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Moss & Freud review: film exploring unlikely friendship ultimately fails to scratch the surface

The film *Moss & Freud*, directed by James Lucas, explores the unlikely friendship between supermodel Kate Moss (played by Ellie Bamber) and painter Lucian Freud (Derek Jacobi) in 2001 London. The story centers on Moss's desire to sit for the reclusive portraitist, culminating in Freud's unflattering *Naked Portrait 2002*. However, the film glosses over Freud's darker reputation—his punishingly long sittings, cruelty, and violent tendencies—portraying him instead as a benign, eccentric old man. It also fails to deeply investigate Moss's character or the exploitation within the fashion industry, relying on weak scripting and forced parallels between Moss and Freud's ex-wife Lady Caroline Blackwood.

Wayne Thiebaud’s first UK show reveals the hidden depths of his deceptively simple paintings

Wayne Thiebaud's first museum exhibition in the UK has opened at the Courtauld Gallery, featuring 21 paintings on loan from US public and private collections, including the Wayne Thiebaud Foundation. The show, titled "Wayne Thiebaud: American Still Life," highlights the artist's deceptively simple depictions of cakes, pies, and deli counters, and includes a concurrent exhibition of works on paper called "Delights." Co-curator Barnaby Wright emphasizes that seeing the works in person reveals their extraordinary painterly quality, which reproductions flatten.

Oberlin art museum kicks off fall with a fine Monet show and a new director

The Allen Memorial Art Museum at Oberlin College has opened "Picturing Paris: Monet and the Modern City," a focused exhibition reuniting three Claude Monet paintings from spring 1867, including the museum's own "The Garden of the Princess" alongside two loans from European museums. The show features over 30 additional works from the Allen's collection by artists such as Renoir, Degas, and Cézanne, and coincides with the arrival of new director Jon Seydl, who returned to Northeast Ohio in July after leadership roles at the Cleveland Museum of Art, Worcester Art Museum, and Krannert Art Museum.

LACMA Expands Local Access Initiative with New Museum Partners and Exhibitions

The Los Angeles County Museum of Art (LACMA) has expanded its Local Access program, adding three new museum partners: the California State University, Dominguez Hills (CSUDH) University Art Gallery, the Millard Sheets Art Center at the LA County Fair, and the Ontario Museum of History & Art. Supported by the Art Bridges Cohort Program, the initiative brings exhibitions sourced from LACMA's permanent collection to communities across Southern California. The program's latest exhibition, 'Act on It! Artists, Community, and the Brockman Gallery in Los Angeles,' opens at the Vincent Price Art Museum on September 27, exploring the legacy of the historic Brockman Gallery and its role in the Black Arts Movement.

A brush with… Suzanne Jackson—podcast

This podcast episode features an in-depth conversation with artist Suzanne Jackson, who discusses her multifaceted career spanning drawing, painting, poetry, dance, and theatre. Born in 1944 in St. Louis and raised in San Francisco and Fairbanks, Alaska, Jackson draws on Native American and African American traditions to explore the spiritual connection between people and nature. She reflects on influences including Barbara Chase Riboud, Elizabeth Catlett, and Torkwase Dyson, and shares insights into her studio practice and her view on art's purpose. The episode also highlights her current survey exhibition "What is Love," which travels to SFMOMA, the Walker Art Center, and the Museum of Fine Arts, Boston through 2027.

Pearlstein Gallery Opens Fall Exhibition Exploring Systems and Structures in Contemporary Art

The Leonard Pearlstein Gallery at Drexel University's Antoinette Westphal College of Media Arts & Design has announced its Fall 2025 exhibition, "Of the Grid: Systems + Structures in Contemporary Art," running from October 14 to December 15. The show features 36 artists working across media including photography, video, drawing, weaving, sculpture, embroidery, printmaking, painting, book arts, and interactive installation, with works that use the grid as a formal, conceptual, or narrative device. Co-curated by gallery director Mark Stockton and Cindy Stockton Moore, the exhibition includes a dynamic mix of Philadelphia-based and international artists, with highlighted pieces such as Jacob C. Hammes's IKEA-hacked fountain, Anne Schaefer's optical color window installation, and a suspended quilt by Jody Graff.

The rooms where the magic happened: National Gallery of Ireland exhibition explores Picasso’s studios

The National Gallery of Ireland is opening an exhibition titled "Picasso: From the Studio" that shifts focus from the artist's famous subjects—such as weeping women and bullfighting—to the physical spaces where he created his work. Curated by Janet McLean and Joanne Snrech, the show draws heavily from the Musée Picasso in Paris and includes over 100 works, ranging from early pieces made from scraps to late paintings like *Musician* (1972). The exhibition recreates the atmosphere of key studios through paintings, film, and photographs, including iconic images by Dora Maar of Picasso painting *Guernica* (1937). The gallery owns only one Picasso painting, *Still Life with a Mandolin* (1924), which is included.

Two years on from 7 October attacks, Israeli museum directors are in ‘complete isolation’

Two years after the 7 October 2023 attacks, Israeli museum directors report feeling isolated from the international art world. Tania Coen-Uzzielli, director of the Tel Aviv Museum of Art, says most international collaborations were put on hold, delayed, or cancelled. The museum, which has a history of political activism, closed partially during protests against judicial reforms and has taken a public stance to end the war and suffering in Gaza. Meanwhile, the Tel Aviv-Yafo City Museum, which opened just after the attacks, shifted to documenting wartime reality and supporting artists, but has received no direct support from international colleagues. The National Library of Israel repeatedly deinstalled and secured its collections during Iranian missile attacks, reopening when safe.

From royal visitors to extortionate eBay sales: new book offers rare behind-the-scenes glimpse of Vermeer blockbuster

The Rijksmuseum's 2023 Vermeer exhibition, widely considered the most successful show of the century, drew 650,000 visitors and assembled 28 of the artist's 37 known paintings. A new book, *Closer to Vermeer: New Research on the Painter and his Art*, reveals behind-the-scenes details: the initial plan for a broader thematic show was abandoned in favor of a focused Vermeer-only presentation; nine paintings could not be borrowed, including *The Concert* (stolen in 1990) and *The Astronomer* (on loan to Louvre Abu Dhabi); the Herzog Anton Ulrich Museum refused to lend *Girl with a Wine Glass*, even rejecting an offer of buses for schoolchildren. The book also discloses that the Dutch king and queen visited multiple times during regular hours, that a quarter of visitors felt context was missing, and that over 3,500 complaints were filed about photography. The most expensive resold ticket on eBay reached $2,724.

Gustave Caillebotte: Painting His World

The Art Institute of Chicago presents 'Gustave Caillebotte: Painting His World,' a major exhibition running from June 29 to October 5, 2025, featuring over 120 works including paintings, works on paper, photographs, and ephemera. The show explores the personal interests and relationships that shaped the Impressionist artist, highlighting his focus on family, friends, sportsmen, and workers, as well as his unique depictions of nude men. It includes iconic pieces like 'Paris Street; Rainy Day' and 'Floor Scrapers,' alongside lesser-known works such as the Musée d'Orsay's recent acquisition 'Boating Party' and the Louvre Abu Dhabi's 'The Bezique Game,' many from private collections rarely seen by American audiences.

SILSILA: Highlights from the Dalloul Collection Including Modern & Contemporary Middle Eastern Art - Christie's

Christie's will hold a live auction titled 'SILSILA: Highlights from the Dalloul Collection including Modern and Contemporary Middle Eastern Art' on 6 November 2025 at King Street, London, with an online sale running from 28 October to 11 November. The evening sale features 20 exceptional works from the esteemed Dalloul Collection in Beirut, Lebanon, led by masterpieces from artists such as Mohamed Melehi, Mahmoud Saïd, Dia Al-Azzawi, Marwan, Huguette Caland, Paul Guiragossian, Samia Halaby, and Kamal Boullata. A preview will be held at Christie's Dubai from 3-10 October, showcasing highlights including Guiragossian's 'Automne (Autumn)', El Rayess's 'Soukhour Meyrouba', and Said's 'La colline de Mekarzel'.

The OG of Art Revolutions Comes to Santa Barbara Museum of Art

The Santa Barbara Museum of Art (SBMA) will host "The Impressionist Revolution: Monet to Matisse from the Dallas Museum of Art" from October 5, 2025, to January 25, 2026. The exhibition, which marks the 150th anniversary of the first Impressionist exhibition in 1874, features masterworks by Claude Monet, Vincent van Gogh, Henri Matisse, Paul Gauguin, Piet Mondrian, Berthe Morisot, and Edvard Munch, drawn from the Dallas Museum of Art's renowned French Impressionist collection. It traveled to Mexico City before arriving in Santa Barbara, the only West Coast U.S. venue for the show, and will later travel to Nashville, Québec, and Richmond.

NEXT in the Gallery: October arts are all about play

October arts in Pittsburgh focus on play and legacy, with several gallery openings and retrospectives. GalleriE CHIZ hosts "Celebrating the Art and Life of Ellen Chisdes Neuberg" on Oct. 3, showcasing the late artist and gallery owner's bold Abstract Expressionist works. The Pittsburgh Glass Center presents "Idea Furnace Retrospective" (Oct. 3, 2025–Jan. 19, 2026), featuring alumni like Renee Cox and Alisha Wormsley. James Wodarek's "Industria Nova" at Atithi Studios reimagines industrial forms, while the Cooley Gallery pairs "Felt-Occurrence" with "Continuing a Legacy of Classical Painting," linking three generations of American landscape artists from Frank DuMond to James Sulkowski.

Georges de La Tour, once a victim of the academy’s collective amnesia, can be seen in a new light in Paris

The Musée Jacquemart-André in Paris opens a new exhibition, "Georges de La Tour: From Shadow to Light," running from 11 September 2025 to 25 January 2026. This is the first Paris show dedicated to the 17th-century French painter in nearly 30 years, featuring about 20 original works and a dozen studio pieces. The exhibition explores La Tour's working practice and his influence from Caravaggio, highlighting how his oeuvre—now counted at only 48 known works—was rediscovered after centuries of misattribution, thanks largely to German art historian Hermann Voss in 1915.

Is Vermeer’s ‘The Art of Painting’ in fact a lost work?

Paul Taylor, a curator at London’s Warburg Institute specializing in 17th-century Dutch art, argues that Vermeer’s celebrated painting *The Art of Painting* (1666-68), housed at Vienna’s Kunsthistorisches Museum, may not be the work referenced in a 1676 legal document by the artist’s widow, Catharina. Taylor tracked 25 period descriptions of “de schilderconst” (the art of painting) and found they all depict allegorical personifications of painting, not studio scenes like Vermeer’s composition. He believes the document refers to a now-lost Vermeer that could still resurface.

Daegu Photo Biennale tackles the Anthropocene

The Daegu Photo Biennale in South Korea, now in its 10th edition, tackles the Anthropocene through the lens of symbiosis, featuring three main exhibitions: 'The Pulse of Life', 'The Origin of the World', and a solo show by Rinko Kawauchi titled 'M/E On this Sphere Endlessly Interlinking'. Artistic director Emmanuelle de l’Ecotais, a former curator at Centre Pompidou and Musée d’Art Moderne de Paris, leads the biennale, which includes 80 artists in the main exhibition and 75 in the special exhibition, alongside emerging artist showcases, a symposium, a photobook exhibition, and a portfolio review, all spread across 4,000 square meters at the Daegu Culture and Arts Center.

‘I don’t want to compare myself with these masters’: Giorgio Armani placed side by side with Raphael and Caravaggio in Milan exhibition

Milan's Pinacoteca di Brera has opened a major exhibition titled *Giorgio Armani: Milano, per amore*, juxtaposing over 120 garments designed by the legendary fashion designer Giorgio Armani—who died this month—with Renaissance masterpieces by Caravaggio, Bellini, Raphael, and Mantegna. Unveiled on September 24 during Milan Fashion Week, the show was planned by Armani until shortly before his death, making it his final project. The exhibition also includes a catwalk event in the museum's courtyard on September 28, originally conceived to celebrate 50 years since the Armani fashion house launched in the Brera district.

11 must-see works in MAM's new Bradley Collection exhibition

The Milwaukee Art Museum (MAM) has opened a new exhibition titled "The Bradley Collection of Modern Art: A Bold Vision for Milwaukee" in the Baker/Rowland Galleries, celebrating the 50th anniversary of Peg Bradley's donation of nearly 400 works to the museum. The show features highlights from the collection, including pieces by Wassily Kandinsky, Raoul Dufy, and Ernst Ludwig Kirchner, alongside works by American artists like Georgia O'Keeffe and Andy Warhol. The exhibition offers visitors a chance to see these works in a new setting and learn more about Bradley as a collector and philanthropist.

An exhibition at Cranbrook Museum of Art spotlights overlooked perspectives from the midcentury modern movement

The Cranbrook Museum of Art has opened a new exhibition that highlights underrepresented voices and overlooked perspectives within the midcentury modern movement. The show features works by artists and designers who were historically marginalized or excluded from the dominant narrative of midcentury modernism, including women and people of color.

A queer art exhibition in Germany shines a spotlight on marginalized modernist artists

A new exhibition titled "Queer Modernism. 1900 to 1950" opens at the Kunstsammlung Nordrhein-Westfalen in Düsseldorf, Germany, featuring over 130 works by 34 artists from Europe and the United States. The show highlights queer contributions to modernism during the first half of the 20th century, a period of both sexual liberation in cosmopolitan centers and persecution under fascism. Works include Lotte Laserstein's "I and My Model" (1929/30) and Ludwig von Hofmann's "The Source" (1913), once owned by Thomas Mann.

Dog in Rembrandt’s The Night Watch was copied from widely available book, suggests new research

New research suggests that the barking dog in the lower right corner of Rembrandt's *The Night Watch* (1642) was copied from a title-page illustration by the Dutch artist Adriaen van de Venne. Anne Lenders, curator of 17th-century Dutch paintings at the Rijksmuseum, recognized the resemblance while visiting an exhibition on Van de Venne at the Zeeuws Museum. Macro X-ray fluorescence scans of the painting's underdrawing confirmed the similarity, though Rembrandt modified the dog's posture and added a tongue to make it appear alert and barking at a drum.

Southeast Asia’s largest French Impressionist exhibition is opening in Singapore with over 100 artworks

National Gallery Singapore will host "Into the Modern: Impressionism from the Museum of Fine Arts, Boston," the largest French Impressionist exhibition ever staged in Southeast Asia, from November 14, 2025 to March 1, 2026. The show features over 100 artworks across seven thematic sections, including 17 pieces by Claude Monet and masterpieces by Renoir, Degas, Cézanne, Pissarro, Sisley, and Morisot, all on loan from the Museum of Fine Arts, Boston. None of the works have been displayed in Southeast Asia before.

Krannert Art Museum exhibition examines significance of early modern European prints

Krannert Art Museum at the University of Illinois Urbana-Champaign will present "Imagination, Faith, and Desire: Art and Agency in European Prints, 1475-1800," an exhibition of over 100 early modern European prints drawn from private collections. The show, curated by Maureen Warren, runs from September 25 through February 28 and includes works by masters such as Rembrandt, Parmigianino, and Goya, exploring how prints functioned as Europe's first visual mass media.

Marianne and Edward Gibson Art Museum opens at SFU Burnaby campus

The Marianne and Edward Gibson Art Museum, a new 12,100-square-foot facility on the Simon Fraser University Burnaby campus in British Columbia, has officially opened to the public. Designed by Siamak Hariri of Hariri Pontarini Architects, the museum features B.C.-sourced mass timber beams, floor-to-ceiling windows, and a layout that integrates with the surrounding forest. Its inaugural exhibition, "Edge Effects," includes works by artists such as Debra Sparrow, Cindy Mochizuki, Patrick Cruz, Lorna Brown, and Jin-me Yoon, and the museum also houses approximately 5,900 works from the Simon Fraser University Art Collection.

From Dior's golden coat to landscape jewellery at Christie's: where the worlds of art and luxury collide this autumn

The article highlights two luxury-art crossovers this autumn: Jonathan Anderson's debut Dior menswear collection for spring/summer 2026, presented in Paris, and Natasha Wightman's new jewellery collection displayed at Christie's London. Anderson's show reimagined Dior's iconic women's silhouettes for men, featuring a standout €200,000 coat embroidered with ancient Indian mukesh work that took 12 artisans 34 days to create. Wightman's jewellery incorporates bog oak, a semi-fossilised wood from British fens, carved into pendants celebrating the country's remaining temperate rainforests.

Hidden picture beneath Vermeer’s ‘Girl with the Red Hat’ may be the artist’s only existing male portrait, research reveals

New research using advanced imaging techniques suggests that the hidden male portrait beneath Johannes Vermeer's 'Girl with the Red Hat' (c. 1664-69) at the National Gallery of Art in Washington, D.C., may have been painted by Vermeer himself, rather than an unidentified artist as previously thought. Earlier studies had dismissed the underpainting as the work of another hand due to its loose brushwork, but recent analysis indicates Vermeer's initial paintwork was typically looser and quicker. The male figure's costume dates the composition to 1650-55, which would make it Vermeer's only known male portrait and predate his earliest known work, 'Christ in the House of Mary and Martha' (1654-55).

Metropolitan Museum gifted 188 Dada and Surrealist works

The Metropolitan Museum of Art has received a promised gift of 188 Dada and Surrealist works from collector and trustee John Pritzker, known as the Bluff Collection. The gift includes pieces by Man Ray, Max Ernst, Marcel and Suzanne Duchamp, Jean Arp, Lee Miller, and others, with 35 works debuting in the upcoming exhibition "Man Ray: When Objects Dream" (14 September 2025 – 1 February 2026). Pritzker is also donating over 100 books and ephemera, and funding a new research initiative, the Bluff Collaborative for Research on Dada and Surrealism, through his family fund.

Baltimore Museum of Art Will Host Amy Sherald’s Canceled Smithsonian Show

The Baltimore Museum of Art (BMA) will host Amy Sherald's exhibition "American Sublime," which was originally scheduled to open at the Smithsonian's National Portrait Gallery on September 19. Sherald canceled the Smithsonian showing in July after learning the institution planned to remove her 2024 painting "Trans Forming Liberty," which depicts a transgender Statue of Liberty, to avoid provoking President Donald Trump, replacing it with a video instead. The exhibition, featuring about fifty works, had previously traveled from the San Francisco Museum of Modern Art to the Whitney Museum of American Art.

On Loss and Absence: Textiles of Mourning and Survival

The Art Institute of Chicago presents 'On Loss and Absence: Textiles of Mourning and Survival,' an exhibition running from September 6, 2025, to March 15, 2026. Featuring over 100 objects from antiquity to the present, the show draws primarily from the museum's own collection and is organized into four thematic sections: Death and Mourning, Transition of Realms, Care and Repair, and Resistance and Survival. Works include funeral hangings, burial cloths, mourning samplers, Indonesian ship cloths, a Taoist priest's robe, and contemporary pieces by artists such as Nick Cave, Carina Yepez, the Noqanchis collective, and Diné weaver Barbara Teller Ornelas. The exhibition is curated by four artist-educators from the School of the Art Institute of Chicago's Fiber and Material Studies department: Isaac Facio, Nneka Kai, L Vinebaum, and Anne Wilson, with senior museum advisor Melinda Watt.

Amy Sherald, Having Canceled Her Smithsonian Show, Will Take Paintings to Baltimore

Amy Sherald has canceled her planned exhibition at the Smithsonian’s National Museum of African American History and Culture in Washington, D.C., and will instead bring her paintings to the Baltimore Museum of Art. The decision follows a period of reflection and logistical challenges, with the Baltimore venue offering a more intimate and locally resonant setting for her work.