2026 Future Fair: Everything You Need To Know About the Art Fair Before It Opens Next Month

Future Fair, a contemporary art fair focused on community and emerging talent, will hold its sixth edition at Chelsea Industrial in New York from May 14 to 16, 2026. The fair brings together nearly 70 exhibitors, including brick-and-mortar galleries, artist-run initiatives, and collaborative platforms from nine countries, with nearly half hailing from the New York tri-state area. Highlights include the return of the Pay-It-Forward Fund, which allocates 15% of annual profits as grants to participating galleries and dealers, and a VIP preview day on May 13.

Jorge Nava | Untitled (2022) | Art & Prints

This article presents Jorge Nava's 2022 painting "Untitled," an oil-on-linen work measuring 180 × 180 cm, offered by Arma Gallery in Madrid. Nava, a Spanish artist born in Gijón in 1980, studied at the University of the Basque Country and Kunsthochschule Berlin Weissensee under Professor Katherina Grosse. His career includes participation in international fairs such as ARCO, CIRCA in Puerto Rico, Scope Art Fair in New York, and Photo Miami Art Basel, as well as exhibitions at Alzueta Gallery and the Barjola Museum. His work belongs to collections including the María Cristina Masaveu Peterson Foundation and private collections across Europe and North America.

Studio Sessions: Lauren Boilini

Seattle-based artist Lauren Boilini has reached a significant career milestone with the simultaneous opening of her first museum exhibition at the San Juan Islands Museum of Art and her first solo gallery show, "The Good Death," at J. Rinehart Gallery. Boilini’s practice is rooted in deep scientific research, including residencies at biological stations and insectariums, which she translates into large-scale, frenetic paintings of animals and ecosystems. Her current work explores the intersection of animal behavior and the human condition through dense, layered compositions that blur the lines between struggle and pattern.

Exhibition | Lulama Wolf, 'The Architecture of Memory' at THK Gallery, Cape Town, South Africa

South African artist Lulama Wolf presents 'The Architecture of Memory,' an online-only exhibition hosted by THK Gallery. Wolf utilizes a distinct material language of pigmented sand and acrylic to create tactile surfaces that reference the weathered walls of domestic and sacred spaces. Her work moves beyond simple representation, using geometric abstraction and earth-based materials to explore the intersection of personal history and collective generational memory.

This beloved pop culture art gallery in L.A. is closing after 20 years — is AI to blame?

Gallery 1988, a pioneering Los Angeles institution that branded itself as the world's first pop culture-focused art gallery, will cease operations at the end of April after 20 years. Founded in 2004, the gallery became a cult favorite for its tribute exhibitions dedicated to films, video games, and television, often drawing massive crowds for shows like "Crazy 4 Cult." Owner Katie Sutton cited a historically weak art market and the loss of a physical storefront as primary factors in the decision to close.

Late Night Art Returns to DUMBO This Fall

DUMBO's First Thursday Gallery Walk returns on October 2, offering free late-night access to galleries and cultural spaces across the neighborhood. The event features live music, artist talks, exhibitions, and a free Insider's Tour from 6:30 to 7:30 PM, with stops at Platform Project Space, Lucky Risograph, A.I.R. Gallery, and Loop of the Loom. Participating venues include A.I.R. Gallery, AMR Art DUMBO, Center for Cuban Studies, Smack Mellon, and many others, showcasing works by artists such as Abbey Williams, Elizabeth Bick, Samuel E. Vázquez, and Chang Yuchen.

Artists who defy categorisation take pride of place at Independent 20th Century

The Independent 20th Century art fair opened to VIPs on September 4, featuring dealers who present deep dives into canonical and under-recognized artists. Notable stands include Galerie Lelong's survey of Elda Cerrato (1930-2023), an Italian-born artist who worked in South America, with works priced between $80,000 and $100,000; Rosenberg & Co's showcase of Gertrude Greene (1904-56), a Constructivist and Abstract Expressionist; and Forum Gallery's presentation of Gregory Gillespie (1936-2000), known for surreal, layered paintings. The fair's founder Elizabeth Dee notes that some stands take two to three years to organize, aiming to bring important exhibitions to New York that might not otherwise travel there.

Influential New York gallery Venus Over Manhattan will close after 13 years

Prominent collector and dealer Adam Lindemann is closing Venus Over Manhattan, the New York gallery he founded in 2012, after 13 years. The gallery's final exhibition, Susumu Kamijo's 'Fish & Flowers,' opened in June and will close on July 17. Lindemann announced the closure in an open letter published on Artnet, citing a desire to return to building his personal art collection and describing the difficulties of navigating the art world as both a dealer and collector.

In pictures: meet the newcomer galleries debuting at Art Basel

Art Basel has unveiled its lineup of newcomer galleries for the upcoming fair, featuring seven emerging and rediscovered artists from around the world. The debutants include Kyiv-based Sana Shahmuradova Tanska, whose monumental painting addresses the war in Ukraine; Japanese textile artist Junko Oki, showing embroidered vintage garments; and Italian feminist poet Mirella Bentivoglio, represented by a participatory tree sculpture. Other highlights include Parisian Ndayé Kouagou's video work on mass media, conceptual feminist Tina Girouard's wallpaper pieces from the 1970s, London-based Alexandra Metcalf's deconstructed grandfather clocks, and Georgian artist Nika Kutateladze's installation about rural depopulation. The galleries presenting these artists are Gunia Nowik Gallery (Warsaw), Kosaku Kanechika (Tokyo), Repetto Gallery (Lugano), Nir Altman (Munich), Anat Ebgi (Los Angeles), Ginny on Frederick (London), and Gallery Artbeat (Tbilisi).

Five art exhibitions to check out around Brookline this summer

Praise Shadows art gallery in Brookline's Coolidge Corner is among five venues offering free art exhibitions this summer. The gallery presents "Pigment Spells," a solo show by Boston-based artist and Boston University professor Lucy Kim, featuring resin casts of found objects covered in oil paint. Other exhibitions include David Weinberg's "Explorations" at Gallery 93 in the Brookline Senior Center, which combines photo montages with medieval manuscripts, and Gateway Arts' "Artists Assortment," a tribute to current and former artists with disabilities featuring celebrity portraits. The roundup also highlights the accessibility of these spaces, which welcome visitors without admission fees.

Jan Vorisek’s Flaccid Columns

Artist Jan Vorisek's exhibition at Arcadia Missa features sculptures titled IGBTTLTVOE (Elbow), created from mass-produced plastic moulds used for casting decorative Doric columns. The artist modifies these cheap, prefabricated objects with 3D-printed curved sections, bending them into flaccid, wormlike structures that undermine their intended classical dignity and function.

Notre-Dame : les travaux commencent, le combat se poursuit

Work has begun on replacing the stained-glass windows at Notre-Dame Cathedral in Paris, with scaffolding installed immediately after the work permit was posted. The project involves removing six ornamental windows created in 1864 by Alfred Gérente under Eugène Viollet-le-Duc and installing six new windows by artist Claire Tabouret and the master glassmakers Simon-Marq. The authorization, signed by the prefect, has sparked legal challenges from the heritage association Sites & Monuments, who argue the replacement is neither conservation nor restoration. The article details how the state's own authorization document inadvertently strengthens opponents' arguments by affirming that the entire cathedral, including Viollet-le-Duc's windows, is protected as a historic monument.

The Long-Awaited Reopening of the Musée Bonnat

La réouverture attendue du Musée Bonnat

After fifteen years of closure, the Musée Bonnat (now renamed Bonnat-Helleu) in Bayonne, France, has finally reopened. The closure was initially due to structural problems, including collapsing skylights and leaks, and even before that, much of the collection had been inaccessible. The renovated museum now features a new extension built from a former school, housing the public reception area, an exhibition space, a courtyard with a café terrace, and storage. The galleries display the museum's full holdings, including Rubens sketches, terracottas from the Paul Cailleux collection, and works by Léon Bonnat himself.

Art bartering: artists start viral social media trend to fight cost of living crisis

Artists worldwide are using social media platforms like Instagram and TikTok to barter their artwork for goods and services instead of money, in a viral trend responding to the cost of living crisis. Participants trade paintings for items such as handmade clothes, jewelry, tattoos, accommodation, meals, and professional services like video editing or framing, with some simply inviting offers. Artists like Lin Snow, Oli Fowler, and Andrea Mongenie cite economic pressures and anti-capitalist motivations, viewing bartering as a way to build community and bypass financial systems that leave creatives struggling.

Nazi-looted painting discovered in home of Dutch SS commander's heirs

Art detective Arthur Brand announced the discovery of a Nazi-looted painting, *Portrait of a Young Girl* by Toon Kelder, in the home of the heirs of Hendrik Seyffardt, a notorious Dutch SS commander. The painting was part of the more than 1,100 works plundered from Amsterdam art dealer Jacques Goudstikker by German occupiers. An anonymous heir, who changed his family name, contacted Brand after learning of his ancestry, expressing shame and demanding the painting be returned to the rightful Jewish owners. The current owner, a relative, claims ignorance of its provenance and says the family is discussing restitution.

Israel’s Artist Reportedly Pressured Venice Biennale Before Jury’s Resignation

Artist Belu-Simion Fainaru, Israel’s representative at the Venice Biennale, reportedly pressured the exhibition’s organizers before the five-person jury abruptly resigned last week. The jury, tasked with selecting Golden Lion winners, had stated it would not consider nations charged with crimes against humanity by the International Criminal Court—applying to Israel and Russia. According to Italian news agency Adnkronos, Fainaru alleged “racial discrimination” and “antisemitism,” threatened to take his claims to the European Court of Human Rights, and the Biennale warned jury members they could be held personally liable for damages. Hyperallergic confirmed the threats of legal action, and a Biennale spokesperson acknowledged the reports were true.

Co-Working Meets Art at Brooklyn’s Newest Experimental Space

Brooklyn’s newest experimental art space, The Gallery (stylized as “The Gallry”), has opened on the fourth floor of a former automobile service station in Prospect Heights, now converted into creative offices. Curated by artist Florian Meisenberg, the exhibition features site-specific works by over 40 artists installed throughout a former guitar-string manufacturer’s office, including cubicle walls, utility closets, and HVAC systems. The space also functions as a co-working hub, with free daily spots for subscribers. The show runs through May 24 and includes events like screenings, poetry readings, and satirical corporate-themed programming.

Seven-Foot-Tall Monument to Ramses II Discovered in Eastern Nile Delta Region

Archaeologists in Egypt have discovered the upper half of a 7-foot-tall statue of Ramses II at the site of Tell El-Faraoun in the eastern Nile Delta. Weighing over 5 tons, the fragment is believed to have originally been carved for a temple in the ancient capital of Per-Ramesses and was later relocated. The find was announced by the Egyptian Ministry of Tourism and Antiquities, with Hisham El-Leithy of the Supreme Council of Antiquities noting its importance for understanding how statues were moved and reused during the New Kingdom.

Finland Pulls Back Venice Biennale Presence Over Return of Russian Pavilion

Finland’s political leadership has announced it will boycott the Venice Biennale if the Russian Pavilion proceeds with its planned exhibition. While Finnish public officials will still attend to support their own national artists, the Ministry of Education and Culture stated that Russia should be excluded as long as the war in Ukraine continues. This move follows an open letter from 22 European nations and a warning from the European Commission regarding potential sanctions violations.

Colosseum Facelift Restores Ancient Southern Entrance to Its Former Glory

Rome’s Colosseum has unveiled a major four-year restoration of its southern entrance, a project led by Stefano Boeri Interiors in collaboration with the Colosseum Archaeological Park. The renovation lowered the surrounding piazza to its original Roman-era height, reintroduced travertine flooring sourced from ancient quarries, and installed seating blocks that mark the locations of long-lost marble columns. During the excavation process, archaeologists recovered a wealth of historical artifacts, including ancient coins, statues, and gold jewelry, while leaving a specific section untouched to showcase the arena's complex hydraulic foundations.

Bronze Age State Metal-Working Center Unearthed Near China’s Yangtse River

Archaeologists at the Shenduntou site near the Yangtze River have unearthed a significant Bronze Age metal-working center dating back to the Zhou dynasty. The excavation, led by Nanjing Normal University, revealed approximately 1,000 artifacts including clay molds, arrowheads, and knives, alongside evidence of furnaces and protective earthen walls. These findings confirm the existence of a high-level workshop dedicated to large-scale bronze production within the ancient Wu kingdom.

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The Biennale of Sydney has officially denied allegations of discrimination and bias following claims from Australia’s Jewish community that the exhibition's selection process favored anti-Zionist artists. The controversy intensified when the NSW Jewish Board of Deputies declined a preview invitation, citing "objectionable social media activity" by participating artists rather than the artworks themselves. In response, the Biennale maintained that its selection process is based strictly on artistic merit and that the organization maintains a zero-tolerance policy toward all forms of racism, including antisemitism and Islamophobia.

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A 16th-century portrait, attributed only to the "French or Flemish School," sold for $2.3 million at a Sotheby's New York auction, dramatically exceeding its estimate. The work, from the collection of Dutch magnate Anton Philips, sparked a 10-minute bidding war among four participants, likely driven by speculation it could be by the Dutch-born French painter Corneille de Lyon.

Masterworks Cofounders Face Legal Threats and Complaints

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Masterworks, a company that sells fractional shares of high-value artworks, is embroiled in a legal dispute with former executive Hai Min Tran. The company has filed a complaint in New York state court, alleging Tran resigned from his role as chief product officer before taking paternity leave and is now attempting to extract a financial settlement. Masterworks calls his subsequent claim of illegal termination "wholly meritless."

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The House of Griffins, an ancient Roman residence on Rome's Palatine Hill dating back to the 2nd and 1st centuries B.C.E., is opening to the public on March 3 after a major restoration. Discovered by archaeologist Giacomo Boni in the 19th century, the domus features vivid frescoes, mosaic floors, and a stucco lunette with griffins. The Colosseum Archaeological Park led the restoration in 2024, reinforcing structural integrity and conserving wall paintings. Visitors cannot access the underground chambers directly; instead, they will experience a real-time, remote tour via a livestream narrated by a guide with a video camera.

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Rome has introduced a €2.35 entry fee for the Trevi Fountain, one of the world's most famous monuments, effective February 1 during daylight hours (9am to 9pm). The measure, announced by Mayor Roberto Gualtieri, aims to curb overtourism by limiting viewership to 400 people at a time. The fountain currently welcomes up to 70,000 visitors per day, and the fee could raise an estimated $7.6 million annually for maintenance. Similar fees will apply to four other city sites, while Roman citizens retain free access.

courtney mcclellan evangelical college supreme court simulation shirley fiterman liberty 1234767392

Courtney McClellan's exhibition "Simulations" at the Shirley Fiterman Art Center in Lower Manhattan features deadpan photographs of empty mock courtrooms at universities across the American South, including a haunting simulation of the Supreme Court's chambers at Liberty University, an evangelical Southern Baptist college in Virginia. The show, which includes images taken over six years, is installed with blue borders and wainscoting that blur the line between architecture and image, placing viewers in the position of judge and jury while highlighting the theatricality of these spaces.

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Rome has opened two new subway stations on Line C—Colosseo/Fori Imperiali and Porta Metronia—that double as mini museums, showcasing over 500,000 artifacts unearthed during two decades of excavation. The stations, located 100 feet underground, feature displays of ancient ceramics, frescoes, mosaic floors, and the remains of a Roman military compound and thermal baths, curated by the Colosseum Archaeological Park and Sapienza University. Commuters can view the artifacts without a ticket in the station atriums, and future stations on the line will incorporate additional archaeological finds.

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Rome's new Colosseo-Fori Imperiali metro station opened on Tuesday after 11 years of construction, featuring archaeological treasures uncovered during excavation, including ceramic fragments, statues, oil lamps, stone vessels, and 28 ancient wells. The station, part of Metro Line C, also revealed a nearly 260-foot early second-century military barracks and a home with frescoes and mosaics at the nearby Porta Metronia station. Mayor Roberto Gualtieri attended the opening ceremony, and the city plans to open a museum in the station.

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A new study by University of Bristol historian Benjamin Pohl, published in the journal *Historical Research*, proposes that the Bayeux Tapestry was originally designed as mealtime reading for monks in the refectory of St. Augustine’s Abbey in Canterbury. Pohl argues that the tapestry’s moralistic episodes, inclusion of Aesop’s fables, and simple Latin text align with Benedictine rules requiring silent dining accompanied by edifying readings. The theory builds on earlier speculation that the tapestry once hung in a private school’s refectory, but Pohl provides documentary and archaeological evidence for the Canterbury location.