Bonhams will auction museum-quality works from the collection of legendary New York gallerist Holly Solomon during its Post-War & Contemporary Art daytime sale on May 15, 2025, and its 20th/21st Century Art Evening Sale on May 14, 2025. The lots include pieces by Robert Rauschenberg, Nam June Paik, Christo, Gordon Matta-Clark, Claes Oldenburg, and Richard Pettibone, among others, many of which have rarely been seen.
L’Università Bocconi ha aperto una galleria d’arte nella sua nuova sede a Roma: la prima mostra parla di sacro
Bocconi University has inaugurated a new art gallery at its Rome campus, Villa Morgagni, launching the Bocconi Art Gallery (BAG) program in the capital. The debut exhibition features the work of Brazilian artist and Franciscan friar Sidival Fila, who is known for transforming discarded ecclesiastical textiles and liturgical objects into contemporary art. His practice involves stitching, cutting, and remodeling ancient fabrics to explore themes of transcendence, immanence, and human history.
The Art Gallery of Burlington (AGB) has announced its upcoming spring gala, "Seeds of Change," scheduled for May 7th. The event features a farm-to-table dinner helmed by Executive Chef Matteo Paonessa, a silent auction, and a preview of a new solo exhibition by Argentine artist Celina Eceiza titled "A material called Earth, Vol 1: The life of corners." The gala also highlights the gallery's new Community & Medicine Garden, an initiative where artists-in-residence will harvest natural materials for pigments and textiles.
The Bahamas Pavilion at the 2026 Venice Biennale presents "In Another Man's Yard," an intergenerational exhibition curated by Dr. Krista Thompson featuring works by the late John Beadle (1964–2024) and Lavar Munroe. The show explores Junkanoo, the biannual Bahamian festival, through collaborative artmaking, discarded materials, and posthumous collaboration—including Munroe's monumental 11-panel painting based on photographs by Jackson Petit and works incorporating materials from Beadle's studio.
The Bahamas presents its second pavilion at the Venice Biennale after a 13-year hiatus, featuring the exhibition "In Another Man's Yard" curated by Dr. Krista Thompson. The show brings together the late John Beadle (1964–2024) and Lavar Munroe in an intergenerational dialogue rooted in the Junkanoo festival tradition, exploring themes of collaboration, commemoration, and material transformation through discarded materials like cardboard and salvaged objects.
Gallery, a free contemporary art event in Buenos Aires, returns for its first 2026 edition on Saturday, May 16th, connecting over 40 galleries, museums, art spaces, and foundations across the Recoleta, Retiro, and Microcentro neighborhoods. Organized by Arte al Día and Pinta, the event features guided tours led by specialists, live music performances, and special activities at each meeting point. Participating venues include Rolf Art, Vasari, Fundación Klemm, ARTHAUS CENTRAL, Isla Flotante, and others, with support from the Buenos Aires City Ministry of Culture.
A PIONEERING EXHIBITION AT THE MAC IN BARRANCO
The Museum of Contemporary Art (MAC Lima) and the Lima Art Museum (MALI) have launched "Thought is a Hybrid Garden," a comprehensive exhibition spanning six decades of work by Francesco Mariotti and María Luy. The show draws from the Mariotti-Luy Archive and features light installations, acoustic works, and silkscreens that blend technology with Amazonian myths and environmental activism. Curated by Miguel A. López and José-Carlos Mariátegui, the exhibition includes never-before-seen works in Peru, such as the "Hybrid Gardens" series which uses bioluminescence as a metaphor for ecological health.
Peruvian multidisciplinary artist Joan Jiménez Suero, known as Entes, has been named one of three winners for the Museum of Contemporary Art North Miami’s (MOCA) Art on the Plaza 2026. His winning installation, "Bailando Nuestros Problemas" (Dancing Our Problems), features kinetic metal sculptures inspired by Afro-Peruvian traditions and salsa culture. The work, which officially opens on April 15, 2026, transforms rigid industrial materials into fluid figures of musicians and dancers to celebrate the resilience of the Latin American diaspora.
Panama will present its second National Pavilion at the 2026 Venice Biennale, featuring a large-scale installation and performance titled 'Tropical Hyperstition' by the artistic duo Antonio José Guzmán and Iva Jankovic (Mensajeros del Sol). The project, curated by Ana Elizabeth González and Mónica Kupfer, is organized by Panama's Ministry of Culture and several cultural foundations.
TERRITORIES IN CONNECTION LATIN AMERICAN ART IN CIUDAD DE LAS ARTES PANAMA
The exhibition "Territorios en conexión" (Territories in Connection) opened at Ciudad de las Artes in Panama City, featuring Latin American artists working with video, textiles, and performance. Curated by Irene Gelfman, the show includes works by artists like Sandra Monterroso, Ana Barboza, and Ana Elena Tejera, and is part of the Pinta Panamá Art Week.
MARIA LUCIA ALEMAN CULTURAL EXPRESSIONS ARE UNITING THE REGION MORE
A panel discussion titled "Building Institutional Narratives" was held as part of the FORO initiative during Pinta Panama Art Week. It featured museum directors María Lucía Alemán (MAC Panama), Manuel Segade Lodeiro (Museo Reina Sofía, Spain), and Rafael Tamayo Franco (MAMM, Colombia), moderated by Elena González. The conversation focused on how museums construct their institutional stories and programming to better represent and connect with their local and regional contexts.
The Argentine artistic duo Roberto Behar and Rosario Marquardt have received the $75,000 Lifetime Achievement Award at The Ellies Oolite Arts Awards. The pair, founders of R&R STUDIOS, are recognized for their decades-long collaborative practice that merges art, architecture, and public space to create social sculptures.
Russia e Israele non potranno vincere nessun premio alla prossima Biennale Arte di Venezia 2026. La giuria prende posizione
The international jury for the 61st Venice Biennale, led by Solange Farkas, has unanimously declared it will not consider countries whose leaders are currently accused of crimes against humanity by the International Criminal Court. This means Russia and Israel are excluded from competing for the Golden Lion awards, including Best National Participation and Best Artist. The jury's statement, published on e-Flux Notes, emphasizes the Biennale's historical role as a platform connecting art with contemporary urgencies and acknowledges the complex relationship between artistic practice and state representation.
À la galerie Martel, Ugo Bienvenu dévoile ses dessins oniriques dans une expo gratuite
French artist Ugo Bienvenu presents his new exhibition "Futur antérieur" at Galerie Martel in Paris, featuring around twenty ink-on-paper drawings created during the marathon promotion of his debut animated feature film "Arco." The show offers an intimate glimpse into Bienvenu's creative process, where drawing serves as a necessary respite from the demands of filmmaking, blending childhood memories, mythology, and science fiction into dreamlike compositions.
The Centro Botín in Santander presents "When Things Are Just Beginning," the first major retrospective dedicated to Marisol's drawings and works on paper. Curated by Laura Vallés Vílchez, the exhibition reassesses the Venezuelan-born artist's practice beyond her well-known sculptures, exploring her cyclical withdrawals from the art world and her use of drawing as a space for intimacy. It features works like "Indian" (1969) and "Woman with Child and Two Lambs" (1995), tracing her responses to the New York art scene of the 1950s-70s and the political conflicts of the Vietnam War era.
Ecuador has unveiled "Kanua: listening practices," a public program for its pavilion at the 2026 Venice Biennale, launching on May 8 with solar-powered boat tours through Venice's canals. Developed by the anticolonial film collective Tawna in collaboration with the Kara Solar Foundation and curated by Manuela Moscoso, the project features six intimate boat journeys with discussions on extractivism, aqua-feminism, and territorial resistance, involving artists such as Carolina Caycedo, Mariana Castillo Deball, and Tabita Rezaire. The initiative reactivates Tawna's floating Amazonian film festival, which originally brought cinema to remote communities in Ecuador via a solar-powered boat.
The Instituto Cervantes in New York presents *Aquel Amplex*, the first institutional exhibition of Venezuelan artist Cassandra Mayela Allen, on view until June 28, 2026. Curated by Fabiola R. Delgado and Carlos Núñez, the show features braided textile sculptures, paintings, and drawings that examine Allen's process-driven practice within the legacies of Venezuelan and Latin American modernism and informalism. The title, meaning "that embrace," references a 1969 letter from Hélio Oiticica to Lygia Clark, evoking longing and forced migration. Allen, a self-taught artist who migrated from Venezuela in 2014, uses communal braiding gatherings to transform found fabrics and garments into architectural works that deconstruct national and artistic heritage.
Fernando Botero (1932–2023) returns to Seoul with his largest retrospective in Asia, opening this Friday at the Hangaram Art Museum, Seoul Arts Center. Curated by Lina Botero and organized with the Fernando Botero Foundation, the exhibition features over 112 works, several never before exhibited. The show, titled "Fernando Botero: The Triumph of Form," runs through August 30, 2026, and highlights the Colombian master's signature visual language of volume, sensuality, irony, and humanity.
NOBODY CAN DEFEAT ME THE BRAZILIAN PAVILION IN VENICE BETWEEN SPIRITUALITY HISTORY AND NATURE
The Fundação Bienal de São Paulo has revealed the curatorial project for the Brazilian Pavilion at the 61st Venice Biennale in 2026. Titled 'Comigo ninguém pode' (Nobody Can Defeat Me), the exhibition is curated by Diane Lima and features a major two-person presentation of artists Rosana Paulino and Adriana Varejão, who will occupy the entire pavilion with an installation-based project designed by Daniela Thomas.
C/O Berlin is hosting "Eyes to Fly With," the first major retrospective of Mexican photographer Graciela Iturbide in the German capital. The exhibition features approximately 250 works spanning over five decades, ranging from her iconic documentary series of the Seri and Juchitán people to her more introspective studies of Chicano culture in Los Angeles and the personal belongings of Frida Kahlo at Casa Azul.
The Miraflores Palace of Arts (PLAM) in Lima is hosting "A Collection Is a Desire," a major exhibition featuring over 100 works from the Jan Mulder Collection. This presentation is an expanded version of a landmark 2012 showcase at the Rencontres d'Arles, which was the first time a private Latin American photography collection was featured at the prestigious French festival. The exhibition includes works by iconic figures such as Martín Chambi, Graciela Iturbide, and Vik Muñiz, spanning various periods and geographical contexts.
Artist Jenna Sutela has been selected to represent Finland at the 61st Venice Biennale in 2026 with a multisensory installation titled Aeolian Suite. Curated by Stefanie Hessler and commissioned by Frame Contemporary Art Finland, the project transforms the Alvar Aalto-designed pavilion into a dynamic windscape using meteorological data, wind machines, and a children’s woodwinds orchestra. The work personifies five specific Venetian winds as protagonists in an elemental drama that blends scientific data with the theatrical traditions of Commedia dell’arte.
Brazilian artist Cinthia Marcelle has unveiled a major site-specific installation titled "beginning, middle, beginning" at the Serralves Museum in Porto. Developed in collaboration with the architecture collective vão and curated by Inês Grosso, the work transforms the museum’s Central Gallery into a space governed by cycles of repetition. Drawing inspiration from the philosopher and Quilombola leader Nêgo Bispo, the installation challenges Western linear conceptions of time and highlights the persistence of colonial structures in modern social organization.
Castello di Rivoli Museo d’Arte Contemporanea has opened Cecilia Vicuña's first solo museum exhibition in Italy, titled 'El glaciar ido (The vanished glacier).' The exhibition, curated by Marcella Beccaria and running until September 2026, features a major new site-specific commission: a monumental, horizontal 'quipu acostado' installation suspended in the Manica Lunga gallery, created from raw wool and incorporating participatory elements from local communities.
La Fondation des artistes célèbre ses 50 ans
The Fondation des artistes, a major independent French organization supporting visual artists, is celebrating its 50th anniversary. Founded in 1976, it operates from the Hôtel Salomon de Rothschild and the Nogent-sur-Marne estate, providing production grants, residencies, and support for elderly artists at the Maison nationale des artistes. Its anniversary program includes exhibitions, performances, and public events, with a key date on June 27 in Nogent-sur-Marne.
Colm Dillane, designer and artist behind KidSuper, co-hosted an intimate dinner with CULTURED magazine at his 10,000-square-foot Williamsburg studio during New York Fashion Week. Guests toured the brand's headquarters—featuring a recording studio and rooftop soccer field—before enjoying an Italian dinner prepared by Eric Madonna of Bar Madonna. Attendees included fashion tastemakers, gallerist Hannah Traore, curator Zoe Lukov, and musician Gashi, and each received a tote bag with the inaugural CULTURED at Home interiors issue and KidSuper's new book with Rizzoli, *The Misadventures of KidSuper*.
WINTER SOLSTICE: SEEDS OF NOTHINGNESS. EDO COSTANTINI EN COLABORACIÓN CON DELFINA BRAUN & DELFINA MUNIZ BARRETO
Praxis Gallery in New York is hosting "Winter Solstice: Seeds of Nothingness," a multidisciplinary exhibition by Argentine artist Edo Costantini in collaboration with Delfina Braun and Delfina Muniz Barreto. The show features photography, sound, moving images, and bronze sculptures that explore the quiet, latent biological processes occurring during the winter season. Based on Costantini’s decade-long observation of the landscapes in Katonah, New York, the works focus on the concept of stillness as an active state of reorganization and persistence.
Zurich’s urban landscape is defined by functionalist structures from the 1990s and early 2000s that serve as the 'understated backdrop' to daily life. These buildings, including the Signal Box by Gigon Guyer and the Telecap 2000 by Hans Ulrich Imesch, act as navigational markers at the city’s geographic choke points. Despite their significance in shaping the city's rhythm and internal choreography, many of these structures are now reaching the end of their first lifecycle and face the threat of demolition due to real estate speculation.
Jean-David Malat, founder of JD Malat Gallery, opened a new outpost in Downtown Dubai in early 2025, expanding from his established Mayfair space in London. The gallery launched with a group show, *Carte Blanche*, and has since hosted solo exhibitions, with plans for a *Made in UAE* initiative that received over 1,000 applications. Malat cites the slowing London market and growing momentum in the UAE as key factors in his decision to invest in Dubai, where he spent a month building relationships with collectors and the local community before opening.
The Haggin Museum in Stockton is hosting its 95th annual Robert T. McKee Student Art Exhibition, featuring approximately 1,700 works—paintings, drawings, photographs, and sculptures—submitted by K-12 students from across the county. The exhibition opens on January 29, with an artist reception on February 7, and runs through March 15. Works by younger students (kindergarten through 4th grade) are displayed in the West Gallery, while those by older students (5th through 12th grade) are shown upstairs in the Tuleberg Gallery.