Golnar Adili’s Family Archive

Artist Golnar Adili presents a solo exhibition at Smack Mellon in New York, centered on her family's archive of letters. The show features large-scale text-based sculptures and installations, such as 'Ye Harvest From the Eleven-Page Letter–Installation,' which transforms Persian script from her father's letters into architectural forms, alongside new plaster casts of her body. These works explore the aftermath of her parents' separation due to political exile following the 1979 Iranian Revolution.

La loi-cadre sur les restitutions définitivement adoptée par le Parlement

The French Parliament has definitively adopted a framework law on the restitution of cultural property that was illicitly acquired. The Senate unanimously approved the conclusions of the joint committee on May 7, following the National Assembly's approval on May 6, after an agreement was reached on April 30. The law establishes a general mechanism for returning objects from French public collections without requiring a specific law for each case, covering items acquired through looting, theft, forced sale, or other illicit means before the 1970 UNESCO Convention. It creates a permanent national commission and a bilateral scientific committee to assess claims, with restitution ultimately decided by government decree subject to legal review by the Council of State.

Explore the projects of the 2024 and 2025 graduating classes of Ésad

Explorez les projets des promotions 2024 et 2025 de l’Ésad

The Ésad Saint-Étienne is presenting "recto verso," an exhibition running from April 29 to October 4, 2026, featuring projects by 84 young artists and designers who earned their DNSEP in June 2024 and June 2025. The show is designed as a non-linear, interactive space where objects, performances, and activations encourage visitors to explore both finished works and the preparatory stages behind them, including sketches, models, and archival materials. The exhibition is curated by the collective ppdesigner and Éric Jourdan, with production by the Cité du design.

Les États-Unis restituent près de 300 biens culturels à l’Italie

Italy presented 337 cultural artifacts repatriated from the United States at the Caserma "La Marmora" in Rome, following operations between December 2025 and April 2026. The objects span from the 5th century BCE to the 3rd century CE, including Roman sculptures, bronze works, pottery, jewelry, coins, and architectural fragments. Among the notable pieces is a marble head attributed to Alexander the Great, stolen from a Roman museum in 1960, and a bronze sculpture looted from Herculaneum. The recovery involved the Manhattan District Attorney's office, the FBI, Homeland Security Investigations, and Christie's New York, with 221 items seized through the DA's collaboration and 116 returned in April.

Artnet et Artsy amorcent leur intégration

Artnet and Artsy, both acquired in 2025 by British fund Beowolff Capital, are beginning their integration under a shared management structure while maintaining separate brands and websites. The reorganization has already involved job cuts and aims to more closely align market data, online visibility, and transactions amid a fragile online art sales environment.

The Textile Museum: A Frayed Project

Le Musée des tissus, un projet décousu

The renovation and expansion of the Musée des Tissus et des Arts Décoratifs in Lyon has stalled despite being acquired by the Auvergne-Rhône-Alpes Region seven years ago. Although architect Rudy Ricciotti revised his initial designs to satisfy local urban planning requirements and resident concerns, the project faces significant delays, with no building permit filed and a fluctuating budget that recently dropped from 60 million to 32 million euros. Tensions between the regional leadership and the City of Lyon have further complicated the timeline, leaving the museum closed to the public for four years.

337 œuvres et objets volés récupérés : la vaste opération italienne de lutte contre le trafic de biens culturels aux États-Unis

On April 29, Italy's carabinieri dedicated to cultural heritage protection announced the recovery of 337 looted or stolen artworks and objects repatriated from the United States between December 2025 and April 2026. The haul includes archaeological artifacts, archival documents, and other artworks, such as a marble head of Alexander the Great from the 1st century AD, a bronze sculpture stolen from Herculaneum, and two Egyptian basalt sculptures. The objects were dispersed through international markets using forged provenance documents, and their return involved U.S. agencies including the FBI.

Art (by) Dealers at White Columns

White Columns in New York is hosting "Art (by) Dealers," a group exhibition featuring works by 25 artists who also work as art dealers. Curated by Kathy Huang and Will Leung, the show runs from March 13 through April 25, 2026, highlighting the dual identities of professionals who navigate both the creative and commercial sides of the industry.

Janusz Jurek Embraces the Weirdness of Everyday Life in Captivating Street Photographs

Polish photographer Janusz Jurek, who works as a graphic designer and commercial photographer, creates candid street photographs that capture humor, happenstance, and the bizarre. He focuses on authentic moments outside the mainstream, often turning away from main attractions to observe people's reactions, small gestures, and strange coincidences. Jurek is preparing a photo collection titled "Look, Before It’s Gone," compiling five years of his street photography.

Hyeree Ro: What Bears

Hyeree Ro is preparing for the 2026 Venice Biennale, where she will present the work "Bearing (2026)" as part of the Korean Pavilion, titled "Liberation Space: Fortress/Nest." The article follows Ro in her temporary Brooklyn studio, where she works with salvaged objects and materials that migrate across multiple works over years—such as a sheet of organza purchased in 2023 that later appeared in "Niro (2024)" and "Carry (2025)" before being repurposed as the pavilion's fabric walls. Her practice is defined by a nomadic, accumulative material logic: objects enter without a fixed destination and gain meaning through repeated reuse.

Even More Drawings for Versailles

Encore d'autres dessins pour Versailles

The Palace of Versailles has acquired several drawings during the Paris Drawing Week sales in March 2026, including a rare study by Charles de La Fosse for the royal chapel's dome decoration. The drawing, depicting a reclining nude man for "The Resurrection of Christ," was purchased at the Rossini auction of Paul and Florence Vercier's collection for €3,800. This acquisition adds to Versailles' growing collection of La Fosse works, following earlier purchases of an angel study in 2016 and a ceiling project in 2023.

L'invité de La Tribune de l'Art n° 28 : Gérard Audinet

Gérard Audinet, director of the Maison de Victor Hugo in Paris, is retiring. In a new podcast episode of "L'invité de La Tribune de l'Art," he discusses the history of the museum, its collections, the Maison de Victor Hugo in Guernsey, and the acquisitions and exhibitions he oversaw during his tenure.

‘Apoi’ and Weaving What Remains

Ugandan artist Acaye Kerunen presents her first solo museum exhibition in Germany, titled 'Apoi,' at the Kunstmuseen Krefeld. The show, installed across the modernist spaces of Haus Lange and Haus Esters, features handwoven textiles, sculpture, sound, and film that draw on Indigenous knowledge systems and intergenerational exchange. It is part of the museum's ongoing 'HL HE Dialog: What Comes After Art' series.

‘Washwasha’ (Whispers Across Water): Sonic Cartographies of the UAE at the Venice Biennale.

The National Pavilion UAE has announced its upcoming exhibition for the 61st Venice Biennale in 2026, titled ‘Washwasha’ (Whispers Across Water). Curated by Bana Kattan with assistant curator Tala Nassar, the presentation features six artists: Mays Albaik, Jawad Al Malhi, Farah Al Qasimi, Alaa Edris, Lamya Gargash, and Taus Makhacheva. The exhibition moves away from traditional visual spectacle to focus on sound, oral traditions, and 'sonic cartographies' that explore memory, migration, and the fluid identity of the UAE through an architectural environment designed by Büro Koray Duman Architects.

Court Decision Ends Dispute Over Who Actually Bought Beeple’s Everydays: The First 5000 Days for $69.3 M.

A federal judge in New York has approved a final settlement in a lawsuit between the two pseudonymous figures behind the record-breaking $69.3 million purchase of Beeple's NFT "Everydays: The First 5000 Days." The agreement legally prohibits Anand Venkateswaran (Twobadour) from claiming any involvement in the 2021 Christie's purchase, confirming that Vignesh Sundaresan (Metakovan) was the sole buyer. Venkateswaran must also pay an undisclosed sum, dissociate from related online profiles, and correct third-party biographical information.

Enrique López Llamas: The Visible, The Invisible

ENRIQUE LÓPEZ LLAMAS: LO VISIBLE, LO INVISIBLE

Artist Enrique López Llamas presents a solo exhibition titled "Lo visible, lo invisible" at Fundación CALOSA in Mexico, exploring the intersection of childhood fears and contemporary adult masculinity. The installation utilizes fluorescent plastic polymers that glow in the dark and video works to create a sensory dialogue between light and shadow, symbolizing the repressed memories and systemic behaviors that persist into adulthood.

food martha stewart alison roman king borgo

On a cold January evening in Tribeca, 85 people gathered at TIWA Select, an art gallery five stories above Walker Street, for "Stories to Savor," a fundraiser for 826NYC. The event blended readings, a dinner party, and a fundraiser, featuring a lineup of New York food luminaries including Martha Stewart, Alison Roman, Missy Robbins, Andrew Tarlow, and Annie Shi. Participants read food-themed essays and poems written by former 826NYC students, while chef Woldy Reyes prepared a Filipino-inspired feast. The evening was emceed by New Yorker writer Naomi Fry and co-host Kristen Naiman of The RealReal, with guests including fashion designer Ulla Johnson and artist Simone Bodmer-Turner.

parties kid cudi documentary screening

Filmmaker Joshua Charow premiered his short documentary *Echoes of the Past* at the Miami Beach Edition, offering an intimate look at Kid Cudi's painter alter ego, Scotty Ramon, as he prepares for his first solo exhibition in Paris in 2026. The screening, attended by collector Larry Warsh and other art-world figures, showcased Cudi's experimental paintings and marked a new creative chapter for the musician-turned-visual artist.

art offline gallery digital art

Offline gallery, a new brick-and-mortar space dedicated to digital art, opened in July at 243 Bowery in New York City, occupying the former Salon 94 space. Supported by the NFT marketplace SuperRare, the gallery is directed by Mika Bar-On Nesher and co-launched by Josh Long, who serves as head of brand. Its current exhibition, "Ego In The Shell," is a solo show by Japanese multimedia artist Emi Kusano that explores nostalgia, pop culture, and artificial intelligence. The gallery also hosted a book launch for Botto, an autonomous A.I. artist whose works sell at auction.

London artist Irum Rahat’s ‘Yeh Kab Ki Baat Hai’ is a house full of memories

London-based artist Irum Rahat presents her first solo exhibition in India, 'Yeh Kab Ki Baat Hai', at Pristine Contemporary in Delhi. The show features 16 new works that draw from her upbringing in a South Asian household, transforming mundane domestic scenes—making chai, sitting in rooms, family interactions—into a visual archive of memory and intimacy. Rahat's paintings, influenced by cinema and her own photography, use soft, hazy colors to evoke nostalgia and the ambiguity of time.

Inside ‘The Space Between’: A dialogue between craft and contemporary art

The exhibition ‘The Space Between’ at Ojas Art gallery features a collaborative dialogue between designers Siddhartha Das and Chiara Nath, bridging the gap between traditional Indian craft and contemporary design. Das presents architectural interpretations of historic sites like the Jagannath Temple alongside a vast botanical series that evolves from historical Company School naturalism into modern sculptural forms in brass, marble, and plaster. Nath contributes intimate embroidered works that translate personal memories of her family and upbringing into tactile, design-led narratives.

Fulton County launches Nigerian art exhibition connecting Africa to Atlanta

Fulton County's Department of Arts & Culture has launched a multi-week international exhibition titled “Threads of Heritage: A Cultural Confluence Connecting Africa to Atlanta” at the Peachtree Gallery, running through the end of June. The exhibition features 14 Nigerian artists and is delivered in partnership with the Nike Art & Culture Foundation of Nigeria, Nike Art USA, and UniSpectrum Inc. Led by acclaimed artist Chief Dr Nike Monica Okundaye, the program includes masterclasses, public panels, community workshops, and live demonstrations on traditional Adire textiles, with US-based textile artist Shayee Awoyomi co-leading workshops and Nigerian painter Adeleke Akeem directing narrative painting masterclasses.

Art Dubai Opens With 50 Exhibitors Amid Geopolitical Pressures

The twentieth edition of Art Dubai opened to VIP visitors on Thursday in a smaller format than originally planned, delayed from mid-April due to regional geopolitical unrest. The fair presented around fifty galleries, roughly 60% fewer than the approximately 120 exhibitors initially expected, yet drew a strong crowd of collectors primarily from the Gulf states and the wider Middle East. Separately, a new gallery, 971 Art Gallery, has opened in Dubai's Art of Living Mall, featuring international artists such as Gérard Rancinan, Isabelle Scheltjens, Riccardo Gusmaroli, Benito Cerna Leon, and Michele Tombolini, and offering curatorial advice and collection management to a growing base of newer collectors.

Experience Western’s 2026 art biennial

Western Washington University’s art department has opened its 2026 faculty and staff biennial, featuring 20 artists with works spanning painting, photography, sculpture, video, and installation. The exhibition is held in the Fine Arts Building, room 124, and runs Monday through Saturday until May 2, with free admission. New gallery director Kelly Lindner curated the show, which includes interactive pieces and collaborative works. Featured artist Jennifer Anable contributed three works inspired by Skagit Valley and dark humor, emphasizing the importance of students seeing their teachers’ professional practice.

Altos de Chavón Art Gallery presents ‘WONDERLAND

The Altos de Chavón Art Gallery in La Romana, Dominican Republic, is presenting 'WONDERLAND,' a new exhibition by artist Stepanova opening on January 9, 2026. The show explores early childhood perception through immersive paintings, and the opening will feature a darkroom installation, live performances, and a curated atmosphere.

Brutalist home of England's first National Black Art Convention saved from demolition

The University of Wolverhampton’s School of Art building, an eight-story Brutalist landmark completed in 1969, has been granted Grade II listed status by the UK Department for Culture, Media and Sport, saving it from demolition. The building hosted the first National Black Art Convention in 1982, a pivotal event in the British Black arts movement, and is closely tied to the Blk Art Group, whose founding members include Keith Piper, Marlene Smith, and Claudette Johnson. The listing follows a campaign against the university's redevelopment plans, supported by a petition with over 6,600 signatures.

Senior Art Exhibition “Yours Truly”

The University of Wisconsin-La Crosse (UWL) is presenting "Yours Truly," a senior art exhibition featuring work by graduating art and art education majors. The show, on view from November 21 to December 14, 2025, in the University Art Gallery at the Lowe Center for the Arts, includes paintings, sculptures, and mixed-media pieces developed over the Fall 2025 semester in the capstone course ART 498: Professional Practices and Exhibition, taught by Assistant Professor Joshua Doster. Fourteen student artists—including Gracie Acklam, Sarah Hermann, Avery Wilson, and others—display their final projects, with artist talks scheduled on select December dates.

Southampton City Art Gallery is getting ready to reopen in March 2026

Southampton City Art Gallery will reopen on Saturday, March 7, 2026, following a successful refurbishment program. The reopening exhibition, 'Levitate Me: Desire, Ecstasy and The Sublime,' is a major solo show by acclaimed British artist Emma Richardson, featuring new oil paintings that explore desire, euphoria, and the natural world through a female lens. Richardson, who was born in Southampton and lived there for much of her life, has also selected works from the city's collection to display alongside her own. Other reopening displays include highlights from the internationally renowned collection (with public input on artwork selection), recently acquired works shown for the first time, rarely seen works on paper digitized during the closure, and photographs of the refurbishment by architectural photographer Joe Low. The project was supported by a £2.23 million grant from the Department for Culture, Media and Sport's Museum Estate and Development Fund (MEND), administered by Arts Council England.

Arts & Science Center hosting artwork by instructor at University of Arkansas at Pine Bluff

The Arts & Science Center for Southeast Arkansas is hosting the exhibition 'Blaque' by University of Arkansas at Pine Bluff art instructor Jonathan Rashad Wright as a highlight of its 2026 Black History Month programming. The exhibition, on display through July 3, explores themes of identity, heritage, grief, and resilience within the African diaspora through Wright's innovative blend of traditional printmaking and modern technology, using black ink on black paper to create layered, introspective works.

‘A nuclear explosion of happiness’: Graphic artist Jim Phillips opens first solo gallery in Santa Cruz

Graphic artist Jim Phillips, the 81-year-old creator of the iconic "Screaming Hand" logo for Santa Cruz Skateboards, has opened his first solo gallery in his hometown of Santa Cruz, California. The exhibition, titled "Jim Phillips: New Fine Art Prints and Classic ’70s and ’80s Pen and Ink Drawings," runs at the R. Blitzer Gallery and features 15 new large-scale art prints and 30 hand-drawn pen-and-ink works from 1971 to 2026. The show includes his famous "Screaming Hand" and "Hand Wave" pieces, alongside surf, skate, and rock poster art from his career, which includes work for The Doors, James Brown, and Neil Young.