Boulder Museum of Contemporary Art’s Artmix is a party built for repeat collectors and first-time buyers

Boulder Museum of Contemporary Art (BMoCA) is hosting its annual Artmix fundraiser on May 8, 2026, a fast-paced evening featuring a silent auction of works by 100 regional artists. The event includes a VIP preview with early access, champagne, and a guided tour, followed by a general admission party where bidding runs from 6 p.m. to 8 p.m. Tickets range from $150 for members to $300 for VIP access, with proceeds supporting BMoCA's exhibitions and education programs.

Zurbarán at the National Gallery - an unmissable show of baroque genius

The National Gallery in London presents a landmark exhibition of Francisco de Zurbarán (1598-1664), the first major retrospective of the Spanish Baroque master in Britain. In collaboration with the Louvre and the Art Institute of Chicago, the gallery has assembled over 40 works from institutions worldwide, including Seville and San Diego. The show features Zurbarán's electrifying religious paintings and radiant still lifes, displayed in darkened galleries that echo the chiaroscuro of his compositions. Highlights include the shattering *The Crucifixion* (1627) and *Saint Peter Nolasco's Vision of Saint Peter the Apostle* (1629), which demonstrate his hyper-real, sculptural approach to sacred subjects.

Advocates Try to Save Brutalist Fountain in San Francisco, José Aparicio Painting Returns to Prado Museum: Morning Links for April 30, 2026

This ARTnews Morning Links roundup covers multiple art-world stories from April 30, 2026. A new Banksy sculpture appeared in London's Waterloo Place, depicting a suited man marching off a plinth with a flag covering his face, though Banksy had not confirmed the work. Italian Culture Minister Alessandro Giuli ordered inspectors to the Venice Biennale headquarters amid intensifying scrutiny over Russia's participation, following internal emails suggesting sanctions were circumvented. Obituaries note the deaths of German 'total artist' Timm Ulrichs at 86 and Japanese sculptor Shigeo Toya at 78. A José Aparicio painting, 'The Year of the Famine in Madrid' (1818), returned to the Prado Museum after 150 years. In San Francisco, a group called Friends of the Plaza filed an appeal to block dismantling of the Vaillancourt Fountain. A feature in Cultured Magazine explores Bucharest's ambitions as a global arts hub through the Romanian Art Dealers fair.

Landmark £5.36m UK touring art exhibition to conclude in Edinburgh

A landmark £5.36 million UK touring art exhibition, "Earthly Paradise: Radical Living in the UK," part of the Going Places scheme coordinated by Art Fund, will conclude at Dovecot Studios in Edinburgh from March to September 2028. The exhibition is one of several initiatives under Going Places, which also includes "Making Her Mark: A Celebration of Women in Art" launching April 30, 2026 at Penlee House Gallery & Museum in Penzance, touring to Kirkcaldy Galleries in 2027, and "Communities of Making" at Inverness Museum & Art Gallery exploring Scottish wool traditions, plus "New Faces New Focus" at Aberdeenshire Farming Museum.

Masterpieces by Klimt, Matisse and Freud set for London’s most valuable auction

Sotheby's will auction a major collection of masterpieces by artists including Gustav Klimt, Henri Matisse, Lucian Freud, and Francis Bacon, consigned by Joe Lewis and his daughter Vivienne, whose family owns Tottenham Hotspur. The collection, expected to fetch over £150 million, is projected to become the most valuable ever offered in London, with highlights such as Klimt's 'Bildnis Gertrud Loew' (estimated £20-30m) and Egon Schiele's 'Danaë' (estimated £12-18m, potentially setting a new artist record). The works will be exhibited in New York and London before the June sales.

When Fashion Meets the Body, Can a Whole Museum Come Alive?

The Metropolitan Museum of Art's Costume Institute will open its latest fashion exhibition, "Costume Art," in a new gallery space adjacent to the Great Hall, formerly the museum's gift shop. Curated by Andrew Bolton, the show features 400 objects from the permanent collection, organized thematically around the dressed body—exploring the naked, classical, anatomical, and mortal body—rather than chronologically. The exhibition aims to connect artistic representations of the body with fashion as an embodied art form.

Still in Sound Exhibition Opens on May 16 at the Clyfford Still Museum

The Clyfford Still Museum in Denver will open a multisensory exhibition titled "Still in Sound" on May 16, exploring how visitors can experience abstract visual language through sound. Co-curated by Bailey Placzek, the museum's curator of collections, and British multidisciplinary artist Ben Coleman, the exhibition features original sonic interpretations by contemporary artists Maria Chávez, Maya Dunietz, Kalyn Heffernan, Matana Roberts, and Michael Schumacher, each responding to a specific Clyfford Still artwork. The museum will also open a special-feature exhibition, "Celebrating 15 Years: 15 New Paintings in 15 Months," unveiling one previously unseen painting each month for 15 months. The exhibition runs through February 14, 2027.

New Exhibits open today at the African Art Museum

The Savannah African Art Museum is opening two new exhibitions today, April 30, 2026, with a ribbon-cutting ceremony from 5:30 p.m. to 8 p.m. The new exhibits include a permanent gallery featuring artwork from West and Central Africa that explores the connections between agriculture, spirituality, and daily life. Museum representative Alisa Evans-Newsome highlighted that the exhibit shares agricultural and spiritual practices from the West African interior, emphasizing agriculture as a vital link to the land and ancestors.

Millon relance Pierre Bergé & Associés

Millon has taken full control of Pierre Bergé & Associés, becoming its sole shareholder. The auction house, founded in 2002 and restructured two years ago by Alexandre Landre after judicial recovery, will now operate under Millon's financial, logistical, and commercial backing while retaining its Avenue Kléber address and operational team.

Lee Miller in Wide Angle

Lee Miller en grand angle

The Musée d'Art moderne de Paris (MAM) has opened a major retrospective of photographer Lee Miller (1907-1977), featuring nearly 250 prints—many vintage and previously unseen. The exhibition originated at Tate Britain, where it drew over 250,000 visitors, and was co-organized with MAM and the Art Institute of Chicago. Curated by Michal Goldschmidt (former Tate Britain curator) and Fanny Schulmann of MAM, with new research led by Hilary Floe, the show emphasizes Miller's ties to Paris, her technical mastery, and her wartime reporting, including contact sheets from Dachau and Buchenwald never before shown in France.

Meloni takes control of Italian museums

Meloni reprend en main les musées italiens

Italy’s culture ministry under Prime Minister Giorgia Meloni has appointed 14 new directors for so-called “second-tier” museums, reinforcing a shift away from the international “super-director” model introduced by the 2014 Franceschini reform. All appointees are Italian except for French director Axel Hémery, who was reappointed at the Pinacoteca di Siena due to his strong performance. The move follows the earlier ousting of foreign directors at top-tier museums, with only two foreign-born directors—Eike Schmidt and Gabriel Zuchtriegel—remaining, both of whom hold Italian citizenship.

Au Louvre, l’ambitieuse restauration du cycle de Marie de Médicis

The Louvre Museum in Paris is undertaking an ambitious restoration of Peter Paul Rubens's monumental cycle of 24 paintings depicting the life of Marie de Médicis. The project, which will take four years and cost €4 million funded by the Société des Amis du Louvre, begins this autumn with the paintings being restored in situ in the Médicis Gallery. The gallery will close in May to prepare the space as a restoration workshop, where two teams of 10–15 restorers will work simultaneously on cleaning, relining, and filling gaps. The last major restoration of the cycle dates to the 1950s, and recent diagnostics revealed yellowed varnish, discordant repaints, and flaking paint layers that risk irreversible loss.

L’offre de formation se développe

French art training institutions are expanding their curricula to include provenance research, responding to a 2022 government report that identified gaps in conservator education. The Institut national du patrimoine (INP) now offers seminars on Nazi-era spoliation (1933-1945) and has added a five-day provenance research module for external competition students since 2024-2025. Paris-Nanterre University launched a master's-level diploma in 2022 covering legal, historical, and methodological aspects of provenance research. The École du Louvre now offers a specialized master's in "sensitive goods and provenance research" addressing spoliated works, human remains, colonial acquisitions, and illicit trafficking, while also integrating provenance methodology into its general curriculum from master's level one.

The Great Festival of Contemporary Creativity in Parma Celebrates Its First 10 Years: The Events to See

Il grande festival di Parma sulla creatività contemporanea festeggia i suoi primi 10 anni: gli eventi da vedere

The Parma 360 Festival, a major contemporary creativity festival in Parma, Italy, celebrates its tenth edition with the theme "Lux. Visioni sulla Luce" (Lux: Visions of Light). Curated by Chiara Canali and Camilla Mineo, the festival features five exhibitions across special city locations, transforming Parma into a diffuse museum. Highlights include Antonio Barrese's "Morphology Light. Viaggio nella forma della luce" at Galleria San Ludovico, exploring light as plastic matter, and Michael Kenna's photographic exhibition "Il fiume Po. Scritture di luce" at Palazzo Pigorini, capturing the Po River through contemplative black-and-white imagery. Over its nine previous editions (2016–2025), the festival has presented more than 70 official exhibitions and involved over 200 artists.

Has a new Banksy statue just appeared in central London?

A new statue has appeared on Waterloo Place in central London, bearing the signature of elusive street artist Banksy. The artwork depicts a suited man carrying a large flag that covers his face, stepping off a plinth, and blends with nearby bronze and granite monuments. Sightings were first reported on Wednesday 29 April, but how and when the statue was erected in this busy intersection remains unknown. Banksy has not yet posted the work on his Instagram account, his usual method of authentication, though crowds have already gathered.

UK’s Brighton & Hove Museums to return 45 artefacts to Botswana

Brighton & Hove Museums in southern England will return 45 artefacts to Botswana. The objects, including clothing, accessories and hunting implements, were acquired by English reverend William Charles Willoughby in the 1890s and will be housed at the Khama III Memorial Museum in Serowe, where they will form part of a permanent exhibition opening on 27 May. A team from Brighton & Hove Museums is working with Botswanan curators on the return, which is scheduled for April.

FAD News: Serpentine x FLAG Art Foundation Prize Announces Star-Studded Selection Committee

The Serpentine x FLAG Art Foundation Prize has announced its selection committee for the inaugural award, the largest contemporary art prize in the UK given to a single artist. The five-person jury includes Michelle Kuo (Chief Curator at Large and Publisher at MoMA), Venus Lau (director of Museum MACAN), Hans Ulrich Obrist, Jon Rider, and artist Rirkrit Tiravanija. The committee met in London on 23rd April to select the first recipient, who will be announced on 12th May. The prize awards £200,000 biennially over ten years, totaling £1 million across five artists, with each recipient developing a new body of work culminating in exhibitions at Serpentine in London and The FLAG Art Foundation in New York.

The art of politics: how global conflicts are playing out in this year's Venice Biennale

Israel is making a controversial return to the 2025 Venice Art Biennale after its pavilion was locked in 2024 with a note demanding a ceasefire in Gaza. The artist representing Israel, Belu-Simion Fainaru, will present his project "Rose of Nothingness" in the Arsenale, while Russia also returns to the Biennale after its Giardini pavilion was reassigned to Bolivia in 2024. The Art Not Genocide Alliance (ANGA) has renewed calls for a boycott and is organizing strike action to disrupt the event, accusing Israel of genocide.

Beverly Buchanan’s Anti-Monuments

Beverly Buchanan's outdoor sculptures, such as 'Marsh Ruins' (1981) and 'Unity Stones' (1983), are quietly eroding in landscapes across Georgia, Florida, and North Carolina. These anti-monuments, made from tabby concrete and stone, blend into their surroundings while subtly referencing the region's layered histories, including Indigenous shell middens, plantation ruins, and the 1803 slave revolt on St. Simons Island. Buchanan, who died in 2015, is now receiving renewed attention: her work will be featured at the Venice Biennale this spring, and a touring retrospective is currently at Frac Lorraine in Metz, following a posthumous show at the Brooklyn Museum in 2016–17.

Cultural Losses Across West Asia

Since February 28, 2026, US-Israeli strikes on Iran have escalated into a major military confrontation across the Middle East, causing heavy casualties and infrastructure damage. Multiple UNESCO World Heritage sites have been hit, including Tehran's Golestan Palace (damaged on March 2), Isfahan's Chehel Sotoun palace and Naqsh-e Jahan Square (attacked March 9), and Tel Aviv's White City Bauhaus architecture, which suffered severe damage from Iranian counterattacks.

148 News: Awards & Obituaries

This article from ArtAsiaPacific reports on three recent art awards. Iraqi artist Ali Eyal received the Hammer Museum's $100,000 Mohn Award for emerging artists in Los Angeles. Japanese artist Mari Katayama won the inaugural ¥10 million Mori Art Award from the Mori Contemporary Art Foundation in Tokyo. Korean media artist Jeamin Cha secured the Hermès Foundation's 21st Missulsang, receiving KRW 30 million and production support for a solo exhibition at Atelier Hermès in Seoul in 2027.

Dispatch: Beijing

The article reports on a series of significant shifts in Beijing's art world since 2024. UCCA Center for Contemporary Art faced financial troubles; its director and CEO Philip Tinari ended his 14-year tenure to lead Hong Kong's Tai Kwun. Taikang Art Museum also disclosed leadership changes. Smaller venues like DRC NO. 12 and fRUITYSPACE closed due to lease issues. Independent publishing faces sharp restrictions, and art book fairs are being replaced by cultural-lifestyle merchandise events. Official figures show Beijing lost over a million young residents since 2020 due to soaring living costs and tightening regulations.

Editor’s Letter: Still, Listening

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opens in May 2026, shifting focus from Eurocentric narratives to quieter, relational, and improvisational voices from the Global South. ArtAsiaPacific's May/June issue honors Kouoh's vision with features on artists including Gala Porras-Kim (a 2025 MacArthur Fellow), Khaled Sabsabi (representing Australia), and others like Liang Yuanwei, Yuko Mohri, Mona Hatoum, Tadanori Yokoo, Gayane Umerova, Li Yi-Fan, Hyeree Ro, and Ei Arakawa-Nash, with contributions from a curatorial team that carried Kouoh's work forward after her death in 2025.

Previews: 61st Venice Biennale: In Minor Keys

The 61st Venice Biennale, titled "In Minor Keys" and curated by the late Koyo Kouoh, opens amid global turmoil and internal controversy. Kouoh, who passed away in May 2025, conceived the exhibition around the metaphor of a "creole garden," emphasizing deep affinities between 111 artists from diverse locations such as Dakar, Beirut, and Salvador. The Biennale is overshadowed by recent geopolitical events, including US-Israeli airstrikes on Iran, and faces protests: over 70 participating artists signed an open letter opposing the participation of Israel, Russia, and the US, while the Australian pavilion saw the reinstatement of Khaled Sabsabi after being dropped, and South Africa withdrew its official pavilion over Gabrielle Goliath's femicide project, which she will still present independently.

Whispering Gallery: The Cratable Hedge and the Colonial Hangover

The article questions the appointment of James Taylor-Foster as the incoming director of Para Site in Hong Kong, noting his background as a curator of architecture and design rather than contemporary art, and his lack of prior engagement with Asia's curatorial scene. It also reports that Philip Tinari, former director of UCCA in Beijing, has been appointed to lead Tai Kwun, replacing Pi Li, who has become founding director of the Tencent-funded Róng Museum of Art in Shenzhen.

New Currents: Jungeun Park

Jungeun Park, an artist based between New York and Seoul, creates sculptures that blend glass, ceramics, and textiles to evoke raw biological forms and alien organic matter. Her 2025 graduate presentation at the Rhode Island School of Design featured works like *Skin Mite (demodex)* (2024), sewn from old pillowcases, and *Period Chalice* (2024), made from resin, metal chain, metal ring, water, and strawberry syrup, which transform the repulsive into something tender and strange.

Art Fair Report: Stress Test

Art Basel Hong Kong 2026 drew 91,500 visitors and featured 240 galleries at the Convention and Exhibition Centre, alongside over 100 galleries at Art Central, three new boutique fairs, four new art spaces, multiple auction previews, and dozens of institutional shows and gallery openings. Despite a challenging 2025 that saw mega-galleries Pace and Perrotin close their Hong Kong spaces and auction results hit an eight-year low, blue-chip galleries reported strong sales, including David Zwirner’s USD 3.8 million sale of Liu Ye’s "Snow White" (2006) and Hauser & Wirth’s USD 2.95 million sale of a Louise Bourgeois work. The prevailing sentiment among collectors and gallerists was cautious optimism, with the phrase "Are you surviving?" overheard frequently.

Hyeree Ro: What Bears

Hyeree Ro is preparing for the 2026 Venice Biennale, where she will present the work "Bearing (2026)" as part of the Korean Pavilion, titled "Liberation Space: Fortress/Nest." The article follows Ro in her temporary Brooklyn studio, where she works with salvaged objects and materials that migrate across multiple works over years—such as a sheet of organza purchased in 2023 that later appeared in "Niro (2024)" and "Carry (2025)" before being repurposed as the pavilion's fabric walls. Her practice is defined by a nomadic, accumulative material logic: objects enter without a fixed destination and gain meaning through repeated reuse.

Zurbarán review: Even the godless will be enraptured by this drama

The article reviews a major exhibition of 17th-century Spanish painter Francisco de Zurbarán, highlighting his dramatic religious works such as a stark crucifixion, a depiction of St. Peter crucified upside down, and a series of saintly princesses. It notes the exhibition's effective hanging, the artist's use of vivid color and theatrical lighting, and includes recently attributed works like a mysterious giant head. The review emphasizes the blend of high drama, emotion, and Catholic piety in Zurbarán's paintings, as well as his still lifes that rival those of Velázquez.

Pittsburgh’s burgeoning gallery community readies for its moment in art world spotlight

Pittsburgh's commercial gallery scene is experiencing a resurgence as the Carnegie International, the country's longest-running recurring exhibition, prepares to open its largest edition yet with 61 artists. Since the pandemic, several young gallerists with experience in New York and Los Angeles have opened spaces in the city, including Romance gallery (2023) by former Whitney curator Margaret Kross, and april april gallery (2024) relocated from Brooklyn by Patrick Bova and Lucas Regazzi. Longer-established galleries like Concept, Zynka, and James Gallery have welcomed these newcomers, with local figures such as collector Evan Mirapaul noting that Pittsburgh's robust arts ecosystem—including museums, universities, and nonprofits—has long lacked a strong commercial gallery presence.