Hito Steyerl “The Island” Osservatorio Fondazione Prada / Milan by Piermario De Angelis

Hito Steyerl's solo exhibition "The Island" at Osservatorio Fondazione Prada in Milan explores the concept of submersion as both a geological condition and a media regime. The show takes its title from a Neolithic artificial island discovered off the coast of Korčula, Croatia, which remained submerged for approximately seven thousand years. Through video interviews, installations, and critical assemblages, Steyerl connects this submerged structure to contemporary issues of digital image circulation, algorithmic power, and the dispossession of agency, drawing on science fiction, quantum physics, biochemistry, and deep time.

“Iter Subterraneum” / Bergen Kunsthall, Bergen by Adele Seip

Bergen Kunsthall has launched "Iter Subterraneum," a group exhibition inspired by Ludvig Holberg’s 1741 satirical novel about a man who falls through a cave in Bergen into a subterranean world. The show features ten international artists, including Robert Gabris, Anicka Yi, and Cecilia Fiona, whose works span video, sculpture, and performance. By pairing historical editions of Holberg’s book with contemporary installations, the exhibition explores themes of displacement, collective existence, and the blurring of lines between human and non-human life.

These Ghosts. Clémentine Bruno  by Michela Ceruti

Clémentine Bruno’s artistic practice explores the tension between presence and absence, treating the canvas as a site of temporal layers rather than a flat surface for representation. Her work emphasizes the preparatory stages of painting—the laying of gesso and the construction of supports—allowing images to emerge reluctantly through processes of sanding, veiling, and partial erasure. Recent exhibitions, such as "Educational Complex" at Tonus and "Vision of Fading" at Mendes Wood DM, highlight her interest in how institutional structures and memory maps dictate what is retained and what is forgotten.

Inside LACMA’s Eye-Popping New Home, How Do You Find the Art?

The Los Angeles County Museum of Art (LACMA) has opened its new David Geffen Galleries building, a major architectural project designed to be a glamorous cultural beacon. The building itself is a striking landmark, but the exhibition spaces within present significant challenges for the display of art, creating a complex, maze-like environment for visitors.

The Sense of Touch at Billboard Scale

Conceptual artist Ann Hamilton has debuted a new series of large-scale scanner photography installations at the Cleveland Museum of Art. Moving from her signature immersive environments to high-resolution digital captures, Hamilton utilizes a flatbed scanner to document the tactile qualities of various objects and figures, enlarging them to billboard proportions to emphasize the intimacy of touch.

A Senegalese Artist Who Crossed Boundaries Others Didn’t Dare

A major exhibition at the Metropolitan Museum of Art is dedicated to the work of Senegalese modernist painter Iba Ndiaye. The show, "Iba Ndiaye: The Studio of the World," presents a comprehensive look at his career, tracing his journey from Senegal to Paris and his unique synthesis of global artistic traditions.

The Show the Art World Loves to Hate Gets a Soul

The 60th Venice Biennale, titled "Stranieri Ovunque – Foreigners Everywhere," has opened to a polarized reception. Curated by Adriano Pedrosa, it is the first Biennale led by a Latin American curator and heavily features artists from the Global South, Indigenous creators, and queer artists, marking a significant departure from the Eurocentric focus of past editions.

The Interview: Amar Kanwar

ArtReview interviews Amar Kanwar, a New Delhi-based artist known for films and multimedia installations that blend poetry, activism, and documentary to explore power, conflict, and social justice. Kanwar discusses his career trajectory from documentary filmmaking to occupational health research in a coal mining region, and back to filmmaking on his own terms. His best-known work, *The Sovereign Forest* (2012), addresses government-corporate collusion in Odisha, while his latest, *The Peacock's Graveyard* (2023), is a seven-channel film installation currently paired with *The Torn First Pages* (2004–08) at Palazzo Grassi in Venice under the heading "Co-Travellers." Kanwar has participated in four consecutive editions of Documenta (2002–2017) and was a curator of the 2022 Istanbul Biennial.

Amanda Heng Walks the Walk

Singaporean artist Amanda Heng, now 74, is representing Singapore at this year's Venice Biennale with her exhibition titled *A Pause*, featuring a site-specific installation and durational performance. Known for her decades-long performance *Let's Chat* (1996–), in which she cleans mung bean sprouts with participants to foster casual conversation, Heng transforms everyday domestic gestures into feminist acts. Her work reclaims the body, labor, and relationships as sites of personal autonomy. She was part of the pioneering, male-dominated generation of Singaporean contemporary artists in The Artists Village, but left due to its hierarchical structure to pursue collaborations with women artists and further studies.

Watch: Wallace Chan returns to the Venice Biennale with ‘Vessels of Other Worlds’

Wallace Chan returns to the Venice Biennale for the fourth time with 'Vessels of Other Worlds', a two-city exhibition opening at the Chapel of Santa Maria della Pietà in Venice on 8 May 2026 and continuing at the Long Museum West Bund in Shanghai from 18 July, coinciding with the artist's 70th birthday. Curated by James Putnam, the project features large-scale titanium sculptures that explore material transformation, perception, and metaphysical space, including a live video link between the two venues and an inhabitable mirrored sculpture at the Long Museum.

Sue Webster: Fandoms and Icons

Sue Webster's solo exhibition 'Birth of an Icon' at Firstsite in Colchester traces her lifelong obsession with pop culture, from teenage fandom of Siouxsie Sioux to her evolution as an artist. The show features a sprawling installation 'The Crime Scene' (2017–) that maps her personal history through albums, newspaper clippings, and objects, alongside painted jackets and self-portraits. It marks a departure from her earlier work as half of the duo Tim Noble and Sue Webster, embracing a more personal, amateurish style that reflects her journey through adolescence, marriage dissolution, and motherhood.

Venice Golden Lion jury won’t consider Russian and Israeli pavilions

The jury for the Golden and Silver Lion awards at the 61st Venice Biennale has announced it will not consider the national pavilions of any country whose leaders are currently charged with crimes against humanity by the International Criminal Court. This decision specifically excludes Russia, whose president Vladimir Putin is charged with unlawful deportation of Ukrainian children, and Israel, whose prime minister Benjamin Netanyahu is charged with targeting Palestinian civilians and using starvation as a weapon. The jury, presided over by Solange Oliveira Farkas and including Zoe Butt, Elvira Dyangani Ose, Marta Kuzma, and Giovanna Zapperi, issued a full statement explaining their commitment to human rights and alignment with the curatorial vision of the late Koyo Kouoh.

59th Carnegie International tests the limits of connection and inclusion

The 59th Carnegie International, titled "If the word we," opens at the Carnegie Museum of Art in Pittsburgh, curated by Ryan Inouye, Danielle A. Jackson, and Liz Park. The exhibition emphasizes community and collaboration, featuring immersive installations by artists such as Shala Miller, Jasleen Kaur, and Georges Adéagbo, whose work incorporates local thrift-store finds like Pittsburgh Steelers merchandise. Offsite programming extends to venues including the Mattress Factory and Children's Museum of Pittsburgh.

Roberto Bernardi | The Unknown Event (2025) | Available for Sale

Roberto Bernardi | L'evento sconosciuto (2025) | Available for Sale

Italian hyperrealist artist Roberto Bernardi has listed a new oil on canvas painting titled "L'evento sconosciuto" (2025) for sale through GALERIE VON&VON. The work, priced at €14,400, is being featured in conjunction with his upcoming exhibition "Unfolding," scheduled to run from April 16 to June 20, 2026. Bernardi, known for his meticulous attention to detail and photorealistic style, has a long-standing presence in the international art market and museum circuit.

Theme and artists announced for British Art Show 10

The 10th edition of the British Art Show, titled 'A Chorus of Strangers,' has announced its theme and a roster of over 30 participating artists. Curated by Ekow Eshun and organized by Hayward Gallery Touring, the exhibition will explore the relationship between the individual and the 'other' through three thematic lenses: 'Moments of Being,' 'Ways of Living,' and 'States of Nature.' The show is scheduled to launch in Coventry on October 2, 2025, before touring to Swansea, Bristol, Sheffield, and Newcastle Gateshead.

In Performance Series, Artists Tackle the Nature of Images, and Reality, in the Face of AI

At Giorno Poetry Systems (GPS) in New York, a three-day program titled “Exert: The Physics of Metaphysics” featured performances and readings by artists including Mark Leckey, Hari Kunzru, and Gideon Jacobs. The works explored how emerging technologies like AI, VR, and AR are reshaping perceptions of reality and simulation, with Kunzru reading from a novel-in-progress about a man navigating a world where simulation encroaches on everyday life, and Jacobs presenting a performance lecture blending theater, essay, and AI-generated video.

Mind the baby! Visitors to the Japanese Venice Biennale pavilion will be asked to look after dolls

Ei Arakawa-Nash, a Japanese-born artist who no longer holds Japanese citizenship, will represent Japan at the Venice Biennale with an exhibition titled "Grass Babies, Moon Babies." The pavilion will feature over 100 baby dolls that visitors are invited to adopt and carry, engaging in caregiving tasks such as changing a nappy. Each doll corresponds to a historically significant date tied to minority communities, linking intimate acts of care to broader historical narratives. The project also includes a collaboration with the Korean Pavilion, marking the first such partnership between the two national pavilions in Biennale history.

Mummy, is this a video game? The dangers of showing kids art on a screen

A parent takes their toddler to Frameless, an immersive digital art experience in London, where works by Hieronymus Bosch, Claude Monet, and Georges Seurat are projected onto walls, ceilings, and floors. The child reacts with mixed engagement—enjoying some moments but feeling overwhelmed by the frenetic, screen-based environment—while the author reflects on the tension between traditional static art and animated digital reproductions.

Jarvis Cocker and Kim Sion to curate art exhibition at Hepworth Wakefield

Jarvis Cocker and his wife Kim Sion will curate a new exhibition titled "Hodge Podge" at the Hepworth Wakefield, opening in May 2027. The show brings together a personal selection of works by artists including Jeremy Deller, Peter Doig, Barbara Hepworth, and others, alongside unknown outsider and visionary artists never before exhibited in UK public museums. The exhibition aims to challenge conventional ideas of art and includes an immersive Dreamachine, a flickering light device co-invented by Brion Gysin and Ian Sommerville in 1959.

‘Tracey Emin said they’re all about death’: Johnnie Shand Kydd on his dog-walk photographs – and capturing the hard-partying YBAs

Johnnie Shand Kydd, a former art dealer turned photographer, reflects on his intimate black-and-white photographs of the Young British Artists (YBAs) in the 1990s, capturing figures like Tracey Emin, Damien Hirst, and Sarah Lucas in candid, hedonistic moments rather than traditional studio portraits. Now 66, Shand Kydd has a new exhibition titled 'Ramsholt' at Emin's gallery in Margate, featuring photographs from his dog-walking route, which will also be published as a photobook.

How Pharrell’s Joopiter Is Redefining What an Auction House Can Be

Pharrell Williams launched his own auction platform, Joopiter, after finding traditional auction houses ill-suited to sell his collection of fashion, jewelry, and timepieces. The platform has rapidly expanded from single-owner sales into a multi-category auction house, handling luxury goods, sports memorabilia, pop culture artifacts, and contemporary art, with a recent headline lot being a $5 million Triceratops skeleton named Trey.

giancarlo politi founder flash art magazine died at 89

Giancarlo Politi, the influential founder and publisher of Flash Art magazine, has died at the age of 89. Established in Rome in 1967, Flash Art became a cornerstone of international art criticism, famously documenting the rise of the Arte Povera movement and providing an early platform for iconic artists like Marina Abramović, Maurizio Cattelan, and Jeff Koons. Politi, alongside his wife Helena Kontova, transformed the publication into a global network that bridged European and American art scenes, effectively serving as a "hands-on school" for generations of critics and curators.

protests new york new school cuts staffing programs

New York's The New School is offering voluntary retirement and severance programs to a large group of faculty and staff as part of a radical restructuring to address a $48 million deficit. The American Association of University Professors (AAUP) reported that 40 percent of full-time faculty, about 169 staffers, received the offers, calling it the largest attempted firing of faculty currently taking place in the nation. The school is also eliminating over thirty programs, primarily in social sciences and humanities, and plans to combine several schools into a two-college structure, including Parsons School of Design. The school faces declining enrollment and has been warned by the Department of Education over campus protests related to the Israel-Hamas conflict.

documentary pretty dirty marilyn minter art

A new documentary titled "Pretty Dirty: The Life and Times of Marilyn Minter" premiered at the DOC NYC film festival at IFC Center, chronicling the artist's four-decade career and personal struggles. Directed by Jennifer Ash Rudick and Amanda Benchley, the film follows Minter's journey from a dysfunctional upbringing in the South—with an emotionally abusive mother and her own battles with addiction—to her eventual rise as a major figure in contemporary art. It highlights her gritty, provocative enamel-on-metal paintings, her commercial work for Tom Ford and Zara, and her cultural impact through projects like Madonna's 2009 tour and the TV show Gossip Girl. The documentary features interviews with celebrities such as Lizzo, Jane Fonda, and Miley Cyrus, as well as art-world peers like Laurie Simmons and Jeff Koons.

billboard 200 chart everybodys album

Artist Danny Cole, known for previous public stunts like covering the Hollywood sign's O with a giant cow, has launched 'Everybody's Album,' a project aiming to hack the Billboard 200 chart. The plan involves recruiting 100,000 people to each record one second of audio, paying them with a Shopify gift card that can only be used to pre-order the album, thereby exploiting chart metrics. With help from influencer Anthony Po, who has millions of followers, they have already secured 80,000 participants.

christies 21st century evening sale totals november 2025

Christie's 21st-century evening sale on Wednesday, November 2025, achieved a hammer total of $99.7 million on 44 lots, within the pre-sale estimate of $87.5–$127 million. With fees, the final total reached $123.6 million. The sale opened with 18 lots from the collection of Chicago philanthropists Stefan Edlis and Gael Neeson, featuring works by Cindy Sherman, Andy Warhol, Tom Wesselmann, and Diego Giacometti. A Giacometti coffee table sparked a seven-minute bidding war, selling for $4.53 million. Three artist records were set: Firelei Báez ($1.1 million), Olga de Amaral ($3.1 million), and Joan Brown ($596,500). Only one work, by Cecily Brown, failed to sell.

blank space book review cultrure over men

W. David Marx's book "Blank Space: A Cultural History of the Twenty-First Century" argues that 21st-century culture has stagnated, blaming the Internet and its economies for a lack of innovation. The book cites critics like Jason Farago and Alex Ross who lament the death of monoculture and the failure of the Internet's promised diversity, while Marx himself longs for a past era of linear artistic progress defined by -isms like Realism and Cubism. However, the review criticizes Marx's framework as rooted in a 19th-century positivist fallacy, noting that art history has never been a clean linear progression and that overlooked artists—such as Hilma af Klint and Hector Hyppolite—have always complicated the canon.

kerry james marshall jean michel basquiat sothebys

Sotheby's has announced two major consignments for its November marquee auctions in New York: Jean-Michel Basquiat's "Crowns (Peso Neto)" (1981), estimated at $45 million, and an untitled Kerry James Marshall painting from 2008, estimated at $10–15 million. The Basquiat, painted on Christmas night 1981, debuted at Annina Nosei Gallery and Documenta 7, and was previously owned by collectors Thomas Worrell and José Mugrabi before being consigned by French actor Francis Lombrail. The Marshall, depicting a couple embracing at sunset, was purchased on the primary market and has remained in the same collection, recently appearing at the Church in Sag Harbor with lender Neda Young.

sylvester stallones palm beach house has works by warhol condo botero and many other contemporary art stars

Sylvester Stallone and Jennifer Flavin's Palm Beach home, featured in a Veranda profile, showcases their extensive contemporary art collection. The house includes works by Andy Warhol, George Condo, Damien Hirst, Bridget Riley, Fernando Botero, Rashid Johnson, Sterling Ruby, and LeRoy Neiman, among others. Stallone, who began collecting at age 16, treats the home as a constantly rotating gallery, with a long hallway kept blank for changing displays and a dining room anchored by a Hirst mosaic and Condo abstract. The collection is integrated into daily life, with art hanging in the screening room, entry, and even near the gym.

christies robert patricia weis collection sale

Christie’s has secured the collection of Robert F. Weis and Patricia G. Ross Weis for its November sales in New York, with 80 lots valued at over $180 million. The collection spans Cubism to Abstract Expressionism and includes major works by Picasso, Matisse, Mondrian, and Rothko, with top estimates reaching $50 million. The Weis family, founders of Weis Markets, assembled the collection over more than seventy years, and 18 lots will be sold in a single-owner sale ahead of Christie’s 20th-century evening sale.