Lee Miller in Wide Angle

Lee Miller en grand angle

The Musée d'Art moderne de Paris (MAM) has opened a major retrospective of photographer Lee Miller (1907-1977), featuring nearly 250 prints—many vintage and previously unseen. The exhibition originated at Tate Britain, where it drew over 250,000 visitors, and was co-organized with MAM and the Art Institute of Chicago. Curated by Michal Goldschmidt (former Tate Britain curator) and Fanny Schulmann of MAM, with new research led by Hilary Floe, the show emphasizes Miller's ties to Paris, her technical mastery, and her wartime reporting, including contact sheets from Dachau and Buchenwald never before shown in France.

Opening of Berlin Modern postponed to 2030

L’ouverture du Berlin Modern repoussée à 2030

The opening of the Berlin Modern museum has been delayed to 2030 due to construction setbacks and cost overruns. According to German media outlet Monopol, the project has been plagued by humidity issues, including mold, algae, and bacteria on new surfaces, caused by winter dampness, concrete sensitivity, and faulty ventilation. Originally launched in 2019 with a planned opening in mid-2020, the museum's completion has been repeatedly pushed back, with costs soaring from an initial €200 million to over €500 million, making it the most expensive museum ever built in Germany. The building, designed by Swiss firm Herzog & de Meuron, is located at the Kulturforum and will house 20th-century art collections from the Nationalgalerie, the Marx Collection, the Pietzsch Collection, and holdings from the Kupferstichkabinett and the Kunstbibliothek.

Who are the members of the Venice Biennale jury?

Qui sont les membres du jury de la Biennale de Venise ?

The 61st Venice Biennale, opening May 9, 2026, has announced its international jury, which is composed entirely of women. The five members are Solange Oliveira Farkas (president), Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, hailing from Brazil, Thailand, Spain, the United States, and Switzerland. Their backgrounds span the Global South, feminist studies, and transnational curatorial practices.

Venice Art Biennale: The Time of Nuances

Biennale d’art de Venise : le temps des nuances

The 61st Venice Biennale, titled "In Minor Keys," opened under the artistic direction of the late Swiss-Cameroonian curator Koyo Kouoh. The exhibition features 111 artists and collectives, presenting a more subdued, poetic, and experiential approach compared to the previous edition's explicit decolonial program. It navigates contemporary political tensions, including the participation of Israel and the reopening of the Russian pavilion, while aiming for a radical return to art's own environment and its place in society.

Reopening of the Palais de la Découverte

Réouverture du Palais de la Découverte

The Palais de la Découverte in Paris has officially reopened its doors to the public following an extensive renovation period. The institution returns with a refreshed program that bridges the gap between scientific inquiry and artistic expression, featuring a series of new installations and collaborative projects.

The INHA library will remain open in August

La bibliothèque de l’INHA restera ouverte en août

The National Institute for Art History (INHA) has announced that its library, located in the Labrouste Room in Paris, will remain open throughout the month of August. This decision breaks from the traditional summer closure common among major French academic and research institutions, ensuring uninterrupted access to one of the world's largest collections of art history resources.

Gallery Openings This Week in Paris

Les vernissages cette semaine dans les galeries parisiennes

The Paris gallery scene is experiencing a surge of new activity this week with several high-profile openings across the city's major art districts. Highlights include Rosson Crow’s vibrant, chaotic landscapes at Galerie Nathalie Obadia, the inauguration of Galerie Sator’s new Marais space with sculptures by Kokou Ferdinand Makouvia, and a curated dialogue between historical avant-gardes and contemporary abstraction at Galerie Le Minotaure. Additionally, Gagosian is showcasing late works by Francis Bacon, while Esther Schipper presents the first Paris solo exhibition for Sojourner Truth Parsons.

Cluny Deepens the Myth of the Unicorn

Cluny approfondit le mythe de la licorne

The Musée de Cluny in Paris has opened a new exhibition, "Cluny approfondit le mythe de la licorne," which delves deeper into the symbolism of the unicorn. Building on a 2018 show, this iteration presents a more extensive and scholarly selection of artworks, including prestigious loans facilitated by a partnership with the Museum Barberini in Potsdam. The exhibition showcases the creature's diverse representations across cultures, from medieval tapestries to scientific illustrations.

MoMA Plans a Retrospective for Marcel Duchamp, the Dada Artist Who Was Unimpressed With His Own Masterpieces

The Museum of Modern Art (MoMA) in New York will open a major retrospective of Marcel Duchamp in April 2026, marking the first U.S. retrospective for the artist in over 50 years. The exhibition will feature more than 200 works, including a 1968 replica of his infamous 'Fountain,' spanning his experiments in Cubism, Futurism, film, photography, and his pioneering readymades.

National Portrait Gallery to stage landmark Marilyn Monroe exhibition.

The National Portrait Gallery in London will open a landmark exhibition this June celebrating Marilyn Monroe's 100th birthday. The show features portraits by artists including Andy Warhol, Pauline Boty, and Marlene Dumas, alongside works by over twenty major 20th-century photographers such as Cecil Beaton, Richard Avedon, and Eve Arnold. Monroe's personal effects, including books, scripts, and clothing, will also be displayed.

Chanel to open major Lina Lapelytė commission at Berlin’s Hamburger Bahnhof.

Lithuanian interdisciplinary artist Lina Lapelytė will present a large-scale sonic installation and performance titled "We Make Years Out of Hours (2026)" at Berlin's Hamburger Bahnhof — Nationalgalerie der Gegenwart, opening May 1st during Berlin Gallery Weekend 2026. The work is the second iteration of the Chanel Commission, with performances scheduled on Tuesdays, Thursdays, and Saturdays through January 10, 2027, and a public preview on April 30th.

Massive Buddha sculpture by Tuan Andrew Nguyen opens on New York’s High Line Plinth.

Vietnamese sculptor and visual artist Tuan Andrew Nguyen has unveiled a 27-foot-tall sandstone Buddha sculpture titled *The Light That Shines Through the Universe* (2026) on New York's High Line Plinth, at the intersection of 10th Avenue and 30th Street. The monumental work is the newest commission for the elevated park's public art program and will remain on view for the next 18 months.

Cult grocery store Erewhon opens café at new LACMA galleries.

The Los Angeles County Museum of Art (LACMA) has opened a new café operated by the upscale organic grocery chain Erewhon on its W.M. Keck plaza. The café, located in the plaza's northeast pavilion with a view of Alexander Calder's 1964 sculpture, opened for member previews on April 19th and will be accessible to the general public starting May 4th, running through the summer season.

Centre Pompidou Hanwha to open its Seoul space in June 2026.

The Centre Pompidou Hanwha is scheduled to open its doors in Seoul in June 2026, following a three-year construction period. Located within the iconic 63 Building in the Yeouido district, the 10,000-square-meter facility replaces a former aquarium with a four-story "box of light" designed to maximize natural illumination.

culture aesop new york creatives holidays

Aesop, the skincare and fragrance company, has released a collection of festive holiday kits designed for creatives, focusing on hand and workspace care. The kits include themed sets like “Party in the Greenhouse” and “Too Many Cooks in the Kitchen,” featuring products such as geranium-infused balms and pumice hand wash. Cultured magazine partnered with Aesop to highlight the creative spaces of New York artists and chefs, including Fernando Mastrangelo, Flynn McGarry, and Eny Lee Parker, who opened their studios and kitchens to showcase their rituals.

Kerstin Brätsch at Kunstmuseum Bonn

German artist Kerstin Brätsch has opened a comprehensive solo exhibition titled "MƎTAATEM" at Kunstmuseum Bonn. The presentation features a vast array of works that document her experimental approach to painting, including her signature use of glass, marbling, and collaborative processes that challenge the traditional boundaries of the medium.

Christina Quarles at Hauser & Wirth

Christina Quarles opened a solo exhibition titled 'The Ground Glows Black' at Hauser & Wirth's Los Angeles gallery. The show, which runs from February 24 to May 3, 2026, features new works by the artist, with photography documentation provided by Fredrik Nilsen.

Glenn Ligon at Aspen Art Museum

Artist Glenn Ligon opened a major solo exhibition titled "Break It Down" at the Aspen Art Museum. The show, curated by Daniel Merritt, will be on view from November 21, 2025, through March 15, 2026, and is extensively documented with 39 installation images.

Glenn Ligon at Hauser & Wirth

Artist Glenn Ligon opened a solo exhibition titled 'Late at night, early in the morning, at noon' at Hauser & Wirth's New York gallery. The show runs from January 15 to April 11, 2026, and features new and recent works by the acclaimed conceptual artist.

Luc Tuymans at David Zwirner

Luc Tuymans at David Zwirner

Belgian painter Luc Tuymans has opened a new solo exhibition, "The Fruit Basket," at David Zwirner's Los Angeles gallery. The show, running from February 24 to April 4, 2026, presents a series of new paintings by the influential artist, continuing his decades-long exploration of the medium.

Bubbles, Algae, and Plastics Go Haute Couture in ‘Iris van Herpen: Sculpting the Senses’

The Brooklyn Museum is opening a new edition of 'Iris van Herpen: Sculpting the Senses,' building on a 2023 retrospective at the Musée des Arts Décoratifs in Paris. The exhibition features over 140 haute couture designs by Dutch fashion designer Iris van Herpen, known for merging high-tech materials like laser-cut Plexiglas with biological elements such as glowing algae and plastic bubbles. It includes recent collections like 'Sympoiesis' and works by artists including Kenny Nguyen, Wim Delvoye, and Tara Donovan, alongside a soundscape by Salvador Breed. The show runs from May 16 to December 6.

A Giant Wool Form by Nicola Turner Heaves and Skitters Through an 18th-Century Chapel

Artist Nicola Turner has unveiled a site-specific installation titled "Time’s Scythe" within an 18th-century chapel at the Yorkshire Sculpture Park. The work features massive, creature-like forms made from hand-stitched recycled wool and horsehair that appear to crawl and surge through the building's architectural openings, spilling from balconies and wrapping around the exterior.

John Giorno “The Performative Word” at MAMbo, Bologna

A major retrospective exhibition dedicated to John Giorno, titled "The Performative Word," has opened at MAMbo, the Museum of Modern Art of Bologna. The show, curated by Andrea Bellini and Vincente Todolí, explores Giorno's multidisciplinary practice as a poet, artist, and activist, highlighting his collaborations and his innovative approach to making poetry a performative and visual experience.

Isa Genzken “World Receiver” at Den Frie, Copenhagen

Isa Genzken's monumental 16-meter-tall sculpture 'Vollmond' has been installed in front of Den Frie in Copenhagen for nearly a year. The venue is now hosting the exhibition 'World Receiver,' which gathers significant works from the German artist's career spanning several decades.

Whitney Biennial 2026: Care, Catastrophe, and Private Gestures

The Whitney Biennial 2026, the 82nd edition of the longest-running survey of American art, opened with a stripped-down, self-referential title and no subtitle, reflecting a moment of national self-questioning. The exhibition features 56 artists, duos, and collectives, with highlights including Agosto Machado's shrine sculptures dedicated to friends lost to AIDS, Emilie Louise Gossiaux's tender works about her guide dog London, and Michelle Lopez's apocalyptic video projection *Pandemonium*. Machado, a longtime downtown New York artist and caregiver, died shortly after the biennial opened, and his ashes are to be mixed with those of Marsha P. Johnson and spread in the Hudson River.

Sotheby’s Launches Museum Partnership Series, Starting with Exhibition by New York’s Hispanic Society Museum & Library

Sotheby's has launched a new exhibition initiative called 'In Residence' at its Breuer building on Madison Avenue, starting with a presentation of three paintings by Spanish master Joaquín Sorolla from the collection of the Hispanic Society Museum & Library. The inaugural show, titled 'In Residence: The Hispanic Society Sorollas,' opened Monday and runs through June 1, featuring works including 'Sea Idyll' (1909), 'Louis Comfort Tiffany' (1911), and 'Señora de Sorolla in a Spanish Mantilla' (1902). This marks the first partnership between Sotheby's and the Hispanic Society, and the first edition of a broader program inviting museums to stage focused exhibitions inside the Breuer building, which previously housed the Whitney Museum and the Met Breuer.

British artist says the Met ‘should take responsibility’ for dress copyright dispute

British artist Anouska Samms has publicly criticized the Metropolitan Museum of Art in New York over a copyright dispute involving a dress displayed in the Met Gala opening exhibition. Samms claims the museum included a garment called the Nervina Hair Dress, which she says is a copy of her collaborative work Hair Dress, created with fashion designer Yoav Hadari during their residency at the Sarabande Foundation. The Met had expressed interest in acquiring the original dress for its Costume Art exhibition but shelved those plans in December. Samms says she was not credited or paid, while Hadari acknowledges her IP rights over the textile but asserts the design and construction are his own. The Met has declined to comment, directing the artists to resolve the matter themselves.

Is This a JMW Turner Self-Portrait? One Scholar Has Doubts

Art historian James Hamilton has published a paper in the JMW Turner Society’s magazine arguing that a famous portrait long believed to be a self-portrait by JMW Turner was actually painted by John Opie, a British portrait artist 14 years Turner’s senior. Hamilton notes that the work is an anomaly in Turner’s oeuvre, which is dominated by landscapes and seascapes, and that its dramatic lighting closely resembles Opie’s style. He suggests Opie may have given the painting to Turner, and that its authorship became misattributed after Turner’s death when his vast bequest of artworks was transferred to the nation and eventually housed at the Tate.

Artist Alleges Hair Dress in the Met’s ‘Costume Art’ Show Copies Her Design

London-based artist Anouska Samms has accused the Metropolitan Museum of Art's Costume Institute and curator Andrew Bolton of displaying a garment in the spring 2026 exhibition "Costume Art" that she claims is a counterfeit of her collaborative work. Samms says the piece, titled Corpus Nervina 0.0, was inspired by a 2023 hair dress she co-created with fashion designer Yoav Hadari for his label Psycheangelic. Despite a contract giving Samms sole ownership of the hair-based textile's intellectual property, the museum's wall label credits only Hadari and states Samms's textile was not used. Samms's lawyer, Jon Sharples, says the museum initially expressed interest in acquiring the original dress but later shifted to a remake after Hadari reported water damage, then stalled entirely before the exhibition opened.

Rio’s Museum of Image and Sound finally opens after 16 years in development

The Museum of Image and Sound (MIS-RJ) on Rio de Janeiro's waterfront opens to the public on May 8 after 16 years of development. The 10,000-sq.-m building, designed by Diller Scofidio + Renfro, features eight floors with panoramic views of Copacabana Beach and a façade honoring Roberto Burle Marx. The project faced multiple delays, funding suspensions, and controversy over urban redevelopment, including backlash when a nightclub on the site was demolished in 2010. Work resumed in 2021, and the $62.5 million museum was completed with public and private funds from donors like Itaú, Vale, and Rede Globo.