Artist Beata May will present her solo exhibition 'Où est Vénus? – Where is Venus' at Espace 22 in Monaco from 9th to 22nd August, organized by Unchained.Art. The two-week pop-up is curated by Christina Hiltscher, with the first week featuring May's solo works, including the piece 'Icon III', and the second week expanding to include six additional international artists responding to May's central question.
An exhibition titled 'Reclaim, Repurpose, Reimagine (RRR)' will open at Sonoma State University's Art Gallery on September 4, 2025, featuring works by five Bay Area artists: Mia Feuer, Bryan Keith Thomas, Arleene Correa Valencia, and Richard Lang and Judith Selby Lang of One Beach Plastic. Co-curated by SSU faculty members Eileen Parent and Stefan Kiesbye, the show transforms discarded objects into art across mediums like sculpture, fiber arts, painting, photography, and mixed media, exploring themes of resilience, diversity, vulnerability, and cultural identity. It also includes pieces from The Recology Artstart Student Hub (TRASH) summer art residency program, with a public reception on opening day and an artist talk on September 25.
The Boston Young Contemporaries 2025 exhibition, mentioned in The Boston Globe's "The Ticket" column, is currently on view through July 26 at Boston University Art Galleries' Faye G., Jo, and James Stone Gallery. The show features works by current and recently graduated MFA students from Boston art schools, including Boston University, the School of the Museum of Fine Arts at Tufts University, and Massachusetts College of Art and Design. Juried by Selby Nimrod, director of exhibitions and commons at MIT's School of Architecture + Planning, the exhibition revives a tradition that began over 20 years ago when students organized a summer showcase of their best work.
A new contemporary art space called Progetto opened in Lecce, Italy, on June 28, 2019, with a solo exhibition titled "fortaleza" by artist ektor garcia. Founded by artist Jamie Sneider, who splits time between the United States and Puglia, the space is located in a 16th-century building in the ancient Jewish quarter of the baroque city. Progetto will host international artists for short residencies and exhibitions, fostering dialogue with the region's history and landscape.
Acne Studios has opened its first permanent art space in Paris, named Acne Paper Palais Royal, located beneath the historic arcades of the Palais Royal. The inaugural exhibition, titled '2025', features forty-two portraits of art students from Amsterdam's Gerrit Rietveld Academie by Dutch photographer Paul Kooiker, on view through July 27, 2025. The space is named after the brand's biannual magazine, Acne Paper, and will host art shows, talks, book signings, and cultural events.
Swedish fashion brand Acne Studios will open its first permanent art gallery on June 26 under the historic arches of the Palais Royal in Paris. The gallery follows the editorial line of Acne Paper, the brand's biannual publication, and will host a multidisciplinary program including exhibitions, talks, book signings, and cultural events. Its inaugural exhibition features the experimental photography of Dutch artist Paul Kooiker.
The Western Gallery at Western Washington University presents its annual BFA art showcase titled “In Good Company,” featuring works by graduating students that explore themes of identity, belonging, and vulnerability. Student artists like Alesandra Caroline, Antonio Mejia Wolf, and Matt Berry use diverse media—including sculpture, film, and interactive installations—to address personal and cultural experiences, such as Mexican American identity and queer sanctuary.
Gallery A3 in Amherst, Massachusetts, has issued an open call for its 10th Annual Juried Show, scheduled for August 7–30, 2025. Submissions will be accepted online from May 19 to June 21, with a theme of "United We Stand: Art for Divisive Times." The juror is Billy Myers, Artistic Director and Curator of the Art for the Soul Gallery in Springfield. Accepted artists will exhibit in the downtown Amherst gallery, with an opening reception on August 7 and a free public Art Forum on August 21.
Surrey Art Gallery is hosting the Arts Council of Surrey's annual summer juried exhibition ARTS 2025 from May 3 to July 27, with free admission. The show features fifty works selected by a jury across five categories: painting; drawing, mixed media, and printmaking on paper; sculpture and fibre art; photography; and digital, performative, and new media art. The jury included photography-based artist Brian Howell, artist and Kwantlen Polytechnic University faculty member Jason Wright, and Surrey Art Gallery Curator of Art and Education Initiatives Alanna Edwards. Visitors can vote for the People's Choice Award, and the exhibition will conclude with a Summer Opening Art Party on July 5.
A new art gallery, The Fred Levine Gallery, is opening in Bruton, Somerset, with an inaugural group exhibition titled "Landscapes of Time and Memory." The gallery, founded in 2019 by Frederick McDonald and Zsanett Der Levine, has operated nomadically in recent years, including in London, and has now chosen Bruton as a permanent location, describing it as "a special destination for contemporary art." The exhibition features eight international and UK-based artists: Rebecca Partridge, Fernando Casasempere, Silke Weißbach, Raffael Bader, Fred Sorrell, Elena Njoabuzia Onwochei Garcia, Abigail Booth, and Peter Matthews, whose works explore the relationship between landscape, history, memory, and time.
Japanese artist Asako Iwamizu will present a month-long solo exhibition at Nobu Hotel London Portman Square's White Box gallery starting May 1, 2025. The show features her signature "Kimekomi Art," which combines traditional Japanese kimekomi techniques with fabric scraps and remnants, using both Japanese and British textiles. The exhibition includes interactive workshops on May 17 and 18, and coincides with London Craft Week (May 12–18, 2025), a major annual festival celebrating craftsmanship. Iwamizu will also collaborate with tailors from Savile Row to create new works from local fabric waste.
Artist Oisín Tozer is preparing a fleeting exhibition titled "Yearn" as part of Phizzfest 2025, a local festival in Phibsborough, Dublin. The exhibition is held in his studio at Richmond Road Studios, located within the brutalist Phibsborough Tower. Tozer, a 2023 fine art graduate of TU Dublin, has carved a large orchid design directly into the wall, emphasizing site-specificity and impermanence. The show is part of Phizzfest's visual arts strand, which also includes Jim Donnelly's "The Walk to the Workhouse" and Eileen Ferguson's "Area C." Tozer's work draws on philosophers Gilles Deleuze, Félix Guattari, and Mark Fisher, exploring desire and the political potential of inaccessible, temporary art.
Amsterdam-based studio Imagination of Things, co-founded by Vitor Freire and Monique Grimord, has launched "Unruly Play," an interactive digital archive featuring 169 artworks, designs, games, and participatory projects. The repository includes notable works such as Rael San Fratello's "Teeter-Totter Wall" and the Wind Phone project, alongside a 12-foot puppet that travels the world. The archive is searchable by theme or through a shuffle feature, aiming to showcase projects that invite surprise, camaraderie, and unexpected encounters with imagination and joy.
Three exhibitions in New York this spring are showcasing the works of artistic duos, pairing artists to highlight how their creations either complement or contrast with each other. The shows aim to explore the dynamics of collaboration and dialogue between artists, offering viewers a unique perspective on creative relationships.
The article highlights eight standout national pavilions at the Venice Biennale, the world's premier contemporary art event. These include a doll-focused exhibition, a contemplative garden, and a sizzling hothouse, each generating significant buzz among attendees and critics.
The Vienna Climate Biennale, an art festival addressing ecological, social, and political crises, has opened with a focus on sparking dialogue and encouraging audiences to envision a better future. The event contrasts themes of chaos with hope, using contemporary art to engage visitors in critical conversations about climate change and societal transformation.
Museums across the United States are launching a series of ambitious exhibitions and programming designed to re-examine American history through a more inclusive and contemporary lens. These initiatives move beyond traditional patriotic narratives, utilizing diverse collections to explore the complexities of the nation's heritage, from indigenous perspectives to the legacies of industrialization and migration.
The American Academy of Arts and Letters has unveiled a unique exhibition curated by its own members, designed to function as a contemporary "Cabinet of Wonders." The show features a diverse array of works that interact with the institution’s idiosyncratic permanent collections, blending historical artifacts with modern artistic responses. By mining the Academy's own archives and storage, the participating artists have created a dialogue between the prestigious organization's past and its present creative output.
The Thailand Biennale has opened in Phuket, featuring contemporary artists from Thailand and other countries. The exhibition aims to engage with and honor the island's deep history of applied arts, including traditional crafts and local artistic heritage.
Artist Harry Nuriev has designed a new chandelier for the luxury crystal house Baccarat. The piece, titled "Everyday Chandelier," replaces a portion of the traditional, ornate crystal components with mass-produced, utilitarian objects like plastic cups, water bottles, and light bulbs.
A four-person curatorial team has organized the Encounters section of Art Basel Hong Kong around the classical elements of water, fire, earth, and ether. This thematic approach structures the presentation of large-scale installations and sculptural works within the fair.
Poet Ella Frears has composed a new literary work in response to Charlie Prodger’s 2024 drawing, 'Volcano Snake Sun, September'. The poem explores themes of observation, physical detachment, and the tension between tranquility and underlying violence, mirroring the shift in Prodger’s practice from conceptual film to representational pencil-and-pastel works on paper.
The article critiques the growing influence of wealthy tech entrepreneurs on public art commissions, arguing that their personal tastes and desire for monumental, often self-aggrandizing works are reshaping civic spaces. It highlights how this trend sidelines professional curatorial expertise and community input, replacing public dialogue with private patronage that prioritizes technological spectacle over artistic depth or social relevance.
La Casa Encendida in Madrid has opened "Fundación," a site-specific sculptural installation by Brazilian artist Marlon de Azambuja. The work transforms one of the building's central towers into a walk-through sculpture, curated by Bruno Leitão. Using materials and gestures that modify existing architecture, the installation explores the concept of "founding" as a search for foundational knowledge, questioning divisions between reason and sensation while positioning the exhibition space as an experiential environment. The piece is on view until September 27, 2026.
The Miguel Hernández University in Elche, Spain, presents "Vientos del pueblo. Voices of Exile and Resistance," a group exhibition curated by Mónica Sotos. Inspired by Miguel Hernández's poem "Vientos del pueblo," the show features Argentine artists Ježik and Costa alongside Eugenio Merino, Gloria Oyarzábal, Ricardo Calero, Óscar Seco, Pierre Valls, and María Rosa Aránega. Through photography, video, installation, drawing, and archival works, the exhibition examines violence, borders, exile, and colonial legacies, challenging dominant power narratives.
DA2 Domus Artium in Salamanca has opened the first Spanish retrospective of Gabriela Bettini, titled "Cierta tarde, la más bella de las tardes de mi vida." The exhibition surveys the Spanish-Argentine artist's career, centering on themes of memory, exile, and the trauma of the Argentine military dictatorship. A focal point is the work "Memoria del agua," inspired by an unfinished poem found in a book belonging to her grandfather, who was disappeared during the regime.
Ecuadorian artist Sofía Salazar Rosales has debuted a site-specific solo exhibition titled "Travesías de una lágrima" at the Centro de Creación Contemporánea de Andalucía (C3A) in Córdoba, Spain. The installation-heavy showcase utilizes sculpture and architecture to explore themes of migration, memory, and colonial legacies. Through materials like wax, charcoal, and iron grilles, Salazar Rosales transforms the gallery into a performative space where visitors navigate physical representations of borders, displacement, and the historical weight of territory.
The Kunsthaus Wiesbaden is hosting a comprehensive survey of Argentine artist Marcelo Brodsky titled "Memory in Action," running through June 2026. The exhibition showcases Brodsky’s unique practice of intervening in archival photographs to address global human rights abuses, political violence, and the persistence of historical trauma. Key series on display include his seminal work on the Argentine military dictatorship, "Buena Memoria," alongside explorations of 1968 global protests and African liberation movements.
DIALOGUES WITH THE LEGACY OF BURLE MARX AT MAC CCB
The Museum of Contemporary Art and Architecture Center (MAC/CCB) in Lisbon is presenting a major exhibition titled 'Lugar de estar: o legado Burle Marx' (A Place to Be: The Legacy of Burle Marx). The show features an extensive selection of landscape projects for public spaces by the influential Brazilian landscape architect Roberto Burle Marx and his collaborators, tracing nearly seventy years of work through studies, sketches, photographs, and press materials. It highlights his role in shaping modern Brazilian cities like Brasília and Rio de Janeiro.
THE HISTORY OF ART FROM BOGOTA AT MAP
Montenegro Art Projects (MAP) in Bogotá opens a group exhibition titled 'La historia del arte contada desde Bogotá' (The History of Art from Bogotá), featuring 30 artists. The show explores how art history is activated today, treating it not as a closed archive but as a field in constant transformation, with artists reinterpreting and appropriating historical images and gestures through contemporary sensibilities.