The Cornell Art Museum will host the opening of "Rodney Demps: The Surrealist of the Highwaymen" on Friday, May 1, 2026. The exhibition highlights the work of Rodney Demps, a contemporary artist whose surrealist style connects to the legacy of the Florida Highwaymen, a group of African American landscape painters active in the mid-20th century.
Thapar Gallery is presenting an exhibition titled "Master Artist A. A. Raiba: A Unilateral Eclectic," showcasing the work of Indian modernist Abdul Aziz Raiba from the 1950s and 1960s. The show highlights Raiba's versatility across mediums including murals, paintings on jute, reverse glass paintings, serigraphs, calligraphy, and sketches, and features landscape drawings from his Kashmir sojourn between 1957 and 1959. The exhibition runs until June 21.
Curator and artist Louise Cutler has organized the Inside Out Pop-Up Art Exhibit at the Shops at Foothills mall in Fort Collins, Colorado, filling empty storefronts with works by 11 local artists. The exhibit, open through June 30, features a variety of art forms including abstract pieces and landscape paintings, and held a reception on April 24 to draw attention to the spaces. Artists like Cherokee Carr and Chavez (mononym) participate, using the platform to connect with the community and spark conversations.
Lisa Homann, an Associate Art & Art History Professor at UNC Charlotte, will participate in the 2024 Venice Biennale (May 9–Nov. 22) alongside West African Masquerade artist David Sanou. Homann co-curated the traveling exhibition "New African Masquerades: Artistic Innovations and Collaborations," which opened in New Orleans and will conclude at the Smithsonian National Museum of African Art. She was invited by Kevin Dumouchelle, the museum's main curator, to join the African Art in Venice Forum, a critical dialogue aimed at giving voice to contemporary African artists often excluded from mainstream contemporary art narratives. Homann's work with the Sanou family spans nearly two decades, beginning with David's father, Andre Sanou, in 2008.
The Tioga Arts Council, in partnership with the Floyd Hooker Foundation and the Tioga County Youth Bureau, is hosting a Skateboard Art Exhibition at Owego Free Academy featuring artwork from 80 students. Artist Mark Rivard, through his program Do Rad Things, will lead seminars from April 27-30 covering motivational speaking, art entrepreneurship, and skateboard design, culminating in a public exhibition on May 1 at the Tioga Arts Council in Owego, New York.
Schreyer Honors College at Penn State has opened a new art gallery called “Illuminate” on the ground floor of Atherton Hall, featuring artwork from four Schreyer Scholars. The inaugural exhibition includes pieces by Olivia Knoechel, Jessica Matinchek, Paige Rishel, and Lisa Wang, selected by a panel of staff, students, and alumni artist Kaleigh Quinnan. The gallery opened on April 10 with a celebration attended by family, friends, and college staff.
The South Dakota Art Museum Guild will host a program on April 28, 2026, featuring Sioux Falls artist Rodger Ellingson. Ellingson will present “Events and Seasons: Painting in Living Color,” showcasing his plein air and studio works in watercolor and acrylic, with subjects drawn from the upper Midwest and northern Rockies. The event includes coffee and social time at 9:30 a.m., followed by the program at 10 a.m. at the South Dakota Art Museum in Brookings.
The Vietnam Fine Arts Museum in Hanoi is hosting "Cuộc Chơi Với Lá (A Game with Leaves)," an exhibition showcasing over six decades of work by self-taught Vietnamese artist Tạ Hải. The show features dozens of artworks selected from more than 500 pieces he has created entirely from natural materials, primarily fallen leaves, since his first work in 1965. Hải, who works outside formal artistic traditions, transforms leaves into landscapes depicting rivers, rooftops, and village paths, driven by a philosophy that sees fallen leaves as enduring symbols of life rather than discarded remnants.
Cairo-based artist Mariem Akmal opened her second solo exhibition, 'Visual Diaries', at Samak Laban Creative Studio in Downtown Cairo. The show features 16 works in oil, acrylics, pastels, spray paint, and glass, capturing emotional snapshots from the past four years of her life, including her graduation from the Faculty of Fine Arts in Zamalek. The exhibition runs until May 25th, 2026.
The Owatonna Arts Center (OAC) is calling for submissions for its 73rd annual Steele County Arts Exhibition, with the submission period open through April 30 and the exhibition running from May 3 to May 31. Artistic Director Silvan Durban, who has been with the center for 48 years, notes that all forms of physical media are accepted and there is no specified theme, encouraging broad participation from both returning and new artists. The exhibition continues a local tradition that began in the 1930s with the Owatonna Arts Project supported by the University of Minnesota and the Carnegie Foundation.
The Seoul Museum of Craft Art opens two special exhibitions on Tuesday, both centered on the Korean Empire (1897-1910), a brief period when Korea sought to modernize through craft and industrial innovation. The larger exhibition, “The Hybrid,” marks 140 years of diplomatic relations between Korea and France, gathering 24 objects from European collections—23 from France and one from Germany—some not displayed in Korea in over 120 years. The second, “Folded Time, Unfolded Memory: Andong Palace,” focuses on the royal women who lived on the museum’s grounds, particularly Empress Sunjeonghyo and Princess Kim Deok-su. Museum director Kim Soo-jung described the two shows as “almost like an omnibus,” connected through the Korean Empire period.
Marie-Claude Bugeaud (born 1941) is the subject of an exhibition titled "Marie-Claude Bugeaud. Des histoires" at Galerie Éric Linard in La Garde Adhémar, France. Her paintings explore the memory of everyday objects, blending abstraction with intimate evocation through sensitive lines and colors, creating a poetic dialogue inspired by decorative traditions. The article highlights her emancipatory journey and the expressive freedom in her work, where living forms and light gestures convey a personal quest.
Le Musée de la Reddition de Reims rouvre ses portes après un an de travaux
The Musée de la Reddition de Reims (Museum of the Surrender of Reims) reopened on May 7, the 81st anniversary of the German surrender signed in its map room, after a year-long closure. The renovation, costing approximately €2 million, focused on conservation: protective glazing, improved ventilation and lighting, and anoxic treatment of collections to halt degradation of original maps, documents, and war room objects. The museum also overhauled its scenography, designed by Belgian agency Kascen, to present a clearer chronological narrative covering the occupation, Allied presence in Reims, liberation, postwar reconstruction, and reconciliation, rather than just the surrender itself. The museum now displays 17 uniforms, 130 objects and weapons, and 65 archival documents, including the act of capitulation and General McAuliffe's jacket.
Florence is undertaking a major restoration of Giotto's Campanile, the first comprehensive conservation of the 14th-century bell tower since its construction. The project, budgeted at over €7 million, addresses decades of damage from pollution, acid rain, and natural aging, including detached stone slabs, darkened facades, and microfractures. The four-year scaffolding will be designed to minimize visual impact and gradually reveal restored sections. Separately, the Opera di Santa Maria del Fiore is executing a €60 million program to restore the Collegio Eugeniano (which will become its new headquarters) and expand the Museo dell'Opera del Duomo to 11,000 square meters by 2030. The Ponte Vecchio will also undergo summer cleaning and consolidation of its piles, funded equally by the municipality and the Antinori family.
A new experimental art gallery, the Founders Room, is launching in Brighton in May 2026 as part of the Brighton Festival. The inaugural exhibition, titled Act 0, is organized by The Adelaide Salon in collaboration with Brighton Dome & Brighton Festival. It features works by two artist couples—Isobel Smith and The Baron Gilvan, and Lucy Newman and Bob Dixon—exploring process-led, relational, and interdisciplinary practices. The exhibition questions the boundary between artist and artwork, presenting painting, drawing, and performance-led works that blur authorship and lived experience.
Artsy Editorial profiles five contemporary artists from the Maghreb region who draw inspiration from Moroccan rugs and North African weaving traditions. The article highlights how these artists transform the loom-based craft—historically dismissed as "womanly craft" by academia and the avant-garde—into a contemporary art form that honors and updates longstanding weaving practices. Each artist uses the grammar of signs, stitches, rhythm, color, and designs inherent to North African textiles to articulate narratives and philosophies.
Locky Morris and Liz Vitlin are featured in a two-person exhibition at Gertie, a gallery space. The show presents a selection of works by both artists, documented through 59 images on the Contemporary Art Daily platform, though no text descriptions or curatorial statements are provided in the article.
Ava Roth has created a new series of ceramic vessels titled "Kintsu-Bee," in which she collaborates with honeybees to repair broken ceramics. The bees build honeycomb structures that fill cracks, replace missing handles, or mend fissures, echoing the Japanese kintsugi tradition of repairing broken pottery with metallic lacquer. Roth guides the bees around forms, resulting in hybrid objects that are part human-made ceramic and part insect-built comb.
Milan-based Filipina designer Mirei Monticelli creates biomorphic lighting fixtures from hand-woven Banaca fabric, made from Abacá fiber sourced from the Philippines. Her studio collaborates with a community of weavers in the Bicol province, developing the material through a long-term relationship. The lamps, which blend sculpture and utility, were recently featured in an installation titled 'Pleasure Garden' at Milan Design Week. Monticelli’s process incorporates techniques from garment construction, learned from her mother, a fashion designer.
Earlier this month, artist SpY installed "Halos," a large-scale installation of dozens of metallic discs suspended from the ceiling of a former railway factory in Florence. The work was part of the city's Bright Festival, transforming the brutalist industrial interior into a space of ethereal movement and reflection, with the discs interacting with natural breezes and glimmering light.
The Art Base in Basalt, Colorado, opens its fall season with 'Toxic Positivity,' an installation of plastic-formed sculptures by Denver-based artist Jodi Stuart. The exhibition runs from October 2 to November 8, 2024, with an opening reception on October 4 featuring an artist talk. Stuart specializes in a process that combines weaving techniques with plastics, creating objects that are both light and saturated.
A new art gallery called Dirkse/Prim has opened in Seattle's Madrona neighborhood, founded by married couple Michelle and Jeremy. Michelle works as an interior designer, while Jeremy is a painter of seascapes. Their debut exhibition features the work of another husband-and-wife duo, Mya Kerner and Zach Helenske, whose art is inspired by their 40-acre farm in Pennsylvania. The gallery aims to offer a warm, welcoming alternative to traditional white-box spaces, emphasizing community and approachability.
Fulton Public Schools students displayed over 80 artworks in the "Building Peace: From Within to the World" exhibit at the Mildred M. Cox Gallery in William Woods University's Kemper Art Center. The show, open Monday through Friday, was organized in partnership with the William Woods Rotaract Club, the Fulton Rotary Club, and Fulton Public Schools, with funding from a Rotary peace project grant. Art teachers Pamela Doss and Rebecca Diekamp coordinated student submissions from kindergarten through 12th grade, with works exploring themes of inner peace, community kindness, and symbolic acts of making a difference.
The Uruguay Pavilion at the 2026 Venice Biennale presents "ANTIFRAGIL," a new installation by artist Margaret Whyte, curated by Patricia Bentancur. The work combines textiles with obsolete technological objects such as old machines, motorcycle helmets, and waste fragments, embodying the concept of antifragility developed by Nassim Taleb—systems that grow stronger through disorder and instability. Whyte's practice transforms fragility and vulnerability into poetic resistance, challenging traditional hierarchies between craft and contemporary art.
Emily Cassidy, a High Point-based pet portrait artist with a background in animal science and veterinary technology, is holding a three-day solo exhibition titled "All Things Bright & Beautiful" from May 27 to May 29 at Reynolda Village in Winston-Salem. A portion of the proceeds will benefit the Wake Forest University Chaplain’s Emergency Fund, which assists students, faculty, staff, and contract workers with essential expenses. Cassidy, who returned to art in 2020 after a career in cancer research, now has a two- to three-month waiting list for commissions and works in colored pencils, pastels, and oils.
Baltimore Clayworks presents "Coalescence," a solo exhibition featuring resident artist Emily Lamb. The show combines ceramics and glass into mixed-media sculptures that explore the human body and emotional states, with expressive figurative narratives emerging from the interplay of glass translucency and refined clay modeling. The exhibition runs daily through May 22, 2021, with free admission.
The 19th Annual African American Fiber Art Exhibition opened on April 29 in Charleston, South Carolina, featuring over 70 artists from 22 states under the theme 'Regal Threads: The Majesty of Blue and Purple.' Curated by Torreah 'Cookie' Washington, the juried exhibition explores the spiritual and historical significance of blue and purple in African diasporic traditions. Among the works is Donnette Cooper's quilt 'He's Royal: Kingsley George Lawton Cooper,' honoring her late brother Kingsley, who died in June 2024, incorporating the adinkra symbol Nyame Nwu Na Mawu and referencing Dr. Martin Luther King Jr.'s eulogy.
Naomi Young's art exhibit "Towers and Flowers" is on display until mid-June at the Valencia Town Center in Valencia, California. The show, which opened on May 17, 2026, features works inspired by Young's upbringing in Jerusalem, reflecting her enduring connection to the city's spirit.
Artist Tsering Phonjo Gurung has organized a solo exhibition of 47 historic paintings in Lomanthang Rural Municipality, Upper Mustang, Nepal. The works depict the 15th-century Lomanthang Palace, caves, monasteries, traditional settlements, and indigenous culture, and are displayed to coincide with the Tiji Festival, aiming to attract domestic and international tourists.
The Winkler Arts and Culture High School Art Show is currently on display from May 14 to June 6, featuring works by students from Northlands Parkway Collegiate (NPC) and Garden Valley Collegiate (GVC) in the Pembina Valley. The exhibit includes a wide range of media—paintings, pottery, pencil drawings, and mixed-media projects—with standout pieces like Grade 9 student Dylan Morgan's detailed portrait of Olympic figure skater Alysa Liu. Program coordinator Katie Bueckert emphasizes the show's role in showcasing young talent and giving students their first gallery experience.