The fair coincides with Tate Modern's Nigerian Modernism exhibition and the opening of the Museum of West African Art (MOWAA) in Benin City, creating a moment of heightened global attention on African art.

Art Lovers Movie Club: Elisabeth Brun, ‘Big Tech Blues’, 2025

ArtReview's Art Lovers Movie Club presents Elisabeth Brun's film 'Big Tech Blues' (2025), an auto-documentary that follows a small village in northern Norway as it resists the installation of a SpaceX Starlink 'Gateway' transmission site. The film blends personal essay, documentary footage, and interviews with residents who protest the hub over concerns about noise pollution, radiation, and environmental impact on the rural coastline. Brun contrasts slick Starlink promotional material with slow, intimate scenes of the landscape and community organizing on Facebook, highlighting the irony of using digital tools to fight digital infrastructure.

Where Parts Meet: Yu Ji’s “Origin of the Tiger”

Shanghai-based artist Yu Ji presents her first solo exhibition in New York, "Origin of the Tiger," at P.P.O.W gallery from March 6 to April 11, 2026. The show features multimedia sculptures and installations made during a self-organized residency in Phnom Penh, Cambodia, where she collaborated with Khmer artisans and local children through the project PKA (PLAY KNOW ATTENTION). Works incorporate reed mats, concrete knees, snail shells, and modular furniture, emphasizing joints, fragmentation, and reassembly.

On Arte and France Culture, all the secrets of the unicorn

Sur Arte et France Culture, tous les secrets de la licorne

The article discusses the enduring cultural presence of the unicorn, from churches to toy stores and LGBTQIA+ parades, coinciding with the exhibition "Licornes!" at the Musée de Cluny (through July 12, 2026), which centers on the museum's famed tapestry *La Dame à la licorne*. It highlights two complementary media programs: an episode of the radio show *Le Cours de l'histoire* on France Culture and a documentary on Arte, both exploring the mythical animal's many transformations across history.

Venice Biennale’s jury resigns

The entire jury of the 61st Venice Biennale, presided by Brazilian curator Solange Farkas and comprising four other curators, resigned just nine days before the exhibition's scheduled opening on 9 May 2026. The jury had announced it would not award prizes to countries whose leaders are charged with crimes against humanity by the International Criminal Court, a move widely understood to target Israel and Russia. In response, the Biennale's organisers cancelled the prize-giving ceremony and will instead award Golden Lions via a popular vote among ticketholders. The row escalated further when the Israeli representative, sculptor Belu-Simion Fainaru, accused the jury of discrimination and threatened legal action, prompting intervention from Italy's culture ministry.