A revival of Nicholas Wright's 2002 play "Vincent in Brixton" is receiving a tender production directed by Georgia Green at the Orange Tree Theatre. The play dramatizes a speculative romantic episode from the young Vincent van Gogh's life when he lived as a lodger in south London, focusing on his relationship with his widowed landlady, Ursula.
A new exhibition titled 'Love & Fury: New York’s Fight Against AIDS' showcases posters created by grassroots groups and artists in response to the AIDS crisis from the late 1970s to the 2000s. The show features works from collectives like the Silence=Death Project and Gay Men’s Health Crisis, as well as artists including Keith Haring and Howard Cruse, highlighting how graphic design was used to promote safe sex, demand government action, and build community resilience.
A distinctive cartoon illustration style, rooted in 1920s 'rubber hose' animation and influenced by graffiti, vintage Americana, and underground comics, has become ubiquitous in contemporary branding. This aesthetic, characterized by exaggerated, jointless limbs and friendly faces, now adorns everything from independent pizza shops like London's Yard Sale Pizza to wine labels for Top Cuvee, podcasts, and even global fashion collaborations.
Director Yorgos Lanthimos has opened a photography exhibition at the Onassis Stegi in Athens, showcasing personal images taken in Greece over recent years. The show includes a central, temple-like installation housing his newer, non-film-related work, alongside earlier photographic series connected to his movies 'Poor Things' and 'Kinds of Kindness'.
Valerio Adami, a prominent Italian painter born in 1935, is offering a new acrylic-on-canvas work titled "Valerio Adami @Miart 2026" (2026) through Dep Art Gallery. The painting, sized 198 × 147 cm, is a unique piece accompanied by a certificate of authenticity. Adami is known for his graphic, comic-inspired narrative figuration, with works held in major museums including MoMA, Centre Pompidou, and the Art Institute of Chicago.
Street art pioneer Shepard Fairey has released a collaborative screen print titled "Modular Frequency" in partnership with Portuguese artist Add Fuel (Diogo Machado). The limited-edition work, produced by Obey Giant Studios, features a fusion of Fairey’s signature propaganda-style aesthetics with Add Fuel’s contemporary take on traditional tile patterns. The hand-signed and numbered edition is currently being offered through New Union Gallery on the Artsy platform.
A major exhibition of William Nicholson (1872-1949) has opened at Pallant House Gallery in Chichester, running from 22 November 2025 to 10 May 2026. It is his first major show in 20 years and spans his entire career, featuring bold posters, woodcuts, portraits, still lifes, and graphic works. The exhibition highlights his collaborations under the name J & W Beggarstaff, his celebrated series *An Alphabet* and *London Types*, and his portraits of both society figures and people from lower social classes. It also includes his book illustrations for works such as *The Velveteen Rabbit* and *Memoirs of a Fox-Hunting Man*.
Philadelphia's spring exhibition season features nine must-see shows across the city, including Kelly Kozma's solo exhibition 'Watch Me Backflip' at Paradigm Gallery + Studio, which presents a massive 22-foot installation of 35,000 hand-stitched circles made from repurposed materials. Other highlights include 'Soft/Cover' at The Fabric Workshop and Museum, exploring fabric and screenprinting in relation to the human body; 'Preserving Assyria' at the Penn Museum, focusing on Iraqi archaeologists reclaiming cultural heritage after ISIS destruction; and 'The Battle of the Bathers' at the Barnes Foundation, examining a media kerfuffle involving two Paul Cézanne paintings.
Architect Kengo Kuma has unveiled a monumental site-specific installation titled "Earth / Tree" at Copenhagen Contemporary. The structure features a suspended canopy of curved wooden slats designed to evoke the Japanese concept of 'komorebi,' or the dappled light that filters through trees. Positioned over a brick platform and rubble, the installation serves as a material bridge between Nordic and Japanese architectural traditions.
Jill Westwood's 1980s photographic and sculptural work exploring feminine power, kink, and queer identity is being exhibited at NEVEN gallery in London. The exhibition presents archival material that was largely unseen for decades, focusing on themes of dominance, submission, and the female gaze within subcultural scenes.
This article from ArtAsiaPacific reports on three recent art awards. Iraqi artist Ali Eyal received the Hammer Museum's $100,000 Mohn Award for emerging artists in Los Angeles. Japanese artist Mari Katayama won the inaugural ¥10 million Mori Art Award from the Mori Contemporary Art Foundation in Tokyo. Korean media artist Jeamin Cha secured the Hermès Foundation's 21st Missulsang, receiving KRW 30 million and production support for a solo exhibition at Atelier Hermès in Seoul in 2027.
The article questions the appointment of James Taylor-Foster as the incoming director of Para Site in Hong Kong, noting his background as a curator of architecture and design rather than contemporary art, and his lack of prior engagement with Asia's curatorial scene. It also reports that Philip Tinari, former director of UCCA in Beijing, has been appointed to lead Tai Kwun, replacing Pi Li, who has become founding director of the Tencent-funded Róng Museum of Art in Shenzhen.
A Parisian software salesman, Christophe Dothen, won a 1921 oil painting by Pablo Picasso titled 'Nature Morte' in a charity raffle. The raffle, which sold tickets for 100 euros each, raised over $5 million for the international charity Abridge, which provides clean water to villages in Africa.
Art historians and curators are re-evaluating the legacy of Frederic Church, arguing that his contributions extend far beyond his traditional classification as a Hudson River School landscape painter. New research highlights his sophisticated engagement with 19th-century science, his architectural achievements at his estate, Olana, and his role as a global traveler who captured the spirit of the Andes and the Arctic.
Arch Hades will hold a breakfast conversation with ArtReview editor Fi Churchman on May 8, 2026, at the Scoletta Battioro e Tiraoro di Venezia in Venice. The event coincides with the opening of Hades's solo exhibition 'Return | Ritorno,' a major presentation of large-scale paintings, immersive sculptures, and installations supported by the Erarta Foundation during the Venice Biennale preview week.
A new exhibition titled 'Conspiracies' has opened at the Warburg Institute in London, featuring works by contemporary artists Hannah Black, Caspar Heinemann, Sam Keogh, and Shenece Oretha, alongside an installation by ceramicist Edmund de Waal and panels from Aby Warburg's Bilderatlas Mnemosyne. The show explores the concept of conspiracy, tracing its history as both a response to power and a contaminating force in contemporary society, through multimedia installations, drawings, and speculative biographies.
The contemporary art fair Art Collaboration Kyoto (ACK) has announced a major leadership change, transitioning from a single director to a seven-member leadership committee. The new committee, effective April 1, includes Doi Miho, Hattori Yoko, Mine Keiko, Ohishi Masako, Suzuki Hidenori, Takamura Miwa, and Tezen Wakako. Current director Yamashita Yukako will step down and assume the role of chair of ACK Ambassadors. The fair's sixth edition is scheduled for November 7–9 at the Kyoto International Conference Center.
This article is a listing for Cy Twombly's artwork "Untitled" (1960-61), a graphite and wax crayon on paper piece offered at Christie's. It provides a detailed biography of the artist, noting his birth in Lexington, Virginia, his studies at the School of the Museum of Fine Arts, Boston, the Art Students League of New York, and Black Mountain College, and his permanent move to Rome in 1957. The listing includes his major exhibitions, such as retrospectives at MoMA and the Whitney Museum, and highlights his high auction record of $70.5 million for "Untitled" (1970) at Sotheby's in 2015.
필라델피아미술관 '라이징업: 록키와 기념비 제작(Rising Up: Rocky and the Making of Monuments, 4/25-8/2)' - Lounge
The Philadelphia Museum of Art has announced a major exhibition titled "Rising Up: Rocky and the Making of Monuments," scheduled to open in April 2026. Curated by Paul Farber of Monument Lab, the show will feature over 150 works by more than 50 artists, including Keith Haring, Kara Walker, and Andy Warhol. The exhibition uses the iconic Rocky statue—a fictional character that has become one of the city's most visited landmarks—as a focal point to explore the history, mythology, and evolving role of public monuments from antiquity to the present day.
A new report from Artnet reveals that online-only auctions at Sotheby’s, Christie’s, Phillips, Bonhams, and Artnet Auctions generated $423.9 million in 2025, an 8% increase from 2024. The average price of artworks sold online also rose 8.6% to $14,309, with some platforms like Fair Warning finding success through hyper-specific sales, such as one centered on Andy Warhol’s 1974 portrait of Brigitte Bardot. Christie’s reported that 63% of new buyers made their first purchase online in 2025, where the average price point was $22,700.
A father-daughter duo from New Jersey, Erwin Bankowski (50) and Karolina Bankowska (26), pleaded guilty to creating and selling over 200 counterfeit artworks falsely attributed to artists including Andy Warhol, Pablo Picasso, Fritz Scholder, and Banksy. They admitted to wire fraud conspiracy and misrepresentation of Native American-produced goods, defrauding buyers out of at least $2 million. The pair fabricated provenances and collection histories, forged gallery stamps, and attempted to auction the works for up to $160,000 each. They each face up to 20 years in prison.
The Vancouver Biennale has appointed Brazilian artist and documentary filmmaker Marcello Dantas as senior curator for its 2027–29 edition. Dantas, currently art director at the immersive museum Ster Ik in Tulum, Mexico, recently cocurated the 2024 iteration of Saudi Arabia's Desert X AlUla with Maya El Khalil. He has previously organized exhibitions for artists including Ai Weiwei, Anish Kapoor, Shirin Neshat, and Bill Viola, and curated a project by Vik Muniz for the 2013–15 Vancouver Biennale. Dantas plans to shape the event by addressing the city's corporate real estate development alongside its First Nations and colonial history, exploring themes of displacement and belonging.
Ari Hodara, a 58-year-old software engineer from Paris, has won Pablo Picasso’s 1941 painting 'Head of a Woman' through a charity raffle. Hodara purchased a single €100 ticket for the '1 Picasso for €100' lottery after seeing an advertisement in a restaurant, eventually beating out 120,000 other participants to claim the work valued at approximately $1.2 million.
A Londra si può scoprire un Luigi Ghirri inedito in una mostra fatta di fotografie e parole. Recensione
A new exhibition titled "Felicità" at Thomas Dane Gallery in London presents previously unseen works by Italian photographer Luigi Ghirri (1943–1992). Curated by Alessio Bolzoni and filmmaker Luca Guadagnino, the show features unpublished photographs, fragments of atlases, postcards, posters, and mirrors, exploring Ghirri’s unique vision of everyday life as visual discovery. The exhibition spans two gallery spaces on Duke Street, juxtaposing interior and exterior scenes, and includes works by conceptual artists Félix González-Torres and Giorgio Morandi. A bilingual book, "Luigi Ghirri. Felicità" (MACK), accompanies the show, collecting the exhibited works and three essays by the artist.
A Napoli una mostra internazionale per mappare l’instabilità e disattivare i confini
The exhibition "Atlante" at Thomas Dane Gallery in Naples, curated by James Lingwood, brings together works by eight international artists—Igshaan Adams, Teju Cole, Luigi Ghirri, Emma McNally, Claudio Parmiggiani, Anri Sala, Tatiana Trouvé, and Akram Zaatari—to challenge traditional cartographic representations. Through maps, drawings, textiles, and photographs, the show interrogates the ideological and political assumptions embedded in mapping, reframing the Mediterranean not as a border but as a connective space, and exposing the instability and power asymmetries underlying historical worldviews.
La prima edizione della fiera Paris Internationale a Milano convince. Il report
The Parisian satellite fair Paris Internationale successfully launched its first international edition in Milan during the city's 2026 Art Week. Hosted in the modernist Palazzo Galbani, the fair distinguished itself from traditional models like miart through a non-hierarchical layout designed by Christ & Gantenbein and NM3. The event featured 34 carefully selected galleries, emphasizing solo and duo presentations from artists such as Leonora Carrington, Benni Bosetto, and Ibuki Inoue.
Le primitivisme pour réinventer l’art
Philippe Dagen has published the third and final volume of his series on primitivism, covering the period from World War II to the late 1970s. The book traces how Western artists, from Barnett Newman and Jackson Pollock to members of the CoBrA movement and figures like Jean Dubuffet, Lucio Fontana, and Yayoi Kusama, engaged with so-called "primitive" art from Africa, Oceania, and the Americas, often as a means of rejecting or redefining modern civilization. Dagen also examines the intellectual debates surrounding primitivism, including the critiques of colonized peoples who refused the label "primitive," and the shifting attitudes of thinkers like Claude Lévi-Strauss, Michel Leiris, and Aimé Césaire.
Rosa Loy, a German painter associated with the New Leipzig School, presents a new body of work at a solo exhibition that explores themes of togetherness, collaboration, and female solidarity through her signature figurative, dreamlike style. The show features large-scale paintings and works on paper that depict pairs or groups of women engaged in shared activities, rendered in muted earth tones with subtle surrealist undertones.
Lubaina Himid, the Turner Prize-winning artist, discusses her latest exhibition that reflects on the evolving cultural and social landscape of contemporary Britain. The show features her signature vibrant paintings and installations that explore themes of diaspora, identity, and historical narratives, drawing on her own experiences as a Black British artist.
An exhibition at the Musée du quai Branly–Jacques Chirac in Paris is showcasing the personal art collection of the late Martinican philosopher and poet Édouard Glissant. The show, titled 'Édouard Glissant: Un monde en relation,' features over 150 works he and his wife, Sylvie Glissant, acquired, including pieces by artists like Wifredo Lam, Roberto Matta, and Hervé Télémaque, offering a tangible map of his intellectual and aesthetic affinities.