What’s on now at San Francisco museums, March 2026

San Francisco’s museum landscape is undergoing a significant seasonal shift with several high-profile openings and closings scheduled for Spring 2026. Major highlights include the de Young Museum’s 'Monet and Venice' exhibition, Chiharu Shiota’s debut at the Asian Art Museum, and a major rehang of the Fisher Collection at SFMOMA. However, the scene faces a somber note as the Mission Cultural Center for Latino Arts has suspended operations due to financial or structural difficulties, prompting calls for city intervention.

New Orleans Takes the Stage at the 2026 Venice Biennale

New Orleans artists Dawn DeDeaux and Demond Melancon have been selected to participate in the 61st Venice Biennale in 2026. Curated by Koyo Kouoh under the title "In Minor Keys," the exhibition marks a historic moment as two artists from the city receive simultaneous invitations to the prestigious international forum. DeDeaux, a veteran multimedia artist known for her "MotherShip Series" and environmental themes, will bring her focus on post-anthropocene landscapes to the global stage.

Landscape ReEnvisioned Exhibition At the Monterey Museum of Art

The Monterey Museum of Art is hosting "Landscape ReEnvisioned," a group exhibition featuring six contemporary photographers who move beyond traditional West Coast landscape traditions. Curated by Helaine Glick, the show presents works by Debra Achen, Tony Bellaver, Adrienne Defendi, Charlotte Schmid-Maybach, Brian Taylor, and Vincent James Waring. These artists utilize diverse mediums—including cyanotypes, gum bichromate prints, tapestries, and sculptures—to address the urgent realities of climate change, wildfires, and environmental degradation.

Tracey Emin: 'Racist behaviour is dividing our country'

Tracey Emin has unveiled her major new exhibition, "Second Life," at Tate Modern, marking a significant departure from the tradition of living British artists showing at Tate Britain. The exhibition, curated by Harry Weller alongside Tate’s Maria Balshaw, Alvin Li, and Jessica Baxter, eschews a traditional retrospective format in favor of a thematic exploration of Emin's personal history. During the press preview, Emin addressed her multicultural heritage—including Turkish Cypriot, Sudanese, and Romanichal roots—and criticized the rise of jingoism and divisive politics in the UK.

Rose Wylie: The 91-year-old art world rebel in her prime

British painter Rose Wylie is preparing for a landmark solo exhibition at the Royal Academy of Arts in London, making her the first female British painter to receive a solo show in the institution's main galleries. At 91 years old, Wylie continues to work late into the night in her Kent studio, producing large-scale, vibrant canvases that draw inspiration from everyday objects, newspapers, and sports icons. Her work is celebrated for its 'punk' energy and a youthful spontaneity that belies her age.

Comment | Time for a rethink: women artists were never meant to merely be canon fodder

Comment | Time for a rethink: women artists were never meant to merely be canon fodder

The art world is increasingly moving beyond simply adding women to the existing art historical canon, a practice long criticized by feminist historians like Griselda Pollock. Instead of merely 'expanding' the canon, new institutional approaches aim to 'difference' it by using the work of women to fundamentally re-evaluate and subvert established narratives. This shift suggests that the inclusion of previously marginalized artists should change how we perceive the masters they are often compared to.

UK exhibition celebrates the artisans throughout history who went to war

The Fitzwilliam Museum in Cambridge is launching "War Craft," an exhibition dedicated to art and objects created by non-professional soldiers on or near the front lines. Curated by Richard Kelleher, the show features a diverse array of items ranging from First World War shell cases engraved by the Chinese Labour Corps to a contemporary Ukrainian ammunition tin decorated with Sharpie drawings. The collection includes scavenged battlefield materials transformed into personal mementos, alongside significant works by established artists like J.M.W. Turner, John Singer Sargent, and C.R.W. Nevinson.

Frieze Los Angeles reflects the city’s resilience

Frieze Los Angeles has returned to the Santa Monica Airport for its seventh edition, marking the first iteration since the fair was acquired by Ari Emanuel’s live events venture, Mari. The event features nearly 100 galleries from 22 countries, balancing global powerhouses like Gagosian and Hauser & Wirth with a strong contingent of local Los Angeles mainstays. Fair director Christine Messineo emphasized the fair's role as a central gathering point for the international collecting community within the city's sprawling landscape.

New York Historical receives gift of 150 works by Indigenous artists

The New York Historical has received a landmark gift of 150 contemporary and historical works by Indigenous artists from Agnes Hsu-Tang, the chair of its board of trustees, and her husband Oscar Tang. The collection features major figures such as Fritz Scholder, Jaune Quick-to-See Smith, and Cara Romero, spanning various media including ceramics and textiles. This acquisition represents the most significant gift of Native art to a New York institution since the founding of the Museum of the American Indian.

When The Gallery opened, it sparked a revival that changed Pioneer Square forever

Foster/White Gallery is celebrating its 60th anniversary as a cornerstone of Seattle’s Pioneer Square, a neighborhood it helped transform from a derelict district into a thriving arts hub. Founded by Richard White in 1966, the gallery became a pioneer in the area, representing legendary Northwest School artists like Morris Graves and Mark Tobey. Despite the recent closure of other long-standing neighborhood staples like Davidson and Linda Hodges galleries, Foster/White remains a symbol of continuity and resilience.

Guest column | At the nation’s galleries, celebrations of selfhood, joy and renewal

Major American art institutions are undergoing a significant shift in perspective, prioritizing themes of diversity, selfhood, and renewal in their programming. This evolution is evidenced by the Los Angeles County Museum of Art’s total re-evaluation of its permanent collection display in anticipation of its new building, alongside a wave of exhibitions featuring contemporary voices like Derrick Adams and Nick Cave, and retrospectives for historical figures such as Edmonia Lewis and Isamu Noguchi.

Art of Contemporary Africa Opens in San Francisco with Inaugural Exhibition ‘Afropop’

Art of Contemporary Africa (AOCA), described as San Francisco's first Pan-African contemporary art gallery, has opened a permanent space at the Minnesota Street Project. Founded by gallerist Craig Mark and photographer Clint Strydom, it operates as a sister space to The Melrose Gallery in Johannesburg and represents a broad roster of artists from across Africa and its diasporas, including the internationally recognized Dr Esther Mahlangu.

Chicago’s Intuit Art Museum gifted 61 works by self-taught artists

The Intuit Art Museum in Chicago has received two major gifts totaling 61 works, significantly expanding its collection of art by self-taught artists. The first gift is a bequest of 47 works from the late collector and early museum supporter Jan Petry, featuring pieces by artists like Emery Blagdon, James Castle, and Martín Ramírez. The second gift comprises 14 works from the collection of scholar Gordon W. Bailey, focusing on African American artists such as Sam Doyle and Mose Tolliver.

Gwen John: The 'reclusive spinster' artist who shunned conformity

A major retrospective of Gwen John, one of Britain's greatest 20th-century artists, is opening at National Museum Cardiff on the 150th anniversary of her birth. The exhibition, titled 'Gwen John: Strange Beauties,' brings together works from across the UK and the USA for the first time, including a significant collection acquired from her nephew Edwin in 1976 that has never been extensively researched or exhibited. John, born in 1876 in Haverfordwest, Pembrokeshire, was long overshadowed by her younger brother, the artist Augustus John, and was often dismissed as a 'reclusive spinster.' However, curators and biographers now challenge that myth, revealing her as a socially engaged, determined artist who pursued her own path despite Victorian-era constraints on women.

Gwen John—the quiet ‘seer of strange beauties’—gets major show in Wales

The National Museum Cardiff is mounting a major survey exhibition of Gwen John (1876-1939), one of the most famous artists in its collection, titled "Gwen John: Strange Beauties." The show marks the 150th anniversary of John's birth in Wales and will be the most comprehensive exhibition of her work in decades, featuring major loans from institutions such as Tate and the Museum of Modern Art in New York. It will travel to Scotland and the US, emphasizing John's interest in form, materials, and color theory, including late watercolours she never sold or exhibited. The exhibition draws on the museum's extensive archive of over 900 drawings, letters, and photographs acquired in 1976, and aims to shift focus from John's biographical narrative—her relationship with Auguste Rodin and reputation as a recluse—to her artistic dedication and technical innovations.

Huntsville Museum of Art’s new vision, fresh exhibits + reimagined experiences

The Huntsville Museum of Art is undergoing a significant transformation under the leadership of Chief Curator Natalie Mault Mead. Following extensive HVAC renovations that closed the museum, Mead is implementing a new vision focused on interactive storytelling, immersive experiences, and breaking down traditional barriers to art. This includes refreshed permanent installations, interactive elements like QR codes and audio descriptions, and a deliberate mix of internationally acclaimed and local artists.

What happens to the art market when humanity stops mattering?

The article examines the resilience of the high-end art market amid rising geopolitical tensions and shrinking public funding for culture. It notes that while sales at major auction houses like Sotheby's and Christie's have rebounded, political forces in the US and Europe are increasingly prioritizing military spending and exerting pressure on cultural institutions, drawing parallels to the rise of fascism in the early 20th century.

Artistic director of Malba steps down after one year in role

Rodrigo Moura is stepping down as artistic director of the Museo de Arte Latinoamericano de Buenos Aires (Malba) after only one year in the role. His departure follows the museum's acquisition of the Daros Latinamerica Collection, which doubled Malba's holdings with over 1,200 works and triggered a major institutional restructuring, including the creation of a new chief executive position. Moura, a Brazilian curator who previously worked at El Museo del Barrio, Masp, and Inhotim Institute, will leave next month as the museum prepares for its 25th anniversary and a physical expansion to twice its current capacity.

Artists Welcome: CMA announces new juried ‘Lake Effect’ exhibition at Transformer Station

The Cleveland Museum of Art (CMA) has announced an open call for submissions to "Lake Effect: Artists from Cleveland Now," a juried group exhibition celebrating the museum's 110th anniversary. The show will run from July 9 to November 22, 2026, at Transformer Station, the museum's Ohio City outpost in Hingetown. Open to artists living or working in Northeast Ohio, the exhibition welcomes all media and will be selected by a curatorial jury of CMA professionals. Three participating artists will receive $1,000 micro-grants.

‘Rubens with jokes’: UK exhibitions place Beryl Cook in the art historical canon

Two concurrent exhibitions in Plymouth, England, are re-evaluating the work of the late British artist Beryl Cook, long dismissed by critics for her popular, humorous paintings of plump, joyful people. The Box gallery presents "Beryl Cook: Pride and Joy" (until 31 May), which places Cook within the Western art canon by tracing her influences from Peter Paul Rubens and Pieter Brueghel the Younger to Stanley Spencer and Edward Burra. The show features over 80 paintings, sculptures, textiles, and a personal archive, and is curated by Terah Walkup. A parallel exhibition at Karst gallery, "Discord and Harmony" (until 18 April), pairs Cook's legacy with contemporary artists like Olivia Sterling, Rhys Coren, and Flo Brooks, who similarly champion overlooked communities.

herzog & de meuron-designed memphis art museum takes shape ahead of 2026 opening

The Memphis Art Museum, designed by Herzog & de Meuron in collaboration with archimania and OLIN, is taking shape ahead of its December 2026 opening. The 11,475-square-meter building along the Mississippi River features a glass facade, a public plaza shared with the historic Cossitt Library, a shaded courtyard, flexible gallery spaces, and a rooftop sculpture garden. The museum is among the first major US museums to use laminated timber construction. Updated renderings and construction images by Houston Cofield have been released, along with details of a curatorial shift that will organize the collection into 18 exhibitions focused on lived experience rather than traditional art historical chronologies.

Still Glasgow

The article reviews the exhibition 'Still Glasgow' at the Gallery of Modern Art in Glasgow, running from November 29, 2025, to June 13, 2026. Curated from the Glasgow Life Museums collection, it features around 80 photographic works from the 1940s to the present, including pieces by Bert Hardy, Oscar Marzaroli, Alan Dimmick, Iseult Timmermans, Joseph McKenzie, and Eric Watt. The show documents Glasgow's people and urban change, moving from earlier male documentary photographers to contemporary perspectives, and includes both still and moving images.

Winslow Homer’s mountaineer and Bob Ross's valley view: our pick of the January auctions

The article highlights five notable artworks heading to auction in January 2025, spanning sales at Christie’s, Sotheby’s, Bonhams Skinner, and Heritage Auctions. Featured lots include Winslow Homer’s *A Mountain Climber Resting* (est. $1.5–2.5M) from the Max N. Berry Collection, Otobong Nkanga’s tapestry *The Pursuit of Bling: The Transformation* (est. £20,000–30,000), Bob Ross’s *Valley View* (est. $30,000–50,000), and Claes Oldenburg’s lithograph *Three Way Plug* (est. $3,000+). Each work comes with distinct provenance—from a Standard Oil heiress to a hardware pioneer—and reflects diverse market segments from blue-chip American painting to contemporary African art and pop-culture collectibles.

Beatriz González, indefatigable force in Colombian art, has died, aged 93

Beatriz González, the influential Colombian artist, writer, curator, educator, and intellectual known as 'la maestra,' died in Bogotá on January 9 at age 93. Born in 1932 in Bucaramanga, she studied architecture and fine arts before forging a distinctive path in Colombian art, rejecting abstraction and the style of her contemporary Fernando Botero. Her work, including the series 'Suicidas del Sisga' (1965) and 'La Encajera,' reinterpreted Western artworks and local press photographs with flat forms and vibrant colors, often incorporating kitsch and subaltern aesthetics. She was a key figure in the Museo de Arte Moderno de Bogotá (Mambo), envisioned a school for museum guides, served as chief curator of the Museo Nacional de Colombia, and mentored generations of museum professionals.

Philip Tinari appointed as deputy director and head of art at Hong Kong’s Tai Kwun cultural complex

Philip Tinari, the longtime director and CEO of Beijing's UCCA Center for Contemporary Art, has announced he will leave to become deputy director and head of art at Hong Kong's Tai Kwun cultural complex. He will oversee programming at Tai Kwun Contemporary and shape strategy for the entire complex, which includes performing arts, galleries, and restaurants. Tinari replaces Pi Li, who previously worked at M+ and co-founded Boers-Li gallery. The appointment is backed by The Hong Kong Jockey Club, whose director Chin Chin Teoh and Tai Kwun Arts director Timothy Calnin cited a 2018 collaboration with Tinari on a Cao Fei exhibition as influential. Tinari's departure follows reports of financial difficulties at UCCA, which the institution denied. UCCA has appointed Lingyi Kong as new CEO and Xi Guo as deputy director, effective February 2026.

Shortlist announced for Prix Marcel Duchamp, France’s biggest art prize

The shortlist for the Prix Marcel Duchamp, France's most prestigious art prize, has been announced. The five nominees are Joël Andrianomearisoa, David Brognon and Stéphanie Rollin, Laura Henno, and Josèfa Ntjam. The winner receives €35,000 from a total prize fund of €90,000. Due to the closure of the Centre Pompidou for renovations, the accompanying exhibition will be held at the Musée d’Art Moderne de Paris from 2 October 2026 to 14 February 2027. The winner will be announced on 22 October.

The biggest international museum openings in 2026

A roundup of major international museum openings scheduled for 2026 highlights new institutions and expansions across the US, Europe, and the Middle East. Notable projects include the Lucas Museum of Narrative Art in Los Angeles, the Guggenheim Museum in Abu Dhabi, Kanal in Brussels, the relocated Memphis Art Museum, LACMA's David Geffen Galleries, and the Design Museum Gent in Belgium, among others.

Trump administration puts renewed pressure on Smithsonian to turn over materials for review

The Trump administration has given the Smithsonian Institution a deadline of January 13 to turn over materials related to a review of programming at eight of its museums, as outlined in a December 18 letter from White House officials Vince Haley and Russell Vought. The review stems from a March 2025 executive order titled "Restoring Truth and Sanity to American History," which accused the Smithsonian of promoting a "divisive, race-centered ideology." Smithsonian Secretary Lonnie Bunch noted that some requested materials are not readily available and will require significant effort to compile, while the American Alliance of Museums and the Association of Art Museum Directors have expressed confidence in the Smithsonian's commitment to professional standards.

Denver Art Museum showcases timeless elegance and trailblazing style with Conversation Pieces: Stories from the Fashion Archives in Spring 2026

The Denver Art Museum (DAM) will present "Conversation Pieces: Stories from the Fashion Archives" in spring 2026, an exhibition drawn from its permanent fashion collection. Curated by Jill D’Alessandro, the show pairs historic and contemporary garments—such as an 1896 House of Worth ballgown with a Rick Owens piece from Spring/Summer 2020—to highlight fashion as an artistic discipline. It also features a section on the little black dress, including a 1926 Chanel shift dress, and an interactive installation by Denver-based KaraKara Blooms. The exhibition precedes a blockbuster show, "DIVA," organized with the V&A Museum in London, which will have its exclusive U.S. venue at DAM in fall 2026.

How much should art cost? The pitfalls and paradoxes of pricing works

The article examines the current state of the art market, which is in its third consecutive year of contraction. It traces how low interest rates fueled speculative price inflation, leading to a boom in ultra-contemporary art that has now burst, with collectors shifting toward Old Masters. Dealers like Larry Gagosian are now advocating for lowering primary market prices, while private sales stall due to sellers' 'anchoring' to peak valuations. The piece highlights the disconnect between high prices and long-term value, using examples such as auction records being manipulated (e.g., Patrick Drahi's anonymous bidding on a Francis Bacon triptych) and the reality that most artworks in even celebrated collections depreciate.