Frodsham art group marks 30 years with Amazing Nature show

Eddisbury Artists, a long-running art group based at Castle Park Arts Centre in Frodsham, is celebrating 30 years at the venue with a new exhibition titled 'Amazing Nature.' The show runs from May 19 to June 27 and features artwork inspired by the natural world, including landscapes and wildlife of Cheshire. The group, comprising 17 artists from north west Cheshire, originally met behind Frodsham Post Office before moving to the arts centre in 1996. Member Sam Robson, a Royal Society prize-winning artist, noted the exhibition coincides with the arts centre's 40th anniversary, making it a dual milestone.

Harmless Art: Kim Sang-yu Exhibition Becomes Healing Space

A retrospective exhibition for the late Korean artist Kim Sang-yu, titled 'A Person Who Does Not Easily Fade,' is being held at the Seoul Museum of Art to mark the centennial of his birth. The show, featuring over 150 works, has become a popular destination for meditation and healing, with visitors describing the serene paintings as comforting and harmless.

If You Love Local Art, Don’t Miss This Plano Exhibition

The ArtCentre of Plano has opened "Art With Impact," a juried exhibition featuring 70 Texas artists selected from over 200 submissions. The show fills the Saigling House in Downtown Plano with works spanning watercolor, metal sculpture, photography, mixed media, and cyanotype. Highlights include Best in Show awarded to Plano artist Jennifer Gillen for her watercolor "A Burst of Tulip," chosen by juror Kristin Rivas of Samuel Lynne Galleries. Executive Director Suzy Jones notes the exhibition reflects growing momentum in Plano's arts community.

“Jamea Richmond-Edwards: Another World and Yet the Same” at Hamilton College’s Wellin Museum of Art

The article announces the exhibition “Jamea Richmond-Edwards: Another World and Yet the Same” at Hamilton College’s Wellin Museum of Art. The show presents the work of contemporary artist Jamea Richmond-Edwards, whose practice explores themes of Black womanhood, mythology, and Afrofuturism through mixed-media works on paper and large-scale installations.

Alliance for the Arts to open All Florida Exhibition, new gallery showcases in March

The Alliance for the Arts in Fort Myers will open its 40th Annual All Florida Exhibition on March 6, running through March 28. The juried show features 43 works by 39 artists selected from over 450 submissions, representing a wide range of styles and media from across the state. Concurrently, the venue will host 'Selected Works by Ralph Bigletti' in the Theater Gallery and 'Marilyn Hedlund’s Fine Art Acrylics Students’ Showcase' in the Member Gallery, with a free public opening reception on March 6.

In Salento c’è una residenza che mette gli artisti in contatto con territorio e storia della Puglia. Intervista

In Casamassella, in the heart of Salento, Red Lab Gallery's residency program has produced "Chiedete al vento, all’onda, alla stella, all’uccello," a project by artists Agata Ferrari Bravo and Thomas Michael Saccuman with an intervention by Flavio Favelli, curated by Leonardo Regano. The centerpiece is a large bird-cart, a hybrid sculpture and performative device made from papier-mâché, fragments of festive lights, and objects collected from the local area, designed to be disassembled and reactivated. Favelli's installation transforms decommissioned luminarie into a suspended environment that amplifies the work's ambiguous, almost ritualistic quality.

Elliot Erick Jimenez El Monte

Elliot and Erick Jiménez, twin photographers from Miami, have debuted their first museum exhibition, 'El Monte,' at the Pérez Art Museum Miami (PAMM). The immersive installation transforms the gallery into a hybrid chapel-forest, drawing conceptual inspiration from Cuban ethnographer Lydia Cabrera's seminal 1954 book of the same name, which explores Afro-Cuban spiritual traditions. The artists present staged photographs featuring anonymous 'shadow figures' adorned in paint and costumes, creating archetypal representations of spiritual forces.

fashion nike shoe designer wilson w smith

Wilson W. Smith III, Nike's first Black designer and a 41-year veteran of the company, retired this winter and gave one of his first interviews to CULTURED. Smith, who designed shoes for Michael Jordan, Andre Agassi, Roger Federer, and Serena Williams, began his career as an architect at Skidmore, Owings & Merrill before moving into shoe design under Tinker Hatfield in 1985. He reflects on his journey from architecture to footwear, his early projects like the Nike factory store in North Portland, and his role in shaping iconic sneakers such as the Air More Uptempo and the Air Alarm for Agassi.

Israel Advances Bill Granting Sweeping Civilian Authority over West Bank Archaeological Sites

Israel advanced a bill on Tuesday that would grant sweeping civilian authority over antiquities and archaeology in the occupied West Bank, replacing the current military-run system. The Likud-backed legislation would create a "Judea and Samaria Heritage Authority" under the Israeli heritage minister, empowered to purchase and expropriate land, oversee excavations, and manage heritage sites across Areas B and C of the West Bank. The bill passed its first of three votes (23-14) and would be led by Amichai Eliyahu, a far-right politician who advocates for annexation. Human rights groups and the Israeli NGO Emek Shaveh warned the move amounts to de facto annexation and a violation of Palestinian rights.

us holocaust museum canceled programming angering trump

The United States Holocaust Memorial Museum (USHMM) has reportedly removed educational content and canceled programming to avoid potential conflict with the Trump administration. Former employees allege that the museum preemptively scrubbed web pages linking Jim Crow laws to Nazi-era policies and rebranded or canceled workshops on the "fragility of democracy" to avoid being labeled as "woke." While the museum claims these decisions were based on funding challenges, internal records show a significant increase in net assets during the same period.

‘How can you forget me’: show details Filipino Americans’ rich history

Antonio Somera discovered 26 steamer trunks belonging to early 20th-century Filipino migrants in a Stockton, California basement in 2005. The trunks' contents, including a pillowcase embroidered with the phrase "HOW CAN YOU FORGET ME," form the core of the exhibition "How Can You Forget Me: Filipino American Stories" at the Smithsonian's National Museum of American History in Washington DC, offering an intimate look at the lives of the Manong Generation of laborers.

White stuff: capturing a land without colour – in pictures

Photographer Elizabeth Sanjuan has released a new book titled 'Silent Snow,' featuring 40 monochrome images captured over four winters in Hokkaido, Japan. The work focuses on the island's snow-covered landscape, which remains white for half the year, and explores the visual and emotional qualities of this extreme environment.

AI Art Copyright Supreme Court Ruling

ai art copyright supreme court ruling

The U.S. Supreme Court has declined to hear an appeal from computer scientist Stephen Thaler, effectively upholding lower court rulings that AI-generated artwork cannot be copyrighted. The case centered on a 2012 digital work titled "A Recent Entrance to Paradise," which Thaler claimed was created autonomously by his AI system, DABUS. By refusing the case, the court leaves in place the U.S. Copyright Office's stance that copyright protection requires "traditional human authorship."

with new bill israel moves to expand control over ancient west bank sites

The Israeli Knesset's Ministerial Committee on Legislation approved a first reading of a bill that would grant Israel's Heritage Minister sweeping authority over antiquities in the West Bank. The legislation allows for the appointment of a governing council, the designation of antiquity sites, and the expropriation of land and artifacts across the occupied territory, including areas currently under Palestinian civil control.

bonhams posted significant losses 2024

Bonhams, the UK-based auction house, reported a nearly 90% surge in pre-tax losses to £213 million ($286.3 million) in 2024, alongside a 9% revenue decline to £176 million ($236.6 million), according to filings with Companies House. The losses were driven by £153 million in impairment charges due to reduced cash flow forecasts, reflecting a write-down on the investment value held by former owner Epiris. The house was sold to Pemberton Asset Management in October 2024, and subsequently saw a leadership overhaul, with Seth Johnson appointed CEO, Liese Thomas as CFO, and Jennifer Babington as COO, replacing Chabi Nouri and Céline Assimon.

after museum heist syrian cultural authorities face scrutiny over lack of transparency

Syria's Ministry of Culture briefly published details of artifacts stolen from the Damascus National Museum, including six Roman-era marble statues of Venus and gold ingots, only to delete the post hours later. The theft occurred on Sunday night and was discovered Monday morning when a broken door was found. International media reported the theft citing anonymous sources, and the Directorate General of Antiquities and Museums (DGAM) confirmed an investigation but provided no further details. The museum, which houses thousands of antiquities, had reopened in January after closing during the civil war and the fall of the Assad regime.

the rubin names 2025 art prize research and art projects grants

The Rubin Museum of Himalayan Art, which closed its New York physical space in 2024 to become a "global museum," has announced the winner of its 2025 Himalayan Art Prize: Khadhok – Tibetan Artists’ Collective, a Dharamshala-based group founded in 2023. The prize includes a $30,000 purse, the largest of its kind for Himalayan artists. Additionally, the museum named 15 recipients of its 2025 Research and Art Projects grants, distributing $200,000 total among projects ranging from $3,000 to $25,000, selected from 132 applications.

egyptian blue pigment recreated

A team led by Washington State University has successfully recreated Egyptian Blue, the oldest manufactured pigment in history, which was first synthesized in ancient Egypt and used in funerary rituals and Roman art. The production process was lost during the Renaissance. Working with the Smithsonian’s Museum Conservation Institute and the Carnegie Museum of Natural History, the researchers developed 12 recipes using silicon dioxide, copper, calcium, and sodium carbonate, heating them at around 1,000 degrees Celsius for up to 11 hours to mimic ancient methods. They discovered that only half the expected amount of blue-producing compounds was needed to achieve the exact chemical match.

Proof of life — Curator’s Choice celebrates Nelson Mandela Bay’s creative pulse

The Curator’s Choice exhibition at Art on Target in Nelson Mandela Bay showcases 10 selected artists, ranging from emerging talents to established practitioners, including an octogenarian and recent graduates. The show, now in its third year, is an offshoot of the annual Same Size-Same Price-No Signature exhibition and was curated by Art on Target director Bretten-Anne Moolman. Artists were chosen by a diverse panel of over 20 local professionals, educators, and art lovers, and were given eight months to prepare new works for the exhibition, which opened on 13 May.

Oklahoma Arts Council receives largest gift to state art collection

The Oklahoma Arts Council has received the largest gift in the history of the Oklahoma State Art Collection: ten works by influential Native artists from The Howard L. and Mary Ellen Meredith Collection, donated by America Meredith and Samonia Byford in honor of their parents. The donated works include pieces by Benjamin Harjo Jr., Norma Howard, Vanessa Paukeigope Jennings, Ruthe Blalock Jones, Shan Goshorn, Doc Tate Nevaquaya, Jane Osti, Juanita Pahdopony, Jeri Redcorn, and Dick West. The artworks are now on display in the Betty Price Gallery at the Oklahoma State Capitol, alongside two other recent acquisitions.

Minnesota Marine Art Museum celebrates two new collections with weekend events

The Minnesota Marine Art Museum in Winona is hosting a "Spring New Look Weekend" from Friday through Sunday to celebrate two new collections. The first, "Myths & Legends of Minnesota: An Exhibition of the Minnesota Plein Air Collective," features 43 paintings by 32 artists created outdoors across the state, focusing on folklore, oral traditions, and waterways. The second, "Gordon Coons: Gidibaajimomin / We Tell Stories," showcases 18 new works by Ojibwa artist Gordon Coons, along with earlier pieces and examples of Woodland Style art from Norval Morrisseau and Sam Ash. The weekend includes plein air painting demonstrations, a printmaking activity with Coons, meet-the-artist tours, and an evening social.

Indian High Commission celebrated Rabindra Jayanti, inaugurating art exhibition

The Indira Gandhi Cultural Centre (IGCC) of the Indian High Commission in Dhaka inaugurated a ten-day art exhibition titled “Sampriti” on May 7, 2026, coinciding with the 165th birth anniversary of Rabindranath Tagore. The exhibition features works created during a two-day art camp by 33 eminent Bangladeshi artists, including Rafiqun Nabi, Monirul Islam, and Farida Zaman, and was curated by Professor Sanjoy Chakraborty of Dhaka University. High Commissioner Pranay Verma opened the event, highlighting the shared artistic traditions between India and Bangladesh, and paid tribute to the late Bangladeshi artist Tarun Ghosh, whose work is included in the show.

‘Sampriti’: Dhaka exhibition celebrates artistic ties between Bangladesh and India

The Indira Gandhi Cultural Centre (IGCC) in Dhaka inaugurated the art exhibition “Sampriti” on May 7, bringing together artists, scholars, and diplomats from Bangladesh and India. The exhibition, which follows a two-day art camp held in April, features works by 33 contemporary Bangladeshi artists and ICCR scholars, and was curated by Prof Sanjoy Chakraborty. The opening coincided with the 165th birth anniversary of Rabindranath Tagore and included a lamp-lighting ceremony, speeches by High Commissioner Pranay Verma, and a performance of Rabindra Sangeet by Prof Shahnaz Nasrin Ila.

On the Somalia Pavillion

At the 2026 Venice Biennale, Somalia has established its first-ever national pavilion, commissioned by the Somali government to showcase the richness of Somali culture through the theme of Saddaxleey, a triadic form of Somali poetry and proverbs. The pavilion features works by Somali Swedish artist Ayan Farah, UK-based Somali Danish multidisciplinary artist Asmaa Jama, and Somali British poet Warsan Shire. However, a collective of queer Somali artists, curators, and culture workers called Warbixinta Cidda has publicly criticized the pavilion for overrepresenting the diaspora, selecting an all-male advisory board, and appointing an Italian co-curator instead of Somali curators, raising concerns about representation and neocolonialism.

Arts Council News – Fine Art Exhibition Awards

Flinders exhibition revives the ’60s-’70s

Flinders University Museum of Art (FUMA) presents 'Anarchive: knowledge follows form', a solo exhibition by South Australian artist Bridget Currie running from 27 April to 19 June 2026. The show reimagines the archive as a living force, drawing on FUMA's 'Post-object and Documentation Art' collection from the 1960s and 1970s. It features works by Bonita Ely, Alison Goodwin, Poppy Johnson, Dorothy Thompson, and Eva Yuen Man-Wah, including Thompson's playful protest performances in bird costumes. The exhibition is co-presented with Adelaide Contemporary Experimental and includes a guest-edited issue of Artlink magazine.

Desert art and youthful joy fill Cobre Valley Center for the Arts

The Cobre Valley Center for the Arts in Arizona is hosting a month-long Desert Art Show through April, featuring hand-painted items, paintings, and photography from local and international artists including Debbie Yerkovich, Amanda Moore, Jessica Goodwin, Ivan Macarambon, and Wanda Mitchell-Tucker. During the same period, the Center celebrated the 'Week of the Young Child' with a special elementary student display titled 'A Joyful World,' showcasing artwork by local schoolchildren that explores themes of joy, family, and community. The children's exhibit also serves as a tribute to Carolyn Haro, a former key figure at the Center who had long envisioned such a display.

Sertoma Arts Center Gallery Exhibitions

The Sertoma Arts Center in Raleigh, North Carolina, is hosting a series of exhibitions throughout 2025 and 2026, featuring a wide array of local and regional artists. The current exhibition is the 47th annual Sertoma Parks Artists Association (SPAA) show, featuring over 30 artists, running from February to April 2026. Upcoming shows include a May-June 2026 exhibition highlighting artists like Adam Cooley and Natacha Sochat, and the center regularly presents themed exhibits such as its annual Student, Instructor, and Patron exhibition.

Creativity in Culmination: Senior Art Exhibit & Reception

Wittenberg University’s Art Department recently debuted "Prologue to Somewhere," a senior thesis exhibition held in the Ann Miller and Thompson Galleries. The showcase features diverse works from nine graduating seniors, ranging from traditional oil painting and stoneware ceramics to digital media, photography, and interactive video game design. Notable projects include Francesca Heidinger’s Pink Floyd-inspired abstract paintings, Kris Such’s queer horror comic concept art, and Molly Kirkpatrick’s mental health-focused digital experience.

Vantaa Art Museum Artsi's exhibition Empathy explores the multilayered nature of emotion, power, and connection

The Vantaa Art Museum Artsi has launched "Empathy," a multifaceted exhibition exploring the psychological, social, and technological dimensions of emotional connection. The show features diverse works that examine how facial expressions and gestures communicate feelings, while also addressing the power dynamics of who is allowed to tell their story. A central highlight is Ali Akbar Mehta’s immersive installation, which utilizes an archive of 30,000 video clips and XR technology to analyze how digital algorithms and visual overexposure to violence affect human compassion.