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Claws for celebration: Canada’s first cat museum launching with Montreal pop-up exhibition

Canada's first cat museum, Le Miaousée, is launching with a pop-up exhibition in Montreal's Little Italy district from September 12-28, 2025. Founded by cultural entrepreneur Aqeela Nahani, the museum aims to celebrate the bond between cats and humans while supporting rescue cat charities. The debut show, titled 'Miaoutréal: The History of Montreal’s Cats,' will feature archival photographs dating back to the 1860s, cat-themed events, contemporary art by local artists including Sylvain Amblard, Andréanne Lupien, and Linda Luttinger, and a tribute to animal rescue organizations such as the Montreal Society for the Prevention of Cruelty to Animals. A permanent museum is planned for 2026, which will include rotating exhibits, a cat lounge for adoptable cats, and a boutique.

Mickalene Thomas’s ex-fiancée accuses the artist of sexual harassment and stealing millions of dollars from her

Mickalene Thomas’s former fiancée, curator and model Racquel Chevremont, has filed a summons against the artist, accusing her of sexual harassment and claiming she owes at least $10 million in damages. The summons, signed in Manhattan on 8 August, cites breach of contract, unjust enrichment, conversion, and retaliation, alleging that Thomas created a hostile working environment and improperly diverted funds from their jointly-owned entity. Chevremont, who collaborated with Thomas for a decade and appeared in several of her works, claims she was underpaid despite a written agreement and that Thomas terminated her employment after she refused to resume their romantic relationship.

79th Juried Members’ Exhibition opens at Museum of Art

The 79th Juried Members’ Exhibition has opened at the Museum of Art, showcasing works selected from member artists through a competitive jury process. The exhibition highlights a diverse range of media and styles, reflecting the creative output of the museum's artist community.

Dallas Museum of Art picks director wrapping up another institutional expansion to guide it through campus overhaul

The Dallas Museum of Art (DMA) has appointed Brian Ferriso, the longtime director of the Portland Art Museum (PAM), as its next director. Ferriso will oversee the inauguration of PAM's $111 million expansion on November 20 before starting his new role in Dallas on December 1. He succeeds Agustín Arteaga, who left the DMA last spring to lead the Crocker Art Museum in Sacramento. Ferriso brings nearly two decades of experience at PAM, where he increased the endowment by $40 million, doubled curatorial staff, eliminated $7 million in debt, and led a $140 million fundraising campaign for the museum's expansion and endowment.

Alexandria Biennale—third-oldest after Venice and São Paulo—announces return following 12-year hiatus

The Alexandria Biennale, the third-oldest biennial in the world after Venice and São Paulo, is relaunching in September 2026 after a 12-year hiatus. Curated by Egyptian artist Moataz Nasr under the title "This Too Shall Pass," the event will feature artists mainly from the Mediterranean basin, along with performances, music, and lectures. In a shift from its previous state-funded model, the biennial now operates as a private-public partnership, with seed money from the Egyptian and Alexandria governments and pledges from local businesses. The exhibition will take place at historic venues across Alexandria, including the Roman amphitheatre, the Alexandria Library, and the Qaitbay Citadel.

Never-before-seen landscape photos on display at Denver Art Museum

The Denver Art Museum has opened a new photography exhibition titled "What We've Been Up To: Landscape," featuring works acquired over the past 17 years that have never been publicly displayed before. The show, curated by the museum's photography department (established in 2008), includes a range of landscape photographs from historic images by Ansel Adams, Marion Post Wolcott, and William Henry Jackson to contemporary works by artists such as Abelardo Morell, Meghann Riepenhoff, and Steve Fitch. The exhibition occupies a few rooms on the sixth floor of the Martin Building and highlights the museum's recent acquisitions in photography.

Behind the scenes of assembling SAM's large-scale Ai Weiwei exhibition

The Seattle Art Museum (SAM) team faced an extraordinary challenge installing the retrospective “Ai, Rebel: The Art and Activism of Ai Weiwei,” which required handling eight tractor-trailers of artwork—far more than the usual two—within just three weeks. The exhibition features 130 complex works, including a giant tree sculpture, a life-size jail cell replica, and a Lego rendition of the Mueller report, many arriving without instruction manuals and requiring creative assembly by a 12-person crew led by lead preparator Joshua Gosovich.

Ancient marble bust returned to Italy following seven-year legal battle

A first-century CE marble bust, known as the "Head of Alexander," was returned to the Italian government on August 5, ending a seven-year legal battle. The bust, believed stolen from an Italian museum decades ago, was seized in 2018 by the Manhattan District Attorney's Antiquities Trafficking Unit from Safani Gallery in New York. The gallery filed multiple lawsuits against Italy and the Italian Ministry of Culture, claiming unlawful taking and seeking compensation, but all claims were dismissed. The bust, excavated in the early 1900s along Rome's Via Sacra, had passed through multiple cities and auctions, including sales at Sotheby Park Bernet and later for $150,000 by Safani Gallery in 2017.

Visualizing a “god of queer liberation:” An interview with queer artist Daniel de Jesús about their new Philadelphia exhibition

Philadelphia-based queer artist Daniel de Jesús, also a cellist and composer, is featured in a group exhibition at the William Way LGBT Community Center that opened July 10, 2025. In an interview with Emma Cieslik, de Jesús discusses their paintings blending Catholic iconography, mysticism, and queer identity, drawing on symbols like Saint Sebastian and the unicorn. They describe how a Philadelphia Museum of Art exhibition on colonial Latin American art inspired their exploration of religious syncretism and the reclamation of Catholic imagery by queer and trans people.

Thom Yorke Embraces ‘Terrifying’ Work as a Visual Artist in First Museum Exhibit

Thom Yorke, frontman of Radiohead, is presenting his first-ever museum exhibition at the Ashmolean Museum in Oxford, UK. Titled 'This is What You Get', the show runs until January 2026 and features the complete catalog of album covers, unseen sketchbook pages, and recent paintings created in collaboration with artist Stanley Donwood. Yorke, who trained as a visual artist before turning to music, describes returning to physical painting as 'absolutely terrifying' and sees the exhibition as a reclamation of his original artistic identity.

‘It was absolutely terrifying’: Thom Yorke on his long journey back to becoming a visual artist

Thom Yorke, the Radiohead frontman, reflects on his journey back to visual art in an exclusive interview with The Art Newspaper. Having left art school in the late 1980s, Yorke felt resistant to calling himself a visual artist, a discomfort compounded by his music career. He and his bandmate Stanley Donwood, whom he met at Exeter University, are now opening their first institutional exhibition, "This is What You Get," at the Ashmolean Museum in Oxford. The show spans 30 years of record covers, sketchbooks, and recent paintings, marking a significant return to Yorke's artistic roots.

Time for a survey? New programme provides museums with advice on long-term sustainability

Verge, a human-resources and recruiting agency, has launched a new membership program offering museums and art organizations a proprietary employee survey called the Workplace Advancement Instrument (WAI). The survey assesses organizational health across areas like communication, compensation, retention, and psychological safety. Members receive results, access to workshops, and an annual benchmarking report, with early adopters including the Dia Art Foundation, Corita Art Center, Helen Frankenthaler Foundation, and Denniston Hill. The program costs $5,000 per year and grew out of Verge's recruitment work, which found that many arts workers of color were leaving jobs due to unsupportive workplace cultures.

It's hard for green-themed art shows to garner credibility—the Helsinki Biennial deserves more than most

The Helsinki Biennial's third edition, titled "Shelter: Below and beyond, becoming and belonging," opens on Vallisaari Island, featuring 37 artists and collectives. Co-curated by Blanca de la Torre and Kati Kivinen, the biennial deliberately shifts focus away from humans, centering instead on flora, fauna, and the natural environment under the slogan "Non-humans first!" The event continues its founding commitment to carbon neutrality by 2030, employing measures like a carbon footprint calculator, promotion of slow travel, and rejection of artificial lighting to protect local bat populations.

August 2025 Opportunities: Open Calls, Residencies, and Grants for Artists

The article compiles a list of open calls, residencies, and grants for artists with deadlines in August through October 2025. Opportunities include the Wave Hill Sunroom Project Space in New York City, Sculpture by the Sea in Cottesloe, Australia, the Hunt Museum Open Submission Exhibition in Ireland, New Voices 2026 at Print Center New York, and the Moons, Castles, Trees exhibition for The Wrong Biennale in Copenhagen. Grant opportunities include the Ellis-Beauregard Project Grants in Maine, the Seattle Art Museum Betty Bowen Award for Northwest artists, and the Hornsby Art Prize in Australia, among others.

Fancy a date at the Tate? London galleries are staying open later to fuel surging Gen Z interest

Tate Modern will resume regular late-night openings until 9pm every Friday and Saturday starting September 26, responding to a surge in younger visitors. The decision follows a record-breaking 25th birthday weekend in May, where 70% of the 76,000 attendees were under 35. The gallery has also run monthly Tate Late events since 2016, and the new extended hours aim to make the museum more accessible for working people and cash-strapped Gen Zers, offering free cultural date nights. Other London institutions like the National Gallery, V&A, and British Museum have similarly reinstated late hours post-pandemic.

Tate Modern looks to younger audiences with relaunch of late-night openings

Tate Modern will extend its opening hours until 9pm every Friday and Saturday starting next month, aiming to attract younger audiences and boost visitor numbers. The move builds on the success of its monthly Tate Modern Lates events, which have drawn over 750,000 people since 2016, and follows a cost-cutting exercise that eliminated 7% of the Tate’s workforce.

Tate Modern announces regular late openings

Tate Modern has announced it will extend its evening opening hours to 21:00 on Fridays and Saturdays, starting 26 September 2025. The decision follows the success of the Tate Modern Lates series, launched in 2016, which has attracted over 750,000 visitors and demonstrated strong demand for after-hours access, especially among young Londoners. Director Karin Hindsbo described the Lates as a cornerstone of London's nightlife, and Mayor Sadiq Khan welcomed the move as a boost to the city's night-time economy.

American Museum of Natural History announces free admission for low-income New Yorkers

The American Museum of Natural History (AMNH) in New York City has launched the Discoverer program, offering free admission and educational programming to low-income New Yorkers who receive Supplemental Nutrition Assistance Program (SNAP) benefits. The program, developed with NYC's Department of Cultural Affairs and Human Resources Administration, allows SNAP beneficiaries to bring up to four guests and reserve advance tickets online, with membership renewable annually. Nearly 1.8 million city residents rely on SNAP, and the initiative aims to remove financial barriers to museum access.

Waddington Custot to open in Paris ahead of Art Basel Paris

Waddington Custot has announced it will open a new gallery at 36 rue de Seine in Paris, occupying the historic space formerly home to Lansberg Gallery in the 6th arrondissement. The gallery is set to open in October 2025, ahead of Art Basel Paris, and will be managed by Isaure de Roquefeuil and Antoine Clavé. The inaugural exhibition will focus on the Nabis painters, followed by a group show of modern and contemporary artists. The 200-square-meter space is located in the Saint-Germain-des-Prés district. (Note: The opening has since been rescheduled to early 2026.)

Allegory and Abstraction: Selections from the Department of Drawings and Prints

The Metropolitan Museum of Art's Department of Drawings and Prints has installed a new rotation in the Robert Wood Johnson, Jr. Gallery titled "Allegory and Abstraction." The exhibition features up to 100 works on paper, including Henri Matisse's 1947 series "Jazz," Louise Bourgeois's "He Disappeared into Complete Silence" (1947), and watercolors by J.M.W. Turner and Thomas Girtin marking the 250th anniversary of their births. The show explores how artists embed complex meanings through symbols (allegory) or through line, color, and pattern (abstraction).

Mexico City’s Museo Dolores Olmedo to reopen in 2026 amid controversy

Museo Dolores Olmedo in Mexico City, home to the largest collection of works by Frida Kahlo and Diego Rivera, has announced it will reopen in 2026 after being closed since 2020 due to the Covid-19 pandemic. The announcement follows years of uncertainty, including a controversial 2021 proposal to relocate the collection to Chapultepec’s Parque Aztlán, which contradicts the founder’s wish that the art remain at the original site, La Noria Hacienda in Xochimilco. The museum is now run by Dolores Phillips, granddaughter of founder Dolores Olmedo, who has faced criticism over plans for a 40-year loan of the collection to Aztlán.

Christie’s celebrates the late Syrian artist Marwan with non-selling London show

Christie’s is presenting a non-selling exhibition titled "Marwan: A Soul in Exile" at its London headquarters this summer, featuring over 150 works by the late Syrian artist Marwan (1934-2016). The show draws from major private and institutional collections including the Barjeel Art Foundation, the Ramzi and Saeda Dalloul Art Foundation, the Pinault Collection, and the Berlinische Galerie. This marks Christie’s third such non-selling exhibition of Arab art in London over the past three summers, following shows focused on Arab artists from the Barjeel collection and Saudi artist Ahmed Mater. The exhibition coincides with Christie’s 25th anniversary in the UAE and a broader surge in the Middle Eastern art market, including a recent white-glove sale for its online Modern and contemporary Middle Eastern art auction in Dubai.

Brâncuși exhibition to open at H’ART Museum in Amsterdam this fall

An exhibition titled "Brâncuși - The Birth of Modern Sculpture" will open at the H’ART Museum in Amsterdam on September 20, 2025, running through January 18, 2026. Organized in collaboration with the Centre Pompidou, it is the first solo show of Constantin Brâncuși's work in the Dutch capital and the second in the Netherlands since 1970. The exhibition features over 30 sculptures, original pedestals, photographs, and films by the artist, with loans made possible by the Centre Pompidou's renovation and the institutions' partnership. The collection originates from Brâncuși's studio, bequeathed to the French state in 1957.

Football meets art in new Aviva Studios exhibition

Manchester International Festival (MIF) has opened a new exhibition titled 'Football City, Art United' at Aviva Studios, exploring the intersection of football and contemporary art. Co-curated by Hans Ulrich Obrist, Juan Mata, and Josh Willdigg, the show features 11 works pairing artists like Paul Pfeiffer, Philippe Parreno, Ryan Gander, and Rose Wylie with football figures including Eric Cantona, Edgar Davids, Ella Toone, and Lotte Wubben-Moy. Highlights include a sound installation recreating the stadium tunnel experience, a spotlight piece on celebrity isolation, and a documentary on sexism in women's football.

At the Amon Carter Museum, two exhibitions explore the American West

Two concurrent exhibitions at the Amon Carter Museum of American Art in Fort Worth explore the American West from distinct perspectives. "Richard Avedon at the Carter" marks the 40th anniversary of Avedon's landmark 1985 series "In the American West," featuring 124 unflinching portraits of working-class subjects like oilfield workers and ranchers, alongside archival photographs by Laura Wilson that show the project's human side. Across the hall, "East of the Pacific: Making Histories of Asian American Art" presents 48 works from the Cantor Arts Center at Stanford University, spanning from the 1849 gold rush to the present, highlighting Asian American artists including Bernice Bing, Roger Shimomura, Chiura Obata, and Toshiko Takaezu.

Once upon a time in New Mexico: 12th Site Santa Fe International focuses on the art of visual storytelling

The 12th Site Santa Fe International, titled "Once Within a Time," has opened at Site Santa Fe in New Mexico, running until January 12, 2026. Guest curated by Cecilia Alemani, director of New York's High Line, the biennial centers on visual storytelling, featuring over 70 artists and 27 historical figures. Highlights include Helen Cordero's Cochiti-inspired storyteller figurines, a film by Lebanese artist Ali Cherri at the New Mexico Military Museum, and works by literary figures D.H. Lawrence and Vladimir Nabokov. The exhibition extends beyond the main building to a dozen locations across Santa Fe, including museums, a former foundry, and storefronts.

Profile of a ruler: how Sheikh Sultan shaped Sharjah’s art scene

Sheikh Sultan bin Muhammad Al-Qasimi, the ruler of Sharjah since 1972, has transformed the emirate into a major cultural hub in the Gulf through sustained investment in art, education, and heritage. Under his leadership, Sharjah now boasts 23 archaeological sites, 20 museums, 10 universities, three biennials, and institutions like the Sharjah Biennial and Sharjah Art Foundation, run by his daughter Sheikha Hoor Al Qasimi. His vision prioritized arts and culture over commercial development, fostering a community-focused environment distinct from neighboring Dubai.

UK mental health hospitals are about to get more art

More than 50 artists, including Lakwena Maciver, Veronica Ryan, Peter Liversidge, and Alberta Whittle, will create site-specific works for mental health hospitals across the UK as part of a new three-year initiative by the charity Hospital Rooms. The project, delivered in collaboration with NHS Trusts in Birmingham, Bristol, North East London, and South West Yorkshire, is backed by a £600,000 Arts Council England National Lottery grant and additional support from the Garfield Weston Foundation and the Hiscox Foundation. Hospital Rooms will also develop a National Framework for Equal Access to Arts in Mental Health Services, aiming to integrate trauma-informed, autism-friendly, and culturally competent arts programmes into mental healthcare settings.

Whiteley showcase reveals struggles with addiction and pursuit of beauty

A touring exhibition from the Brett Whiteley studio in New South Wales, titled *Inside The Studio*, has arrived at the Shepparton Art Museum in Victoria—its final stop and only Victorian venue. The show features drawings, ceramics, sketchbooks, photographs, Whiteley's iconic Sydney Harbour painting, and his 1976 Archibald Prize-winning self-portrait. Wendy Whiteley, the artist's former wife and an artist herself, shares memories of their turbulent marriage, including his struggles with addiction and his intense dedication to his craft. She has also repurchased several of her favorite sketches of her in the bathtub, which had been auctioned off over the years.

The Louvre Invited 100 Contemporary Artists to Copy—and Reinterpret—Its Masterpieces. Here's What They Made

The Louvre invited 100 contemporary artists to create copies or reinterpretations of works from its collection, spanning antiquity to the 19th century. The resulting artworks—paintings, sculptures, audio recordings, and videos—are now on view in the exhibition "Copyists" at the Pompidou Center Metz, curated by Chiara Parisi and Donatien Grau, running until February 2, 2026. Artists were given an open-ended brief, leading to diverse outcomes from faithful reproductions to radical reinventions of masterpieces by Delacroix, Goya, and Vermeer.