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New Weatherspoon Exhibition Stitches Black Quilter’s Artistry, Life Stories

The Weatherspoon Art Museum has launched two concurrent exhibitions centered on the legacy of Southern Black quilters. "Of Salt and Spirit: Black Quilters in the American South," curated by Dr. Sharbreon Plummer, showcases 24 quilts from the collection of folklorist Roland L. Freeman, including works by UNCG alumna Gwendolyn Magee. Complementing this is "Harriet’s Powers," a site-specific immersive installation by artist Precious D. Lovell that pays homage to Harriet Powers, a 19th-century quilter born into slavery whose work is now held by the Smithsonian and the MFA Boston.

No Place Gallery turns 10

No Place Gallery in Columbus, Ohio, celebrates its 10th anniversary with a sprawling exhibition titled "Between Fields and What Isn't: A Decade Inside No Place," opening February 12 at Beeler Gallery and continuing at No Place. Founder James McDevitt-Stredney, a CCAD graduate and former skate rat, reflects on his journey from showing friends' work to strategically curating artists like Florian Meisenberg and Cameron Granger, who praises McDevitt-Stredney's collaborative, risk-taking spirit.

London’s Mosaic Rooms, dedicated to art from the Arab region, reopens after expansion

London's Mosaic Rooms, a non-profit gallery dedicated to art and culture from the Arab world, reopens on February 18 after a year-long refurbishment and expansion. The renovation, funded by the Al-Qattan Charitable Trust, added new facilities including a recording suite, a salon, a family playroom, and an expanded bookshop. A permanent stained-glass window commission by Dima Srouji, 'Four Moons from Home (2026)', greets visitors, and the reopening is inaugurated with a solo exhibition by French-Moroccan artist Bouchra Khalili exploring the Arab Workers' Movement.

Philadelphia Museum of Art Names Katherine Anne Paul as the Newly Appointed Stella Kramrisch Curator of Indian and Himalayan Art

The Philadelphia Museum of Art has appointed Katherine Anne Paul as the Stella Kramrisch Curator of Indian and Himalayan Art, a role named after the pioneering scholar and curator. Paul previously served as Assistant and Associate Curator of Indian and Himalayan Art at the PMA from 2002 to 2008, and most recently held the Virginia and William M. Spencer III Curator of Asian Art position at the Birmingham Museum of Art, where she also served as Lead Curator. She holds a PhD from the University of Wisconsin–Madison and has curated notable exhibitions including "Silver & Ceremony from Southern Asia 1830–1930" and "Expanding Darshan: Manjari Sharma, To See and Be Seen."

New contemporary art gallery coming to Oxford Street, focus on local creatives

A new contemporary art gallery called Oxford Street Gallery is opening in Mount Hawthorn, Perth, in February. Founded by arts professional Abbey Telfer and her mother Lynette, the gallery's mission is to provide a permanent exhibition platform for emerging and mid-career Western Australian artists, who often lack such dedicated spaces. Its debut exhibition, 'DEBUT,' will feature works from 20 local artists.

Trinity’s Widener Gallery Hosts First Fully Student-Curated Art Exhibition

Trinity College's Widener Gallery is hosting its first fully student-curated exhibition, 'Reshaping Tradition: Contemporary Explorations in East Asian Art.' The show, open through April 2026, was produced by students from the 'Art History 205: East Asian Art, Now to 1850' course, who selected the artists, refined the theme, chose the works, conducted artist interviews, wrote catalogue essays, and designed the exhibition layout, all under the guidance of gallery director Lisa Lynch and professor Michael J. Hatch.

A Homegrown Guide to India Art Fair 2026: What to See, Experience & Explore

The 2026 India Art Fair, the 17th edition of South Asia's leading contemporary art event, is taking place from February 5 to 8 at the NSIC Exhibition Grounds in New Delhi. It features 135 exhibitors presenting modern and contemporary art, performance, film, craft, design, and outdoor installations, alongside a program of talks, workshops, and citywide collaborations.

‘This is Home’ art exhibit at Gallery Main Street features East Texas artists

A new exhibition titled 'This is Home' has opened at Gallery Main Street in downtown Tyler, Texas. The show, sponsored by the Rose City Art Gallery, features works by East Texas artists exploring themes of home, memory, and belonging through various media including painting and sculpture. It opened on January 9 with a reception and includes a juried award and a People's Choice Award, with voting ongoing until the show closes on March 2.

Portland Art Museum opens gallery focused on Black artists, named for local trailblazer

The Portland Art Museum has opened a new permanent gallery dedicated to Black artists, named for local artist, dancer, and educator Thelma Johnson Streat. The gallery, which opened on the first day of Black History Month, features a variety of works by Black Oregon artists, including multimedia installations, paintings, drawings, and a large photographic grid.

Persistent low attendance and funding cuts are forcing US museums to think local

A federal judge ruled on December 3 that all grants from the Institute of Museum and Library Services (IMLS) must be reinstated, offering relief to museum directors like Scott Stulen of the Seattle Art Museum, which lost $300,000–$400,000 in annual federal funding in 2025. The American Alliance of Museums (AAM) survey of 511 directors found that over half reported fewer visitors than in 2019, with 29% citing declines tied to weakened travel and economic uncertainty. However, some museums like the Toledo Museum of Art and the Art Institute of Chicago have seen local attendance rise, offsetting losses in international tourism.

British art museum exhibit offers glimpse into East India Company

The Yale Center for British Art has opened a new exhibition, “Painters, Ports, and Profits: Artists and the East India Company, 1750-1850,” on January 8. Curated by Laurel Peterson and Holly Shaffer, the show features over a hundred works—including watercolors, portraits, and a 37-foot-long scroll of Lucknow—drawn from the museum’s collection and beyond. It explores the artistic networks and innovations that emerged around the British East India Company’s colonial and economic activities in India and China.

This art exhibit has traveled from coast to coast. Now it’s opening in Utah

An art exhibition titled "Instrumentos de silencio" ("Instruments of Silence") created by Argentine Latter-day Saint artists Susana Silva and Gonzalo Silva is opening at the Utah Museum of Contemporary Art in Salt Lake City on January 16. The exhibition, which explores how memory and music were used to capture and codify the changes of colonization in Argentina, was awarded the 2023 Ariel Bybee Endowment prize by the Center for Latter-day Saint Arts. It has previously traveled from Sargent’s Daughters art gallery in New York City to the Graduate Theological Union Library in Berkeley, California, before arriving in Utah.

Fevicryl’s The Art Chapter Showcases Local Artists at Ahmedabad Ni Gufa

Fevicryl, a brand under Pidilite Industries, launched 'The Art Chapter – Celebrating the Local Artist' at Ahmedabad Ni Gufa, an iconic underground gallery designed by Balkrishna Doshi in collaboration with M.F. Husain. The six-day exhibition featured over 50 local artists working in acrylics, mixed media, sculpture, folk motifs, and contemporary mythological reinterpretations. Highlights included a painting titled 'Melody of Knowledge' and an Indian Art Workshop offering hands-on traditional techniques. The event drew nearly 5,000 visitors, with on-site sales and commission inquiries reported, and was inaugurated by Dr. Bhanwar Rathore, Founder and President of BRDS.

January Exhibitions

The article lists January 2026 art exhibitions across multiple venues in Charlottesville, Virginia, including Ruffin Gallery at the University of Virginia, Crozet Artisan Depot, The Fralin Museum of Art, The Gallery at Studio IX, IX Art Park, Kluge-Ruhe Aboriginal Art Collection, and Jefferson School African American Heritage Center. Highlights include the Ruffin Distinguished Artist-in-Residence exhibition “We Dream of Life” by Paula Wilson and iris yirei hu, featuring a monumental 56-foot textile; “Haiti’s Time” at The Fralin Museum; and “In the Beginning” at Kluge-Ruhe showcasing Spinifex Arts Project artists. Other shows include “INSTRUMENTAL” by Rich Tarbell, “The Looking Glass” immersive space, and “Finally Remembered: The Black Patriots of Central Virginia” at the Heritage Center.

Texart Fair 3.0 holds in Ibadan to create market opportunities for art

Texart Fair 3.0, a three-day art exhibition and cultural exchange, was held in Ibadan by BlackulHeritage Studios in collaboration with the National Museum of Unity, Ibadan. The event, themed “Tapping the Market Potential of Nigerian Art: Bridging the Gap,” brought together artists, collectors, curators, scholars, and students to discuss strengthening the visibility and economic value of Nigerian art. Highlights included a symposium, panel discussions, and Awards of Recognition presented to notable Nigerian art figures such as Tola Wewe, Prince Tunde Odunlade, and Tunde Kelani.

Smithsonian’s National Museum of Asian Art returns three sculptures to Cambodia

The Smithsonian’s National Museum of Asian Art (NMAA) in Washington, DC, has voluntarily returned three sculptures to the Cambodian government after an internal provenance investigation determined the objects were likely removed from Cambodia during the country’s civil war (1967-75). The returned artifacts include a tenth-century sandstone head of Harihara, a tenth-century sandstone sculpture of the goddess Uma, and a bronze statue of Prajnaparamita from around 1200. The museum’s director, Chase F. Robinson, stated that strong evidence linked the pieces to problematic dealers and a context of war and violence, and that no documentation supported their lawful export. The objects were donated to the NMAA by Arthur M. Sackler and Gilbert and Ann Kinney without proper provenance papers.

"Lee Kun-hee Collection Showcases the Source of K-Culture’s Creativity"

The Lee Kun-hee Collection international tour exhibition, titled "Treasures from Korea: Collecting, Cherishing, Sharing," opened at the National Museum of Asian Art under the Smithsonian Institution in Washington, D.C., on March 15, 2025. Within one month, it attracted over 15,600 visitors—25% more than comparable past exhibitions—and all museum merchandise sold out within a week, generating approximately 100 million KRW in orders. The show features 330 works selected from over 23,000 pieces donated to South Korea in 2021 by the late Lee Kun-hee, former Samsung Group chairman, including seven National Treasures and fifteen Treasures. Highlights include the Beopgo-dae, which gained viral attention for resembling a character from the Netflix film 'KPop Demon Hunters.'

‘Colourful Dialogues’: An art exhibition by Gwarniċ

Gwarniċ presents 'Colourful Dialogues', a collective exhibition opening on 7 January 2026 at Bizzilla Art Space in Floriana, Malta, running through 27 January. The show brings together local and international artists—including Kevin Sciberras, Antje Flauss, Chris Saliba, Teo Burki, Rosette Bonello, Irakli Chikovani, and Sopho Simonishvili—to explore colour as a universal visual language that connects cultures and artistic approaches. The exhibition marks Gwarniċ's transition from digital and site-specific curation to a fully realized physical exhibition.

'60 Years Of The Grateful Dead' Unveils Band’s Most Comprehensive Art Exhibition Yet [Photos]

The Chambers Project Gallery in Grass Valley, CA, has opened '60 Years of the Grateful Dead,' billed as the most comprehensive exhibition of original Grateful Dead artwork ever assembled. Curated by Brian Chambers, the show features historic posters, album covers, sketches, and rare artifacts from key artists like Rick Griffin, Stanley Mouse, Alton Kelley, Victor Moscoso, and Wes Wilson, alongside collaborators such as Bill Walker and Owsley 'Bear' Stanley. Highlights include Bill Walker's original Anthem of the Sun mandala, stored for years in his sister's garage, and Edmund J. Sullivan's 1900 'Skeleton Amid Roses' illustration, reinterpreted for the band's iconic 1971 album cover. The opening weekend also featured a concert by the supergroup White Lightning at the Bodhi-Hive.

Art Basel Miami Beach, Louvre crisis deepens, Helene Schjerfbeck—podcast

This episode of The Art Newspaper's 'The Week in Art' podcast covers three major stories. Ben Sutton and Kabir Jhala report from Art Basel Miami Beach, discussing top sales and the overall mood at the fair. Ben Luke speaks with Paris correspondent Vincent Noce about the deepening crisis at the Musée du Louvre following a staff strike and a recent robbery, as the museum plans to raise ticket prices for non-EU visitors by 45%. The episode also features a 'Work of the Week' segment on Helene Schjerfbeck's painting 'The Tapestry' (1914-16), with curator Dita Amory discussing the work ahead of a new exhibition at the Metropolitan Museum of Art.

Mario Ayala Unveils Life Sized Van Portraits at CAM Houston

Mario Ayala's first U.S. solo museum exhibition, 'Seven Vans,' has opened at the Contemporary Arts Museum Houston (CAMH). The show, on view from November 14, 2025, through June 21, 2026, features seven life-size van paintings that use the vehicle's rear body as a shaped canvas. Ayala removes wheels and functional markers, turning the vans into motionless 'pseudo-portraits' that convey owners' personalities through details like faded stickers, patchy repairs, and custom airbrush work inspired by auto body painting. The artist describes his process as 'Research While Driving,' documenting rear vehicle perspectives over six years.

NEXT in the Gallery: Pittsburgh in December is a sprawling winter carnival of art

Pittsburgh's visual artists are transforming the city into a sprawling winter carnival throughout December 2025, with a packed calendar of exhibitions and events. Highlights include Sharmistha Ray's three-channel animation "Emergent Realities" at Wood Street Galleries (Dec. 12–July 5, 2026), featuring a commissioned soundtrack by Grammy-winning composer Arooj Aftab; Mary Mazziotti's satirical textile series "Thank You for Your Attention to This Matter" at BE Galleries (Dec. 6–Jan. 31, 2026); and Offroute Art's "Crisis of Empathy // Limit of Empathy" showcasing eight young artists. Wood Street Galleries also partners with Visual AIDS for Day With(out) Art 2025 on Dec. 3, presenting videos exploring drug users and HIV crisis. The month kicks off with holiday markets and arcades, and includes a Neapolitan nativity scene exhibit and an art battle in Sharpsburg.

New exhibition in the Colorado Capitol’s Rotunda Gallery celebrates women artists

A new exhibition titled "Living Tradition. Past. Present. Future. Colorado Women Artists" has opened in the Colorado State Capitol's Rotunda Gallery, featuring 12 mobile murals honoring past, present, and future women artists from Colorado. Organized by the Women's Caucus for Art Colorado Chapter (WCACO) over four years, the show also includes additional works in the Governor's and Lieutenant Governor's offices. The murals, created collaboratively by a team of female artists, depict black-and-white portraits of each honoree surrounded by imagery from their own work, with finishing touches applied by designated "Face Whisperers."

Yvette Mayorga & MASS Gallery Announce Open Call for Austin Artists

Chicago-based multidisciplinary artist Yvette Mayorga, in collaboration with Austin’s nonprofit MASS Gallery, has announced an open call for artists living in the Greater Austin area to submit existing works for an exhibition titled *Lost and Found*, scheduled for January 17 through February 14, 2026, at MASS Gallery. The open call is part of the community engagement phase of Mayorga’s major public art project for the new concourse at Austin-Bergstrom International Airport (ABIA), set to open in 2030. Her project draws on her ancestral ties to the Bracero Program, exploring the emotional resonance of personal objects carried across borders and generations. The exhibition aims to give visibility to local artists while building community around themes of migration, ecology, and the flora and fauna of Texas and Mexico.

Penn Museum opens Native North America Gallery after two-year overhaul

The Penn Museum at the University of Pennsylvania in Philadelphia will open its new 2,000-square-foot Native North America Gallery on Saturday, November 22, after two years of planning. The long-term exhibition replaces the 2014 show "Native American Voices: The People—Here and Now," which was curated by Lucy Fowler Williams with around 80 Native consultants but felt fragmented. This time, Williams and co-curator Megan C. Kassabaum worked closely with eight Native American curators—not just advisors—to determine the stories told. The gallery highlights moments of rupture, loss, and betrayal alongside resilience, and includes an empty vitrine to acknowledge repatriation efforts and culturally sensitive objects that tribes prefer not to display.

In Kelantan, 'After Monsoon: Tera-Kota' project connects art with local community

The National Art Gallery of Malaysia, in collaboration with Art Matters Trading, launched the 'After Monsoon Project: Tera-Kota' exhibition series from October 24–30 at Pantai Pulau Kundur in Kota Baru, Kelantan. Themed 'Tanah, Tubuh, Tapak' (Land, Body, Site), the site-specific event featured clay sculptures, a community art feast (bekwoh), cultural performances, and a traditional ceramic firing facility (gok), engaging local residents—nearly 90% of whom practice traditional crafts like batik, pottery, and weaving—alongside students from Universiti Malaysia Kelantan.

The Lilley Museum of Art launches newest exhibition, 'To Hold a Form'

The Lilley Museum of Art at the University of Nevada, Reno has launched a new exhibition titled 'To Hold a Form: Art with Sound in the Work of Jennie C. Jones, LaRissa Rogers and Naama Tsabar.' The show features immersive, interactive sound art, including a site-specific performance by artist-in-residence Naama Tsabar and a team of musicians. Visitors are invited to touch and activate Tsabar's felt wall pieces strung with piano wires, which produce sound when handled, challenging traditional museum etiquette. The live performances took place on October 1 and 2, 2025, but the exhibition remains open to the public.

Political censorship of art exhibition at California’s Pepperdine University

Pepperdine University, a private Christian institution in Malibu, California, censored and closed an art exhibition titled "Hold My Hand in Yours" at its Frederick R. Weisman Museum of Art. The exhibition, curated by museum director Andrea Gyorody, featured works centered on hands as symbols of labor, identity, care, and connection. On October 1, administrators Lauren Cosentino and Nicole Singer visited the museum, leading to the shutdown of artist Elena Mann's video "Call to Arms 2015-2022," which included references to Donald Trump's policies, the overturning of Roe v. Wade, the Brett Kavanaugh hearings, and the George Floyd protests. Another work, "Con Nuestras Manos Construimos Deidades" by Natalie Godinez and the nonprofit AMBOS, was also censored after officials objected to text reading "Save the Children" and "Abolish ICE."

California School Shutters Exhibition After Altering "Political" Art

Pepperdine University, a private Christian university in Malibu, abruptly closed the exhibition "Hold My Hand in Yours" at its Frederick R. Weisman Museum of Art six months early, after at least a dozen artists requested to withdraw their works in protest. The school had removed or altered artworks it deemed "political," including Elana Mann's video "Call to Arms 2015-2025" (2025), which documented performances using megaphone-like sculptural instruments and included footage from a 2017 May Day March with chants supporting immigrants and racial justice. Another work by the group AMBOS, a collaborative sculpture featuring an embroidery reading "Save the Children" and "Abolish ICE," was altered by turning the fabric swatch to hide the text and removing a sign inviting visitor interaction. The school did not explain its decisions to the artists.

‘When you’re working with clay, you’re working with the earth’: Studio’s new exhibition offers ‘Clay as Care’

The Clay Studio in Philadelphia has opened a new exhibition titled "Clay as Care: Ceramic Art and Wellbeing," which explores the therapeutic and restorative benefits of working with ceramics. The show features four artists—Adebunmi Gbadebo, Jennifer Ling Datchuk, Ehren Tool, and Maia Chao—each using clay to address personal healing journeys, from fertility struggles to military trauma. The exhibition includes interactive elements like communal clay for visitors and is part of a research project in partnership with the University of Pennsylvania Center for Neuroaesthetics, Jefferson University Art Therapy Department, and Drexel University Art Psychotherapy team, collecting data on the show's impact on wellness.