Defying Soft Power: “Proximities” at SeMA

The Seoul Museum of Art (SeMA) is hosting "Proximities: Contemporary Art from the United Arab Emirates," a major survey featuring over 110 works by 47 artists. Co-curated by Maya El Khalil and Eunju Kim in collaboration with the Abu Dhabi Music & Arts Foundation (ADMAF), the exhibition eschews traditional chronological narratives in favor of a dense, non-linear exploration of Emirati identity. The show is organized into thematic chapters led by artist-curators, featuring works ranging from Shaikha Al Mazrou’s precarious sculptures to Raja’a Khalid’s olfactory installations.

culture aesop new york creatives holidays

Aesop, the skincare and fragrance company, has released a collection of festive holiday kits designed for creatives, focusing on hand and workspace care. The kits include themed sets like “Party in the Greenhouse” and “Too Many Cooks in the Kitchen,” featuring products such as geranium-infused balms and pumice hand wash. Cultured magazine partnered with Aesop to highlight the creative spaces of New York artists and chefs, including Fernando Mastrangelo, Flynn McGarry, and Eny Lee Parker, who opened their studios and kitchens to showcase their rituals.

Es Devlin Is Creating a Living Portrait of the Entire U.K.

British artist Es Devlin has launched a participatory public artwork titled "A National Portrait for the National Portrait Gallery," inviting all 69 million U.K. residents to upload selfies that are transformed into charcoal-and-chalk-style portraits using an AI model trained on Devlin’s drawings. The portraits appear on a framed screen in the museum’s History Makers gallery, and the project runs through October 27, accompanied by online and onsite drawing classes.

Frick Inks Three-Year Partnership with Louis Vuitton, with Support for Exhibitions and Free Fridays

The Frick Collection in New York has announced a three-year partnership with Louis Vuitton, under which the fashion house will sponsor three upcoming exhibitions, a curatorial research associate position, and a year of the museum's free First Fridays program. The partnership launches with Louis Vuitton's Cruise 2027 collection show, designed by Nicolas Ghesquière, held in the Frick's first-floor galleries on May 20. The sponsored exhibitions include “Siena: The Art of Bronze, 1450–1500” (fall 2025), “Painting with Fire: Susanne de Court and the Art of Enamel” (spring 2027), and a third exhibition on 19th-century paintings (late 2027). The Louis Vuitton Curatorial Research Associate will be Yifu Liu, currently a curatorial fellow at the Frick, who will research Asian porcelain and cross-cultural exchange between Europe and China.

A mapping of all the intersections between the 2026 Venice Biennale and the fashion world

Una mappatura di tutti gli intrecci tra la Biennale di Venezia 2026 e il mondo della moda

The article maps the growing intersection between fashion brands and the 61st Venice Biennale in 2026, detailing specific collaborations. Zegna is the main sponsor of the Italian Pavilion, supporting Chiara Camoni's project "Con te con tutto" curated by Cecilia Canziani, using materials from Zegna's Oasi Zegna and Lanificio. Bottega Veneta renews its partnership with Pinault Collection to support Lorna Simpson's exhibition "Third Person" at Punta della Dogana, curated by Emma Lavigne, and also presents a public intervention at Campo Manin. Swatch celebrates 15 years of the Swatch Art Peace Hotel with the exhibition "Flora Fantastica" at the Giardini Reali, featuring artist Elisa Insu. The newly opened Fondazione Dries Van Noten at Palazzo Pisani Moretta debuts with "The Only True Protest Is Beauty," curated by Dries Van Noten and Geert Bruloot.

Polish pavilion at Venice Biennale explores fluidity of language with film recorded underwater

Poland's entry for the 2024 Venice Biennale, titled *Liquid Tongues*, is an audio-video installation by artists Bogna Burska and Daniel Kotowski. The work centers on a performance by the Chór w Ruchu (Choir in Motion), which includes both hearing and deaf performers, with much of the content filmed underwater in a Warsaw swimming pool. Presented across two screens in the Polish pavilion, the installation draws inspiration from whale song to explore alternative modes of communication, using spoken English and International Sign. The project builds on a previous performance at Warsaw's Zachęta National Gallery of Art and was developed in close collaboration with curators Ewa Chomicka and Jolanta Woszczenko.

Beware the technology rat trap: Cooper Jacoby’s standout contribution to New York’s Whitney Biennial

Cooper Jacoby's sculptures at the Whitney Biennial explore how AI corporations and other companies turn personal data into financial assets. His five works, displayed in a green-carpeted space he describes as "almost like a rat trap," include the 2026 piece *Estate (July 10, 2022)*—a folding screen with an intercom that uses AI trained on social media posts from deceased creatives to generate vocal outputs. Another series, *Mutual Life*, features eye-like sculptures with clock hands that spin based on the biological age of anonymous individuals in the artist's network. Jacoby's work highlights the lack of regulation around digital life and death, and the opaque nature of AI systems.

'I wanted to catch the desperation': Dries Verhoeven on turning the Dutch pavilion into a bunker for the Venice Biennale

Artist Dries Verhoeven has transformed the Dutch pavilion at the Venice Biennale into a bunker-like space by covering its iconic glass-and-steel structure with metal shutters. Inside, visitors experience a gradually darkening environment and a raw vocal performance by 13 rotating performers, intended to evoke desperation and confusion about contemporary global crises. The work critiques the modernist ideals of openness and optimism embodied by the pavilion, designed by Gerrit Rietveld in 1953.

The Bahamas returns to the Venice Biennale with a joy-filled posthumous collaboration

The Bahamas will return to the Venice Biennale in 2026 after a 13-year absence with a posthumous exhibition for artist John Beadle, who died in 2024 at age 60. Beadle was originally selected to represent the country in 2015 but the government withdrew funding. The exhibition, titled "In Another Man’s Yard," will feature Beadle’s work alongside that of his mentee, Lavar Munroe, using materials from Beadle’s studio including sails from Haitian migrant sloops. The pavilion is organized by commissioner Amanda Coulson and curator Krista Thompson, who raised private funds after the government declined to support the project.

A.I. Identifies Holbein Drawing as Possible Portrait of Anne Boleyn

Researchers at the University of Bradford have used artificial intelligence to analyze preparatory drawings by Hans Holbein the Younger in the Royal Collection at Windsor Castle. The AI model, which previously identified a forgotten Raphael painting, suggests that a drawing long believed to depict Anne Boleyn actually shows her mother, Elizabeth Howard, while another drawing labeled "Unidentified Woman" likely portrays Anne Boleyn herself. The findings, published in Heritage Science, are based on biometric analysis of facial features, bone architecture, and proportional relationships, offering quantifiable evidence to resolve long-standing scholarly uncertainty about the sitters' identities.

In Venice to Install Work for the Biennale, Artist Guadalupe Maravilla Alleges Racial Profiling by Police

New York–based artist Guadalupe Maravilla, in Venice to install his work for the 2026 Venice Biennale, alleges he was racially profiled by police after leaving the Arsenale venue. Two officers demanded his documents, called backup, and attempted to handcuff him before he de-escalated the situation and left. Maravilla, known for his 'Disease Thrower' sculptures that address migration and healing, shared the incident on Instagram and provided a statement to ARTnews.

Judge Orders Prado to Hold Disputed Velázquez Painting in Divorce Case

A Spanish judge has ordered the Museo del Prado in Madrid to take custody of a painting attributed to Diego Velázquez, which is at the center of a divorce dispute between steel magnate José María Aristrain and his ex-wife Gema Navarro. The work, a portrait of Philip IV linked to Velázquez’s early years in Madrid, was removed from Aristrain’s residence on March 17 and transferred to the Prado’s storage after Navarro filed a complaint alleging it had been wrongly withheld from her. The Ministry of Culture, acting with court and prosecutorial support, designated the museum as custodian until ownership is resolved. The painting had previously surfaced at auction, failing to sell in 2007 amid attribution doubts, before being acquired by Navarro in 2015 for €878,000.

São Paulo Biennial Names Two Rising Brazilian Curators for 2027 Show

The Bienal de São Paulo has appointed Amanda Carneiro and Raphael Fonseca as chief curators for its 37th edition, opening in fall 2027. Both are Brazilian curators: Carneiro is a curator at MASP and previously assisted Adriano Pedrosa on the Venice Biennale's main exhibition; Fonseca, based in Lisbon, also curates the Taiwan Pavilion in Venice and works at Culturgest and the Denver Art Museum. The selection follows the success of Cameroonian curator Bonaventure Soh Bejeng Ndikung's 2023 edition.

Jimmy Tsutomu Mirikitani, a New Sort of Street Artist, Rises from Art History’s Margins

Jimmy Tsutomu Mirikitani, a late Japanese American collagist who lived and worked as a street artist in New York City, is the subject of a new solo exhibition at the Spencer Museum of Art in Kansas City, on view through June. Co-curators Maki Kaneko and Kris Imants Ercums organized the show thematically rather than chronologically, reflecting Mirikitani's fragmented life—from surviving the atomic bombing of Hiroshima and incarceration at Tule Lake to arriving in New York in the 1950s. The exhibition draws on years of research, including visits to the parks where he lived and to Hiroshima, and builds on Linda Hattendorf's 2006 documentary *The Cats of Mirikitani*.

Architectural Competition for Louvre ‘New Renaissance’ Project Reportedly Set to Relaunch in May

The international architectural competition for the Louvre Museum's $778 million 'New Renaissance' renovation project is set to relaunch in mid-May, according to a report in Le Figaro. The jury will convene on May 13 to assess proposals from five shortlisted firms, ending a period of uncertainty and delays caused by staff unrest, leadership upheaval following a major jewel theft, and the French municipal elections. The project, championed by President Emmanuel Macron, aims to modernize the museum and reduce overcrowding.

A Think Tank and a Foundation Team Up On $1 M. in Accelerator Grants for Museum and Performing Arts Leaders—Timothée Chalamet Be Damned

A think tank and a philanthropic foundation have launched a $1 million accelerator grant program for museum and performing arts leaders. The initiative, a partnership between Remuseum (an initiative of Crystal Bridges Museum) and the Doris Duke Foundation, will award up to ten $100,000 grants and provide a year-long residency program to help leaders develop innovative strategies to boost relevance and financial stability.

Barber and Osgerby: The Best of London Design Arrives in Exhibition in Milan

Barber e Osgerby: il meglio del design londinese arriva in mostra a Milano

Designers Edward Barber and Jay Osgerby have opened a major exhibition, 'Edward Barber | Jay Osgerby. Alphabet,' at the Triennale di Milano. The show presents a chronological survey of their work from the mid-1990s to 2022, featuring furniture, objects, and prototypes displayed on large plinths, alongside an archival section revealing their creative process.

Theresa Hak Kyung Cha’s Art Speaks in a Language Left for Us to Translate

The Berkeley Art Museum and Pacific Film Archive (BAMPFA) is concluding "Multiple Offerings," the most comprehensive retrospective of Theresa Hak Kyung Cha’s work in 25 years. The exhibition traces the multidisciplinary career of the Korean American artist, who explored themes of exile, diaspora, and the fluidity of language through poetry, film, and performance before her tragic death in 1982. Curated by Victoria Sung, the show features over 100 works paired with pieces by mentors and contemporary artists influenced by her legacy.

Olivia Rodrigo’s New Music Video Is a Dizzying Romp Through Versailles

Pop star Olivia Rodrigo has released the music video for her new single "Drop Dead," filmed on location at the Palace of Versailles. Directed by Petra Collins, the production marks the first time a music video has been granted permission to film inside the palace's royal apartments, including the Queen's Bedroom and the Grand Couvert Antechamber. The video features Rodrigo performing alongside historic masterpieces, such as Pierre Mignard’s 17th-century tapestry "Apollo and the Muses on Mount Parnassus."

Edmonia Lewis Was the Earliest Known Black Artist to Depict Emancipation. This Is Her First Retrospective.

The Peabody Essex Museum is hosting "Said in Stone," the first-ever comprehensive retrospective dedicated to Edmonia Lewis, a pioneering 19th-century sculptor of Black and Ojibwe heritage. The exhibition assembles a significant body of her marble works, including the landmark sculpture "Forever Free" (1867), which is recognized as the first formal visual representation of emancipation by a Black American artist. The show traces her journey from her upbringing with her Ojibwe family and her traumatic years at Oberlin College to her eventual success as an expatriate artist in Rome.

Is Chinese Censorship Reaching Inside Britain’s Museums?

London’s Victoria and Albert Museum (V&A) has come under fire following reports that it altered exhibition catalogues to comply with Chinese government censorship. To reduce production costs, the museum utilized printers in China, which are subject to Beijing’s General Administration of Press and Publication (GAPP) regulations. Consequently, the museum removed historical maps and an image of Vladimir Lenin from publications for the "Music is Black" and "Fabergé: Romance to Revolution" exhibitions after they were flagged by Chinese authorities.

Versailles Restores Royal Bedroom to Its 1789 Splendor

The Palace of Versailles has completed a multi-decade restoration of the King’s Private Bedroom, meticulously recreating the space as it appeared on October 6, 1789, the day the royal family fled the French Revolution. The project involved an intergenerational team of curators and master craftspeople who utilized archival descriptions and surviving fabric scraps to reconstruct the room's ornate Rocaille embellishments, silk tapestries from Lyon, and a central gilded bed carved from linden wood.

Artists Criticize Somalia’s First-Ever Venice Biennale Pavilion: ‘This Pavilion Does Not Speak for Us’

Somalia's inaugural pavilion at the Venice Biennale has sparked significant backlash from the nation's domestic art community. Four major Somali art spaces and nine local artists issued a joint statement criticizing the pavilion for failing to include or consult artists currently living and working within Somalia. The controversy centers on the selection of three diaspora artists based in Europe and the appointment of a Venice-based co-curator, which critics argue ignores the cultural workers who have rebuilt the country's art scene under difficult conditions.

IMLS Spared in Legal Battle—But Threat of Budget Cuts Looms

The U.S. Department of Justice has reached a settlement with the American Library Association and the AFSCME union, effectively halting President Donald Trump’s executive attempt to dismantle the Institute of Museum and Library Services (IMLS). Following a series of legal defeats where courts ruled that only Congress has the authority to eliminate federal agencies, the administration withdrew its appeal and reinstated previously terminated grants. However, the threat remains as the proposed 2027 federal budget once again seeks to zero out funding for the IMLS, the NEA, and the NEH.

frances mcdormand suzanne bocanegra hauser and wirth 1234762595

Actor Frances McDormand and performance artist Suzanne Bocanegra have debuted a new iteration of their multi-sensory installation, 'CRADLED', at Hauser & Wirth’s downtown Los Angeles location. Developed in collaboration with the Shaker Museum, the exhibition features adult-sized cradles and Shaker furniture designed for care and infirmity. The performance-based installation explores themes of mortality, loneliness, and communal care through the lens of Shaker craft and spiritual tradition.

Gods, emperors and eagles restored in Blenheim Palace roof-rescue mission

Blenheim Palace is nearing the completion of a £12m conservation project, the most extensive in the 300-year history of the UNESCO World Heritage site. Led by Donald Insall Associates, the initiative involved a massive logistical effort, including the construction of 31 miles of scaffolding and a one-acre protective tent to repair rotting timbers, crumbling stonework, and leaking roofs. The restoration also addressed the palace's iconic Baroque skyline, featuring statues of gods, emperors, and a 30-tonne marble bust of Louis XIV.

the hunt edmonia lewis death of cleopatra statue 2564366

Edmonia Lewis’s monumental marble sculpture, 'The Death of Cleopatra', debuted to massive acclaim at the 1876 Centennial Exhibition in Philadelphia before vanishing into a bizarre century-long obscurity. After failing to sell, the two-ton masterpiece transitioned from Chicago saloons to a racetrack—where it served as a grave marker for a horse—and eventually sat neglected at a shopping mall construction site, exposed to vandalism and the elements.

Irreconcilable differences: Canadian cultural tourism to the US experiences a steep decline

Canadian tourism to the United States has plummeted by more than 30% following a period of heightened political tension, including threats of annexation and the imposition of trade tariffs by the Trump administration. This decline is being felt acutely across the northern border states and major cultural hubs, with cities like Seattle, Detroit, and Portland reporting significant drops in Canadian visitors.

Monumental 37ft-long Indian scroll goes on public view for the first time at Yale Center for British Art

The Yale Center for British Art has unveiled the 'Lucknow scroll,' a monumental 37-foot-long early 19th-century watercolor, following an extensive two-year conservation project. Part of the exhibition 'Painters, Ports and Profits,' the scroll offers a panoramic view of Lucknow, India, during the reign of Ghazi-ud-Din Haidar Shah. Due to its immense size and fragility, the museum is displaying the work in two stages, unrolling different sections over the course of the exhibition to manage light exposure and space constraints.

whitney biennial 2026 systems infrastructure andrea fraser carmen de monteflores emilie gossiaux david johnson 1234775255

The 2026 Whitney Biennial, curated by Marcela Guerrero and Drew Sawyer, moves beyond the traditional geographic borders of the United States to explore 'the greater United States.' Drawing inspiration from historian Daniel Immerwahr, the exhibition features artists from occupied territories, military outposts, and nations impacted by American intervention, including Okinawa, Chile, and Palestine. The show shifts the focus from identity politics to the material reality of infrastructure, examining how global systems of finance, energy, and empire operate and often fail.