The Smithsonian Institution has altered or removed interpretive wall text that accompanies artworks on display, according to a New York Times report. Critics argue these changes amount to self-censorship, suggesting the institution is bowing to political pressure by softening or eliminating contextual language that could be seen as controversial.
Three exhibitions in New York this spring are showcasing the works of artistic duos, pairing artists to highlight how their creations either complement or contrast with each other. The shows aim to explore the dynamics of collaboration and dialogue between artists, offering viewers a unique perspective on creative relationships.
The article highlights eight standout national pavilions at the Venice Biennale, the world's premier contemporary art event. These include a doll-focused exhibition, a contemplative garden, and a sizzling hothouse, each generating significant buzz among attendees and critics.
The Vienna Climate Biennale, an art festival addressing ecological, social, and political crises, has opened with a focus on sparking dialogue and encouraging audiences to envision a better future. The event contrasts themes of chaos with hope, using contemporary art to engage visitors in critical conversations about climate change and societal transformation.
Museums across the United States are launching a series of ambitious exhibitions and programming designed to re-examine American history through a more inclusive and contemporary lens. These initiatives move beyond traditional patriotic narratives, utilizing diverse collections to explore the complexities of the nation's heritage, from indigenous perspectives to the legacies of industrialization and migration.
The American Academy of Arts and Letters has unveiled a unique exhibition curated by its own members, designed to function as a contemporary "Cabinet of Wonders." The show features a diverse array of works that interact with the institution’s idiosyncratic permanent collections, blending historical artifacts with modern artistic responses. By mining the Academy's own archives and storage, the participating artists have created a dialogue between the prestigious organization's past and its present creative output.
The Thailand Biennale has opened in Phuket, featuring contemporary artists from Thailand and other countries. The exhibition aims to engage with and honor the island's deep history of applied arts, including traditional crafts and local artistic heritage.
Artist Harry Nuriev has designed a new chandelier for the luxury crystal house Baccarat. The piece, titled "Everyday Chandelier," replaces a portion of the traditional, ornate crystal components with mass-produced, utilitarian objects like plastic cups, water bottles, and light bulbs.
A four-person curatorial team has organized the Encounters section of Art Basel Hong Kong around the classical elements of water, fire, earth, and ether. This thematic approach structures the presentation of large-scale installations and sculptural works within the fair.
Poet Ella Frears has composed a new literary work in response to Charlie Prodger’s 2024 drawing, 'Volcano Snake Sun, September'. The poem explores themes of observation, physical detachment, and the tension between tranquility and underlying violence, mirroring the shift in Prodger’s practice from conceptual film to representational pencil-and-pastel works on paper.
The article critiques the growing influence of wealthy tech entrepreneurs on public art commissions, arguing that their personal tastes and desire for monumental, often self-aggrandizing works are reshaping civic spaces. It highlights how this trend sidelines professional curatorial expertise and community input, replacing public dialogue with private patronage that prioritizes technological spectacle over artistic depth or social relevance.
La Casa Encendida in Madrid has opened "Fundación," a site-specific sculptural installation by Brazilian artist Marlon de Azambuja. The work transforms one of the building's central towers into a walk-through sculpture, curated by Bruno Leitão. Using materials and gestures that modify existing architecture, the installation explores the concept of "founding" as a search for foundational knowledge, questioning divisions between reason and sensation while positioning the exhibition space as an experiential environment. The piece is on view until September 27, 2026.
The Miguel Hernández University in Elche, Spain, presents "Vientos del pueblo. Voices of Exile and Resistance," a group exhibition curated by Mónica Sotos. Inspired by Miguel Hernández's poem "Vientos del pueblo," the show features Argentine artists Ježik and Costa alongside Eugenio Merino, Gloria Oyarzábal, Ricardo Calero, Óscar Seco, Pierre Valls, and María Rosa Aránega. Through photography, video, installation, drawing, and archival works, the exhibition examines violence, borders, exile, and colonial legacies, challenging dominant power narratives.
DA2 Domus Artium in Salamanca has opened the first Spanish retrospective of Gabriela Bettini, titled "Cierta tarde, la más bella de las tardes de mi vida." The exhibition surveys the Spanish-Argentine artist's career, centering on themes of memory, exile, and the trauma of the Argentine military dictatorship. A focal point is the work "Memoria del agua," inspired by an unfinished poem found in a book belonging to her grandfather, who was disappeared during the regime.
The Kunsthaus Wiesbaden is hosting a comprehensive survey of Argentine artist Marcelo Brodsky titled "Memory in Action," running through June 2026. The exhibition showcases Brodsky’s unique practice of intervening in archival photographs to address global human rights abuses, political violence, and the persistence of historical trauma. Key series on display include his seminal work on the Argentine military dictatorship, "Buena Memoria," alongside explorations of 1968 global protests and African liberation movements.
Ecuadorian artist Sofía Salazar Rosales has debuted a site-specific solo exhibition titled "Travesías de una lágrima" at the Centro de Creación Contemporánea de Andalucía (C3A) in Córdoba, Spain. The installation-heavy showcase utilizes sculpture and architecture to explore themes of migration, memory, and colonial legacies. Through materials like wax, charcoal, and iron grilles, Salazar Rosales transforms the gallery into a performative space where visitors navigate physical representations of borders, displacement, and the historical weight of territory.
DIALOGUES WITH THE LEGACY OF BURLE MARX AT MAC CCB
The Museum of Contemporary Art and Architecture Center (MAC/CCB) in Lisbon is presenting a major exhibition titled 'Lugar de estar: o legado Burle Marx' (A Place to Be: The Legacy of Burle Marx). The show features an extensive selection of landscape projects for public spaces by the influential Brazilian landscape architect Roberto Burle Marx and his collaborators, tracing nearly seventy years of work through studies, sketches, photographs, and press materials. It highlights his role in shaping modern Brazilian cities like Brasília and Rio de Janeiro.
THE HISTORY OF ART FROM BOGOTA AT MAP
Montenegro Art Projects (MAP) in Bogotá opens a group exhibition titled 'La historia del arte contada desde Bogotá' (The History of Art from Bogotá), featuring 30 artists. The show explores how art history is activated today, treating it not as a closed archive but as a field in constant transformation, with artists reinterpreting and appropriating historical images and gestures through contemporary sensibilities.
L’arte urbana e la musica uniscono Amsterdam e Milano per tre giorni
MUROMi, an independent Milan-based company, is launching a special Milan edition of Here&Now, a cultural event originally created in Amsterdam by Tony Ant and Chinny Bond. Taking place May 21–23, 2026, at Spazio Diaz in Milan, the event combines live painting, music, and contemporary urban art, aiming to bring together creatives, brands, and key figures from the Milanese scene. The project is born from a collaboration between MUROMi and the Here&Now community, which is rooted in international street culture and music.
The first edition of Olfacta Art Fair, a provocative art fair dedicated to scent, will take place from September 18 to 20, 2026, at EDIT Garden in Turin, Italy. Conceived by artist and herbalist Francesca Casale (born 1990) and her association Olfacta, the fair features ten artists and independent spaces under the curatorial direction of Gianluigi Ricuperati, with exhibition design by Maurizio Cilli. The event transforms the venue into an immersive environment where smells, emanations, and olfactory traces interact with installations, performances, scientific research, and sensory design, challenging traditional notions of art as a collectible object.
TAILOR, the vertical newsletter from Artribune exploring the intersections of art and fashion, returns on Sunday, May 17, 2026. The upcoming issue focuses on "Science Fashion," an event held from May 13 to 15 at the MACRO – Museo d'Arte Contemporanea di Roma, curated by Dobrila Denegri, which investigates relationships between fashion, science, and new technologies. The newsletter also examines the rapid spread of the non-color white in fashion and design as a response to pandemic, crisis, and geopolitical tensions, offering analytical content for professionals, students, and enthusiasts.
Triennale Milano, in collaboration with Qatar Museums, has launched a new educational program for recent graduates from Qatari universities. The initiative began with a selection call overseen by representatives of Design Doha, followed by a residency in Milan starting April 20. Five graduates—Reema Abu Hassan, Abdulrahman Al Muftah, Adriane de Souza, Maryam Hashim, and Meryem Omerspahic—participated in workshops, studio activities, and meetings during Milan Design Week. An open discussion about their experience will be held at Triennale on May 15 at 6 PM, featuring the participants and the bootcamp team.
From May 13 to 15, 2026, the MACRO – Museo d’Arte Contemporanea di Roma will host "Science Fashion," an event curated by Dobrila Denegri that explores the intersections of fashion, science, and new technologies. The program brings together international researchers and practitioners in experimental fashion to discuss urgent issues such as climate emergency, energy, and interspecies coexistence. It is part of the broader multi-year initiative "Experiments in Fashion and Art," launched in 2024 with "Critical Fashion," and involves collaborations with NABA, Sapienza University of Rome, and UnitelmaSapienza.
A Roma è nato un nuovo spazio culturale che lavora sulla memoria della città (anche attraverso le cartoline)
A new cultural space called URBS has opened in Rome's Testaccio district, founded by architect Andrea D'Antrassi in collaboration with Giovanni Colombara. The space debuted in 2024 as "The Smallest Museum by URBS," a 20-square-meter venue housing over 1,600 historical postcards of the city, creating a visual archive spanning different eras. The museum also hosts temporary exhibitions, such as the current show "Not Mine, Not Yours" by Iranian artist Mehrdad Shadrooh, curated by Barbara Blasi, which draws from a family video-photo archive covering over eighty years of history. A commercial space has also been opened in Trastevere.
La Colombia degli Anni ’70 arriva a Milano con una mostra che pare un film
Ever Astudillo (Cali, 1948–2015) is the subject of a new exhibition at Velo Project in Milan, titled "Latin Fire." The show brings together photographs and drawings from the 1970s and 1980s, capturing the Colombian city of Cali as a silent theater of anonymous, often isolated figures. The installation also features kinetic sculptures by filmmaker Virgilio Villoresi (Fiesole, 1979), creating a dialogue between Astudillo's still images and Villoresi's fragile, hypnotic movement. The exhibition runs until May 16, 2026.
Il Marocco è per la prima volta con un Padiglione alla Biennale d’Arte di Venezia. L’omaggio alla tessitura di Amina Agueznay
Morocco is participating for the first time with an official national pavilion at the Venice Art Biennale, presenting a monumental installation by artist Amina Agueznay. Titled "Asǝṭṭa" (2026), the site-specific work at the Arsenale's Artiglierie space explores ritual weaving and the transmission of traditional craftsmanship, using sewn panels to create a second skin over the 300-square-meter pavilion. Curated by Meriem Berrada, the project draws on Agueznay's two-decade-long research in dialogue with Moroccan artisan communities, including spinners, embroiderers, basket makers, and goldsmiths.
La Roma del Cinquecento vista con gli occhi di uno straniero. La mostra
Fabio De Chirico has been appointed as the new director of the Istituto Centrale per la Grafica in Rome, with a mission to boost research, strengthen international dialogue, and enhance the institution's collections. His tenure opens with the exhibition "Maarten van Heemskerck e il fascino di Roma: percorsi visivi della Città Eterna," curated by Tatjana Bartsch, Rita Bernini, and Giorgio Marini, running until June 7, 2026. The show features drawings by the 16th-century Dutch artist Maarten van Heemskerck, on loan from the Kupferstichkabinett of the Staatliche Museen zu Berlin, alongside over sixty works from the institute's own holdings—including prints, engravings, and archival photographs—plus loans from the Bibliotheca Hertziana, the Musei Capitolini, and the Istituto Archeologico Germanico di Roma.
A 13th-century Gothic church in Venice's Cannaregio district, the former Chiesa dell'Abbazia della Misericordia, will reopen on May 5, 2026, as Etnia House of Arts. The project is promoted by Spanish eyewear brand Etnia Eyewear Culture and includes artist residencies, public events, and site-specific interventions. The restoration was led by architects Piero Vespignani and Alessia Semenzato of Studio Anfibio. The first two resident artists are Conxi Sane and Greta Pllana, who will explore themes of perception and vision, with the residency program using eyewear as a symbolic field to investigate identity and representation.
Sta per uscire la nuova newsletter TAILOR tra crisi del lusso, nuove generazioni creative e salute mentale (abbonatevi!)
Artribune has launched a new edition of its newsletter TAILOR, which examines the transformation of the global fashion system amid a luxury crisis, the rise of new creative generations, and the growing structural importance of mental health in the industry. The newsletter features a focus on five emerging designers shifting fashion from product to narrative, an exclusive interview with influential stylist Tom Eerebout, and the debut in Italy of the project "One Person. One Voice" as part of the Mental Health in Fashion campaign, created by Florian Müller with artist Claudia Malecka.
A Milano rivive Wagner. Non solo a teatro ma anche in queste due mostre
Two exhibitions dedicated to Richard Wagner's Ring cycle have opened at Milan's Teatro alla Scala, coinciding with a new production of the Ring des Nibelungen and the centenary of the first Scala staging of the tetralogy in 1926. The Museo Teatrale alla Scala presents "La rivoluzione del Ring – Visconti Ronconi Chéreau," curated by Giovanni Agosti with design by Studio Margherita Palli, while the Ridotto dei palchi "A. Toscanini" hosts "Risonanze Wagner – Visioni intorno al Ring," curated by Gianluigi Colin and Mattia Palma, featuring contemporary paintings by four women artists—Antonella Benanzato, Flaminia Veronesi, Chiara Calore, and Federica Perazzoli—each reinterpreting one of the four operas.