Officials from the United States and Italy gathered near dozens of repatriated artifacts to celebrate their ongoing alliance against art looting, which has resulted in the return of thousands of artworks to Italy. The event highlighted collaborative efforts between the two nations to curb the illegal trafficking of cultural property, even as broader diplomatic tensions persist.
Patrizia Sandretto Re Rebaudengo has transformed a former gunpowder store on the Venetian island of Giudecca into a new exhibition space for her contemporary art collection. The venue, which emphasizes sustainability and adaptive reuse, will showcase works from her extensive collection in a setting that contrasts with the historic grandeur of Venice’s more famous art institutions.
The Museum of the Moving Image in Queens has doubled its attendance by repositioning itself as a community hub, using strategies such as offering free tickets, popcorn, and puppet shows to attract a broader audience beyond traditional cinephiles.
A Dutch advisory panel has recommended the creation of a new independent Jewish foundation to manage a vast collection of artworks looted by the Nazis that remain unclaimed. The collection, known as the NK collection, consists of over 3,000 objects currently held by the Dutch state, but whose original owners or heirs have not been identified.
The Venice Biennale has announced it will eliminate the Golden and Silver Lions for the 2026 edition, replacing them with Visitor Lions chosen by popular vote. The prizes, traditionally awarded on opening day (May 9), will now be presented at the closing ceremony (November 22). Russia and Israel, previously barred from consideration by the prize jury due to ICC charges against their leaders, will be eligible for the new Visitor Lions. The decision follows the mass resignation of the original prize jury after they excluded those nations and faced pressure to also ban the US.
The article reports on the 2025 Met Gala, where celebrity guests showcased elaborate, art-inspired fashion on the red carpet. The event, held at the Metropolitan Museum of Art in New York, featured designs that transformed the human body into living canvases, with many looks referencing the evening's exhibition theme.
The Sherman Fund has acquired works by emerging artists for donation to US museums, supporting new talent and expanding institutional collections. The initiative focuses on acquiring pieces from lesser-known contemporary artists and placing them in public institutions to increase accessibility and representation.
Mexican artist Demián Flores presents "America. New Visions from the Old World," a graphic arts exhibition at the Instituto Cultural de México in Madrid. The show features forty works that reinterpret 16th-century engravings by Theodor de Bry, whose images of Indigenous peoples—ranging from idealized noble savages to violent cannibals—shaped European perceptions of the Americas. Flores draws on his earlier series "Collateral Disasters" (2012), inspired by Goya's "The Disasters of War," to critique how colonial visual narratives constructed otherness and justified violence.
The Miguel Hernández University in Elche, Spain, presents "Vientos del pueblo. Voices of Exile and Resistance," a group exhibition curated by Mónica Sotos. Inspired by Miguel Hernández's poem "Vientos del pueblo," the show features Argentine artists Ježik and Costa alongside Eugenio Merino, Gloria Oyarzábal, Ricardo Calero, Óscar Seco, Pierre Valls, and María Rosa Aránega. Through photography, video, installation, drawing, and archival works, the exhibition examines violence, borders, exile, and colonial legacies, challenging dominant power narratives.
Cuba presents Roberto Diago's installation "Hombres Libres (Free Men)" at the 61st Venice Biennale, curated by Nelson Ramirez de Arellano Conde and commissioned by Daneisy García Roque. The work, on view from May 9 to November 22, 2025, features a group of sculpted heads made from oxidized metals, wood, plastics, and reclaimed materials that advance toward viewers, bearing scars that evoke a history of pain and resistance.
Nikki Brovold has opened Luckygirl Gourmet Gallery in Portland's Pearl District, a hybrid space where art takes precedence over food. The gallery's inaugural exhibition, "Who's That Girl," features nine artists including Tom Relth, Eric Rue, Paul Solevad, Michelle Yamamoto, Richard Cutshall, and Paula Bullwinkel, with a focus on abstractive figuration and feminine perspectives. Brovold, who previously worked at a global consulting firm in New York and as a gallerist at the Portland Art Museum, curates the art while also offering a small selection of elevated snacks and drinks, such as Makabi & Sons cookies and Puff Coffee cold brew. The space is co-owned by Brovold's husband, Shawn Przybilla.
Lo street artist Ozmo assolto in tribunale: “La sua opera non è imbrattamento e ha valore culturale” (ma nel frattempo è stata cancellata)
In summer 2022, street artist Ozmo (Gionata Gesi) created an unauthorized site-specific work on the Fonte di San Cerbone in Baratti, Italy, depicting two Etruscan coins with Medusa's face. The work sparked debate: the Piombino municipality and museum director Carolina Megale welcomed it, but the Soprintendenza (cultural heritage authority) reported it to prosecutors as illegal defacement. The artwork was vandalized and later removed in April 2023. On April 29, the Livorno court acquitted Ozmo, ruling that his intervention was not a crime but an artwork with cultural value, setting a legal precedent.
Alleanza culturale tra Roma e New York. Le due città siglano il primo accordo tra grandi centri storici
Rome and New York have signed the first cultural cooperation agreement between their historic centers, Municipio I Roma Centro and Manhattan. The protocol was formalized during the Forum Cultura Roma Centro at the Temple of Vibia Sabina and Hadrian, aiming to establish an international network based on collaboration between cultural institutions and governance models. It includes exchanges, youth programs, artistic initiatives, and public art projects involving museums, archives, libraries, universities, and educational entities.
L’arte urbana e la musica uniscono Amsterdam e Milano per tre giorni
MUROMi, an independent Milan-based company, is launching a special Milan edition of Here&Now, a cultural event originally created in Amsterdam by Tony Ant and Chinny Bond. Taking place May 21–23, 2026, at Spazio Diaz in Milan, the event combines live painting, music, and contemporary urban art, aiming to bring together creatives, brands, and key figures from the Milanese scene. The project is born from a collaboration between MUROMi and the Here&Now community, which is rooted in international street culture and music.
Milano si depavimenta: sta per arrivare un nuovo giardino per tenere insieme sostenibilità e cultura
Construction will begin in the coming weeks on Giardino Manifesto, an urban regeneration project at the historic Milanese cultural space Santeria Toscana 31. Presented on May 19, 2026, with Mayor Giuseppe Sala, Gruppo CAP President Yuri Santagostino, and architect Cristiana Cutrona of ReValue, the initiative transforms a fully paved external area into a green infrastructure applying sponge city (SUDS) principles. The design includes rain gardens, drainage surfaces, a rain-collecting amphitheater, and a sensory garden, aiming to reduce flood risk and lower perceived temperatures by up to 4-5°C through de-paving and resilient vegetation.
Due grandi studi di architettura puntano a rivoluzionare Roma nei prossimi 25 anni
A multidisciplinary team led by Italian architecture and urban planning firm IT'S and Dutch firm OMA has won the international ideas competition "Vision for Rome," promoted by the Fondazione Roma REgeneration. Their project, "Roma Continua," was presented at the Auditorium della Tecnica di Confindustria during the second ROMA REgeneration FORUM. The proposal aims to rethink Rome over the next 25 years through a paradigm shift in urban, social, and cultural planning, envisioning the city as a living ecosystem. It is based on five guiding principles—care, beauty, knowledge, movement, reuse, and grafting—and includes five green corridors anchored to the Tiber River, "Fori dell'innovazione" (innovation forums), and a continuous mobility network. The project also seeks to reduce tourist pressure on the historic center by creating new cultural itineraries and sustainable transport links.
Stefano Boeri Architetti has been commissioned to transform a former ATAC bus depot in Rome's Prati-Delle Vittorie district into a multifunctional hub called Depositi delle Vittorie. The project, owned by the family behind the Fondazione Memmo, will convert the 16,000-square-meter disused site into a mixed-use complex featuring commercial, cultural, and leisure spaces, along with a 8,000-square-meter rooftop park suspended 15 meters high that will host art installations. Construction is set to begin in late 2027 and conclude by 2030.
The article reports on the exhibition "Sicilia. Un’isola, tante Sicilie. Fotografia, memoria e patrimonio culturale nell’opera di Armando Rotoletti" at the Antiquarium Comunale di Centuripe in Sicily, running until September 27, 2026. The show features over thirty years of black-and-white photographic research by Armando Rotoletti (born 1958 in Messina), a photojournalist who left Sicily for London and Milan but maintained a deep connection to his homeland. His work captures the island's plural, complex identity through rituals, daily gestures, and cultural resistance to standardization, with images that blur past and present.
Triennale Milano, in collaboration with Qatar Museums, has launched a new educational program for recent graduates from Qatari universities. The initiative began with a selection call overseen by representatives of Design Doha, followed by a residency in Milan starting April 20. Five graduates—Reema Abu Hassan, Abdulrahman Al Muftah, Adriane de Souza, Maryam Hashim, and Meryem Omerspahic—participated in workshops, studio activities, and meetings during Milan Design Week. An open discussion about their experience will be held at Triennale on May 15 at 6 PM, featuring the participants and the bootcamp team.
Come cambiano le aste d’arte se online tutto sembra un video game?
The article examines how digital infrastructure has transformed art auctions from exclusive in-person rituals into real-time competitive interfaces. Online sales, which peaked during the pandemic, now account for about 16% of the global art market in 2025 (down from 18% in 2024), according to the Art Market Report by Art Basel and UBS. Digital tools enable instant bidding, global streaming, and discreet participation, allowing collectors to compete without physical presence. The piece highlights the gamification of auctions, noting that ArtTactic has launched Art Forecaster, a platform where users predict auction prices in tournament-style competitions, blending market engagement with ludic elements.
Alla Biennale di Venezia c’è un padiglione di merda! Il Lussemburgo partecipa con un progetto che fa parlare la cacca
The Luxembourg Pavilion at the 2026 Venice Biennale features an installation titled "La Merde" by artist Aline Bouvy, centered on a cinematic manifesto that uses excrement as a metaphor to explore shame, social classification, and bodily discipline. The immersive environment includes a film, spatialized sound composition, and a steel-and-mirror architecture, with an anthropomorphic talking, walking, and farting excrement puppet interacting with visitors. The work also includes a sculptural alter ego titled "E.T. The Excremential," blending Bouvy's body with Spielberg's extraterrestrial figure.
This article from Artribune presents seven new art book releases in Italy, all united by a common theme of bringing marginalized subjects back into focus. Featured titles include Johnny L. Bertolio's "L'ha scritto lei, ma…" which examines why female authors are excluded from Italian school curricula, and Carla Rossi's "Oltre i margini," a rigorous study of European female miniaturists from the Middle Ages to the Renaissance. Other works address queer representation in museums, children's voices on Gaza, photographic portraiture by Lorenzo Cicconi Massi, a collective volume on the Bertolucci family, and a theatrical project by Kepler-452 set in the central Mediterranean.
Una recensione della Biennale di Venezia 2026 senza nominare neppure un artista
This review of the 2026 Venice Biennale describes an exhibition that overcame dire circumstances—the death of curator Koyo Kouoh early in preparations, losses of key artists, and international political controversies—to deliver a surprisingly joyful and engaging show. Titled "In Minor Keys," the Biennale features a well-conceived, flowing presentation across the Giardini and Arsenale that prioritizes beauty, craftsmanship, and hope over a punitive or documentary tone.
Maria Palmieri (Foggia, 1986) is a photographer who uses her camera as a tool for observation, understanding, and social improvement. After studying law, she turned to visual arts, blending reportage with vernacular photography to uncover truth amid the 'noisy horror' of contemporary life. In an interview with Artribune, she discusses her sociological approach to photography, her return to her hometown of Foggia, and her ongoing documentation of the region's fragilities, including the largest migrant ghetto in Europe.
Gli ispettori del Ministero della Cultura in Biennale presentano relazione: il padiglione Russia resterà chiuso
Italian Ministry of Culture inspectors have submitted a report to the Prime Minister's office regarding Russia's participation in the 2026 Venice Art Biennale. The report concludes that Russia did not receive a formal invitation from the Biennale Foundation to participate, nor did it sign the participation agreement—a situation shared by other countries with permanent pavilions. While Russia submitted a project and appointed a commissioner, its pavilion will remain closed to the public due to EU sanctions, though a private vernissage may proceed. The report finds no serious violations that would cancel Russia's participation, but notes critical issues that warranted more caution. The international jury resigned en masse after announcing it would not consider countries whose leaders are accused of crimes against humanity by the International Criminal Court, including Russia and Israel, and after an Israeli artist threatened a discrimination lawsuit.
“Il nostro regime non rappresenta la nostra cultura”. Intervista sul progetto bielorusso durante la Biennale di Venezia
The article is an interview with Daniella Kaliada, curator of the Belarusian project "Official. Unofficial." presented at the Venice Biennale in the church of San Giovanni Evangelista. Organized by the Belarus Free Theatre, an independent underground group, the exhibition features site-specific paintings by Sergey Grinevich, a sound installation by Olga Podgayskaya, and large-scale sculptures by Vladimir Tsesler. The project includes a sphere of banned books crushed by a bulldozer, testimonies of recently released political prisoners, and sculptures made from prison bars, all addressing censorship and political trauma without direct representation of suffering.
La Roma del Cinquecento vista con gli occhi di uno straniero. La mostra
Fabio De Chirico has been appointed as the new director of the Istituto Centrale per la Grafica in Rome, with a mission to boost research, strengthen international dialogue, and enhance the institution's collections. His tenure opens with the exhibition "Maarten van Heemskerck e il fascino di Roma: percorsi visivi della Città Eterna," curated by Tatjana Bartsch, Rita Bernini, and Giorgio Marini, running until June 7, 2026. The show features drawings by the 16th-century Dutch artist Maarten van Heemskerck, on loan from the Kupferstichkabinett of the Staatliche Museen zu Berlin, alongside over sixty works from the institute's own holdings—including prints, engravings, and archival photographs—plus loans from the Bibliotheca Hertziana, the Musei Capitolini, and the Istituto Archeologico Germanico di Roma.
A 13th-century Gothic church in Venice's Cannaregio district, the former Chiesa dell'Abbazia della Misericordia, will reopen on May 5, 2026, as Etnia House of Arts. The project is promoted by Spanish eyewear brand Etnia Eyewear Culture and includes artist residencies, public events, and site-specific interventions. The restoration was led by architects Piero Vespignani and Alessia Semenzato of Studio Anfibio. The first two resident artists are Conxi Sane and Greta Pllana, who will explore themes of perception and vision, with the residency program using eyewear as a symbolic field to investigate identity and representation.
Il primo maggio parte una nuova uscita di Pax. Le anticipazioni della newsletter sul turismo culturale (abbonatevi)
The article previews the upcoming May 1st issue of Pax, a newsletter by Artribune focused on cultural tourism. It highlights a feature on Italy's colorful villages, explaining how bright colors historically aided sailors and fishermen, and how white facades served hygienic purposes. The issue also covers off-the-beaten-path destinations like Bolsena, which recently opened a contemporary art space in Palazzo Cozza Caposavi, and explores slow tourism practices such as barefooting, discussed with its founder Andrea Bianchi. Additional content includes a roundup of cultural initiatives from Berlin to Naples, Budapest's Citadella reopening, and the Sussex forest's Winnie-the-Pooh centenary.
A Milano rivive Wagner. Non solo a teatro ma anche in queste due mostre
Two exhibitions dedicated to Richard Wagner's Ring cycle have opened at Milan's Teatro alla Scala, coinciding with a new production of the Ring des Nibelungen and the centenary of the first Scala staging of the tetralogy in 1926. The Museo Teatrale alla Scala presents "La rivoluzione del Ring – Visconti Ronconi Chéreau," curated by Giovanni Agosti with design by Studio Margherita Palli, while the Ridotto dei palchi "A. Toscanini" hosts "Risonanze Wagner – Visioni intorno al Ring," curated by Gianluigi Colin and Mattia Palma, featuring contemporary paintings by four women artists—Antonella Benanzato, Flaminia Veronesi, Chiara Calore, and Federica Perazzoli—each reinterpreting one of the four operas.