The Carnegie Museum of Art held a press tour on May 1, 2026, for the 59th Carnegie International, titled "If the word we." The exhibition features 61 artists from around the world, including 36 newly commissioned works, alongside pieces from the museum's permanent collection. It opens to the public on May 2, 2026, and runs through January 3, 2027.
The Carnegie Museum of Art (CMOA) held a press tour on May 1, 2026, for the 59th Carnegie International, titled "If the word we." The exhibition features 61 artists from around the world, including 36 newly commissioned works, alongside pieces from CMOA's permanent collection. It opens to the public on May 2, 2026, and runs through January 3, 2027. Notable participants include artists Abraham González Pacheco, Elle Márjá Eira, Hans Ragnar Mathisen, Joar Nango, G. Peter Jemison, Sarah Ndele, and Georges Adeagbo, with tours led by professor Jongwoo Jeremy Kim.
The Royal Ontario Museum (ROM) in Toronto presents "Shokkan," an exhibition curated by Akiko Takesue that explores the Japanese concept of touch in art. Despite the challenge of displaying tactile experiences behind glass, the show succeeds by featuring historic Japanese works—such as kimonos, tea bowls, ukiyo-e prints, and netsuke—alongside contemporary pieces by artists like Issey Miyake, Tabaimo, Makiko Hattori, and Emma Nishimura. Interactive stations allow visitors to handle replicas and less valuable objects, including samurai swords, scrolls, and netsuke, to physically engage with the theme.
The Bruce Museum in Greenwich, Connecticut, will present "Gisela Colón: Radiant Earth" from January 24 to June 28, 2026. The exhibition features nine luminescent sculptures by internationally acclaimed artist Gisela Colón, exploring the forces and energies of the natural world through her signature use of light and form.
Missoula artist Julia LaTray presents a solo exhibition titled "Animal Pleasures" at Bob's Your Uncle gallery in May, featuring paintings of animals on glitchy, digitized backgrounds alongside lighting and other works. The gallery is only open to the public on dedicated nights, so the exhibition is paired with performances, comedy, and readings on May 1, 8, 15, and 29. Separately, Hanis Coos artist Sara Siestreem brings her major exhibition "Acts of Love, Refusal and Resistance" to the Missoula Art Museum, filling the museum's main galleries with large-scale mixed-media paintings and sculpture, including handmade baskets and ceramic molded versions with gilded flourishes. The museum hosts a First Friday reception on May 1 and a "Coffee and Conversation" with the artist on May 2.
Brooklyn Museum will present 'Art of Manga' on October 3, 2026, the first large-scale exhibition in the Americas dedicated to manga as a fine art form. Organized by the Fine Arts Museums of San Francisco, the show features over 600 original hand-drawn manga artworks (genga) by influential Japanese artists including Araki Hirohiko, Oda Eiichiro, Takahashi Rumiko, and Tagame Gengoroh, spanning foundational figures to eight contemporary masters.
The fifth edition of the Reiffers Initiatives Prize has opened in Paris with the exhibition "Trafiquer l'inconnu" ("Trading in the Unknown"), running until June 6, 2026, at the Reiffers Art Initiatives center. The group show features eight emerging artists based in France: Khaled Jarada, Louis Le Kim, Stanislava Kovalcikova, Arthur Marie, Eva Helene Pade, Ibrahim Meïté Sikely, Minh Lan Tran, and Manon Wertenbroek. Curated by Bernard Blistène, former director of the National Museum of Modern Art – Centre Pompidou, the exhibition presents works spanning painting, archival imagery, and explorations of the body. Stanislava Kovalcikova was named the winner of this edition, and Khaled Jarada received a new Special Mention from the jury.
Dirimart presents Olivia Sterling's first solo exhibition in Istanbul, titled 'Jelly,' at its Pera location from May 7 to June 14, 2026. The show explores themes of race, power, and desire through scenes involving food, the body, and stains, using fruit and dark colors as metaphors for consumption and objectification. Sterling's paintings incorporate letters that expose how race is constructed through language, while the title 'Jelly' evokes flexibility, fluidity, and a grotesque bodily quality that mirrors the instability of identity and social conventions.
The first large-scale exhibition in America dedicated to manga as an art form, 'Art of Manga,' will debut on the East Coast at the Brooklyn Museum on October 3. Featuring over 600 original drawings from legendary creators such as Junji Itō, Eiichiro Oda (One Piece), Hirohiko Araki (JoJo's Bizarre Adventure), Rumiko Takahashi (InuYasha), and Tite Kubo (Bleach), the show traces manga's evolution from foundational artists like Chiba Tetsuya and Akatsuka Fujio to contemporary voices. The exhibition also highlights themes including coming of age, LGBTQ+ rights, and environmentalism, and originally opened at the Fine Arts Museums of San Francisco.
The Denver Art Museum (DAM) held its annual Luncheon by Design fundraiser, celebrating the 60-year career of costume designer Bob Mackie as a prelude to the upcoming DIVA exhibition opening in fall 2026. The event featured a conversation between Joe McFate, Mackie's long-time design director, and Jill D'Alessandro, DAM's director and curator of the Avenir Institute of Textile Arts, sharing stories behind Mackie's iconic costumes worn by Cher, Tina Turner, and P!NK. Funds raised support the DIVA exhibition, which will run from October 4, 2026, to January 31, 2027, at the museum.
The Icelandic Art Center will present "Pocket Universe," a multidisciplinary exhibition by artist, poet, composer, and filmmaker Ásta Fanney Sigurðardóttir, representing Iceland at the 61st Venice Biennale. The exhibition, held at the Icelandic Pavilion's new location at Docks Cantieri Cucchini, explores shifting perspectives through hope, imagination, and belief, blending sound, performance, moving image, sculpture, and installation. It features a moving image work centered on a character called "Creature Zero" searching for the "original rock," and incorporates themes of luck, chance, and transformation through playful, game-like structures.
The Museum of Contemporary Art Jacksonville announced a new exhibition featuring Jacksonville-based artist Amer Kobaslija. Titled "Outside Looking In: The Paintings of Amer Kobaslija," the show runs from April 30 to September 20 and traces his artistic journey from early works to the present. It includes series such as Florida Diaries, One Hundred Views of Kesennuma (inspired by Japan's 2011 tsunami), and his ongoing Artist Studios series. Kobaslija, originally from Bosnia and Herzegovina, draws on his experiences as a refugee and life across multiple countries, exploring themes of memory, displacement, and belonging.
The Los Angeles County Museum of Art (LACMA) has opened its new David Geffen Galleries, a landmark building designed by Swiss architect Peter Zumthor. The structure features floor-to-ceiling windows, spans Wilshire Boulevard 30 feet above the Miracle Mile, and houses galleries organized around maritime trade routes. The museum celebrated its inaugural events with a gala and ribbon-cutting, opening to the public on April 20, 2026. The new space displays over 155,000 art objects from the permanent collection, spanning ancient civilizations to contemporary works.
The article highlights several art exhibitions on view in Milwaukee in May 2026, curated around themes of graduation and motherhood. Featured shows include Ahmari Benton's solo exhibition 'No Place for Self-Pity, No Room for Fear' at Mitchell Street Arts, Cameron Clayborn's solo show 'That's When Love Swallows You Whole, Right. Now' at Experimental Sculpture Room, the group exhibition 'Mom & Art' at Milwaukee Makers Market, and a youth art exhibition at the Milwaukee Art Museum. Many of the shows honor resilience, identity, memory, and the complexities of motherhood, with some featuring works by artists who have passed away.
Boston Art Review (BAR), an independent publication focused on contemporary art in Boston, has published an article titled 'ArtWonk: Budgets, Brouhahas, and Beowolff' that appears to cover a mix of art-world financial issues, controversies, and a reference to a figure or concept named 'Beowolff.' The piece is part of BAR's ongoing coverage of the local and broader art scene, including weekly happenings and programs.
The Robert McLaughlin Gallery in Oshawa, Ontario, will launch its summer exhibition season on June 13, 2026, featuring five new displays. The season includes solo shows by artists Stephen Andrews, Oliver Husain, and Austin Henderson. Andrews presents 'The sum of the parts,' a display of 125 drawings examining media coverage of the Iraq and Afghanistan wars. Husain offers an immersive video installation titled 'I ♥ Snail,' exploring the history of IMAX cinema. Henderson, the RBC emerging artist in residence, debuts works investigating queer history and the HIV/AIDS epidemic in Canada through his family history. A free public event with curator remarks, artist-led tours, and a complimentary shuttle from OCAD University in Toronto will mark the opening.
Brooklyn-based disabled artist Finnegan Shannon's traveling exhibition "Don't mind if I do" is on view at the Smith College Museum of Art (SCMA) in Northampton through June 28. The show features a conveyor belt that brings interactive artworks to seated visitors, challenging traditional museum layouts that require standing and walking. Shannon collaborated with curator Lauren Leving and technical director Peter Reese to create the experience, which includes works by Lukaza Branfman-Verissimo, Pelenakeke Brown, Sky Cubacub, Emilie L. Gossiaux, Felicia Griffin, Joselia Rebekah Hughes, and Jeff Kasper. The exhibition has previously toured to moCa Cleveland, California State University Sacramento, and the University of Illinois Chicago.
Cranbrook Art Museum in Bloomfield Hills is bringing back its artist-designed miniature golf course, Cranbrook on the Green, starting May 2, 2026. The nine-hole course will be set beside the iconic Triton Pools, blending mini-golf with an outdoor art experience, and each round includes free admission to the museum's galleries.
The article critiques the newly opened American art wing at the Princeton University Art Museum, arguing that its curatorial approach prioritizes contemporary social justice narratives over historical accuracy and national pride. The author contends that the exhibition presents a fragmented, politicized view of American history, highlighting slavery and racial injustice while omitting or minimizing the contributions of Princeton alumni to the nation's founding, such as James Madison and John Witherspoon. Specific examples include the inclusion of a 2022 revisionist painting of the Signing of the Constitution and selective signage that emphasizes marginalized figures while ignoring male patriots.
Southern Guild, a Cape Town-based gallery, opened a permanent location in New York's Tribeca district on Friday, marking a major expansion for the gallery and a milestone for contemporary African art's international visibility. The inaugural exhibitions feature South African painter Mmangaliso Nzuza's "Ballad of the Peacock" and conceptual artist Usha Seejarim's "Used," both on view until May 17. Co-founder Trevyn McGowan described the 371m² space in a historic cast-iron building as both instinctive and strategic, following the closure of the gallery's Los Angeles outpost, which served as a testing ground for American audiences.
The sixth edition of the Studio Museum in Harlem’s landmark group survey exhibition has returned, taking a deeply personal and introspective approach to exploring Blackness. The show is described as political yet inwardly focused, operating at a quieter metabolism than previous iterations, emphasizing individual perspectives over broad declarations.
The article reports on the opening of the Museum of Cacao & Chocolate in Mexico City, which combines a colonial-era house with a contemporary architectural addition. The museum is built on a site that was once an Aztec monument, adding layers of historical significance to the institution dedicated to the history and culture of cacao.
The iconic Rocky statue, long situated outside the Philadelphia Museum of Art as a popular tourist attraction, has been moved inside the museum. It now serves as the centerpiece of an exhibition that explores themes of race, activism, and violence.
Academic museums at Princeton, Yale, Cornell, and Skidmore have organized several standout exhibitions worth visiting beyond TEFAF New York. These shows highlight the rich programming happening on campuses outside the city, offering diverse artistic perspectives and scholarly depth.
Branchport Galleries in Long Branch, New Jersey, presents "The New Botanical," an exhibition curated by Ellen Martin that reimagines traditional botanical art through contemporary works by Suzan Globus, Kevin Hinkle/Ellen Martin, Daniel Sroka, and Gao Yuan. The show, on view from May 14 to June 30, 2026, features techniques such as flower-pounding, extreme close-up photography, and photo-based wall sculptures, moving away from classical precision toward essence and abstraction. An opening reception and artist talk are scheduled.
The Saudi Arabia Museum of Contemporary Art (SAMoCA) will receive a new flagship space as part of the government-backed Diriyah Company's Saudi Vision 2030 initiative. The museum, financed by a $490 million grant from the Diriyah Company (owned by the Public Investment Fund), will be designed by British architecture firm Godwin Austen Johnson and built by Albawani Company and Hassan Allam Construction – Saudi Arabia. Spanning 77,000 square meters, the project is part of the $63.2 billion Diriyah giga-project aimed at transforming the city into a premier cultural destination.
Guillaume Dénervaud presents a two-venue exhibition titled "Demeter" at PAGE (NYC) and Dracula's Revenge in New York, running from April 24 to May 30, 2026. The show includes a press release, checklist, poster, and 17 images documenting the works on view, with images courtesy of Page (NYC).
Tony Chrenka's studio in the Gowanus neighborhood of New York City is the subject of this article, which explores his artistic practice centered on salvaged materials and industrial processes. Chrenka works with PET plastic (Mylar) and polyester fabrics, creating collages and sculptures that investigate the gap between use-value and exchange-value. His upcoming exhibition at Toby78 in Brooklyn will feature new works made from pleated polyester textiles, inspired by Issey Miyake's Pleats Please clothing line.
Scottish artist Andrew McIntosh presents a new series of crimson-hued landscape paintings in his solo exhibition "I Hope This Transmission Finds You Soon" at School Gallery in Folkestone, U.K. The works, including pieces titled "Whitney," "K2," "Gasherbrum," and "Matterhorn" (all 2026), transform familiar mountain forms into eerie, otherworldly scenes with glowing orbs and uncanny light, drawing inspiration from Cormac McCarthy's novel "Blood Meridian." The exhibition runs through May 30.
Joy Machine presents 'Feel Free', a group exhibition featuring new works by Rachel Hayden, Paulina Ho, Hanna Lee Joshi, and Jeremy Miranda. The show opens with a reception on May 15, 2026, and runs through June 27, 2026. Each artist explores the tension between chaos and control, using diverse media—from acrylic and gouache to Japanese indigo on thrifted textiles—to capture moments of impermanence and unexpected harmony.