The Spencer Museum of Art in Kansas is presenting the largest exhibition to date of work by Jimmy Tsutomu Mirikitani, an artist who faced incarceration and homelessness. The show, titled 'Street Nihonga: The Art of Jimmy Tsutomu Mirikitani,' features drawings, collages, and mixed media works that explore themes of displacement, trauma, and resilience.
London's Mosaic Rooms, a non-profit gallery dedicated to art and culture from the Arab world, reopens on February 18 after a year-long refurbishment and expansion. The renovation, funded by the Al-Qattan Charitable Trust, added new facilities including a recording suite, a salon, a family playroom, and an expanded bookshop. A permanent stained-glass window commission by Dima Srouji, 'Four Moons from Home (2026)', greets visitors, and the reopening is inaugurated with a solo exhibition by French-Moroccan artist Bouchra Khalili exploring the Arab Workers' Movement.
Artist Nicole Havekost has opened a solo exhibition titled "Totemic" at the Alice R. Rogers and Target Gallery at Saint John's University. The show features large-scale wool felt sculptures, ranging from six to ten feet tall, that explore the human body's dichotomy between controlled and uncontrollable elements. The figurative works, which lack heads, hands, and feet, evoke themes of mothering, caretaking, and exhaustion.
Darnell-Jamal Lisby, the Cleveland Museum of Art's first fashion curator since 2021, has organized the exhibition "Renaissance to Runway: The Enduring Italian Houses," on view through February 1. The show connects Renaissance artworks from the museum's collection with modern garments by major Italian brands like Armani, Versace, and Capucci, including pieces worn by celebrities such as Blake Lively, Zendaya, and Judy Garland. Lisby, who previously worked at Cooper Hewitt, Smithsonian Design Museum, the Costume Institute of the Met, and the Museum at the Fashion Institute of Technology, has also curated exhibitions like The New Black Vanguard, Egyptomania, and Korean Couture. The exhibition features a generative AI video created by Francesco Carrozzini and Henry Hargreaves to show the garments in motion.
The American Folk Art Museum in New York is presenting "An Ecology of Quilts: The Natural History of American Textiles," an exhibition of 30 quilts from its collection of over 600 pieces. Co-curators Austin Losada and Emelie Gevalt highlight the materials and labor behind the quilts, including indigo dye and cotton, while featuring works by Malissia Pettway of Gee's Bend and Japanese artist Tomie Nagano, the only living artist in the show.
Illustration major Justine Massabny has gained extensive professional experience at the Montclair Art Museum (MAM) through a series of roles including Education Intern, SummerArt Associate, and currently Education Design Intern. She led the redesign of the Family Learning Lab in conjunction with exhibitions featuring Tom Nussbaum and Christine Romanell, managed the project from concept to completion, and assisted with installation of educational vinyls. Her work also includes designing educational materials, supporting events like exhibition openings and docent training, leading gallery tours, and exhibiting her own artwork in MAM's Summer Staff Gallery. She discovered the internship through Handshake, supported by Montclair State University's partnership with MAM.
The Studio Museum in Harlem has opened its long-awaited new building, a seven-story, 82,000-square-foot structure on West 125th Street, designed by Adjaye Associates with Cooper Robertson. A Community Day on November 15th marked the public debut, featuring inaugural exhibitions including a major show on Tom Lloyd, whose work launched the museum's first exhibition in 1968, as well as "From Now: A Collection in Context" and a survey of works by over 100 residency alumni. The building expands exhibition space by over 50% and public areas by nearly 60%, with dedicated education spaces and artist-in-residence studios.
Central Washington University's Sara Spurgeon Gallery is hosting a national juried exhibition titled “INTERSTATE: Where I-90 meets I-82,” opening November 6 in Ellensburg. Juror Alexis L. Silvia, Curatorial Assistant at the Frye Art Museum in Seattle, selected works by 46 artists from across the United States, including Brandin Barón, Neil Berkowitz, Shivani Bhalla, and others. The exhibition runs through December 6, with an opening reception from 5 to 7 p.m. following a 4 p.m. presentation.
Heritage experts, antiquities officials, and Syrian community members convened at a conference organized by the University of Lausanne and the Aliph foundation in Switzerland, marking the first comprehensive international meeting on Palmyra since the fall of Bashar Al Assad's regime in 2024. The group issued recommendations including the creation of an international expert task force to work toward removing Palmyra from the UNESCO List of World Heritage in Danger, and outlined three key priorities: rehabilitating the looted and damaged Palmyra museum, restoring artefacts currently held at the Damascus Museum, and repairing the foot bridge to the site. Aliph executive director Valery Freland aims to begin work in January 2026.
An exhibition showcasing the work of Basingstoke-based artist Sam Sopwith will open on October 8 at the Osborne Studio Gallery in Belgravia, London. The show features 45 new pieces by the painter and sculptor, who specializes in portraying wild and domesticated animals. It marks Sopwith's first solo exhibition in six years and her debut at the gallery. Her clients include HRH Princess Alexandra and perfumer Jo Malone. Sopwith works in oils, pastels, charcoal, and bronze, drawing inspiration from her travels to Africa, Sri Lanka, and South Africa. She studied in Vancouver, trained under animal portraitist Neil Forster in England, and completed her education in Florence.
The Fitzwilliam Museum in Cambridge is opening an exhibition titled "Made in Ancient Egypt" that shifts focus from pharaohs and iconic treasures to the anonymous craftspeople who built and decorated the civilization's artifacts. Featuring loans from the British Museum, Berlin State Museums, and the Musée du Louvre, the show includes jewelry, ceramics, stonework, and personal items like ostraca—pottery shards used as notepads—that reveal the lives, skills, and even the days off of ancient makers. Curator Helen Strudwick highlights recent discoveries, including a handprint on a "soul house" and an unreadable signature on a shrine, emphasizing the human connection these objects provide.
On August 27, the Ackland Art Museum at the University of North Carolina hosted a panel titled "Artist Conversation: Radical Ceramicists in North Carolina," featuring three female ceramicists: Hitomi Shibata, Isys Hennigar, and Jessica Dupuis. The event was part of programming around the museum's exhibition "Radical Clay," which highlights work by female Japanese ceramicists. Panelists discussed the historical marginalization of women in ceramics—Shibata noted that in 1990s Japan, studios refused to hire women, while Hennigar explained that until the early 20th century in North Carolina, female artists were only allowed to be decorators, not master ceramicists. The conversation also explored how ceramic pieces reflect their geographic origins and the importance of local artistic communities, such as Seagrove, N.C., which has the largest community of potters in the U.S.
Selina Roman's new exhibition "Abstract Corpulence" at the Sarasota Art Museum presents abstract photographs created from tightly cropped images of her own body, wearing pastel bodysuits and tights to transform her physique into rolling landscapes and modernist-inspired compositions. The show runs from August 31, 2025 through March 29, 2026, featuring works from her XS series, including pieces like 'Ballhead, 2021' and 'Blockhead, 2025', printed as dye sublimation on aluminum. Roman, a Tampa-based artist and former print journalist, was named a 2024 Critical Mass Top 50 Artist for this series.
Polish artist Paweł Matyszewski presents a new solo exhibition titled "Momentary Organisms" at Kogo Gallery in Tartu, Estonia, opening on August 15. The show explores the fragility and transformation inherent in all living organisms through exuberant, patchwork-like abstractions that merge plant and human body parts. The exhibition is part of a regional exchange program involving galleries in Turku, Riga, and Warsaw, curated by Šelda Puķīte, and will run until September 27.
The article highlights several must-see museum exhibits in New Orleans for August 2025, part of the city's Museum Month program. Featured shows include "Louisiana Contemporary 2025" at the Ogden Museum of Southern Art, a juried exhibition of 53 works by 50 Louisiana artists; Vince Fraser's immersive Afro-surrealist installation "Ancestral Odyssey" at the New Orleans African American Museum; and Ben Depp's aerial photography series "Edge of Tomorrow: Aerial Views of Louisiana’s Changing Coastline" at The Historic New Orleans Collection.
Custom House Studios + Gallery in Westport, County Mayo, is presenting two art exhibitions opening July 24, 2025: a solo show by artist Sarah Wren Wilson and a group exhibition titled 'InHouse25'. Wilson's exhibition features abstract paintings that explore psychological space, perception, and the interplay between inner and outer worlds, using motifs like nets and the color blue to create an immersive, liminal experience. The exhibitions are supported by The Arts Council, Mayo County Council, and Pobal, and will run through August 17.
Shellburne Thurber's retrospective exhibition "Full Circle" runs from October 24, 2025 to March 21, 2026 at the Bates Museum of Art. The show surveys Thurber's decades-long photographic investigation of interior spaces—from her grandmother's home in southern Indiana in the 1970s to psychoanalytic offices published as a book in 2023 by Kehrer Verlag. Curated by Bates curator Samantha Sigmon, the exhibition traces how Thurber has consistently explored the relationship between constructed space and human energy, focusing on private, domestic, and psychological interiors that blur the line between public and private.
A public art installation from Fort Worth, Texas, titled "Do Something Good For Your Neighbor," has been selected for display at the 19th International Architecture Exhibition — La Biennale di Venezia in Venice, Italy. The weathered steel pavilion, located on Lake Como in Fort Worth's historic Como neighborhood, was designed by Matt Niebuhr and David Dahlquist of the Art Studio at RDG Planning & Design. Built in 2021 and owned by Fort Worth Public Art, it is one of 54 projects featured in the exhibition "PORCH: An Architecture of Generosity," commissioned by the U.S. State Department and organized by the Fay Jones School of Architecture and Design at the University of Arkansas, in partnership with DesignConnects and the Crystal Bridges Museum of American Art. The installation honors community leaders William H. Wilburn, Sr. and Amon G. Carter Sr., and features custom carved benches with phrases from a historic local newspaper.
Renowned artists have opened a new gallery in Enderby, British Columbia, as reported in a segment titled 'This is BC' by Global News. The video feature, published on June 10, 2025, highlights the establishment of this gallery by well-known visual artists in the small community of Enderby, located in the North Okanagan region. The artists are bringing their expertise and creative works to a local venue, aiming to enrich the area's cultural landscape.
Future Fair returns for its fifth anniversary from May 7-10 at Chelsea Industrial in Manhattan, featuring 67 exhibitors. The fair is impacted by President Donald Trump’s tariffs, with one Bologna-based gallery, Magazzeno Art Gaze, displaying a sign that its shipment is stuck at JFK customs, showing only works brought in luggage. Montreal’s Wishbone Gallery narrowly avoided a similar fate after its artist consulted a psychic, and the works arrived just in time. Despite trade disruptions, the fair continues its focus on portraiture, showcasing artists such as Saki Sonoda (depicting Bushwick club House of Yes), Émile Brunet (Dutch Golden Age-inspired portraits), Izere Antoine (impastoed Black women), Matthew Rosenquist (wooden reliefs of Americana), Katie Commodore (digital textile tapestries), and Catie Cook (animal stand-ins for Southern womanhood).
À Rome, l’extension de la Galerie Borghèse provoque une fronde
The Galleria Borghese in Rome has sparked controversy by initiating a feasibility study for a new building attached to its 17th-century villa. Museum director Francesca Cappelletti, in office since 2020, cites the need to increase visitor capacity, improve security, and create spaces for mediation, conferences, and temporary exhibitions. The museum, which saw nearly 630,000 visitors in 2025, operates with strict two-hour time slots capped at 180 people, often sold out in high season. Engineering firm Proger has offered to fund the study for €875,750 in exchange for institutional visibility, and Rome's mayor Roberto Gualtieri has declared the project of public interest.
The Sandra and Giancarlo Bonollo Foundation for Contemporary Art in Thiene, Italy, has launched two new exhibition projects: the group show "Body in Motion" and a solo exhibition titled "Sanatorium" by Polish artist Tomasz Kowalski. Both opened on May 23, 2026, with "Body in Motion" running until November 7 and "Sanatorium" until September 30. "Body in Motion," curated by Chiara Nuzzi, features works from the Bonollo Collection by artists including Monica Bonvicini, Talia Chetrit, Sam Durant, Mona Hatoum, and others, exploring the body as a site of relationship, resistance, and identity. "Sanatorium," curated by Elisa Carollo, presents Kowalski's recent paintings that use the metaphor of a sanatorium to examine perception, memory, and the boundaries between imagination and reality, designed specifically for the foundation's space in a former religious and psychiatric complex.
From May 30 to June 30, 2026, Blocco 13 in Rome hosts "Qb," the first Roman solo exhibition of Sardinian artist Ruggero Baragliu (born 1987). Curated by Antonello Cuccu and Chiara Manca, the show presents oils, papers, and bas-reliefs that explore the boundary between painting and sculpture through an essential, layered language. Works include small-format oils on panel such as "Colossus" (2026), the multi-year "Untitled with Checkers" (2019–2024), and the bas-relief "Garbata," which transforms brushstroke into volume. The exhibition is part of Blocco 13's "Guests" section, which has previously hosted artists like Pierluigi Fresia and Alessandro Finocchiaro.
Singer-songwriter Jewel has transformed into a multimedia artist, presenting a solo exhibition titled '24 Hours with Jewel' at the 2026 Venice Biennale. The show features 34 new works, including paintings, sculptures, and kinetic installations, with the centerpiece 'Heart of the Ocean'—an eight-foot kinetic sculpture created in collaboration with scientists from NASA, NOAA, Stanford, and UC Berkeley that translates real-time oceanographic data into light and sound. V Magazine followed Jewel for 24 hours as she prepared for her Biennale debut, documenting her day from rooftop meditations and water taxi rides with her son to private patron tours and an opening night performance in a custom Schiaparelli dress.
Chuck Connelly's monumental 1994 painting "Coliseum" has been unveiled at One Art Space in Tribeca, New York, after spending 21 years in storage. The 90-by-108-inch oil on canvas, a signature work of the late American artist known for his fiercely expressive style, is now on public view for the first time since 2005. The May 2, 2026 unveiling was attended by family members including Adrienne Connelly, as well as notable figures such as MaryAnn Giella McCulloh, Mei Fung, and others.
The Italian Cultural Institute in Beijing hosted a lecture on May 12, 2026, featuring Zhou Zhiwei, a Chinese painter based in Italy, who shared his four-decade artistic journey. Zhou, born in Shanghai in 1954, studied under renowned oil painters Yu Yunjie and Liu Kemin before entering the Academy of Fine Arts in Venice in 1980, where he learned from masters like Bruno Saetti and Emilio Vedova. He also trained with Pietro Annigoni and Riccardo Tommasi Ferroni, mastering fresco and tempera grassa techniques. The event was chaired by Federico Antonelli, cultural counselor of the Italian Embassy in China, who recalled Zhou's first exhibition at the institute in 1984. Zhou discussed his solo exhibition 'Notes along the Way,' which explores the Mediterranean through an Eastern lens, blending classical Italian painting with Chinese tradition.
The Venice Biennale has announced the voting rules for the new Visitors' Lion awards, which replace the traditional Golden Lions after the original jury resigned before the opening. On the same day the popular voting opened, dozens of artists from the central exhibition 'In Minor Keys' and several National Pavilions announced their withdrawal from the competition in solidarity with the resigned jury, releasing a statement via e-flux on May 9, 2026. The voting system requires visitors to have attended both the Giardini and Arsenale venues, with anonymous voting open until November 22, 2026.
The FOMU photography museum in Antwerp has opened a new exhibition titled 'Families', curated by Anne Ruygt. The show explores the evolving concept of family through historical and contemporary photography, featuring works by artists such as Mous Lamrabat, Cecil Beaton, Omar Victor Diop, Mayara Ferrão, Peter Hujar, Carmen Winant, and Seiichi Furuya. It includes diverse perspectives, from 'hidden mother portraits' and post-mortem photography to AI-generated images of queer Black and Indigenous women, questioning traditional notions of kinship and representation.
The article profiles Icelandic artist Ásta Fanney Sigurðardóttir, whose multidisciplinary practice spans visual art, performance, music, poetry, and filmmaking. It describes a recent performance at Reykjavik's Mengi venue where the audience was invited onstage to be stirred with an imaginary spoon, and highlights her upcoming project 'Pocket Universe' representing Iceland at the Venice Biennale, installed in a former shipyard. The piece also explores her fluid relationship with time, her admiration for artists like Meredith Monk and Laurie Anderson, and the tight-knit, artist-run creative ecosystem of Reykjavik that shapes her work.
The Lucas Museum of Narrative Art, set to open in Los Angeles on September 22, has announced its inaugural Cinema Exhibition will be "Star Wars in Motion," focusing on vehicle designs, props, costumes, and illustrations from the first six Star Wars films. The museum is now accepting founding member sign-ups at LucasMuseum.org, with four membership tiers ranging from $140 to $600, offering benefits such as priority access, preview events, limited-edition products, and lifetime recognition as a Founding Member. Founding memberships last one year from the museum's opening through September 2027.