Remembering Napoleon Jones-Henderson, an AfriCOBRA Founding Member Who Imbued Art and Life with Exuberant Energy

Napoleon Jones-Henderson, a founding member of the influential African American artist collective AfriCOBRA, has died. Born in Chicago in 1943, he studied at the Sorbonne and the School of the Art Institute of Chicago, where he was mentored by Bauhaus textile artist Else Regensteiner. In 1969, he co-founded AfriCOBRA, becoming known as "the weaver" of the group for his vibrant textile works that incorporated metallic threads and found objects. He later moved to Boston, taught at Massachusetts College of Art and Design, and maintained a prolific studio practice in Roxbury for over 50 years, creating works focused on empowerment, Pan-Africanism, and racial justice.

Mass shooting at Mexico's Teotihuacan archaeological site leaves one dead, 13 injured

A mass shooting occurred at the Teotihuacan archaeological site in Mexico, leaving one Canadian tourist dead and 13 others from various nations injured. The gunman, identified as Julio César Jasso Ramírez, opened fire from atop the Pyramid of the Moon before killing himself at the scene.

Lost Lincoln Portrait From Teddy Roosevelt’s Office Reemerges After a Century

A long-lost portrait of Abraham Lincoln by American realist Ernest Wells has reemerged after more than a century. The painting, which hung in President Theodore Roosevelt’s office throughout his term and served as a source of personal inspiration, was recently identified in the collection of the descendants of antique dealers Ann and Jack Rouchaud. The work’s provenance was confirmed via a letter from Roosevelt’s friend and Lincoln’s former bodyguard, Colonel William H. Crook, which remains affixed to the back of the canvas.

250-Year-Old Kiln Discovered on Thomas Jefferson’s Monticello Estate

Archaeologists at Thomas Jefferson’s Monticello estate have unearthed a 250-year-old kiln used to fire bricks for the plantation’s original construction. Located on the East Lawn just feet from the main house, the site was identified through the discovery of specialized curved bricks, including cyma-shaped and ovolo-molded specimens. These architectural details confirm the kiln dates back to the "Monticello I" period (1768–1782), as these specific water table features were omitted during Jefferson’s later 18th-century renovations.

Venice Biennale Breaks No Sanctions Over Russia Pavilion

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The Venice Biennale organizers have reaffirmed their decision to allow Russia to participate in the upcoming exhibition, despite intense pressure from the European Commission and Italy’s own Culture Minister, Alessandro Giuli. The Biennale maintains that it has fully complied with all international sanctions and that its mission is to reject censorship while providing a platform for artistic freedom. This stance has been bolstered by Italian Deputy Premier Matteo Salvini, who argued against "Russophobia" and stated that culture should serve as a bridge rather than a tool for division.

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A marble bust of Jesus Christ located in Rome’s Basilica of Sant’Agnese fuori le mura has been reattributed to Michelangelo. Independent researcher Valentina Salerno, a member of the Vatican committee for Michelangelo’s 500th anniversary, used archival records and inventories to trace the sculpture back to the Renaissance master, reversing a 19th-century dismissal of its origins. Simultaneously, a private owner in Belgium is claiming a recently acquired Pietà painting is also a work by Michelangelo, supported by carbon dating and stylistic analysis from art historian Michel Draguet.

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Recent scientific and archival investigations have led to two significant new attributions to the Renaissance master Michelangelo Buonarroti. The first involves a painting titled 'Spirituali Pietà,' which was previously sold as an anonymous work but has now been linked to the artist through pigment analysis, X-ray fluorescence of monograms, and stylistic parallels to his known masterpieces. Simultaneously, researcher Valentina Salerno has identified a marble bust of Christ the Savior in Rome’s Basilica of St. Agnes Outside the Walls as a potential Michelangelo original, based on a decade of archival research.

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A bronze statue of Winston Churchill in London's Parliament Square was vandalized with pro-Palestine graffiti, including the phrases "Stop the Genicide" and "Globalise the Intifada." A 38-year-old man, identified by prosecutors as Caspar San Giorgio but identifying himself as Olax Outis, was arrested and charged with criminal damage. The activist claimed the act was a protest against the British government's alleged complicity in human rights violations and the legacy of Churchill himself.

Art Market Minute: March 2

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Frieze Los Angeles has concluded with reports of strong sales, with some dealers noting higher transaction volumes than at Art Basel Miami Beach. This surge in activity was accompanied by a record number of satellite events, signaling a growing interest in alternative fair models and a localized boost for the Southern California art scene.

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Major auction houses including Christie's, Sotheby's, and Phillips are experiencing a significant shift as luxury goods—such as cars, watches, handbags, and jewelry—see explosive growth while fine art sales decline. In 2025, fine art sales at the 'Big Three' fell by 35% to $7.04 billion, whereas luxury auction sales rose 18% to $1.84 billion. This trend is most visible at Sotheby’s, where luxury now accounts for a third of total revenue, driven by massive private sales and strategic expansions into sectors like collector cars.

Gaudí Attribution Confirmed for Xalet del Catllaràs

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A comprehensive architectural report commissioned by the Government of Catalonia has officially confirmed that Antoni Gaudí designed the Xalet del Catllaràs, a remote chalet in the Catalan mountains. Built between 1901 and 1908 for engineers working at coal mines owned by Gaudí’s patron Eusebi Güell, the building’s attribution was previously suspected but unverified. Researchers used structural analysis of the canted arches, room distribution, and specific lime plastering techniques to link the pyramidal structure to Gaudí’s signature modernist style.

Tselinny Center of Contemporary Culture Opening

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The Tselinny Center of Contemporary Culture has opened in Almaty, Kazakhstan, launching its program with a powerful performance titled 'Barsakelmes.' The event, created by a collective of Kazakh artists, musicians, and poets, used traditional and contemporary elements to summon the ecological and cultural trauma of the Aral Sea's destruction under Soviet rule, framing decolonization as a process of remembrance, rethinking, and advancement.

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A recently rediscovered painting by Baroque artist Artemisia Gentileschi sold for €865,000 ($1.19 million) at a Sotheby's Paris auction, shattering the artist's previous auction record set in 1998. The work, which had been hidden for over 80 years in southern France, fetched nearly three times its presale estimate after being identified by Sotheby's Old Master department.

Caravaggio, Class, Clothes, and Street Style by Elizabeth Currie

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An excerpt from Elizabeth Currie's upcoming book "Street Style: Art and Dress in the Time of Caravaggio" analyzes the significance of clothing in Caravaggio's painting *The Cardsharps*. The author dissects the garments of the three figures—a finely dressed youth, a possibly liveried servant, and a disheveled card sharp—to reveal how their attire provides clues to their social status, professions, and the complex, often deceptive relationships between them.

Remembering Catherine O'Hara, Beetlejuice's Delia Deetz Cover Sculptor

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Actress and comedian Catherine O'Hara, known for her role as sculptor Delia Deetz in the 1988 film 'Beetlejuice,' has died at age 71. In the film, her character creates abstract sculptures and achieves a fictional milestone by appearing on the cover of Art in America magazine.

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Christie's auction "We the People: America at 250" on January 23, 2026, achieved $35.5 million in total sales, doubling its presale estimate. The top lot was a draft of the U.S. Constitution annotated by founding father Rufus King, which sold for $7.3 million. Other highlights included a signed Emancipation Proclamation ($6.7 million), a 1776 Declaration of Independence copy ($5.6 million), and the Apple Computer Company Partnership Agreement from 1976, signed by Steve Jobs, Steve Wozniak, and Ronald Wayne, which fetched $2.5 million. A Gilbert Stuart portrait of George Washington (ca. 1804) realized $2.8 million, setting a new auction record for the Athenaeum type.

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South Africa has canceled its pavilion at the Venice Biennale, which was to feature a performance by artist Gabrielle Goliath addressing the killings of women and queer people in South Africa, a German-led genocide in Namibia, and Israel’s war in Gaza. The performance would have included readings of poetry by Palestinian poet Hiba Abu Nada, who was killed in an Israeli airstrike in 2023. South African Culture Minister Gayton McKenzie blamed an unidentified foreign nation for seeking to use the pavilion for "proxy power," and Israeli publication Ynetnews reported that nation is Qatar. McKenzie denied censorship, claiming a rift with the nonprofit Art Periodic South Africa over a foreign nation's offer to purchase artworks after the Biennale.

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The South African Ministry of Sport, Arts, and Culture has denied censoring its 2026 Venice Biennale pavilion after canceling a proposed artwork by artist Gabrielle Goliath on December 2. The work, part of Goliath's "Elegy" series curated by Ingrid Masondo, addressed sexual assault, femicide, the killings of women and queer people in South Africa, colonial-era genocide in Namibia, and included a tribute to Palestinian poet Hiba Abu Nada. Culture minister Gayton McKenzie initially called the piece "highly divisive" and linked to a polarizing international conflict, but a January 10 statement reframed the cancellation as a safeguard against foreign interference, alleging a foreign country attempted to fund or purchase the work to use the pavilion as a proxy for a geopolitical message about Israel's actions in Gaza.

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One week after an exhibition tied to the Kochi-Muziris Biennale closed due to religious protests, the offending painting—"Supper at a Nunnery" by Tom Vattakuzhy—has been withdrawn. The work, shown in the side exhibition “EDAM” organized by the Kochi Biennale Foundation, depicts a naked Mata Hari as Jesus surrounded by nuns as disciples. Since December, Indian Christian organizations had accused the artist of insulting the faith, leading to the exhibition's closure and eventual removal of the painting after a meeting with local officials.

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The Oakland Museum of California (OMCA) will host a major retrospective for Bay Area artist Mildred Howard, titled “Poetics of Memory,” opening in June 2025. The exhibition spans five decades of Howard’s work, including new pieces, and will be accompanied by a fully illustrated catalog with plans for a national tour. Howard, a 2025 Guggenheim Fellow, has a long history with OMCA, which owns her 1989 installation *TAP: Investigation of Memory*. Senior curator Carin Adams, who worked with Howard on reinstalling *TAP* in 2019, proposed the retrospective to honor Howard’s legacy in the Bay Area arts scene.

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A new exhibition at the Hispanic Society Museum & Library in New York, titled "Spanish Style: Fashion Illuminated, 1550–1700," explores how 17th-century Spanish fashion was governed by strict moral and legal codes. Curator Amanda Wunder highlights that garments like the guardainfante hoop skirt and the ruffled collar were regulated by kings and clergy, with women fined or barred from church for revealing shoulders or wearing lace, and men criticized for effeminate styles. The show features portraits and artifacts that reveal how clothing was used as a tool of social control, power, and gender policing in Habsburg Spain.

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The Vatican has repatriated 62 Indigenous cultural treasures to Canada, following years of negotiations that began with a visit by the late Pope Francis in 2022. The objects, which include a kayak made of driftwood and seal skin used for beluga whale hunting, were first sent to Rome for a 1925 exhibition organized by Pope Pius XI and remained there until Pope Francis called for their return. The handover was unveiled this week at a warehouse belonging to the Canadian Museum of History in Gatineau, Quebec, where Indigenous elders and experts are now examining each piece to trace its origins. Vancouver Archbishop Richard Smith and Natan Obed, president of Inuit Tapiriit Kanatami, spoke at a news conference about the significance of the return.

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El Salvador will debut its first national pavilion at the 2026 Venice Biennale, featuring Salvadoran American artist J. Oscar Molina. The pavilion, titled "Cartographies of the Displaced," will be curated by Alejandra Cabezas and commissioned by Astrid Bahamond, the national director for museums and exhibition spaces of El Salvador's Ministry of Culture. Molina will install at least 15 of his "Children of the World" sculptures at Palazzo Mora in Venice's Cannaregio district, each accompanied by QR codes linking to interactive stories from displaced communities, including his own experience fleeing El Salvador's civil war in 1989.

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Artist Lee Hadwin creates elaborate drawings and paintings while sleepwalking, with no memory of making them. His nocturnal creativity began at age four and intensified at 15 when he produced three pencil drawings of Marilyn Monroe overnight. Now based in London, Hadwin has made hundreds of works while asleep, selling them for $1,500 to $10,000 each. His art is currently featured in a sleep-themed exhibition in Albury, Australia, and he is working on a book titled *The Awakening*.

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Recent evidence suggests that Mayken Verhulst (ca. 1518–1599), the mother-in-law of Pieter Brueghel the Elder, authored works long attributed to the anonymous Brunswick Monogrammist. A key painting, *Ecce Homo* from the National Museum in Gdańsk, bears a unique double signature combining the initials of her husband, Pieter Coecke van Aelst, with her family name “Bessemer,” indicating her authorial role within the workshop. This discovery, detailed in an essay from the exhibition *The Woman Question 1550–2025* at the Museum of Modern Art Warsaw, challenges centuries of art-historical attribution.

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Oscar-winning film director Guillermo del Toro sold the first part of his macabre collection, known as "Bleak House," through Heritage Auctions in Dallas, Texas, for a total of $1.65 million. The trove included art, props, and rare objects tied to his fascination with the macabre, with highlights such as H. R. Giger's painting for the unrealized project *The Tourist* fetching $325,000 (an auction record for the artist), Mike Mignola's original illustration for *Hellboy: Seed of Destruction* selling for over $50,000, and Bernie Wrightson's cover for Meat Loaf's *Dead Ringer* album reaching $167,000. Props from del Toro's films, including a clay model of the Amphibian Man from *The Shape of Water* and drivesuits from *Pacific Rim*, also sold for significant sums.

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The Park Avenue Armory in New York is hosting the North American premiere of *11,000 Strings*, an orchestral piece by composer Georg Friedrich Haas featuring 50 black pianos arranged in a ring. The performances began last night and run through October 7, with the 55,000-square-foot Drill Hall providing a dramatic setting for the microtonally tuned pianos and a 25-member ensemble from Klangforum Wien. The piece explores texture and tone over melody, evoking composers like Ligeti, Penderecki, and Stockhausen.

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Maria Smorzhevskikh-Smirnova, the director of the Narva Museum in Estonia, was sentenced in absentia to 10 years in prison by a Russian court. The charges stem from her hanging banners on Narva Castle that label Russian President Vladimir Putin a “war criminal,” including one that fuses Putin’s face with Adolf Hitler’s and another showing a bloodied mug shot of Putin. The court cited laws against disseminating “war fakes” and “rehabilitating Nazism.” Smorzhevskikh-Smirnova has been displaying such banners since 2023 on Russian Victory Day, and Russian authorities have projected Victory Day parades toward Narva from the nearby town of Ivangorod.

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Bernard Arnault, the billionaire art collector and LVMH chairman, harshly criticized a proposed French tax on the ultra-wealthy, calling it "offensive" and "deadly for our economy." The plan, devised by economist Gabriel Zucman, would impose a 2% tax on the wealth of the richest individuals, projected to raise 20 billion euros ($27 billion). Arnault, worth $156 billion according to Forbes, insulted Zucman as a "far-left activist" with "pseudo-academic competence," prompting a rebuttal from Zucman and support from economist Thomas Piketty.

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The auction of two 17th-century Dutch still-life oil paintings of flowers was halted at Apple Tree Auction Center in Newark, Ohio, after the Monuments Men and Women Foundation and the Jewish Digital Cultural Recovery Project identified them as Nazi-looted art. The paintings, originally part of Adolphe and Lucie Haas Schloss's collection, were seized in 1943 and later stored in Hitler's Führerbau before being looted again. Foundation founder Robert Edsel traveled to Ohio to alert the auction house, which cooperated by removing the works from sale and placing them in a vault. The consignor's identity remains undisclosed, and the foundation is working to return the paintings to the Schloss family.