Marc Chagall's lithograph *Île Saint-Louis (1959)*, a limited-edition print in colors on Arches paper signed and numbered by the artist, is being offered for sale through an online auction hosted by LLB Auction on Artsy. The work, estimated at €10,000–€15,000, is part of a Contemporary Art Spring 2026 sale and carries a starting bid of €9,000. The listing includes provenance details, a condition report option, and a buyer's premium.
Greater Philadelphia is launching a year-long Semiquincentennial celebration in 2026, featuring a series of major exhibitions across the region. Highlights include "A Nation of Artists" at the Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts, the "What Now" festival by ArtPhilly, and "Bells Across PA," a statewide display of painted Liberty Bell replicas. Other notable shows include the Museum of the American Revolution's "The Declaration's Journey," The Franklin Institute's immersive theme park exhibit, The Academy of Natural Sciences' Indigenous re-examination of its Lewis and Clark collection, and the Independence Seaport Museum's look at early American commerce. The Clay Studio presents "Radical Americana" across 20 sites, the National Liberty Museum opens three exhibitions on the First Amendment, and a new show at the Philadelphia Museum of Art explores monuments, curated by Paul Farber.
Times Square Arts has announced the Summer 2026 Midnight Moment program, featuring three artists: Sonia Boyce (June), Tromarama (July), and Maia Chao (August). Boyce's 'Transform' presents a kaleidoscopic film of Andean ancestral movements, presented with the Queens Museum. Tromarama's 'Turn On #2' examines technology's impact on reality and the environment, presented with The Kitchen. Maia Chao's 'Studies for American Idle' draws from a 2025 site-specific performance in Times Square. The works will be shown nightly from 11:57 pm to midnight on nearly 100 electronic billboards.
The New York Historical will present 'Old Masters, New Amsterdam' from May 1 to August 30, 2026, a first-of-its-kind exhibition using 17th-century Dutch paintings by Rembrandt van Rijn, Frans Hals, Jan Steen, and their contemporaries to envision life in the Dutch settlement that became New York. Featuring over 60 paintings, including works from the Leiden Collection and loans from institutions such as the Museum of Fine Arts Boston, National Gallery of Art, and Virginia Museum of Fine Arts, the exhibition marks the 400th anniversary of New Amsterdam's founding and the U.S. 250th anniversary.
A collaborative exhibition titled 'Traces of Humanity' has opened in Margate, England, organized by Gibraltar Cultural Services on behalf of the Ministry for Culture, in partnership with the Lloyds Group of London. The show features works by Gibraltarian artists, members of the Lloyds Art Group, and internationally renowned artists, drawing inspiration from the Gorham’s Cave complex, a UNESCO World Heritage Site. The launch was hosted by the Mayor of Margate, Councillor Katie Pope, and attended by local dignitaries and visiting Gibraltarian artists. Curated by Philippa Beale, the exhibition will travel to the Noho Gallery in London's West End from 20th to 29th May before arriving in Gibraltar in June.
The Hunterdon Art Museum in Clinton, New Jersey, will open three new exhibitions on May 17, 2026: 'Claybash,' a triennial juried ceramics exhibition; a solo show of figurative paintings by Emily Strong; and 'Mindscapes,' a solo exhibition of works by 93-year-old artist Bascha Mon. Emily Strong's show features large-scale realist oil paintings that explore themes of cultural identity, gender, and human relationships, with QR codes linking to interviews with her models. 'Claybash' includes 40 artists selected by curator Angelik Vizcarrondo-Laboy, with cash prizes awarded. Bascha Mon's exhibition highlights her six-decade career of imaginative, color-driven work.
The Mississippi Museum of Art (MMA) presents "Photography and the Black Arts Movement, 1955–1985," a landmark exhibition exploring the role of photography in fostering Black visual culture and identity during the civil rights and Black Arts Movement eras. The show features approximately 150 works by over 100 artists, including Dawoud Bey, Gordon Parks, and Carrie Mae Weems, drawn primarily from the National Gallery of Art's collection, and runs from July 25 to November 8, 2026, as the final stop on a national tour.
Auckland Art Gallery is preparing to open "Forever Tomorrow: Chinese Art Now," a major exhibition of contemporary Chinese art curated by Hutch Wilco. The show features works from the White Rabbit Collection in Sydney, including a massive 7-meter-high stone sculpture by Xu Zhen, paintings by Shang Liang, and photography by Pixy Liao, who recently won a 2026 Guggenheim Fellowship. Wilco spent three years organizing the exhibition, which includes playful sculptures, paintings, and multimedia works, with significant logistical challenges in transporting large pieces from China.
The Turner Prize 2026 shortlist has been announced, featuring four artists—Simeon Barclay, Marguerite Humeau, Kira Freije, and a fourth unnamed artist—whose practices are rooted in sculpture and installation. The jury, chaired by Alex Farquharson (director of Tate Britain) and including Sarah Allen, Joe Hill, Sook-Kyung Lee, and Alona Pardo, praised the artists for their material intelligence and ability to link sculptural language to systems of power, memory, and belief. Barclay's work combines performance and industrial materials to explore British national identity, Humeau's speculative sculptures investigate non-human intelligence and belief systems, and Freije's hybrid figures examine vulnerability and identity through fabric and metal.
Kuala Lumpur is experiencing a wave of new museum and gallery openings in 2025, marking a significant cultural expansion for the Malaysian capital. Key developments include the Merdeka Textile Museum, set to open in August within the Merdeka 118 tower and billed as Asia's first state-of-the-art textile museum; Muara Arts, a public gallery project by Creador Foundation opening in September in the historic Medan Pasar district; and recent openings such as the heritage building Seri Negara and restored gallery spaces at Bangunan Sultan Abdul Samad. These join earlier private collector-led spaces like Ur-Mu (2022), Toffee (2023), and +N (2025), as well as the established Ilham Gallery (2015).
Robert Koch Gallery, a founding member of AIPAD, will present a group exhibition at The Photography Show 2026, held at the Park Avenue Armory in New York City from April 22–26. The gallery's booth B6 will feature the premiere of key early Edward Burtynsky images in a larger 48 × 60–72 inch format, previously unavailable at that scale, along with recent mine tailing images shown for the first time. Also on view will be photographs from Matt Black's American Geography and New World Atlas series, works by Mimi Plumb, whose retrospective is currently at the High Museum of Art, and pieces by historic photographers including Henri Cartier-Bresson, Robert Frank, Helen Levitt, and Man Ray.
Kuala Lumpur is experiencing a surge of new museum and gallery openings, signaling a significant expansion of its cultural infrastructure. Key developments include the recent opening of the heritage site Seri Negara and the restored Bangunan Sultan Abdul Samad, with major upcoming projects like the Merdeka Textile Museum and the Muara Arts gallery set to launch later in 2026.
Los Angeles-based artist Molly Bounds makes her New York solo debut at Mrs. gallery in Maspeth, Queens, with the exhibition "The Light That Loses, The Night That Wins." The show features a series of psychological portraits and cinematic scenes rendered in oil and acrylic, capturing figures in moments of solitude, internal conflict, and escapism. Following her presentation with the gallery at The Armory Show in 2025, this exhibition highlights Bounds' transition from printmaking to complex, mood-driven painting.
Four major art exhibitions across London are entering their final weekend, with closing dates set for April 12, 2026. Highlights include Tate Britain’s face-off between landscape masters J.M.W. Turner and John Constable, and Tate Modern’s dual offerings: a deep dive into Pablo Picasso’s theatrical influences and Máret Ánne Sara’s monumental Hyundai Commission installation in the Turbine Hall. The South London Gallery is also concluding its showcase of the New Contemporaries, which highlights emerging artistic talent.
The James Wise Gallery at Norfolk State University has unveiled "Define Yourself!", a traveling exhibition organized in partnership with the Chrysler Museum of Art. Inspired by James Baldwin’s "The Fire Next Time," the show features 15 works by artists including Kara Walker, Emma Amos, and Carl Van Vechten that explore themes of Black identity, media representation, and double consciousness. The initiative is part of the Atlantic Coast Cohort, a program funded by the Art Bridges Foundation to share museum collections with historically Black colleges and universities (HBCUs).
The National Portrait Gallery in London has opened a major exhibition dedicated to Lucian Freud's works on paper, featuring 170 drawings, etchings, and paintings. The show, drawing heavily from the Lucian Freud Archive acquired by the gallery after the artist's death, includes 48 sketchbooks, unfinished works, and childhood drawings, alongside 12 new acquisitions from the estate.
A wave of major solo exhibitions by prominent women artists is taking place across the UK in 2025 and 2026, featuring Emma Talbot, Joy Gregory, Tracey Emin, and Caroline Walker. All four artists share a formative educational background, having studied at the Royal College of Art (RCA).
A new exhibition titled 'Truth. Memory. Joy. Resistance: Black Expressions in New Mexico' has opened at the Community Gallery at the Santa Fe Community Convention Center, featuring 28 Black artists from across the state. Co-curated by local gallery owner Aaron Payne and multidisciplinary artist Jakia Fuller, the show includes works in a wide range of mediums from artists aged 16 to 80, with participants from Santa Fe, Albuquerque, and Taos. The exhibition runs through the end of February and includes special events such as a poetry reading and panel discussions.
Works by Edgar Degas and Ben Nicholson are among the artworks donated to UK public collections through the government's Acceptance in Lieu (AIL) and Cultural Gifts Schemes (CGS) between April 2024 and March 2025. The total value of objects gifted reached £59.7 million, settling £39.3 million in tax. Degas's pastel *Ballet Dancers* (1888) was allocated to the National Gallery in London, settling £7.9 million in tax, while three paintings by Ben Nicholson went to Kettle's Yard in Cambridge and a fourth to Pallant House Gallery. Other donations include 73 photographs by Bill Brandt to Tate, a Vanessa Bell still life to the Charleston Trust, and works from the Radev Collection.
Singapore Art Week (SAW) 2026 showcases the city-state's multifaceted identity through a diverse range of artistic offerings. Highlights include the second iteration of Wan Hai Hotel, adapted from Shanghai's Rockbund Art Museum, which explores themes of water, migration, and diaspora with artists like Ho Tzu Nyen, Dawn Ng, and Robert Zhao Renhui. The premier art fair Art SG (23-25 January) runs alongside S.E.A. Focus, aiming to boost market access and solidify Singapore as a hub for Southeast Asian art.
Art duo Cooking Sections, comprising Daniel Fernández Pascual and Alon Schwabe, have opened a new immersive installation titled "Waves Lost at Sea" at Centro Botín in Santander, Spain. The exhibition explores the disappearance of waves due to human activities such as sea dredging, port construction, and coastal development. Working with biologists and engineers from the University of Cantabria's GeoOcean project, the duo researched eleven lost waves globally. The installation features a white fabric structure, 11 slinky-like forms, and a soundscape composed by musician Duval Timothy, with 30-minute looped pieces for each lost wave. The show runs until March 1 and is part of Centro Botín's 30-year program that has previously supported artists like Tacita Dean and Mona Hatoum.
Curators and museum directors from leading institutions worldwide selected their favorite exhibitions of 2025, highlighting a diverse range of shows. Standouts include Wolfgang Tillmans at Centre Pompidou, Paris, praised for its generous scope and integration of the library space; 'Encounters: Giacometti x Mona Hatoum' at Barbican Art Gallery, London, noted for its dialogue across time; and Ithell Colquhoun's retrospective at Tate St Ives, which repositions the artist from a Surrealist footnote to a major figure. Other acclaimed exhibitions include Noah Davis at Barbican Art Gallery, Linder at Hayward Gallery, Hamad Butt at Whitechapel Gallery, and Caroline Walker at Hepworth Wakefield.
The Frist Art Museum in Nashville is launching its 25th-anniversary year with a major group exhibition titled "In Her Place: Nashville Artists in the Twenty-First Century," on view from January 29 to April 26, 2026. The show features nearly 100 works by 28 Nashville-based women artists, including María Magdalena Campos-Pons, Alicia Henry, and Karen Seapker, and is cocurated by Sai Clayton, Katie Delmez, and Shaun Giles. It is part of the 2026 Tennessee Triennial for Contemporary Art and is accompanied by a catalogue published by Vanderbilt University Press.
Plains Art Museum in Fargo has opened "Women Artists: Four Centuries of Creativity," a major exhibition running through March 1, 2026, in the Jane L. Stern Gallery. The show features 40 works from the museum's permanent collection alongside 37 works on loan from the Reading Public Museum, spanning etchings, engravings, lithographs, drawings, watercolors, woodblock prints, and photographs by canonical women artists. Highlights include a 1650 piece by Elisabetta Sirani, one of the earliest renowned female Renaissance artists. Students from Minnesota State University Moorhead's Women and Art course contributed original research and curatorial support.
Alphonse Mucha’s monumental 20-painting series *Slav Epic*, completed in 1928, has never received the permanent exhibition space in Prague that the artist demanded when he donated the work to the city. For decades the series has been displayed in Moravský Krumlov, and its current loan there was recently extended to 2031. Plans to install the Epic in a vaulted underground space designed by Thomas Heatherwick as part of Crestyl’s Savarin development have stalled due to permitting delays, though Crestyl now expects construction to begin in 2025 and open in 2029. Meanwhile, legal disputes persist: John Mucha (the artist’s grandson) had threatened to revoke the city’s ownership, and another granddaughter, Jarmila Mucha Plocková, has challenged the proposed location as unworthy.
Theaster Gates is presenting a major exhibition at the Smart Museum of Art in Chicago, marking a historic moment for the artist’s legacy in his hometown. The show brings together his multidisciplinary practice spanning sculpture, installation, performance, and urban intervention, reflecting his deep engagement with Chicago’s South Side communities and histories of race, labor, and urban renewal.
The Hayward Gallery in London, in partnership with the RC Foundation, Taiwan, has opened Val Lee: The Presence of Solitude, the first solo exhibition in the UK by Taiwanese artist Val Lee. Held in the HENI Project Space at the Southbank Centre, the show runs from 7 October 2025 to 11 January 2026 and features film, photography, and costume works including Valley in the Minibus (2024) and The Sorrowful Football Team (2025). The exhibition explores themes of isolation, solitude, and political repression, using disjointed narratives and unidentifiable figures to examine how personal and collective memories are shaped by state systems.
Hundreds of arts organizations and professionals have signed an open letter denouncing censorship, titled 'Cultural Freedom Demands Collective Courage: A Nation-Wide Statement of Values and Principles for the Field of Arts and Culture.' The statement, issued by the National Coalition Against Censorship (NCAC) and New York’s Vera List Center for Art and Politics, responds to the National Endowment for the Arts terminating over $27 million in grants. This follows President Donald Trump's second term, which has banned diversity, equity, and inclusion initiatives in federal government, forcing DEI offices at the National Gallery of Art in Washington, D.C., and the Smithsonian Institution to close. The White House also published a list of artworks at the Smithsonian it deems to feature 'improper ideology.' The letter aims to rally cultural institutions against increasing pressure on programming decisions.
MK Gallery in Milton Keynes is presenting the first major UK retrospective of Chilean photographer Paz Errázuriz, titled *Dare to Look*, featuring 171 photographs from five decades of her career. Now 81, Errázuriz is known for documenting marginalized communities in Chile, often working under the dictatorship that followed the 1973 military coup. Despite international acclaim—including exhibitions at the Venice Biennale and acquisitions by Tate, MoMA, and the Reina Sofía—this is her first solo show at a British institution.
The Frick Collection in New York has appointed Julia Day as its new chief conservator, a role she assumed upon the retirement of Joseph Godla, who had held the position since 2005. Day, a Frick veteran who left in 2022 to become a senior conservator at the Guggenheim Abu Dhabi, returned this spring to lead the museum's expanded conservation efforts. Her appointment coincides with the reopening of the Frick's renovated 1914 mansion, which now features a new 1,200-square-foot conservation studio—the Sherman Fairchild Center for Art Conservation—designed by Samuel Anderson Architects, along with a radiography room and exhibition preparation spaces.